Henry P. Glass

Henry P. Glass (September 24, 1911 – August 27, 2003) was an Austrian-born American designer, architect, author, and inventor.
Biography.
Born on 24 September 1911 in Vienna, Glass was trained as an architect at the Technical University of Vienna from 1929 to 1936. He married Eleanore Christine Knopp in March, 1937. Glass found early success designing interiors and furnishings for Vienna's bohemian elite until the Anschluss. He was denounced, sent to Dachau, then transferred to Buchenwald, where captors discovered his talents and forced him to design a cemetery for Nazi officers. He was finally released in 1939 through the intervention of his wife at the Gestapo in Berlin. Later during World War II, he assisted the US military by drawing a plan of the camp from memory.
He immigrated to New York City in 1939, worked for Russel Wright and for Gilbert Rohde on the Anthracite Pavilion at the 1939 World's Fair. Glass moved to Chicago in 1942, where he worked as a designer of office furniture for the war effort and studied under László Moholy-Nagy and György Kepes at the IIT Institute of Design. He soon established a career as a furniture and product designer, and opened his own design firm, Henry P. Glass Associates at the Furniture Mart in 1946. A William J. Brenner sofa designed by Glass was used on the living room set of the "I Love Lucy" show during the 1952-53 season.
Henry was a great admirer of R. Buckminster Fuller and he made a deposit on Fuller's Dymaxion House, a prefabricated structure that could be assembled at any site. When none but two prototypes of this house were built, Henry decided to become the architect of his own passive solar home which was one of the first of its kind in America. The Henry P. Glass House was built in 1948 and it still stands on its original site in Northfield, Illinois.
In addition to running his own industrial design business, Glass convinced the School of the Art Institute of Chicago to create an industrial design department in 1946 where he served as a professor for more than twenty years.
The Henry P. Glass collection in the Ryerson & Burnham Library Archives contains the original manuscript for Glass's book Design and the Consumer, his teaching lecture notes, product advertisements, brochures, and photographs. Several of his pieces are on permanent display in the American Art Collection at the Art Institute of Chicago. His drawings and furniture scale models are much in demand by collectors.
Glass was awarded 52 US patents, of which 29 are referenced online. He was a Fellow of the Industrial Designers Society of America and received numerous other awards.
He died on August 27, 2003, at the age of 91.
Concepts, buildings and designs.
Concepts: Efficiency in materials use, minimize waste in manufacturing, reduce environmental impact. Optimize shipping, portability & storage of furnishings by use of folding and collapsing design elements (This earned him the name "Folding Glass" in the industrial design community)
Architectural Work:
"The Henry P. Glass House (1948) is arguably the first passive solar house in America and has been continuously occupied for over 60 years. Previous passive solar houses were either experimental or did not possess all the essential features of a solar home. In the Chicago area, George Fred Keck had included some of these passive solar design features (roof overhang, N-S ventilation, masonry floor) in the Spence House in 1941. Innovative new designs incorporating passive solar elements were built by Frank Lloyd Wright, F.W. Hutchinson and others but they lacked one or more features incorporated in Henry's design. It is important to differentiate these passive solar designs from the Active Design work carried on at M.I.T. which required fans or pumps to transfer the heat from the collectors to storage areas."
Passive solar features of the Henry P. Glass House include:
His industrial designs include:
Prerequisites of Good Design Applied to Man-made Objects.
From his book "The Shape of Manmade Things"
There are seven qualifications which should be present in an article to deserve this label. (of good design)