Nasir Ahmed (engineer)

Nasir Ahmed (born 1940 in Bangalore, India) is an Indian-American electrical engineer and computer scientist. He is Professor Emeritus of Electrical and Computer Engineering at University of New Mexico (UNM). He is best known for inventing the discrete cosine transform (DCT) in the early 1970s. The DCT is the most widely used data compression transformation, the basis for most digital media standards (image, video and audio) and commonly used in digital signal processing. He also described the discrete sine transform (DST), which is related to the DCT.
Discrete cosine transform (DCT).
The discrete cosine transform (DCT) is a lossy compression algorithm that was first conceived by Ahmed while working at the Kansas State University, and he proposed the technique to the National Science Foundation in 1972. He originally intended the DCT for image compression. Ahmed developed a working DCT algorithm with his PhD student T. Natarajan and friend K. R. Rao in 1973, and they presented their results in a January 1974 paper. It described what is now called the type-II DCT (DCT-II), as well as the type-III inverse DCT (IDCT).
Ahmed was the leading author of the benchmark publication, "Discrete Cosine Transform" (with T. Natarajan and K. R. Rao), which has been cited as a fundamental development in many works since its publication. The basic research work and events that led to the development of the DCT were summarized in a later publication by N. Ahmed, "How I came up with the Discrete Cosine Transform".
The DCT is widely used for digital image compression. It is a core component of the 1992 JPEG image compression technology developed by the JPEG Experts Group working group and standardized jointly by the ITU, ISO and IEC. A tutorial discussion of how it is used to achieve digital "video" compression in various international standards defined by ITU and MPEG (Moving Picture Experts Group) is available in a paper by K. R. Rao and J. J. Hwang which was published in 1996, and an overview was presented in two 2006 publications by Yao Wang. The image and video compression properties of the DCT resulted in its being an integral component of the following widely used international standard technologies:
The form of DCT used in signal compression applications is sometimes referred to as "DCT-2" in the context of a family of discrete cosine transforms, or as "DCT-II".
More recent standards have used integer-based transforms that have similar properties to the DCT but are explicitly based on integer processing rather than being defined by trigonometric functions. As a result of these transforms having similar symmetry properties to the DCT and being, to some degree, approximations of the DCT, they have sometimes been called "integer DCT" transforms. Such transforms are used for video compression in the following technologies pertaining to more recent standards:
The "integer DCT" design is conceptually similar to the conventional DCT; however, it is simplified and made to provide exactly specified decoding.
The DCT has been widely cited in patents that have been awarded since 1976.
A DCT variant, the modified discrete cosine transform (MDCT), is used in modern audio compression formats such as MP3, Advanced Audio Coding (AAC), and Vorbis (OGG).
The discrete sine transform (DST) is derived from the DCT, by replacing the Neumann condition at "x=0" with a Dirichlet condition. The DST was described in the 1974 DCT paper by Ahmed, Natarajan and Rao.
Ahmed later was involved in the development a DCT lossless compression algorithm with Giridhar Mandyam and Neeraj Magotra at the University of New Mexico in 1995. This allows the DCT technique to be used for lossless compression of images. It is a modification of the original DCT algorithm, and incorporates elements of inverse DCT and delta modulation. It is a more effective lossless compression algorithm than entropy coding.
Books.
Have been translated into Russian, Chinese and Japanese:
In popular culture.
In season 5, episode 8 of NBC's This Is Us, Ahmed's story was told to highlight the importance of image and video transmission over the Internet in modern society, particularly during the COVID-19 pandemic. The episode ends with a picture of Ahmed and his wife, along with captions explaining the importance of his work, and the fact that producers spoke to the couple over video chat to understand their story and incorporate it into the episode.