The Dressmaker (2015 film)

The Dressmaker is a 2015 Australian revenge comedy-drama film co-written and directed by Jocelyn Moorhouse, based on the 2000 novel of the same name by Rosalie Ham. It stars Kate Winslet as a femme fatale in the title role of the dressmaker, Myrtle "Tilly" Dunnage, who returns to a small Australian town to take care of her ailing, mentally unstable mother. The film explores the themes of revenge and creativity and was described by Moorhouse as "Clint Eastwood's "Unforgiven" with a sewing machine".
The project was first developed in 2000, and Ham wrote a treatment herself which was not developed. Sue Maslin bought the rights to the novel and hired Moorhouse to direct and write the screenplay. Production took place in Melbourne and across Victoria, Australia in late 2014. The film had its world premiere at 2015 Toronto International Film Festival on 14 September 2015 and had a theatrical release on 29 October 2015 in Australia and New Zealand. It opened at the number 1 spot at the Australian and New Zealand box offices and became the second highest-grossing Australian film of 2015 and eleventh highest-grossing film of all time at Australian box office.
Despite receiving mixed critical reviews, with praise going towards Winslet's performance and criticism focusing on its uneven tone, "The Dressmaker" led the 5th AACTA Awards with thirteen nominations. These included Best Film, Best Direction, Best Production Design, Best Original Music Score, Best Sound, Best Editing, Best Cinematography and won Best Lead Actress, Best Supporting Actress, Best Supporting Actor, Best Costume Design and People's Choice Award for Favourite Australian Film.
Plot.
In 1926, in the fictitious Australian outback town of Dungatar, schoolgirl Myrtle Dunnage is blamed for the death of classmate Stewart Pettyman and exiled from the town by local police sergeant Horatio Farrat (Hugo Weaving).
Twenty-five years later in 1951, Myrtle, now an accomplished dressmaker going by the name Tilly (Kate Winslet), returns to Dungatar. Unable to remember the events of Stewart's death, Tilly asks her mentally ill mother Molly (Judy Davis), but she remembers nothing about the incident.
At the local football final game, Tilly’s red couture gown distracts the Dungatar players. Teddy McSwiney (Liam Hemsworth) confronts Tilly, and she changes into a black but equally alluring outfit before the last quarter. When the teams swap ends of the field, the team from nearby Winyerp are distracted by Tilly's dress, and Dungatar wins. Tilly agrees to make a dress for Gertrude Pratt (Sarah Snook) for the upcoming footballers dance, in exchange for the truth about Stewart's death. Gertrude reveals that Tilly had hidden from Stewart, who was bullying her, but Gertrude revealed Tilly's location in self-defence.
At the dance, Gertrude's dress captures the attention of William Beaumont (James Mackay), and they later become engaged. Impressed, the town's women commission extravagant dresses from Tilly; meanwhile Teddy embarks on the steadfast pursuit of a romantic relationship with her, which she resists for as long as she can.
Sergeant Farrat confesses to Tilly that he exiled her because Stewart's father Evan (Shane Bourne), a town councillor, blackmailed him for secretly being a cross-dresser. Tilly and Farrat bond over their shared passion for designer clothing. Evan recruits Una Pleasance (Sacha Horler) to start a rival dressmaking service, but when Gertrude hires Tilly to create her wedding dress, the townspeople return to Tilly, ruining Una.
Bribed with a feather boa, Farrat lets Tilly read the witness statement given by her former schoolteacher Beulah Harridiene (Kerry Fox), and she becomes convinced Beulah lied for fear Evan would blame her for Stewart’s death. Tilly tells Farrat this at Gertrude's wedding reception, but he remains convinced that Tilly killed Stewart, as everyone else in town had an alibi. He also reveals that Evan is Tilly's father. Tilly leaves, and Teddy follows after his developmentally disabled brother, Barney (Gyton Grantley), hysterically says Tilly "moved" when Stewart died.
Teddy takes Tilly to the schoolhouse, and tells her how Stewart died. Stewart had subdued Tilly against a wall, threatening to murder her mother if she moved. He charged head-down at her, but she moved aside and Stewart broke his neck. Barney witnessed this from the town silo, but was afraid people would think he was lying. Tilly and Teddy go to his caravan and make love. They sit atop the silo, and Teddy shows off by jumping inside, but asphyxiates as he sinks into the grain.
Molly reveals that Evan knew about Tilly, and when Stewart died he had Tilly sent away to hurt Molly. She encourages Tilly to use her dressmaking talents against the townspeople. After suffering a stroke, Molly dies. While Tilly and Farrat hold a wake, Beulah snoops around the house. Tilly drunkenly objects to the music, and injures Beulah when she throws the portable record player off the verandah. Beulah is helped onto a train to Melbourne, ostensibly for treatment but really to be placed in an asylum.
Percival Almanac (Barry Otto), the town chemist who mistreated Tilly as a child, drowns in a pond behind his house; his wife Irma (Julia Blake), under the influence of hash brownies baked by Molly, does not save him. To prevent Tilly's arrest, Sergeant Farrat takes the blame and is removed from the town. Tilly reveals Evan’s philandering to his wife, Marigold. Confronting Evan, Marigold cuts his Achilles tendons and leaves him to bleed to death.
Traveling to Winyerp to perform in a competitive Eisteddfod, the townspeople realize the numerous deaths have left them without a full cast, and that Tilly has created Winyerp's costumes. Tilly sets fire to her house and to a paraffin-soaked bolt of red fabric, rolling it down the hill towards the town. Stating that she is no longer cursed, she leaves the town by train. The townspeople return to find Dungatar has burned down.
Production.
Development.
Rosalie Ham sold the rights of the novel for film in mid 2000s. She said in an interview, "I had ten offers on the table within weeks of the book coming out. I selected a producer who seemed passionate about the book and determined to make it happen" and even wrote a screenplay for the film but somehow the project never took off. While missing out on the rights to begin with, producer Sue Maslin reconnected with the author whom she hadn't seen for 30 years since they were at boarding school together. After the initial project was shelved, Maslin optioned the rights of the novel in 2009 and brought Moorhouse on board to direct and write the screenplay for the film. Maslin said, "She (Moorhouse) was living in Los Angeles and I flew there twice to talk to her (about coming back to Australia to make the film). It goes back to what she did with "Proof", where every scene was on a knife edge between comedy and tragedy. You don't know whether to laugh or cry." Screen Australia, Film Victoria, Ingenious Media, White Hot Productions, Fulcrum Media Finance, Motion Picture Lightning, and Soundfirm provided the additional investment for the film.
Moorhouse came on board for the project, saying, "I've waited years to make this movie. It's about my favourite subjects: revenge, love and creativity. I'm deeply grateful to have such extraordinary actors working on this with me." Moorhouse's husband, film director P. J. Hogan, served as the script editor for the project.
Casting.
Kate Winslet and Judy Davis joined the cast of the film as Myrtle "Tilly" and Molly Dunnage respectively in August 2013. Maslin had Winslet and Davis in mind from the start of the project for the roles but knew that securing both of them would not be easy, saying, "Kate gets sent hundreds of scripts a year, and chooses two or three. She fell in love with Tilly, so it was all down to Jocelyn and her beautiful script" and "I've been trying to get Judy to work with me for about 20 years, I always offer her things and so does my husband. So when I read this character I thought, if only I could get Judy to do this. I was actually scared to send her the script, I kept doing more and more drafts so what she got was the best possible version. I was nervous, but I needn't have been because she seemed to respond to the character pretty quickly."
Liam Hemsworth as Teddy McSwiney, Isla Fisher as Gertrude Pratt and Elizabeth Debicki as Una joined the cast in early May 2014. Speaking about the casting, Moorhouse said, "Kate is perfect for Tilly, she’s beautiful, intelligent, and deeply mysterious on screen. Judy Davis is amongst the great contemporary actresses and she will bring powerful wit and charm to the role of Molly. Liam Hemsworth is a laid back, genuine charmer who’s also tall, dark and movie-star handsome." In early October 2014, Hugo Weaving joined the cast as Sergeant Farrat, a secret cross-dressing police officer of Dungatar.
On 10 October 2014, it was announced that Debicki had dropped out of the film to play the lead in "The Kettering Incident" and had been replaced by Sacha Horler. Fisher also left the project due to pregnancy, and was replaced by Sarah Snook. Additional cast members were announced including Caroline Goodall, Shane Bourne, Kerry Fox, Rebecca Gibney, Shane Jacobson, Alison Whyte and Genevieve Lemon.
Ham encouraged the casting of extras from her hometown of Jerilderie, New South Wales, Australia, saying, "It was important to me that Jerilderie locals had a chance to be in the movie." The last portion of filming took place in the Wimmera and more than 100 locals participated as extras. For the players in football match scene in the film, casting director Charlotte Seymour hired most of the extras from Wimmera's "Laharum Football Netball Club". Singer Lanie Lane, who recorded songs for the soundtrack album of the film, also appears as an extra in the film. Ham herself makes an appearance as an extra in the film.
Pre-production.
Production was initially planned to start in early 2014, but due to Winslet's pregnancy it was delayed to late 2014. Pre-production finally began in September 2014, with the construction of fictional town Dungatar started on 16 September 2014 at Mount Rothwell, one hour out of Melbourne. According to Maslin, after looking at many small towns around regional Victoria with Ham and Moorhouse, they decided to set the location of Dungatar "in the wheat-growing area of Victoria's Wimmera-Mallee". Maslin added, "Rosalie is definite about it being in a wheatbelt but on a hill. We drove around Victoria, NSW and into South Australia for three years looking but never found all the elements. Then one day the location department at Film Victoria rang up and suggested the back of the You Yangs near Geelong, where Heath Ledger had filmed "Ned Kelly". It had a granite outcrop and a landscape of dead trees. Our DOP Don McAlpine took one look and said ‘We have to shoot here’."
The Emmy Award-nominated Marion Boyce was announced as the costume designer for the film. Maslin expressed excitement about working with Boyce on a film in which dressmaking plays an important role. Sophie Theallet was also asked to design two couture gowns for Winslet for the film. In October 2014, Margot Wilson came on board as the costume designer for Tilly Dunnage's wardrobe worn by Winslet in the film. Additional retro clothes and accessories were provided by a shop named "Retropolitan", located in West Annapolis, United States.
Winslet bought a sewing machine and learnt to sew for the film, she explained that "the one we used in the film, it was mine, the one that I had learnt on, and I took it over to Australia so that we could use it in the film." She used the Singer Sewing Machine Singer 201K2 in the film.
Filming.
Principal photography started on 17 October 2014 in Melbourne, Australia at Docklands Studios and finished on 13 December 2014. Filming also took place at different towns in Victoria, Australia including Mount Rothwell, Little River, Horsham, and in the Wimmera region.
Interior scenes were filmed at the Docklands Studios, where an artificial silo, and part of Dungatar town, including Molly Dunnage's house, were constructed on the sound stage. On 20 October 2014, filming took place in Docklands Studios with Winslet and Davis. On 5 November 2014, filming took place at Muckleford, Victoria railway station, which was transformed into Dungatar's railway station. In the middle of November 2014, scenes were shot at Mount Rothwell, just north of the You Yangs, near Geelong, and later that month, scenes were filmed with an emu named Elvis, courtesy of the Mount Rothwell Biodiversity Interpretation Centre.
Hemsworth only joined the filming in late November 2014 because of his prior commitment to the promotion of "". On 2 December 2014, he, along with Gyton Grantley, shot scenes at Little River, just west of the You Yangs. Filming took place in different areas of Yarraville, a Melbourne suburb, including Ballarat Street, and around the Sun Theatre and the Sun Bookshop, on 4 December 2014. On 5 December 2014, filming took place in Melbourne with Winslet, Hemsworth and Hugo Weaving. A scene was also shot in a hall in the Melbourne suburb of Williamstown, which served as fictional Dungatar.
In second week of December 2014, Maslin, along with a crew of 120 people, moved to Victoria's Wimmera region for further filming. Scenes were shot in different parts of Wimmera, including Sailors’ Home Hall at Murra Warra, the grain silo and cemetery at Jung, Laharum Homestead, and Murtoa Hall. Longerenong Homestead, near Horsham, was used for wedding reception scenes and Jung Recreation Reserve for football-match scenes. On 10 December 2014, football-match scenes were filmed with Winslet, Hemsworth, and Davis. On 12 December 2014, filming took place at Murtoa, which served as fictional town "Winyerp" in Ham's novel. Filming concluded with the shooting of wedding-reception scenes at Longerenong Homestead.
Post-production.
Post-production started in mid-December 2014, and took place at "Soundfirm" Melbourne, with Moorhouse, editor Jill Bilcock and music composer David Hirschfelder and was finished by 30 June 2015. Filming had included the use of greenscreen shots to which visual effects were added in post-production.
Music.
David Hirschfelder composed the score of the film. It is Hirschfelder's first collaboration with Moorhouse and second with Maslin, with whom he previously worked on Ann Turner's 2006 mystery drama film "Irresistible". The soundtrack album was released digitally on 15 November 2015 by Hirschfelder's label. It also contains songs recorded by Australian singer and songwriter Lanie Lane.
Distribution.
Marketing and promotion.
The first image of Winslet from the film was revealed on 17 December 2014. The first official trailer for the film along with a still from the film featuring Winslet and Liam Hemsworth was released on 13 July 2015.
"The Dressmaker" (novel) was republished as a tie-in-edition with film, featuring a new book cover and released by Penguin Books on 11 August 2015, before the release of the film.
Releases.
The film was premiered at the 2015 Toronto International Film Festival on 14 September 2015. It was screened at Busan International Film Festival on 2 October 2015, followed by its screening at the 2015 Adelaide Film Festival on 16 October 2015. It screened at Mill Valley Film Festival on 17 October 2015 where it won the Audience Favourite Silver Award. It had its Australian premiere in Melbourne on 18 October 2015.
Universal Studios acquired the distribution rights of the film internationally and in Australia and New Zealand and initially planned to release the film on 1 October 2015. It was later changed to 29 October 2015. Energía Entusiasta released the film in Argentina on 19 November 2015. In UK, it had a theatrical release on 20 November 2015. Amazon Studios acquired U.S distribution rights to the film. The film was released in the United States in a limited release on 23 September 2016, with Broad Green Pictures co-distributing with Amazon.
Home media.
The film was released on DVD and Blu-ray on 22 February 2016 in Australia. It was released on 14 March 2016 in the UK.
Reception.
Box office.
, "The Dressmaker" has grossed over US$24.11 million (AUS$32.14 million), against a budget of US$11.9 million (AUS$17 million).
The film opened at the number 1 position at Australian box office and earned US$697,791.12 (AUS $976,000) on its first day. It opened in 384 theatres and grossed US$5,862.59 (AUS $8,200) per theatre, and made US$2.26 million (AUS $3.16 million) including previews, with total earning of over US$2.56 million (AUS $3.58 million) in its opening weekend in Australia. Similarly it opened to number 1 position in New Zealand and grossed over US$220,329 (NZ $334,818) in three days. In its second week, it retained its no. 1 position at the box office with US$5.8 million (AUS $8.23) in Australia and US$510,000 (NZ $333264.60) in New Zealand.
It beat the record of Russell Crowe's "The Water Diviner" (2014) for the biggest Australian film opening at the box office and became the second highest-grossing Australian film of 2015 after "" and eleventh highest-grossing film of all time at the Australian box office.
Critical response.
The film received mixed reviews from critics. , the film holds a 58% approval rating on review aggregation website, Rotten Tomatoes, based on 140 reviews with an average score of 5.83/10. The site's critical consensus reads, ""The Dressmaker" boasts a strong central performance by Kate Winslet and a captivating array of narrative weirdness -- all of which may or may not be a comfortable fit with viewers." Metacritic gives a score of 47 out of 100, based on 27 critics, indicating "mixed or average reviews".
Justin Chang of "Variety" gave the film a positive review, saying, "Moorhouse's adaptation of Rosalie Ham's 2000 novel may lead audiences to expect a primmer, more well-behaved movie based on its title alone, but that doesn't mean it won't have them in stitches" and praised Winslet and Davis's performances: "Winslet, a difficult actress to root against under any circumstances, has us in her palm from the moment she steps into frame, looking like an avenging dark angel bathed in ’50s noir shadows." and "Davis, whose performance here as a booze-swilling, dementia-addled and infernally sharp-tongued old matriarch is enough of a hoot to make one further wonder what she might have done with the role of Violet Weston in "", onscreen or onstage." Sarah Ward of "Screen International" noted, "Light comedy, romantic drama, small-town secrets and revenge schemes might not seem an easy or winning mix; however in "The Dressmaker", the combination fits." She also praised the costumes in the film, saying that "with the intricate work of costume designers Marion Boyce and Margot Wilson clearly pivotal." Richard Ouzounian of "The Star" gave it four out of four stars, calling it "a true bravura style and manages to serve as revenge tragedy, romantic comedy and stylish entertainment all at once" and saying, "Winslet is smashing as Tilly Dunnage and Davis is sublime." Jon Frosch in his review for "The Hollywood Reporter" said, "The Dressmaker is about as far from essential viewing as one could imagine, but, for all its brightly glaring flaws, much of it qualifies as a glossy, goofy guilty pleasure."
However, Kevin Jagernauth in his review for "Indiewire" criticised the film, writing that it "wants to be a saucy and absurd tale of small town scandal, only to then attempt to try and turn the story completely inside out", which he describes as "a potentially interesting concept" that the movie "never commits to".
However, he praised the cast: "Winslet anchors the lead role with sexiness and confidence, staying measured even [when] the movie around her isn’t" and describes Judy Davis "stealing most of the scenes", and being "hilarious as Tilly’s eccentric oddball mother". Gregory Ellwood of "HitFix" gave the film a negative review and said, "it's hard to mix over-the-top comedy and serious drama." Benjamin Lee of "The Guardian" gave the film two stars out of five, saying, "The film is a tonally uneven, genre-shifting hurricane of a thing, wildly careering off the rails and smashing into everything in its view," but Jake Wilson for "The Sydney Morning Herald" wrote that its "lurches from broad comedy to grim melodrama and back are evidently intentional, part of a strategy for throwing the viewer off-balance, along with the dramatic colour contrasts and spatial distortions ... and called it a "hoot and a shock to the system" that could be regarded as the "long-delayed feminist answer to "Wake in Fright"".
Accolades.
The film received 13 nominations for AACTA Awards and went on to win five awards, including Best Lead Actress for Winslet, Best Supporting Actress for Davis, Best Supporting Actor for Weaving, Best Costume Design and People's Choice Award for Favourite Australian Film. Davis was also nominated for Best Supporting Actress at the AACTA International Awards.
In "The Hollywood Reporter"'s annual critic picks, Davis's performance in the film was included among "the 25 Best Film Performances of 2016". It was one of the seven films shortlisted by the Academy Awards for Best Makeup and Hairstyling.