Marvel CyberComics

Marvel CyberComics or Webisodes were digital comics produced from 1996 to 2000 by Marvel Comics using Adobe Shockwave. The Marvel CyberComics were originally made available exclusively on the AOL web portal, but were later made freely available on the Marvel.com website. The Marvel CyberComics feature established Marvel characters such as Spider-Man and Wolverine and consist of a combination of comics and animation. The Marvel CyberComics were removed from the Marvel website in 2000, and the service was succeeded by Marvel Digital Comics Unlimited in 2007.
History.
CyberComics were created by Marvel in the summer of 1996 as a part of a promotional deal with America Online. The CyberComics were placed into the "AOL/Marvel Zone" and were exclusively available to AOL users. In 1997 Marvel built their own website at MarvelOnline.com and the CyberComics were freely available to all users through registration on MarvelZone.com (due to the contract with AOL).
On September 17, 1999 "NextPlanetOver.com" (NPO), a now-defunct online comics store, announced a one-year marketing and content licensing deal with Marvel Comics. Terms included a year of run-of-site advertising on Marvel.com. In addition, NextPlanetOver.com was sponsoring monthly CyberComics created exclusively for them by Marvel. NPO was bought out less than a year later and went bankrupt in 2000; the CyberComics were renamed into "Webisodes" and made available at Marvel.com for free without any registration.
The first characters to star in CyberComics were "Spider-Man" and "Wolverine", soon followed by several others. The comics were not only canon to the mainstream but also tied in directly with Marvel's newsstand offerings. They came out on a monthly basis, in four parts consisting of eight pages each.
Using Macromedia's Shockwave software, readers guided the action by clicking through word balloons and following panels complete with animation, sound effects and music. CyberComics were still very much in the comic book or strip genre - the result was a cross between comics and animation.
The Cybercomics were made by taking penciled pages and transforming them through a program called "Electric Image Painter" and form-Z into the digital comics, colored in digitally in Adobe Illustrator. Simple animations were created in Macromedia Shockwave, and Garry Schafer of grimmwerks created the soundscapes which drove the animations. Done at a time previous to mp3 compression as common as it is now, only 4 channels of small, short soundscapes could be used at one time.
Due to financial reasons the production of new CyberComics ceased in 2000 and Marvel removed them from their website.
Having a huge back-issue archive, Marvel decided to save money by replacing Marvel CyberComics with Dotcomics. This successor would eventually become Marvel Unlimited.
Spider-Man.
From 1996 till 1998 there was a run of the Spider-Man Cybercomics. They appeared monthly for 14 months in four eight-page, weekly installments/episodes. After the 52nd episode Marvel remade them officially into storylines:
Spider-Man Storyline # 01 - 01-04 (July 18, 1996):
Written by Scott Lobdell, penciled by Mark Bagley, guest-starring Chamber and Vertigo.
Spider-Man Storyline # 02 - 05-08: The Menace of Mysterio
Guest-starring Mysterio kidnapping J. Jonah Jameson.
Spider-Man Storyline # 03 - 09-12:
Guest-starring Morbius and the Lizard.
Spider-Man Storyline # 04: Shock Value - 13-16
Guest-starring The Hand, Kingpin, The Rose, Hammerhead, Shocker and Green Goblin. The fourth chapter of the story was penciled by Daerick Gross.
Spider-Man Storyline # 05: The Gamma Gambit - 17-20
Penciled by Daerick Gross, guest-starring Green Goblin and The Hulk.
Spider-Man Storyline # 06 - 21-24:
Spider-man in the Savage Land, featuring Ka-Zar, Shanna the She-Devil and Zabu.
Spider-Man Storyline # 07: Sandblasted - 25-28: Read it here!
Peter Parker's latest gig as a freelance photographer is no day at the beach, thanks to the Sandman's untimely emergence. Featuring the Sandman at Coney Island with art by Daerick Gross.
Spider-Man Storyline # 08: Strange Heads
Spider-Man Storyline # 09: Electric
Spider-Man Storyline # 10: Black Tarantula
Spider-Man Storyline # -1: Flashback
Spider-Man Storyline # 11: Venom Saga
Spider-Man Storyline # 12: Deathlock Solution
Spider-Man Storyline # 13: Path of Vengeance
Spider-Man Storyline # 14: Maximum Plumage
Spider-Man Storyline # 15: Doom Control 
(In five parts; 1998) His name is Von Doom. Victor Von Doom. And only Spider-Man can stop him from seizing control of all the minds in Manhattan. It can be seen completely here. By D. G. Chichester and Daerick Gross.
Marvel's Excelsior Theatre.
Scoop:
The only "movie" in this "theatre" was called "The Secret Adventures of Captain America - Far Flung in the Far East" and came out in five parts in 1999-2000. It was conceived by former editor and Stan-hattan Project founder James Felder and co-written by James Felder, Ben Raab and Joe Kelly with art/designs by John Cassaday and overseen by John Cerilli; sound effects, music, animation and even the voice of Captain America was provided by Garry Schafer. The idea was to do a Flash animated series with actors and writers contributing the characters' voices - all involved recorded parts - John Cerilli was Nick Fury, for example. Sort of a retro-modern version of the old movie serials with a bit of the Orson Welles's "Mercury Theatre" radio show vibe. It was discontinued after the fifth episode without bringing the story to an end for unclear reasons.
Story:
Chasing down a mysterious phenomenon in East Asia during the WWII, Cap confronts the nefarious Mandarin! A certain Sergeant Fury is present and accounted for as well, but with allies like these...
Other appearances include Dum Dum Dugan and Sgt. Fury's Howling Commandos, composed of Dino Manelli, Reb Ralston, Gabe Jones, Pinky Pinkerton and Izzey Cohen.
Review:
The adventure featured numerous "firsts", including a new first meeting of Captain America and Nick Fury; one that is decidedly different than the one featured in the pages of Sgt Fury comic. Much more advanced than the CyberComics, it had music and actors performing their parts and more advanced animation. Oddly the story seemed to take the stand that Nick Fury was somehow opposed to Captain America beforehand, seeing him as some kind of glorified piece of propaganda.