Palagummi Sainath

Palagummi Sainath (born 1957) is an Indian journalist and author of the book "Everybody Loves a Good Drought". He was awarded the Ramon Magsaysay Award in 2007, for believing that "journalism is for people, not for shareholders", and for writing about "those who have been left behind". He founded the People's Archive of Rural India (PARI) in 2014, an online platform that focuses on social and economic inequality, rural affairs, poverty, and the aftermath of globalization in India. He was a senior fellow at Tricontinental: Institute for Social Research, and was earlier the Rural Affairs Editor at "The Hindu" until his resignation in 2014.
The economist Amartya Sen called him "one of the world's great experts on famine and hunger". His book, "Everybody Loves a Good Drought", is a collection of his field reports as a journalist, and focuses on different aspects of rural deprivation in India. He has been actively campaigning, throughout his career, over the issues leading up to the farmers' agitations. He backed the Samyukta Ekta Morcha that leads the farmers' agitations in India.
Early life and education.
Sainath was born into a Telugu speaking family in Madras. He is the grandson of Indian politician and former President of India, V. V. Giri.
Sainath went to Loyola College in Chennai. He has a history degree from Jawaharlal Nehru University, Delhi.
Career.
Sainath started his career at the "United News of India" in 1980. He then worked for the "Blitz", a major Indian weekly tabloid published from Mumbai, first as foreign affairs editor and then as deputy editor, which he continued for ten years.
Sainath became the first Indian reporter to win the European Commission's Lorenzo Natali Prize for journalism in 1995. In 2000, he won the inaugural Amnesty International Global Human Rights Journalism Prize. That same year, he was awarded the United Nation's Food & Agriculture Organisation's Boerma Prize. In 2002, he was given the Inspiration Award at the Global Visions Film Festival in Edmonton, Canada. During the decade, Sainath toured ten drought-stricken states in India. This tour inspired him to write his book "Everybody Loves a Good Drought". He was awarded the Harry Chapin Media Award in New York in 2006.
Sainath was awarded the 2007 Ramon Magsaysay Award for Journalism Literature and Creative Communications Arts. He was given the award for his "passionate commitment as a journalist to restore the rural poor to India’s national consciousness". He was the first Indian to win the Magsaysay in that category after R.K. Laxman in 1984. 
Sainath has not accepted government awards stating, "Journalism should not be judged by government and journalists should not accept awards from governments they are covering or writing about". In 2009 he won the Ramnath Goenka 'Journalist of the Year' award from The Indian Express.
Canadian documentary film maker Joe Moulins made a film about Sainath titled "A Tribe of his Own". When the jury at the Edmonton International Film Festival picked its winner, it decided to include Sainath in the award along with the maker of the film because this was 'an award about inspiration'. Another documentary film, "Nero's Guests", looks at inequality (as manifest in India's agrarian crisis) through Sainath's reporting on the subject. "Nero's Guests" won the Indian Documentary Producers Association's Gold Medal for best documentary for 2010.
He was awarded a Doctor of Letters (D.Litt.) honoris causa by the University of Alberta in Edmonton in 2011. In 2012, he served as the McGraw Professor of Writing at Princeton University. He was the McGraw Professor of Writing at Princeton University Fall (2012). On 1 June 2015, Sainath became the first ThoughtWorks Chair Professor in Rural India and Digital Knowledge at the Asian College of Journalism. He won the inaugural World Media Summit Global Award for Excellence 2014 in Public Welfare for exemplary news professionals in developing countries.
Sainath is currently the Coady Chair in Social Justice at St. Francis Xavier University.
Sainath is also a photographer that have accompanied his reporting for the past 30 years. His exhibition "Visible Work, Invisible Women: Women and work in rural India" has been seen by more than 600,000 people in India alone. The exhibit toured internationally and included a showing at the Asia Society
Research and books.
The International Monetary Fund-led economic reforms launched in 1991 by Manmohan Singh constituted a watershed in India's economic history and in Sainath's career. He felt that the media's attention was moving from "news" to "entertainment" and consumerism and lifestyles of the urban elite gained prominence in the newspapers which rarely carried news of the reality of poverty in India. Sainath is quoted as saying, "I felt that if the Indian press was covering the top five percent, I should cover the bottom 5 percent".
He was awarded a fellowship and traveled to the ten poorest districts of five Indian states. He covered 100,000 km using sixteen forms of transportation and walked 5,000 km. He credits two editors at the Times with much of his success in getting the articles published, since it is one among the very newspapers that has been accused of shifting the onus from page one to page three. The paper ran 84 reports by Sainath across 18 months, many of them subsequently reprinted in his book "Everybody Loves A Good Drought". The website "India Together" has archived the reports he filed at "The Hindu".
His writing has provoked responses that include the revamping of the Drought Management Programs in the state of Tamil Nadu, development of a policy on indigenous medical systems in Malkangiri in Orissa, and revamping of the Area Development Program for tribal people in Madhya Pradesh state. The Times of India institutionalized his methods of reporting and sixty other leading newspapers initiated columns on poverty and rural development. 
He was instrumental in the establishment of the Agriculture Commission in Andhra Pradesh to suggest ways for improving agriculture in that state:
 The crisis states are AP, Rajasthan and Orissa. In the single district of Anantapur, in Andhra Pradesh, between 1997 and 2000, more than 1800 people have committed suicides, but when the state assembly requested these statistics, only 54 were listed. [see 29 April and 6 May issues of The Hindu, for more details]. Since suicide is considered a crime in India, the district crime records bureaus list categories for suicide – unrequited love, exams, husbands' and wives' behavior, etc.; in Anantapur, the total from these categories was less than 5%. The largest number, 1061 people, were listed as having committed suicide because of "stomach ache". This fatal condition results from consuming Ciba-Geigy's pesticide, which the government distributes free, and is almost the only thing the rural poor can readily acquire!!
Opinions.
Sainaith on the World Trade Organization (WTO) and Capitalism vs Socialism: The WTO and GATT type of agreements are very undemocratic. Corporate leaders make policy, not the elected representatives. When people in Geneva draw up regulations, some local panchayat leader cannot be asked to address the consequences of those decisions, when his/her input was not sought in making the decision itself. The idea of different systems is superficial, the most striking aspect of free-market capitalism is that it has benefited the exact same people who gained from socialism! It isn't unexpected, either. After all, the South Commission report was signed by Manmohan Singh 90 days before the liberalization process, can he really have changed his views that much in that time? Political opportunism and media management have provided the appearance of different choices and systems, without any meaningful changes in outcomes.
On the condition of law and order maintenance in India:"All the judges of the Supreme Court do not have the power of a single police constable. That constable makes or breaks us. The judges can't re-write the laws and have to listen to learned lawyers of both sides. A constable here simply makes his own laws. He can do almost anything." With state and society winking at him, he pretty much can.
On Market Fundamentalism:Even a call for discussing this amounts to demanding 'obsolete' practices of the interventionist state. If we hadn’t mucked around trying to get the state to play God for 50 years, none of this would have happened. If only we had got it right and let the market play God instead. Based on the premise that the market is the solution to all the problems of the human race, it is, too, a very religious fundamentalism. It has its own Gospel: The Gospel of St. Growth, of St. Choice...Welcome to the world of Market Fundamentalism. To the Final Solution.
On the absence of reporting on the poor in India:"You see it in the simplest and most direct way: the organisation of beats. Many beats have become extinct. Take the labour correspondent: when labour issues are covered at all, they come under the header of Industrial Relations, and they’re covered by business correspondents. That means they’re covered by the guy whose job is to walk in the tracks of corporate leaders, and who, when he deigns to look at labour, does it through the eyes of corporate leaders. Now find me the agriculture columnist – in most newspapers, the idea doesn’t exist any more. If you lack correspondents on those two beats, you’re saying 70 per cent of the people in this country don’t matter, I don’t want to talk to them."
PARI initiative.
Sainath, at an interaction program in Bangalore, revealed that the People's Archive of Rural India is going to commence operation on an experimental basis from June 2013. According to him this meant to serve as "an archive and living journal of history of rural India". He also clarified that the archive will not accept any direct funding by the government or corporate houses hence it'll be an independent body. Sainath cited "Rural India is the most complex part of the planet" as the reason for launching PARI. 
In literature or pop culture.
Writer Manu Joseph caricatures Sainath using a character named "P Sathya" in his 2017 political thriller.