Historia Augusta

The Historia Augusta (English: "Augustan History") is a late Roman collection of biographies, written in Latin, of the Roman emperors, their junior colleagues, designated heirs and usurpers from 117 to 284. Supposedly modeled on the similar work of Suetonius, "The Twelve Caesars", it presents itself as a compilation of works by six different authors (collectively known as the "Scriptores Historiae Augustae"), written during the reigns of Diocletian and Constantine I and addressed to those emperors or other important personages in Ancient Rome. The collection, as extant, comprises thirty biographies, most of which contain the life of a single emperor, but some include a group of two or more, grouped together merely because these emperors were either similar or contemporaneous.
The true authorship of the work, its actual date, its reliability and its purpose have long been matters for controversy by historians and scholars ever since Hermann Dessau in 1889 rejected both the date and the authorship as stated within the manuscript. Major problems include the nature of the sources that it used, and how much of the content is pure fiction. For instance, the collection contains in all about 150 alleged documents, including 68 letters, 60 speeches and proposals to the people or the senate, and 20 senatorial decrees and acclamations. Virtually all of them are now considered to be fraudulent.
By the second decade of the 21st century, the overall consensus supported the position that there was only a single author, who wrote either in the late 4th century or the early 5th century, who was interested in blending contemporary issues (political, religious and social) into the lives of the 3rd century emperors. There is further consensus that the author used the fictitious elements in the work to highlight references to other published works, such as to Cicero and Ammianus Marcellinus, in a complex allegorical game. Despite the conundrums, it is the only continuous account in Latin for much of its period and so is continually being re-evaluated. Modern historians are unwilling to abandon it as a unique source of possible information, despite its obvious untrustworthiness on many levels.
Title and scope.
The name "Historia Augusta" originated with Isaac Casaubon, who produced a critical edition in 1603, working from a complex manuscript tradition with a number of variant versions. The title as recorded on the "Codex Palatinus" manuscript (written in the 9th century) is "Vitae Diversorum Principum et Tyrannorum a Divo Hadriano usque ad Numerianum Diversis compositae" ("The Lives of various Emperors and Tyrants from the Divine Hadrian to Numerian by Various Authors"), and it is assumed that the work may have been originally called "de Vita Caesarum" or "Vitae Caesarum".
How widely the work was circulated in late antiquity is unknown, but its earliest use was in a "Roman History" composed by Quintus Aurelius Memmius Symmachus in 485. Lengthy citations from it are found in authors of the 6th and 9th centuries, including Sedulius Scottus who quoted parts of the "Marcus Aurelius", the "Maximini" and the "Aurelian" within his "Liber de Rectoribus Christianis", and the chief manuscripts also date from the 9th or 10th centuries. The six "Scriptores" – "Aelius Spartianus", "Julius Capitolinus", "Vulcacius Gallicanus", "Aelius Lampridius", "Trebellius Pollio", and "Flavius Vopiscus (of Syracuse)" – dedicate their biographies to Diocletian, Constantine and various private persons, and so ostensibly were all writing around the late 3rd and early 4th century. The first four "scriptores" are attached to the lives from Hadrian to Gordian III, while the final two are attached to the lives from Valerian to Numerian.
The biographies cover the emperors from Hadrian to Carinus and Numerian. A section covering the reigns of Philip the Arab, Decius, Trebonianus Gallus, Aemilian and all but the end of the reign of Valerian is missing in all the manuscripts, and it has been argued that biographies of Nerva and Trajan have also been lost at the beginning of the work, which may suggest the compilation might have been a direct continuation of Suetonius' "The Twelve Caesars". It has been theorized that the mid-3rd-century lacuna might actually be a deliberate literary device of the author or authors, saving the labour of covering Emperors for whom little source material may have been available.
Despite devoting whole books to ephemeral or in some cases non-existent usurpers, there are no independent biographies of the Emperors Quintillus and Florian, whose reigns are merely briefly noted towards the end of the biographies of their respective predecessors, Claudius Gothicus and Tacitus. For nearly 300 years after Casaubon's edition, though much of the "Historia Augusta" was treated with some scepticism, it was used by historians as an authentic source – Edward Gibbon used it extensively in the first volume of the "Decline and Fall of the Roman Empire". However, "in modern times most scholars read the work as a piece of deliberate mystification written much later than its purported date, however the fundamentalist view still has distinguished support. (...) The "Historia Augusta" is also, unfortunately, the principal Latin source for a century of Roman history. The historian must make use of it, but only with extreme circumspection and caution."
Textual transmission.
Existing manuscripts and witnesses of the "Historia Augusta" fall into three groups:
In Marshall's opinion, the best scholarly editions are those by H. Peter (Teubner, 2nd ed. 1884), and E. Hohl (Teubner, 1971, reissue of 1965 revised by Ch. Samberger & W. Seyfarth).
A copy of the Codex Palatinus (possibly the one made for Petrarch in 1356) was the basis of the "editio princeps" of the "History", published in Milan in 1475. A subsequent printed version (the Aldine edition) was published at Venice in 1516, and this was followed closely by an edition edited by Desiderius Erasmus, and published by Johann Froben in Basel in 1518.
The dating problem.
In 1776, Gibbon had observed that there was something wrong with the numbers and names of the imperial biographers, and that this had already been recognised by older historians who had written on that subject. A clear example was the referencing of the biographer 'Lampridius' (who was apparently writing his biographies after 324) by 'Vopiscus', who was meant to be writing his biographies in 305-6. Then in 1889, Hermann Dessau, who had become increasingly concerned by the large number of anachronistic terms, Vulgar Latin vocabulary, and especially the host of obviously false proper names in the work, proposed that the six authors were all fictitious personae, and that the work was in fact composed by a single author in the late 4th century, probably in the reign of Theodosius I. Among his supporting evidence was that the life of Septimius Severus appeared to have made use of a passage from the mid-4th-century historian Aurelius Victor, and that the life of Marcus Aurelius likewise uses material from Eutropius. In the decades following Dessau, many scholars argued to preserve at least some of the six "Scriptores" as distinct persons and in favour of the first-hand authenticity for the content. As early as 1890, Theodor Mommsen postulated a Theodosian 'editor' of the "Scriptores"' work, an idea that has resurfaced many times since. Hermann Peter (editor of the "Historia Augusta" and of the "Historicorum Romanorum reliquiae") proposed a date of 330 for when the work was written, based upon an analysis of style and language. Others, such as Norman H. Baynes, abandoned the early 4th-century date but only advanced it as far as the reign of Julian the Apostate (useful for arguing the work was intended as pagan propaganda).
In the 1960s and 1970s however Dessau's original arguments received powerful restatement and expansion from Sir Ronald Syme, who devoted three books to the subject and was prepared to date the writing of the work closely in the region of AD 395. Other recent studies also show much consistency of style, and most scholars now accept the theory of a single author of unknown identity, writing after 395. Although it was believed that the "Historia Augusta" did not reference any material from Ammianus Marcellinus' history, which was finished before 391 and which covered the same period, this has now been shown not to be the case, and that the "Historia Augusta" does in fact make reference to Ammianus' history.
Not all scholars have accepted the theory of a forger working around the last decades of the 4th century or the beginning of the 5th. Arnaldo Momigliano and A. H. M. Jones were the most prominent 20th century critics of the Dessau-Syme theory amongst English-speaking scholars. Momigliano, summarizing the literature from Dessau down to 1954, defined the question as "res iudicanda" (i.e. "a matter to be decided") and not as "res iudicata" ("a matter that has been decided"). Momigliano reviewed every book published on the topic by Sir Ronald Syme, and provided counter arguments to most if not all of Syme's arguments. For instance, the reference in the "Life of Probus" about the emperor's descendants which has been taken to refer to Sextus Claudius Petronius Probus (consul in 371) and his family may, in the opinion of Momigliano, equally refer to the earlier members of the family, which was prominent throughout the 4th century, such as Petronius Probinus (consul in 341) and Petronius Probianus (consul in 322). Momigliano's opinion was that there was insufficient evidence to dismiss a composition date of the early 4th century, and that any post-Constantinian anachronisms could be explained by an editor working on the material at a later date, perhaps during the reigns of Constantius II or Julian.
Other opinions included Dr H Stern's, who postulated that the "History" was composed by a team of writers during the reign of Constantius II after the defeat of Magnentius on behalf of the Senatorial aristocracy who had supported the usurper. In the 21st century, Alan Cameron rebutted a number of Syme's and Barnes' arguments for a composition date c.395–400, suggesting a composition date between 361 and the 380s.
Six "scriptores" or a single author?
Linked to the problem of dating the composition of the "History" is the question about the authorship of the work. Taking the "History" at face value, there is clearly a division between the authors named prior and after the presence of the interrupting lacuna. For the first half of the "History", four "scriptores" are present, and the biographies are divided in a remarkably erratic fashion:
Of these four, Spartianus and Gallicanus claim to be undertaking a complete set of imperial biographies from Julius Caesar onwards, while Lampridius' stated intention was to write a collection of biographies that would deal with the Gordians, Claudius II, Aurelian, Diocletian, Maximian and the four rivals of Constantine. Capitolinus also implied that he was writing more biographies than are present in the "History".
The second half of the "History" is divided between two "scriptores". Unlike the first half, the emperors tackled in this section are grouped logically, and are divided roughly in half between the two "scriptores" in chronological sequence:
In terms of any acknowledgement of the mutual existence between the "scriptores", only Flavius Vopiscus (ostensibly writing in 305 or 306) refers to any of the other authors (specifically Trebellius Pollio, Julius Capitolinus and Aelius Lampridius). None of the other five demonstrate any awareness of the existence of any of their 'colleagues'. However, these references cause difficulties when these authors also address Constantine in their dedications, as Vopiscus was also doing. For instance, Capitolinus mostly addresses Diocletian, but in the "Albinus", "Maximini" and "Gordiani" he addresses Constantine in a fashion that suggests he is writing after 306.
The theory that there was a single author, as initially postulated by Hermann Dessau, is based on the difficulties inherent in having a single work comprising a number of individuals but without any textual evidence of an editor who brought the material together. This is especially evident in that the text has examples of stated intentions by an author to write a life of one of the emperors, only for that life to be completed by another of the "scriptores". If those statements are true, and those additional lives were completed, then an editor must have been involved in the project in order to select one "scriptor"'s life over another's.
However, the presence of a post-Constantinian editor, as originally postulated by Theodore Mommsen, still has notable support, most recently articulated by Daniel Den Hengst, who suggests that the editor was the author of the second half of the "History", operating under the pseudonyms of Pollio and Vopiscus. Further, that this editor not only wrote the secondary lives in the first half, but he was also responsible for the insertions into the primary lives in that series. He takes the view that the vast stylistic differences between the two halves of the "History" means they cannot have been written by the same author.
Nevertheless, if the validity of six independent authors is accepted, there are still issues, as the way they approached their work does show similar themes and details. All six not only provide biographies for the emperors, but also for the "Caesars" and usurpers. They describe their work and approach in very similar language, and quote otherwise unknown historians and biographers, such as Junius Cordus. They collectively share many errors, such as calling Diadumenianus "Diadumenus". They also share much idiosyncratic content and similar language, with particular focus on women, wine and military discipline, and were fixated on poor plays on words ascribing personality traits to certain emperors, for instance Verus was truthful, while Severus was a severe individual. Additionally, the authors shared certain stylistic characteristics that has been suggested would not naturally occur between individuals writing separately. For instance, the authors all happen to use the word "occido" with respect to killing (a total of 42 occurrences), but only once do any of them use the alternative word of "interficio". This ratio is not found with any other writers in this time period and for this genre. Finally, each of the six "scriptores" authored fictional lives for some of their biographies, all of them using fake sources, documents and acclamations.
It has been postulated that the names of the "scriptores" themselves are also a form of literary playfulness, not only mocking both legitimate authors and historians, but also the narrative itself. The names Trebellius Pollio and Flavius Vopiscus are sourced in various ways from Cicero's writings, as is the name Capitolinus. Further, the word "vopiscus" is a rare Latin term, referring to a twin who survives, while its sibling died "in utero"; this has been interpreted to refer to "Flavius Vopiscus" as being the final one to survive from the six authors of the "History". Vulcacius is believed to be a mockery of Volcatius Sedigitus, who was a historical literary critic with some association with humor. The meanings behind the other two "scriptores" (Spartianus and Lampridius) have eluded interpretation.
Finally, it should also be noted that the results of recent computer-assisted stylistic analysis concerning the single vs multiple authorship have proven to be inconclusive:
"Computer-aided stylistic analysis of the work has, however, returned ambiguous results; some elements of style are quite uniform throughout the work, while others vary in a way that suggests multiple authorship. To what extent this is due to the fact that portions of the work are obviously compiled from multiple sources is unclear. Several computer analyses of the text have been done to determine whether there were multiple authors. Many of them conclude that there was but a single author, but disagree on methodology. However, several studies done by the same team concluded there were several authors, though they were not sure how many."
Primary and secondary Vitae.
A unique feature of the "Historia Augusta" is that it purports to supply the biographies not only of reigning Emperors (called "primary lives" by modern scholars), but also "secondary lives" of their designated heirs, junior colleagues, and usurpers who unsuccessfully claimed the supreme power. Thus among the biographies of 2nd-century and early 3rd-century figures are included Hadrian's heir Aelius Caesar, and the usurpers Avidius Cassius, Pescennius Niger and Clodius Albinus, Caracalla's brother Geta and Macrinus' son Diadumenianus. None of these pieces contain much in the way of solid information: all are marked by rhetorical padding and obvious fiction. The biography of Marcus Aurelius' colleague Lucius Verus, which Mommsen thought 'secondary', is however rich in apparently reliable information and has been vindicated by Syme as belonging to the 'primary' series.
The 'secondary' lives allowed the author to exercise freedom in the invention of events, places and people without the need to conform to authentic historical facts. As the work proceeds the author's inventiveness undergoes an increasing degree of elaboration as legitimate historical sources begin to run out, eventually composing largely fictional accounts such as the "biographies" of the "Thirty Tyrants", whom the author claimed had risen as usurpers under Gallienus. Moreover, after the biography of Caracalla the 'primary' biographies, of the emperors themselves, begin to assume the rhetorical and fictive qualities previously confined to the 'secondary' ones, probably because the secondary lives were written after the "Life of Caracalla".
The biography of Macrinus is notoriously unreliable, and after a partial reversion to reliability in the "Life of Elagabalus", the "Alexander Severus", one of the longest biographies in the entire work, develops into a kind of exemplary and rhetorical fable on the theme of the wise philosopher king. Clearly the author's previous sources had given out, but also his inventive talents were developing. He still makes use of some recognized sources – Herodian up to 238, and probably Dexippus in the later books, for the entire imperial period the "Enmannsche Kaisergeschichte" as well as Aurelius Victor, Eutropius, Ammianus Marcellinus and Jerome – but the biographies are increasingly tracts of invention in which occasional nuggets of fact are embedded.
However, even where recognisable facts are present, their use in the "History" cannot be taken at face value. In the "Life of Alexander Severus", the "History" makes the claim at 24.4 that Alexander had considered banning male prostitution but had decided against making it illegal, although the author added that the emperor Philip did later ban the practice. Although the claim about Alexander is false, the note about Philip is true – the source of this is Aurelius Victor (28.6–7, and who in turn sourced it from the "Kaisergeschichte"), and the "History" even copies Victor's style of moralising asides, which were not in the "Kaisergeschichte". Normally, this anecdote would have been included in a Life of Philip, but its absence saw the author include it in another life. This is taken as evidence that the mid-work lacuna is deliberate, as the author was apparently reluctant to abandon any useful material that could be gleaned from the "Kaisergeschichte".
Genre and purpose.
Interpretations of the purpose of the "History" also vary considerably, some considering it a work of fiction or satire intended to entertain (perhaps in the vein of "1066 and All That"), others viewing it as a pagan attack on Christianity, the writer having concealed his identity for personal safety. Under this anti-Christianity theory, the lacuna covering the period from Philip the Arab through to the end of Valerian's reign is seen as deliberate, as it freed the author from addressing Philip's reign, as by the late 4th century, Philip was being claimed as a Christian emperor, as well as not discussing Decius and Valerian's reigns, as they were well known persecutors of the Church. It also avoided dealing with their fates, as Christians saw their ends as divine retribution for their persecutions. In fact, where mentioned, both Decius and Valerian are viewed very positively by the author of the "History". Further, it is noted that the "History" also parodies Christian scripture. For instance, in the "Life of Alexander Severus" there is: "It is said that on the day after his birth a star of the first magnitude was visible for the entire day at Arca Caesarea", while "where, save at Rome, is there an imperial power that rules an empire?" is considered to be a response to 2 Thessalonians 2:6–7.
Syme argued that it was a mistake to regard it as a historical work at all and that no clear propaganda purpose could be determined. He theorized that the "History" is primarily a literary product – an exercise in satire produced by a 'rogue scholiast' catering to (and making fun of or parodying) the antiquarian tendencies of the Theodosian age, in which Suetonius and Marius Maximus were fashionable reading and Ammianus Marcellinus was producing sober history in the manner of Tacitus. (The "History" implausibly makes the Emperor Tacitus (275–276) a descendant and connoisseur of the historian). In fact in a passage on the "Quadriga tyrannorum" — the 'four-horse chariot of usurpers' said to have aspired to the purple in the reign of Probus — the "History" itself accuses Marius Maximus of being a producer of 'mythical history': "homo omnium verbosissimus, qui et mythistoricis se voluminibis implicavit" ('the most long-winded of men, who furthermore wrapped himself up in volumes of historical fiction'). The term "mythistoricis" occurs nowhere else in Latin. Of considerable significance in this regard is the opening section of the life of Aurelian, in which 'Flavius Vopiscus' records a supposed conversation he had with the City Prefect of Rome during the festival of Hilaria in which the Prefect urges him to write as he chooses and invent what he does not know.
Other examples of the work as a parody can be taken from the names of the "Scriptores" themselves. It has been suggested that "Trebellius Pollio" and "Flavius Vopiscus Syracusius" were invented, with one theory arguing that their origins are based on passages in Cicero's letters and speeches in the 1st century BC. With respect to "Trebellius Pollio", this is a reference to Lucius Trebellius, a supporter of Mark Antony who was mentioned in the Philippics ("Phil", 11.14), and another reference to him in "Epistulae ad Familiares" along with the term "Pollentiam" reminded the "History's" author of Asinius Pollio, who was a fellow Plebeian Tribune alongside Lucius Trebellius and a historian as well. This is reinforced by noted similarities between the fictitious criticism of "Trebellius Pollio" by "Flavius Vopiscus" at the start of the "Life of Aurelian", with similar comments made by Asinius Pollio about Julius Caesar's published "Commentaries". Significantly, Lucius Trebellius adopted the Cognomen "Fides" for his actions as Plebeian Tribune in 47 BC to resist laws that would abolish debts; later when he fell into debt himself and began supporting debt abolishment, Cicero used his cognomen as a method of abuse and ridicule. According to this theory it is no coincidence that, in selecting the name "Trebellius Pollio", the author is playing with the concepts of "fides" and "fidelitas historica" at the precise point in the lives that are assigned to "Trebellius Pollio" and "Flavius Vopiscus Syracusius".
In the case of "Flavius Vopiscus Syracusius", it was argued that it too was inspired by the Philippics' reference to "Caesar Vopiscus" ("Phil", 11.11), with Cicero's reference to Vopiscus immediately preceding his reference to Lucius Trebellius. The cognomen "Syracusius" was selected because Cicero's "In Verrem" is filled with references to "Syracusae" and "Syracusani". Further, in Cicero's "De Oratore", Cicero refers to Strabo Vopiscus as an authority on humour, during which he refers to the reputation of Sicilians when it came to humour, and Syracuse was one of the principal cities of Sicily. Such references were intended as a "knowing wink" to the readers of the "History", who would recognise the mockery of the historical material by the author. This corresponds with David Rohrbacher's view of the "History", who maintains that the author has no political or theological agenda; rather that the "History" is the equivalent of a literary puzzle or game, with the reader's understanding and enjoyment of the numerous elaborate and complicated allusions contained within it being the only purpose behind its existence.
In support of this theory, Rohrbacher provides an example with respect to Ammianus Marcellinus' work. In one passage (Amm. 19.12.14), Ammianus describes the Christian emperor Constantius II's attempts to prosecute cases of magic under treason laws, in particular the death penalty applied to those men who were condemned simply for wearing an amulet to ward off diseases: "si qui remedia quartanae vel doloris alterius collo gestaret" ("For if anyone wore on his neck an amulet against the quartan ague or any other complaint"). There is a very similar imperial ruling described in the "Life of Caracalla" (5.7), which makes no sense in Caracalla's time, and is worded in almost exactly the same way: "qui remedia quartanis tertianisque collo adnexas gestarent" ("wearing them around their necks as preventives of quartan or tertian fever").
Other theories include André Chastagnol's minimalist opinion that the author was a pagan who supported the Senate and the Roman aristocracy and scorned the lower classes and the barbarian races, while François Paschoud proposed that the last books of the "History" are in fact a type of alternative historical narrative, with events and the personalities of recent 4th century emperors woven into the fabric of a series of 3rd century emperors. According to Paschoud, the representation of the emperor Probus is in fact a version of Julian, with Carus substituting for Valentinian I and Carinus for Gratian.
Historical value.
From the sixth century to the end of the 19th century, historians had recognized that the "Historia Augusta" was a flawed and not a particularly reliable source, and since the 20th century modern scholars have tended to treat it with extreme caution. Older historians, such as Edward Gibbon, not fully aware of its problems with respect to the fictitious elements contained within it, generally treated the information preserved within it as authentic. For instance, in Gibbon's account of the reign of Gallienus, he uncritically reproduces the "Historia Augusta's" biased and largely fictional account of that reign. So when Gibbon states "The repeated intelligence of invasions, defeats, and rebellions, he received with a careless smile; and singling out, with affected contempt, some particular production of the lost province, he carelessly asked, whether Rome must be ruined, unless it was supplied with linen from Egypt, and arras cloth from Gaul", he is reworking the passage in "The Two Gallieni":
I am ashamed to relate what Gallienus used often to say at this time, when such things were happening, as though jesting amid the ills of mankind. For when he was told of the revolt of Egypt, he is said to have exclaimed "What! We cannot do without Egyptian linen!" and when informed that Asia had been devastated both by the violence of nature and by the inroads of the Scythians, he said, "What! We cannot do without saltpetre!" and when Gaul was lost, he is reported to have laughed and remarked, "Can the commonwealth be safe without Atrebatic cloaks?" Thus, in short, with regard to all parts of the world, as he lost them, he would jest, as though seeming to have suffered the loss of some article of trifling service.
Gibbon then noted after this passage: "This singular character has, I believe, been fairly transmitted to us. The reign of his immediate successor was short and busy; and the historians who wrote before the elevation of the family of Constantine could not have the most remote interest to misrepresent the character of Gallienus." Modern scholars now believe that Gallienus' reputation was posthumously maligned, that he was one of the main architects of the later Roman imperial structure, and that his reforms were built upon by succeeding emperors.
Nevertheless, it is unwise to dismiss it altogether as it is also the principal Latin source regarding a century of Roman history. For example, scholars had assumed that Veturius Macrinus, mentioned in the Life of Didius Julianus, was an invention of the author, like so many other names. However, an inscription was uncovered which confirmed his existence and his post as Praetorian Prefect in 193. Likewise, the information that Hadrian's Wall was constructed during Hadrian's reign and that the Antonine Wall was built during the reign of Antoninus Pius are recorded by no other extant ancient writer apart from the "Historia Augusta", the veracity of which has been confirmed by inscriptions.
False documents and authorities.
A peculiarity of the work is its inclusion of a large number of purportedly authentic documents such as extracts from Senate proceedings and letters written by imperial personages. In all it contains around 150 alleged documents, including 68 letters, 60 speeches and proposals to the people or the senate, and 20 senatorial decrees and acclamations. Records like these are quite distinct from the rhetorical speeches often inserted by ancient historians – it was accepted practice for the writer to invent these himself – and on the few occasions when historians (such as Sallust in his work on Catiline or Suetonius in his "Twelve Caesars") include such documents, they have generally been regarded as genuine; but almost all those found in the Historia Augusta have been rejected as fabrications, partly on stylistic grounds, partly because they refer to military titles or points of administrative organisation which are otherwise unrecorded until long after the purported date, or for other suspicious content.
The "History" moreover cites dozens of otherwise unrecorded historians, biographers, letter-writers, knowledgeable friends of the writers, and so on, most of whom must be regarded as expressions of the author's creative imagination. For example, the biographer "Cordus" is cited twenty-seven times in the "History". Long considered to be a real, but lost, biographer until midway into the 20th century, with a couple of minor exceptions where material claimed to be sourced from Cordus is in reality from Suetonius or Cicero, every other citation is fake, providing details which have been invented and ascribed to Cordus. Cordus is mentioned almost exclusively in those Vitae where the "History" used Herodian as the primary source, and his appearances vanish once Herodian's history comes to an end.
The author would also misattribute material taken from a legitimate historian and ascribe it to a fictitious author. For instance, Herodian is used more often than he is explicitly referenced in the "History"; in addition to the ten times he is correctly cited, three times his material is cited as "Arrianus", probably to multiply the author's sources. Further, not only does the author copy from Herodian without citation (either direct lifts, abbreviations or supplementations), he often distorts Herodian, to suit his literary objective.
Then there is the deliberate citation of false information which is then ascribed legitimate authors. For instance, at a minimum, five of the "History's" sixteen citations of Dexippus are considered to be fake, and Dexippus appears to be mentioned, not as a principal source of information, but rather as a contradictory author to be contrasted against information sourced from Herodian or the "Enmannsche Kaisergeschichte". In addition Quintus Gargilius Martialis, who produced works on horticulture and medicine, is cited twice as a biographer, which is considered to be another false attribution.
Examples of false historical events and personages.
The untrustworthiness of the "History" stems from the multifarious kinds of fraudulent (as opposed to simply inaccurate) information that run through the work, becoming ever more dominant as it proceeds. The various biographies are ascribed to different invented 'authors', and continue with the dedicatory epistles to Diocletian and Constantine, the quotation of fabricated documents, the citation of non-historical authorities, the invention of persons (extending even to the subjects of some of the minor biographies), presentation of contradictory information to confuse an issue while making a show of objectivity, deliberately false statements, and the inclusion of material which can be shown to relate to events or personages of the late 4th century rather than the period supposedly being written about. For example:
Marius Maximus or 'Ignotus'?
Certain scholars have always defended the value of specific parts of the work. Anthony Birley, for instance, has argued that the lives up to Septimius Severus are based on the now-lost biographies of Marius Maximus, which were written as a sequel to Suetonius' "Lives of the Twelve Caesars". As a result, his translation of the "History" for Penguin Books covers only the first half, and was published as "Lives of the Later Caesars", Birley himself supplying biographies of Nerva and Trajan (these are not part of the original texts, which begin with Hadrian).
His view (part of a tradition that goes back to J. J. Müller, who advanced Marius' claims as early as 1870, and supported by modern scholars such as André Chastagnol) was vigorously contested by Ronald Syme, who theorized that virtually all the identifiable citations from Marius Maximus are essentially frivolous interpolations into the main narrative source, which he postulated was a different Latin author whom he styled 'Ignotus ("the unknown one"), the good biographer'. His theory argued, firstly, that as Marius wrote a sequel to the "Lives of the Twelve Caesars", his work covered the reigns from Nerva to Elagabalus; consequently, this would not have included a biography of Lucius Verus, even though the biography of that "Princeps" in the History is mainly of good quality. Secondly, that 'Ignotus' only went up to Caracalla, as is revealed by the inferior and mostly fictitious biography of Macrinus. Finally, that the composer of the "Historia Augusta" wrote the lives of the emperors through to the "Life of Caracalla" (including Lucius Verus) using Ignotus as his main source, and supplementing with Marius Maximus on occasion. It was only when the source failed that he turned to other less reliable sources (such as Herodian and Maximus), as well as his own fertile imagination, and it was at this juncture that he composed the first five minor lives, through to the "Life of Geta".
A similar theory to Syme's has been put forward by François Paschoud, who claimed that Maximus was probably a satirical poet, in the same vein as Juvenal and not an imperial biographer at all. His argument rests on the point that, outside of the mentions in the "History", the only extant referencing of Marius' work is always in the context of Juvenal, and that the "History's" description of him as a historian cannot be taken at face value, given how it invents or distorts so many other citations. This theory is rejected by historians such as Anthony Birley and David Rohrbacher.
Literary value.
The "Historia Augusta" has been described by Ronald Syme as "the most enigmatic work that Antiquity has transmitted". Although much of the focus of study throughout the centuries has been on the historical content, since the 20th century there has also been an assessment of the literary value of the work. For much of that time the assessment has been critical, as demonstrated by the analysis put forward by David Magie:
The literary, as well as the historical, value of the Historia Augusta has suffered greatly as a result of the method of its composition. In the arrangement in categories of the historical material, the authors did but follow the accepted principles of the art of biography as practised in antiquity, but their narratives, consisting often of mere excerpts arranged without regard to connexion or transition, lack grace and even cohesion. The over-emphasis of personal details and the introduction of anecdotal material destroy the proportion of many sections, and the insertion of forged documents interrupts the course of the narrative, without adding anything of historical value or even of general interest. Finally, the later addition of lengthy passages and brief notes, frequently in paragraphs with the general content of which they have no connexion, has put the crowning touch to the awkwardness and incoherence of the whole, with the result that the oft-repeated charge seems almost justified, that these biographies are little more than literary monstrosities.
M. L. W. Laistner was of the opinion that "even if the "Historia Augusta" was propaganda disguised as biography, it is still a wretched piece of literature", while Ronald Syme noted that with respect to the author's Latin prose:
He was not an elegant exponent. His normal language is flat and monotonous. But uneven, and significantly so. For this author is erudite, a fancier of words, and a collector. Hence many rarities, or even inventions ... first, when depicting the measures of a military disciplinarian, he brings in technical terms redolent of the camp. Second, archaism, preciosity, and flowery words.
Further, the work shows evidence of its having been put together in a very haphazard and hasty fashion, with little to no subsequent editing of the material to form a cohesive narrative. Birley sees an example of the carelessness with which the author approached the work in the construction of Marcus Aurelius' biography, where midway through the "Life of Marcus Aurelius" the author found himself in a muddle, probably because he had historical material in excess of what he required, and also because he had already used up much of his source to write separate biographies of Lucius Verus and Avidius Cassius, whose lives intersected with Marcus'. The answer he came up with was to use Eutropius as his source for a brief overview of Marcus' principate following the death of Lucius Verus. However, he found that in doing so, the narrative's ending was too abrupt and so, after including some gossip about Commodus not being his son, he once again began an account of Marcus' reign after the death of Verus.
Although these criticisms still form the prevailing view on the "History's" literary worth, modern scholars such as Rohrbacher have begun to argue that, while it is poorly written and not a stylistic or polished work, its use of allusion as a vehicle for parodying popular late 4th century biographical and historiographical works means that the very features which were once a cause for intense criticism (such as the inclusion of irrelevant or contradictory inventions alongside traditionally sourced material) are actually an intentional and integral part of the work, making it one of the most unique pieces of literature to emerge from the ancient world.