Mulquinerie

Mulquinerie, is a landmark of French sartorial heritage and high craftsmanship, is the art of weaving and trading fine fabrics composed exclusively of linen: whether plain flax cloth, 'linon' or batiste. A 'mulquinier' was the artisan textile designer and weaver as well as the merchant of canvases. The mulquiniers were not only a subcategorization of the tisserand(e) artists but were also the traders of their own craft. This activity was predominantly developed within villages as a substantial rural proto-industry, hence mulquiniers working on métiers à tisser in their home' basement while breathing from "bahottes" or "blocures" to obtain the most propitious humidity levels.
Origins and etymology.
Mulquinerie originated in the 17th and 18th centuries from metropolitan France’s Northern Departments now constituting the Hauts-de-France region , following the territorial reform of French Regions (2014) from a merger of Nord-Pas-de-Calais and Picardy. The activity was ubiquitous in the towns of the former Nord-Pas de Calais Mining Basin, the Cambrésis sub-province or the Thiérache including Saint-Vaast-en-Cambrésis, Saint-Hilaire-lez-Cambrai, Haspres, Saint-Quentin or Neuvilly. This also included Caudry, the medieval capital city of French lace, which remains (in collaboration with Calais) the only town in France where lace is still made.
Etymologically, ‘mulquinier’ is derived from the Germanic term "mollquin" meaning 'thin canvas'. First traces of the term are encountered in the 'Charter of the mulquiniers of Valenciennes' in 1413 through the use of the term 'molekinier'. Among the oldest mulquinerie ancestries are the 'Lecygne' and 'Legueil' families tracing back beyond the XVIIth century being fabric dyers, textile artists, embroiderers, patternmakers or hand-spinners.
Symbolism and patronage.
The French mulquiniers' patron was Saint Veronica of Jerusalem whose representations they celebrated biannually (summer and winter) as in many pious Christian countries.