The Brass Teapot

The Brass Teapot is a 2012 American fantasy film directed by Ramaa Mosley. The movie's script was written by Tim Macy, who also wrote the short story on which the movie is based. The movie premiered at the Toronto International Film Festival on September 8, 2012, and was released into theaters and video on demand on April 5, 2013.
Synopsis.
John (Michael Angarano) and Alice (Juno Temple) are a down-on-their-luck couple that comes across a magical brass teapot capable of providing them with money. The only catch is that they must experience pain in order for the teapot to provide. They must then decide what they are willing to do (and what they are willing to suffer through) in order to gain financial security.
Reception.
Critical reception for the film was poor. , "The Brass Teapot" holds a 32% approval rating on Rotten Tomatoes, based on 31 reviews with an average rating of 4.88/10. Film.com review said "Despite the sometimes patchy moments The Brass Teapot by and large squeaks by as an enjoyable entertainment." The Playlist commented that "With the help of a talented cast, The Brass Teapot is able to coast on charm."
Hitflix writes "It is apparent that Ramaa Mosley has a voice, and that The Brass Teapot is a focused, controlled piece of storytelling that displays real control". Wall Street Journal reviews says "Alice and John are good company — especially Alice, thanks to Ms. Temple's buoyant humor and lovely poignancy. The problem comes when the couple gets greedy, the gods grow angry and the tone turns dark. It doesn't stay dark, but getting back to the brightness is a painful process."
The "New York Times" criticized the film, saying that while the two lead characters were interesting, the "movie’s best bits lose out to the requisite moral turnaround". The Film School Rejects commented that the darker points of the film's story line were "ill fitting" in contrast with the predominantly "comically light and slapsticky" tone of the overall movie. In contrast, "Variety" gave a more positive review for the film, saying that Mosely "makes her low-budget enterprise look as slick as most midrange studio comedies, demonstrating herself a director with both imagination and technical ingenuity".