Slamdance Film Festival

The Slamdance Film Festival is an annual film festival focused on emerging artists. The annual week-long festival takes place in Park City, Utah, in late January and is the main event organized by the year-round Slamdance organization, which also hosts a screenplay competition, workshops, screenings throughout the year and events with an emphasis on independent films with unverified budgets under $1 million USD.
History.
Founding.
The festival was founded in 1995 by Dan Mirvish, Jon Fitzgerald, Shane Kuhn, and Peter Baxter, along with Paul Rachman, after they had been unsuccessful in submitting films to the Sundance Film Festival. Baxter has been in charge of Slamdance since 1997.
Screenplay competition.
In addition to the festival, Slamdance's screenplay competition has discovered a number of talented screenwriters, including Joshua Marston ("Maria Full of Grace") and Steven Fechter and Nicole Kassell, co-writers of ("The Woodsman"). In 2008, Slamdance entered into an agreement with Upload Films to develop and produce "Drool", the winner of Slamdance's screenplay competition. Written and directed by Nancy Kissam, "Drool" premiered at the 2009 Festival and thereafter was acquired by Strand Releasing. Chad Crawford Kinkle's southern horror screenplay "Jug Face" won the 2011 Grand Prize. During the 2012 Festival, Modernciné producers Andrew van den Houten and Robert Tonino announced their production of "Jug Face" in Nashville, Tennessee.
In 2011, "Dead in the Room", written by Marjory Kaptanoglu (winner of Slamdance's 2010 Short Screenplay Competition) was directed by Academy Award–nominated filmmaker Adam Pertofsky. In 2012, "Harold's Bad Day", written by R.J. Buckley, was directed by Slamdance alum Jordan Brady. The 2011 Grand Prize winner "Jug Face", written by Chad Crawford Kinkle, premiered at the 2013 festival, where it was picked up for distribution by Gravitas Ventures.
The Slamdance 2013 Screenwriting Competition was presented by JuntoBox Films. Awards were given to the top three scripts in each category, with a Grand Prize of $10,000 cash that went to "Butterfly Children" by Melanie Schiele. The Short Screenplay winner "Think Ink" by Emily Hu was produced and premiered at the 2015 Festival, as part of the Special Screenings section.
The 2014 Screenplay Competition saw an original teleplay ("Search for Life" by Andrea Janakas) take home the Grand Prize. "Search for Life" was also given the award for Best Original Teleplay, the Best Narrative Feature was given to HF Crum's "The 3 Faces of Hunger & Thirst", the Best Horror Screenplay was given to Sean Patrick Geraghty's "The Hounds of House Rearden", and the Best Short Screenplay was given to David Shushan's "Over the Line (And Far Away)". The awards were given at the Writers Guild of America West in Los Angeles.
The 2015 Screenplay Competition received a record-breaking 50% increase in submissions, with nearly 3,500 total submissions. Narrative Feature script "The Delegation" by Shane Andries was awarded the Best Narrative Feature and Grand Prize Award, Best Horror Screenplay was awarded to "Speak of the Devil" by Jesse J. Cook, Best Short Screenplay was awarded to "Deep Storage" by Susan Earl, and the Best Teleplay was awarded to "Castle Rock" by Jamie King. The awards were given at the Writers Guild of America West in Los Angeles for the second time.
The 2016 Screenplay Competition received a record-breaking number of submissions, with 3,600 total scripts submitted. Narrative Feature script "Great White Shark" by Andrew Kightlinger was awarded the Best Narrative Feature and Grand Prize Award, Best Horror Screenplay was awarded to "The Housesitter" by Suju Vijayan, Best Short Screenplay was awarded to "Conviction" by Anju Andre-Bergmann, and Best Teleplay was awarded to "Feral" by Bryan Kett. The awards were given at the Writers Guild of America West in Los Angeles for the third time. Andrew Kightlinger has received representation from Principato-Young Entertainment and is currently in development on a new narrative feature which focuses on sex trafficking.
The 2017 Screenplay Competition received over 3,000 submissions. Horror Feature "Day Shift" by Tyler Tice was awarded $2,000 for Best Horror Screenplay and $8,000 for the Grand Prize Award. Best Narrative Feature was awarded to "Escher" by Jason Kessler, Best Short Screenplay was awarded to "The Clown-Faced Plumber" by Frederick Jones, and Best Teleplay to "Jackrabbit" by David Schlow. The awards were given at the Writers Guild of America West in Los Angeles for the fourth time.
Slamdance on the Road.
The Slamdance organization has established Slamdance on the Road, a traveling showcase supported by the festival and its filmmakers. On the Road brings popular Slamdance films to audiences that otherwise would not have the chance to see them and provide theatrical venues with an alternative film program experience. On the Road events usually take place in U.S. cities such as New York, Los Angeles, Austin, and Detroit, but have also traveled to countries like Canada, China, Poland, France, and Chile.
Slamdance Cinema Club.
In 2015, as a further development of its theatrical distribution efforts, Slamdance announced a partnership with ArcLight Hollywood to produce and promote the Slamdance Cinema Club, which features two Slamdance films a month for the first three quarters of 2015.
Slamdance Presents.
In January 2010, Slamdance and Microsoft announced its partnership of year-round Slamdance Film programming on Xbox and Zune.
Slamdance president and co-founder Peter Baxter said, “Slamdance has a true independent identity and proven track record of unearthing great films. It's time now to be progressive and unleash our film programs outside of the festival and directly help filmmakers find popular, worldwide audiences. The standard of Slamdance films deserve this much and we believe the audience will respond.”
As of opening day at the 2011 Festival, select Competition Feature Films were made available via Zune Video Marketplace as part of this year's Festival and VOD Showcase for the duration of the festival, January 20–27. Select films included narrative features "Modern Imbecile's Planet World", "Snow on tha Bluff" by Damon Russell, and "The Beast Pageant" by Albert Birney & Jon Moses; documentary features "Road Dogs" and "Scrapper", as well as films from previous years’ festivals.
In 2013, Slamdance expanded its VOD business onto iTunes, Amazon, Google, Vudu, and PlayStation. Slamdance Studios acquired and released four Slamdance favorites and award winners through Cinedigm/New Video, including Monteith McCollum's "Hybrid", Ron Eyal and Eleanor Burke's "Stranger Things", Rudd Simmons' "The First Season", and Daniel Martinico's "OK, Good".
Also in 2013, "The Slam Collective" made Slamdance's first collaborative feature film called "I Want to Be an American". In the spirit of the surrealist parlor game of chance Exquisite Corpse, 7 Slamdance filmmakers each made a documentary short film based on imagery forwarded on by the previous filmmaker in the chain.
In January 2015, Slamdance Studios launched a streaming program on Hulu that includes Slamdance favorites and independent classics including Marc Levin's "Slam", Cullen Hoback's "Terms and Conditions May Apply", and Gerard Johnson's "Tony". The Slamdance-produced short film "D.I.Y.", featuring conversations with prominent Slamdance alumni Christopher Nolan, Penelope Spheeris, and the Russo brothers also premiered on the platform.
In 2015, Slamdance partnered with filmmakers Steve Yu and Diamond Dallas Page for a theatrical release of "The Resurrection of Jake the Snake" as the first title for Slamdance Presents, a distribution enterprise dedicated to creating theatrical and other commercial opportunities for independent filmmakers. "The Resurrection Of Jake The Snake" documents the rehabilitation of Jake Roberts and Scott Hall. The film played in markets in the United States and Canada, including Los Angeles, New York City, Chicago, Atlanta, Philadelphia, and Baltimore. Upon its subsequent VOD release, "The Resurrection Of Jake The Snake" became the number one documentary on iTunes.
In 2017, Slamdance Presents acquired four award-winning and critically acclaimed films now available on VOD: "Driftwood" by Paul Taylor, "Dead Hands Dig Deep" by Jai Love, "Without" by Mark Jackson, and "The Ground We Won" by Christopher Pryor.
Slamdance Digital, Interactive & Gaming.
In 2015, Slamdance integrated digital, interactive, and immersive art into its program with the launch of DIG. DIG opened at Big Pictures Los Angeles on December 4, 2015, and showcased cutting-edge works in the field of digital storytelling.
Featured projects included "Pry" by Tender Claws; "The Visitor" by James Kaelan, Eve M. Cohen, and Blessing Yen; "Sleighting" by Rachel Ho; "Woman Without Mandolin" by Fabiano Mixo; "Simulacra" by Theo Tagholm; "Thumper" by Drool; "Memory of a Broken Dimension" by XRA; "Apoptosis" by Kytten Janae; "Line Wobbler" by Robin Baumgarten; and "TL;DR [the shape of the internet (Orgy)]" by Theo Triantafyllidis.
In 2016, Slamdance DIG continued into its second iteration, expanding its program with the creative input of Dekker Dreyer and virtual reality network Littlstar. Featured projects included "(THREE² x 3P2:VR)" by Float (Kate Parsons & Ben Vance); "Bad News" by Expressive Intelligence Studio ([James Ryan, Ben Samuel, & Adam Summerville); "Infinit-O" by Corazon Del Sol; "Manifold Garden" by William Chyr; "Natural History" by Lillian Mehrel; "Soundstage" by Logan Olson; "The Magic Dance Mirror" by Kyle Ruddick; and "You Must Be 18 or Older to Enter" by Seemingly Pointless. DIG opened at Big Pictures Los Angeles on December 2, 2016, and then again at the Slamdance Film Festival in January 2017.
In 2017, Slamdance DIG featured artists from South Africa, Poland, and beyond. Projects included "Brief Excursion" by Aaron Oldenburg; "BVOVB: Bruising Vengeance of the Vintage Boxer" by Michal Rostocki; "Dujanah" by Jack King-Spooner; "Everything is going to be OK" by alienmelon (Nathalie Lawhead); "F.L.O.W. (Future Ladies of Wrestling)" by Jennifer Juniper Stratford of Telefantasy Studios; "Laser Non Laser" by Jeanette Bonds of GLAS Animation; "Nour" by Terrifying Jellyfish (aka TJ Hughes); "Semblance" by Nyamakop (Cukia Kimani and Ben Myres); "Sundays with Absalon" by John Vanderhoef; "Super Void" by Sam Weiss (Shnabubula) and John Donohue Bell (Lazy Brain Games); "The Game: The Game" by Angela Washko; "ULTRA ADHD (Amazing Death and Huge Destruction)" by Alon “DancingEngie” Karmi. DIG opened at Big Pictures Los Angeles, December 1, 2017.
Select projects, including "The Game: The Game", "BVOB: Bruising Vengeance of the Vintage Boxer", and "[The (De)escalation Room" by Columbia University's Digital Storytelling Lan with Lance Weiler and Nicholas Fortugno was featured at the 2018 Slamdance Film Festival in Park City, Utah.
Guerrilla Games Competition controversy.
The festival used to host a computer and video game competition called Slamdance Guerrilla Games Competition. In January 2007, the festival for the first time dropped a finalist. The game "Super Columbine Massacre RPG!" was announced as a finalist in late November 2006, but the controversial game was dropped by Slamdance founder Peter Baxter with no outside pressure as initially reported.
In response to this, six other finalists withdrew from the competition in protest, Jonathan Blow withdrew "Braid", thatgamecompany withdrew "Flow", Waking Games withdrew "Once Upon a Time", the developers for "Toblo" withdrew their game (however, on January 16 the college which they attend, the DigiPen Institute of Technology against their wishes "overwrote our decision and readmitted Toblo to the Slamdance Festival", because the developers did not consult the college prior to their withdrawal decision), Queasy Games withdrew "Everyday Shooter", Nick Montfort withdrew "Book and Volume", and The Behemoth withdrew "Castle Crashers". The University of Southern California has also withdrawn its sponsorship of Slamdance over this controversy.
On January 26, 2007, the date the game awards were to be presented, a panel discussion with the remaining finalists resulted in the withdrawal of the Official Jury Selection for all finalists, and no awards were handed out. The competition has not been held since.
In popular culture.
Slamdance was referenced in the season 19 episode of "The Simpsons" titled "Any Given Sundance", and also referenced in the series finale of "Glee" on March 20, 2015. In 2017, Slamdance was referenced in the season 6 episode of "Girls" entitled "Gummies" by alum Lena Dunham.