Dust Bowl Ballads

Dust Bowl Ballads is an album by American folk singer Woody Guthrie. It was released by Victor Records, in 1940. All the songs on the album deal with the Dust Bowl and its effects on the country and its people. It is considered to be one of the first concept albums. It was Guthrie's first commercial recording and the most successful album of his career.
"Dust Bowl Ballads" was originally released as eleven songs on two simultaneously released three-disc set albums of 78 rpm records entitled "Dust Bowl Ballads, Vol. 1" and "Dust Bowl Ballads, Vol. 2". The twelve sides in total had one song each except for the double-sided "Tom Joad" which was too long to be pressed on a single side of a 78. However, two of the thirteen songs recorded on the sessions, "Pretty Boy Floyd" and "Dust Bowl Blues" were left out due to length. All of the tracks were recorded at Victor studios in Camden, New Jersey on April 26, 1940, except "Dust Cain't Kill Me" and "Dust Pneumonia Blues" which were recorded on May 3. In 1964, during the American folk music revival, a reissue was released in LP format by Folkways Records after RCA refused Guthrie's request to re-issue the album. In 2000, it was reissued by Buddha Records including the two previously unreleased tracks. The complete "Dust Bowl Ballads" remains available on compact disc through Smithsonian Folkways.
Like many of Guthrie's later recordings, these songs contain an element of social activism, and would be an important influence on later musicians, including Pete Seeger, Bob Dylan, Bruce Springsteen, Phil Ochs and Joe Strummer.
Background.
As Southern and Great Plains states became unlivable because of drought and the Depression, California came to seem like the land of milk and honey to desperate farmers. Guthrie spent this time hoboing with displaced farmers from Oklahoma to California. Guthrie learned their traditional folk and blues songs and discovered his own version of the blues, one on which he’d play endless variations, earning him the nickname the "Dust Bowl Troubadour"
At the time Victor Records was looking for an answer to rival Columbia Records folk singer Burl Ives, so they signed 27-year-old Guthrie and put him in a recording studio. This would be the only major label for which Guthrie ever recorded. He later went on to record more with Moses Asch of Folkways Records.
On the liner notes for the Folkways Records reissue Woody Guthrie said:
Songs and themes.
"Dust Bowl Ballads" chronicles the 1930s Dust Bowl era during The Great Depression, where farmers were dispossessed of their land by a combination of weather conditions and bank foreclosures. The album is semi-autobiographical, mirroring both Guthrie’s own life and John Steinbeck’s 1939 novel "The Grapes of Wrath", which had just been turned into a movie. The album follows the exodus of Midwesterners headed for California. Hailing from Oklahoma, Guthrie had a detailed knowledge of the Dust Bowl conditions that had led to an exodus of Okies west to California, and witnessed the economic hardships there where they became poor migrant workers in often harsh conditions.
Guthrie alternates between reporting the story, commenting on it humorously, and embodying the characters of the Okies with whom he identifies in songs. The humorous talking blues song "Talkin' Dust Bowl Blues," starts off telling the story in the first person of a family who had an average life of a farmer in Nineteen Twenty-Seven, before the drought started and then have to migrate after losing their farm. “The black ol' dust storm filled the sky and I swapped my farm for a Ford machine” sings Guthrie. Although it is done comically and Guthrie himself chuckles at the absurdity, it does not hide the horrifying circumstances they go through in their travels and arrival. "Blowin' Down This Road" has a more defiant tone with the repetition of the line "I ain't a-gonna be treated this-a-way."
After arrival in California, the Okie migrants realize that California is not so welcoming and a rough place to settle if you do not have money, or "Do Re Mi". This is a cautionary tale to all those others traveling across the country who were dreaming of a promised land or “Garden of Eden” as Guthrie calls it in the song, telling them there’s so many people going to California it might be better to go back east. Guthrie captures the hopelessness of the crop and bank failures, the rigors of the journey west and the crushing disappointment that ensued when California offered a reality nearly as harsh as the land left behind. "Dust Cain't Kill Me" sets a darker tone, where Guthrie acknowledges the destruction wrought by the dust storms, killing his family, but still keeping a determined positive attitude that it would not kill him. The final song on Volume 1, split into two parts, tells the story of “Tom Joad," The character comes from "The Grapes of Wrath". "Wherever people ain’t free/Wherever men are fightin’ for their rights,” he sings, “That’s where I’m a-gonna be.”
Volume 2 starts out with the waltz "The Great Dust Storm", describing the catastrophe when a giant dust storm hits the Great Plains "On the fourteenth day of April of 1935", transforming the landscape and resulting in a diaspora of people heading west where they have been promised there is work aplenty picking fruit in the lush valleys of California. "Dusty Old Dust" follows, telling a similar story in a more humorous manner. The character says his farewell repeating “so long, it's been good to know yuh” in the chorus, which is what the song is now most commonly known as, as he has “got to be driftin' along”.
In "Dust Bowl Refugee", Guthrie tells a first-person story of the struggles and nomadic life of the travel out west. The comedic "Dust Pneumonia Blues" comments on the physical effects many experienced in the Dust Bowl. He notes the song was supposed to have yodeling in it, but he was unable to yodel because of the dust in his lungs. "I Ain't Got No Home in This World Anymore" uses a tune borrowed from the Christian hymn "Heaven Will Be My Home", the spiritual message is amended to one about the plight of the Okies. "Vigilante Man" is an attack on the hired thugs who harassed the Dust Bowl refugees, which contained a verse referring to Preacher Casey, a character in "The Grapes of Wrath".
The 2000 Buddha Records reissue bonus track "Pretty Boy Floyd", tells the story of the famous outlaw Pretty Boy Floyd, an American bank robber who was pursued and killed by a group led by FBI Agent, Melvin Purvis. This song was written in March 1939, five years after Floyd’s death. Guthrie shows Floyd as a misunderstood Robin Hood who was adored by the people. “But a many a starvin' farmer The same old story told How the outlaw paid their mortgage and saved their little homes”
Reissues.
1964 Folkways Records Reissue.
Victor eventually let the original sets go out of print. Guthrie wrote to the label asking for a reissue in LP format and got a negative response. Guthrie then authorized Folkways Records to copy the discs and, in October 1950, put out its own 10" LP version, which was called Talking Dust Bowl. RCA protested, but, in the face of Guthrie's go-ahead, backed off, giving Folkways tacit permission to do a second reissue as a 12" LP. However, in spite of this, RCA did release the album in 1964 in its RCA Victor Vintage Series, on a 12" LP, issue number LPV-502, with the following track listing:
The Folkways reissue re-creates the contents of the two original releases of 78s in the same running order, but combines the two parts of "Tom Joad" into one track.
2000 Buddha Records Reissue.
Sixty years after the recordings were first released, Woody Guthrie's odes to the Dust Bowl were presented in their third different configuration. The running order of the tracks are shuffled and two previously unreleased tracks and an alternate take of "Talking Dust Bowl Blues" were added.