
Rape and revenge film

Rape and revenge films are a subgenre of exploitation film that was particularly popular in the 1970s. 
Explanation of the subgenre.
Rape and revenge films generally follow the same three-act structure:
In Gaspar Noé's 2002 film "Irréversible", the structure was reversed, with the first act depicting the revenge before tracing back the events which led to that point. Roger Ebert argues that, by using this structure as well as a false revenge, "Irréversible" cannot be classified as an exploitation film, as no exploitation of the subject matter takes place.
The genre has attracted critical attention. Much of this critical attention comes from feminist critics examining the complex politics involved in the genre and its impact on cinema more generally. More recently, a broad analysis of the rape-revenge genre and concept was published in "Rape-Revenge Films: A Critical Study", by Alexandra Heller-Nicholas. The book argues against a simplistic notion of the term "rape-revenge" and suggests a film-specific approach in order to avoid generalizing films which may "diverge not over the treatment of sexual assault as much as they do in regard to the morality of the revenge act."
In addition to American and French films, rape/revenge films have been made in Japan (e.g., Takashi Ishii's "Freeze Me"), Finland, Russia ("The Voroshilov Sharpshooter"), Argentina (e.g., "I'll Never Die Alone"; [2008]; original title: "No Moriré Sola"), and Norway (e.g., "The Whore" [2009]; original title: "Hora").