Čovjek u odijelu i leptir-mašni stoji pored automobila iz 50-tih godina, na izblijedjeloj crno-bijeloj fotografiji, ostatku nečije prošlosti, bačenoj na stol ispod reda drvenih kalupa za cipele, pored sata skinutog sa kormila broda, potamnjelog srebrnog pehara, i bezobličnog komada afričke drvene umjetnine.
A man in a suit and bowtie is standing next to a 1950s car in a faded black-and-white photo, a remnant from someone's past, tossed on a table under a row of wooden shoe molds, next to a ship wheel clock, a tarnished silver cup and an incongruous piece of wooden African art.