page_title: Criticism of Muhammad
section_title: Early Middle Ages
hierarchical_section_title: Criticism of Muhammad / Critics / Christian criticism / Early Middle Ages
caption_attribution_description: English: This 1508 engraving by Dutch artist Lucas van Leyden illustrates a legend about Mohammed that circulated in Europe during the medieval era; according to a 1908 New York Times article which reprinted this image, "The famous print of the year, 1508, is an illustration of the story of the Prophet Mohammed and the Monk Sergius. Mohammed, when in company with his friend Sergius, drank too much wine and fell asleep. Before he awakened a soldier killed Sergius and placed the sword in Mohammed's hand. When the prophet wakened the soldier and his companions told him that while drunk he had slain the monk. Therefore Mohammed forbade the drinking of wine by his followers." A high-resolution reproduction of this engraving can be viewed here, and a museum catalog listing giving all its specifics is here; this copy is in the Fine Arts Museums of San Francisco.
context_page_description: Criticism of Muhammad has existed since the 7th century, when Muhammad was decried by his non-Muslim Arab contemporaries for preaching monotheism, and by the Jewish tribes of Arabia for what they claimed were unwarranted appropriation of Biblical narratives and figures, vituperation of the Jewish faith, and proclaiming himself as "the last prophet" without performing any miracle or showing any personal requirement demanded in the Hebrew Bible to distinguish a true prophet chosen by the God of Israel from a false claimant. For these reasons, they gave him the derogatory nickname ha-Meshuggah. During the Middle Ages various Western and Byzantine Christian thinkers considered Muhammad to be a perverted, deplorable man, a false prophet, and even the Antichrist, as he was frequently seen in Christendom as a heretic or possessed by demons. Some of them, like Thomas Aquinas, criticized Muhammad's promises of carnal pleasure in the afterlife.
context_section_description: The earliest documented Christian knowledge of Muhammad stems from Byzantine sources, written shortly after Muhammad's death in 632. In the Doctrina Jacobi nuper baptizati, a dialogue between a recent Christian convert and several Jews, one participant writes that his brother "wrote to [him] saying that a deceiving prophet has appeared amidst the Saracens". Another participant in the Doctrina replies about Muhammad: "He is deceiving. For do prophets come with sword and chariot?, …[Y]ou will discover nothing true from the said prophet except human bloodshed".
  One Christian who came under the early dominion of the Islamic Caliphate was John of Damascus (c. 676–749 AD), who was familiar with Islam and Arabic. The second chapter of his book, The Fount of Wisdom, titled "Concerning Heresies", presents a series of discussions between Christians and Muslims. John claimed that an Arian monk (whom he did not know was Bahira) influenced Muhammad and the writer viewed the Islamic doctrines as nothing more than a hodgepodge culled from the Bible. Among the first sources representing Muhammad is the polemical work "Concerning Heresy" (Perì hairéseōn) of John of Damascus, translated from Greek into Latin. In this manuscript, the Syrian priest represents Muhammad as a "false prophet," and an "Antichrist". Some demonstrate that Muhammad was pointed out in this manuscript as "Mamed", but this study was corrected by Ahlam Sbaihat who affirmed that it is the form ΜΩΑΜΕθ (Moameth) which is mentioned in this manuscript. The phoneme h and the gemination of m do not exist in Greek so it has disappeared from John's uses.
  From the 9th century onwards, highly negative biographies of Muhammad were written in Latin, such as the one by Álvaro of Córdoba proclaiming him the Antichrist. Since the 7th century, Muhammad and his name have been connected to several stereotypes. Many sources mentioned exaggerated and sometimes wrong stereotypes. These stereotypes are born in the East but adopted by or developed in Western cultures. These references played a principal role in introducing Muhammad and his religion to the West as the false prophet, Saracen prince or deity, the Biblical beast, a schismatic from Christianity and a satanic creature, and the Antichrist.
caption: Muhammed and the Monk Sergius (Bahira), 1508, by Dutch artist Lucas van Leyden. In early Christian criticism, it was claimed that Bahira was a heretical monk whose errant views inspired the Qur'an.[32]
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