page_title: Master of Alkmaar
hierarchical_section_title: Master of Alkmaar
caption_attribution_description: foto van de sint laurenskerk in Alkmaar, genomen door robert smit met de canon eos 350D
context_page_description: The Master of Alkmaar was a Dutch painter active around Alkmaar at the beginning of the sixteenth century. His name is derived from a series of panel paintings from the church of Saint Lawrence in that city, dated to 1504 and showing the Seven Works of Mercy; they are currently in the Rijksmuseum in Amsterdam.
  The paintings, bearing the stamp of Geertgen tot Sint Jans, are done in bright colors, and their figures are drawn in an exaggeratedly caricatured manner. It has been proposed that this artist is identical to Cornelis Buys I, the brother of Jacob Cornelisz van Oostsanen; he is known to have been active in Alkmaar between 1490 and 1524. More recently, the name of Pieter Gerritsz, originally of Haarlem, has been proposed, he being in Alkmaar beginning in 1502. This artist, in 1518, was compensated for a painting of Saint Bavo in Haarlem, and his name can be found in records of the Egmond Abbey and of the church of Saint Lawrence in Alkmaar, over a period covering the years 1515 to 1529.
context_section_description: The Master of Alkmaar was a Dutch painter active around Alkmaar at the beginning of the sixteenth century.  His name is derived from a series of panel paintings from the church of Saint Lawrence in that city, dated to 1504 and showing the Seven Works of Mercy; they are currently in the Rijksmuseum in Amsterdam.  
  The paintings, bearing the stamp of Geertgen tot Sint Jans, are done in bright colors, and their figures are drawn in an exaggeratedly caricatured manner. It has been proposed that this artist is identical to Cornelis Buys I, the brother of Jacob Cornelisz van Oostsanen; he is known to have been active in Alkmaar between 1490 and 1524. More recently, the name of Pieter Gerritsz, originally of Haarlem, has been proposed, he being in Alkmaar beginning in 1502.  This artist, in 1518, was compensated for a painting of Saint Bavo in Haarlem, and his name can be found in records of the Egmond Abbey and of the church of Saint Lawrence in Alkmaar, over a period covering the years 1515 to 1529.
caption: Grote of Sint-Laurenskerk (Alkmaar)
exif: {"Image Make": "Canon", "Image Model": "Canon EOS 350D DIGITAL", "Image Orientation": "Horizontal (normal)", "Image XResolution": "72", "Image YResolution": "72", "Image ResolutionUnit": "Pixels/Inch", "Image DateTime": "2007:01:22 00:51:47", "Image YCbCrPositioning": "Co-sited", "Image ExifOffset": "196", "Thumbnail Compression": "JPEG (old-style)", "Thumbnail XResolution": "72", "Thumbnail YResolution": "72", "Thumbnail ResolutionUnit": "Pixels/Inch", "Thumbnail JPEGInterchangeFormat": "9716", "Thumbnail JPEGInterchangeFormatLength": "7334", "EXIF ExposureTime": "1/60", "EXIF FNumber": "28/5", "EXIF ExposureProgram": "Program Normal", "EXIF ISOSpeedRatings": "400", "EXIF ExifVersion": "0221", "EXIF DateTimeOriginal": "2007:01:22 00:51:47", "EXIF DateTimeDigitized": "2007:01:22 00:51:47", "EXIF ComponentsConfiguration": "YCbCr", "EXIF ShutterSpeedValue": "193557/32768", "EXIF ApertureValue": "162885/32768", "EXIF ExposureBiasValue": "0", "EXIF MeteringMode": "Pattern", "EXIF Flash": "Flash fired, auto mode", "EXIF FocalLength": "18", "EXIF FlashPixVersion": "0100", "EXIF ColorSpace": "sRGB", "EXIF ExifImageWidth": "3456", "EXIF ExifImageLength": "2304", "Interoperability InteroperabilityIndex": "R98", "Interoperability InteroperabilityVersion": "[48, 49, 48, 48]", "EXIF InteroperabilityOffset": "9230", "EXIF FocalPlaneXResolution": "1728000/437", "EXIF FocalPlaneYResolution": "384000/97", "EXIF FocalPlaneResolutionUnit": "2", "EXIF CustomRendered": "Normal", "EXIF ExposureMode": "Auto Exposure", "EXIF WhiteBalance": "Auto", "EXIF SceneCaptureType": "Standard"}