page_title: Culture of Morocco
section_title: Domestic architecture
hierarchical_section_title: Culture of Morocco / Architecture / Domestic architecture
caption_attribution_description: العربية: نافذة مغربية عليها مصبع تقليدي من الحديد المطاوع في مدينة أصيلة
context_page_description: The culture of Morocco refers to the culture or cultures—behaviors, customs la la la, knowledge, beliefs, arts, laws, etc.—of Moroccan society. Moroccan culture is primarily Muslim, and it represents a confluence of influences: Amazigh, Arab, Sahrawi, Sub-Saharan African, Mediterranean, Andalusi, Jewish, European, and more.
  The majority of Morocco's population identifies as Berber and Arab. While the two official languages of Morocco are Standard Arabic and Standard Moroccan Berber, most Moroccans speak Darija as a native language. At least a third of the population speaks an Amazigh language, especially Tarifit, Tamazight, or Tashelhit. French, and, to a lesser degree, Spanish, have also been widely used since the colonial period.
context_section_description: Dar, the name given to one of the most common types of domestic structures in Morocco, is a home found in a medina, or walled urban area of a city.  Most Moroccan homes traditionally adhere to the Dar al-Islam, a series of tenets on Islamic domestic life.  Dar exteriors are typically devoid of ornamentation and windows, except occasional small openings in secondary quarters, such as stairways and service areas.  These piercings provide light and ventilation. Dars are typically composed of thick, high walls that protect inhabitants from thievery, animals, and other such hazards; however, they have a much more symbolic value from an Arabic perspective. In this culture the exterior represents a place of work, while the interior represents a place of refuge.  Thus, Moroccan interiors are often very lavish in decoration and craft.
  Consistent with most Islamic architecture, dars are based around small open-air patios, surrounded by very tall thick walls, to block direct light and minimize heat.  Intermediary triple-arched porticos lead to usually two to four symmetrically located rooms.  These rooms have to be long and narrow, creating very vertical spaces, because the regional resources and construction technology typically only allow for joists that are usually less than thirteen feet.
  Upon entering a dar, guests move through a zigzagging passageway that hides the central courtyard. The passageway opens to a staircase leading to an upstairs reception area called a dormiria, which often is the most lavish room in the home adorned with decorative tilework, painted furniture, and piles of embroidered pillows and Moroccan rugs.  More affluent families also have greenhouses and a second dormiria, accessible from a street-level staircase.  Service quarters and stairways were always at the corners of the structures.
caption: A window displaying a wrought iron window grill in Asila. The knots are tied with bent metal in the traditional way, rather than soldered.
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