page_title: La Madeleine, Paris
section_title: Architecture
hierarchical_section_title: La Madeleine, Paris / Architecture
caption_attribution_description: English: Maison Carrée in Nîmes, Gard, FranceFrançais&#160;: Maison Carrée à Nîmes, Gard, FrancePolski: Maison Carrée w Nîmes, departament Gard, Francja This building is indexed in the Base Mérimée, a database of architectural heritage maintained by the French Ministry of Culture,&#160;under the reference PA00103125 . беларуская (тарашкевіца)‎&#160;| বাংলা&#160;| brezhoneg&#160;| català&#160;| Deutsch&#160;| Ελληνικά&#160;| English&#160;| Esperanto&#160;| español&#160;| euskara&#160;| suomi&#160;| français&#160;| magyar&#160;| italiano&#160;| 日本語&#160;| македонски&#160;| Nederlands&#160;| português&#160;| português do Brasil&#160;| română&#160;| русский&#160;| sicilianu&#160;| svenska&#160;| українська&#160;| العربيَّة&#160;| +/−
context_page_description: L'église de la Madeleine is a Catholic church occupying a commanding position in the 8th arrondissement of Paris. The Madeleine Church was designed in its present form as a temple to the glory of Napoleon's army. To its south lies the Place de la Concorde, to the east is the Place Vendôme, and to the west Saint-Augustin, Paris.
context_section_description: The Madeleine is built in the Neo-Classical style and was inspired by the much smaller Maison Carrée in Nîmes, one of the best-preserved of all Roman temples. It is one of the earliest large neo-classical buildings to imitate the whole external form of a Roman temple, rather than just the portico front. Its fifty-two Corinthian columns, each 20 metres (66 feet) high, are carried around the entire building. The pediment sculpture of the Last Judgement is by Philippe Joseph Henri Lemaire, and the church's bronze doors bear reliefs representing the Ten Commandments. It measures 108 by 43 m (354 by 141 ft).
  Inside, the church has a single nave with three domes over wide arched bays, lavishly gilded in a decor inspired as much by Roman baths as by Renaissance artists. At the rear of the church, above the high altar, stands a statue by Charles Marochetti depicting St Mary Magdalene being lifted up by angels which evokes the tradition concerning ecstasy which she entered in her daily prayer while in seclusion. The half-dome above the altar is frescoed by Jules-Claude Ziegler, entitled The History of Christianity, showing the key figures in the Christian religion with – a sign of its Second Empire date – Napoleon occupying centre stage.
caption: The Maison Carrée from Nîmes
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