page_title: Timpani
section_title: Techniques
hierarchical_section_title: Timpani / Techniques
caption_attribution_description: English: Glissando in timpani
context_page_description: Timpani are drums that are made out of large bowls that are usually made of copper shaped by craftsmen, which after being tuned, have a skin-like material stretched over the top. This material used to be a type of vellum or treated skin, but modern drums use a synthetic material. This top section is known as the "drumhead".
  Timpani is an Italian word. It is also a plural of the word timpano. However timpano is rarely used in informal English. More often, a timpano is referred to as a drum, a timpani, or simply a timp. Someone who plays a timpani is called a "timpanist".
  Timpani are different from other drums because they are tuned to certain musical notes. A timpanist will often describe the drum as being "in voice" when it is correctly tuned. To play it, it is hit with a special drumstick or "timpani mallet". Other drums that are used in orchestras and bands make a sound rather than a note, and are not tuned. A player normally sits with a group of two, three or four timpani around him, which is why the name timpani is in the plural.
  Timpani were originally used in official bands.
context_section_description: With a pedal timpani, a player can produce different sound effects using the pedals. Performing glissando on timpani demands switching the pedals. Glissando is generated by pressing the pedal during the vertebra. Furthermore it is possible to play glissando at any volume level up or down. For example, Alexander Rahbari, an outstanding Iranian-Austrian composer used glissando effect produced by switching timpani pedals in the opening of his piece, Persian Mysticism Around G, where the player moves from Bb up to C and then rolling down to G(see the timpani part on right below).
caption: Using pedals to produce glissando effect in Timpani. From Alexander Rahbari's piece entitled Persian Mysticism Around G.