page_title: Hell on Wheels (TV series)
section_title: Cast quotes
hierarchical_section_title: Hell on Wheels (TV series) / Production / Casting / Cast quotes
caption_attribution_description: Français&#160;: Anson Mount au MIPCOM 2011, à Cannes.English: Anson Mount at the 2011 MIPCOM, in Cannes.
context_page_description: Hell on Wheels is an American/Canadian Western television series about the construction of the First Transcontinental Railroad across the United States, which broadcast in the United States and Canada on the cable channel AMC, from November 6, 2011 to July 23, 2016. The series, which features Anson Mount, Colm Meaney, Common, and Dominique McElligott, chronicles the Union Pacific Railroad and its laborers, mercenaries, prostitutes, surveyors, and others who lived, worked, and died in the mobile encampment, called "Hell on Wheels", that followed the railhead west across the Great Plains.
  In particular, the story focuses on Cullen Bohannon, a former Confederate soldier who initially joins the railroad to track down Union soldiers who murdered his wife and young son during the American Civil War. In the process he becomes a foreman and eventually chief engineer on the railroad.
  The series was created and produced by Joe and Tony Gayton, and developed by Endemol USA, under the stewardship of senior vice-president of scripted programming Jeremy Gold, and it is produced by Entertainment One and Nomadic Pictures.
context_section_description: Common spoke about the challenges of playing a former slave: "Very challenging. And that's why I took it on. It's a lot of responsibility because what black people went through in slavery, within that system of slavery, was really treacherous. And for me, I felt like I owed it to the people that lived during that time to bring something truthful to the character. And even just revisiting some of the experiences of it, [there] was just a lot of emotion and a lot of pain. At the same time, a lot of strength came from it. What I enjoy most about the character is the fact that he was written so strong, not as just a person that was oppressed and kept his head down."
  Canadian actor Christopher Heyerdahl talks about how he got his role and the rarity of a Scandinavian character: "Well, luck and providence, I suppose. They say, 'What’s luck? Preparation and opportunity.' So, I guess the opportunity came, in the form of an audition. I put myself on tape, and they responded to it. I went in and did a call-back audition, and they felt that we were on the same track. My idea of who The Swede was, was the same as theirs, and vice versa. This kind of character is very rare, with the fact that it fit so well with my background and my understanding of a Norwegian man. It all just fell into place. I still get a little choked up thinking about how often a character like this comes along. For the viewer, it’s quite interesting. It’s not a character that we see very often, and certainly not in this form. As an actor, it seemed to be tailor-made for me. It’s quite wonderful."
  Irish actress Dominique McElligott never expected to be cast in a period American role: "I was hanging out in London, having drinks with friends who are all flight attendants, and they said that they would get me over to America for free, and I could stay and do some meetings and auditions. Hell on Wheels was the first one. I arrived on the 5th of July, and the Hell on Wheels audition was on the 6th or the 7th. It was crazy! They didn’t know me, at all. Obviously, I loved the pilot and I loved the character, but I didn’t anticipate ever actually getting the chance to do it. When you go up for these brilliant parts, you just figure, 'Okay, well, they’re going to pick some American actress, and that will be that.' But, the opportunity was there, and I really enjoyed the audition. It was fun."
caption: "There’s a lot of just being in the right place at the right time, as well as being in the right place and time in my life. I couldn’t have played this role 10 years ago—I needed a little bit of life behind me. I’d been wanting to do a western for years but never had the opportunity to do that. So I immediately responded to this project, and I especially responded to the fact that the lead was a southern character who’s not stereotyped and not villainized."[26] — Anson Mount
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