page_title: Katherine Dunham
hierarchical_section_title: Katherine Dunham
caption_attribution_description: Katherine Dunham, American dancer, choreographer, songwriter, anthropologist, author, educator and activist.
context_page_description: Katherine Mary Dunham was an African-American dancer, choreographer, author, educator, anthropologist, and social activist. Dunham had one of the most successful dance careers in African-American and European theater of the 20th century, and directed her own dance company for many years. She has been called the "matriarch and queen mother of black dance."
  While a student at the University of Chicago, Dunham also performed as a dancer and ran a dance school. Receiving a fellowship, she went to the Caribbean to study dance and ethnography. She later returned to graduate and submitted a master's thesis in anthropology. She did not complete the other requirements for that degree, however. She realized that her professional calling was performance.
  At the height of her career in the 1940s and 1950s, Dunham was renowned throughout Europe and Latin America and was widely popular in the United States. The Washington Post called her "dancer Katherine the Great". For almost 30 years she maintained the Katherine Dunham Dance Company, the only self-supported American black dance troupe at that time. Over her long career, she choreographed more than ninety individual dances.
context_section_description: Katherine Mary Dunham (also known as Kaye Dunn, June 22, 1909 – May 21, 2006) was an African-American dancer, choreographer, author, educator, anthropologist, and social activist. Dunham had one of the most successful dance careers in African-American and European theater of the 20th century, and directed her own dance company for many years. She has been called the "matriarch and queen mother of black dance."
  While a student at the University of Chicago, Dunham also performed as a dancer and ran a dance school. Receiving a fellowship, she went to the Caribbean to study dance and ethnography. She later returned to graduate and submitted a master's thesis in anthropology.  She did not complete the other requirements for that degree, however. She realized that her professional calling was performance.
  At the height of her career in the 1940s and 1950s, Dunham was renowned throughout Europe and Latin America and was widely popular in the United States. The Washington Post called her "dancer Katherine the Great". For almost 30 years she maintained the Katherine Dunham Dance Company, the only self-supported American black dance troupe at that time. Over her long career, she choreographed more than ninety individual dances. Dunham was an innovator in African-American modern dance as well as a leader in the field of dance anthropology, or ethnochoreology. She also developed the Dunham Technique, a method of movement to support her dance works.
caption: Katherine Dunham in 1956.
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