page_title: Tank Girl (film)
section_title: Themes
hierarchical_section_title: Tank Girl (film) / Themes
caption_attribution_description: English: Actress Lori Petty Italiano: L'attrice Lori Petty
context_page_description: Tank Girl is a 1995 American science fiction film directed by Rachel Talalay. Based on the British post-apocalyptic comic series of the same name by Alan Martin and Jamie Hewlett that was originally published in Deadline magazine, the film stars Lori Petty, Naomi Watts, Ice-T and Malcolm McDowell. Tank Girl is set in a drought-ravaged Australia, years after a catastrophic impact event. It follows the antihero Tank Girl as she, Jet Girl, and genetically modified supersoldiers called the Rippers fight "Water & Power", an oppressive corporation led by Kesslee.
  After reading an issue of the Tank Girl comic she had received as a gift, Talalay obtained permission from Deadline's publisher Tom Astor to direct a film adaptation. She selected Catherine Hardwicke to be the production designer, and worked closely with Martin and Hewlett during the making of the film. Tank Girl was filmed primarily in White Sands, New Mexico, and Tucson, Arizona. The film's critically praised soundtrack was assembled by Courtney Love, and the Rippers' makeup and prosthetics team was headed by Stan Winston.
context_section_description: Writing in the 1997 book Trash Aesthetics: Popular Culture and Its Audience, Deborah Cartmell states that while the comic showed Tank Girl to be "unheroic or even [an] accidental antihero", the film sets her up with "classic western generic" emotional and moral justifications for her liberation and revenge on W&P, as she witnesses the slaughter of her boyfriend and her "trusty steed". She also sees one of the commune's children being abducted, and is herself captured and enslaved. Cartmell also says Tank Girl holds parallels with other "contemporary 'postfeminist' icons", as she displays dominant female sexuality and a "familiarity and knowing coolness of 'outlawed' modes of sexuality", such as masturbation, sadomasochism and lesbianism.
  In her 2006 book The Modern Amazons: Warrior Women On-Screen, Dominique Mainon writes that the film has antiestablishment themes and, unlike many comic-book adaptation films which feature "gratuitous sexual objectification" of women, Tank Girl stands out as being "stridently feminist", with the exception of the "cliché victim/avenger complex". According to Mainon, the film makes fun of female stereotypes, as shown by Tank Girl's repeated emasculation of Kesslee with witty comebacks while she is being tortured, and by her response to the computer training device telling her how to present herself to men at the Liquid Silver club. The device provides seductive clothing and tells Tank Girl to remove her body hair and to wear make-up and a wig. Tank Girl completely ignores the advice and modifies the clothes to create her own style.
  In the 2011 book Cult Cinema, Ernest Mathijs and Jamie Sexton discuss the issue of whether cult films purported to be feminist were truly feminist or "partly the effect of the performance of feminist attitudes in its reception". The authors consider Tank Girl to be a "'real' feminist cult film", as opposed to the feminist cult films of Kathryn Bigelow and Catherine Hardwicke, which they consider to be too masculine and too eager to cater to "hetero-normativity", respectively.
caption: Lori Petty, who played the title role in Tank Girl, in 2008
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