page_title: Exhibition
section_title: History
hierarchical_section_title: Exhibition / History
caption_attribution_description: Français&#160;: Exposition au Salon de 1787, eau-forte de Pietro Antonio Martini (1738–1797) - Paris, Bibliothèque nationale. Publié dans "Aux armes et aux Arts", Adam Biro, 1988.
context_page_description: An exhibition, in the most general sense, is an organized presentation and display of a selection of items. In practice, exhibitions usually occur within a cultural or educational setting such as a museum, art gallery, park, library, exhibition hall, or World's fairs. Exhibitions can include many things such as art in both major museums and smaller galleries, interpretive exhibitions, natural history museums and history museums, and also varieties such as more commercially focused exhibitions and trade fairs.
  In British English the word "exhibition" is used for a collection of items placed on display and the event as a whole, which in American English is usually an "exhibit". In both varieties of English each object being shown within an exhibition is an "exhibit". In common usage, "exhibitions" are considered temporary and usually scheduled to open and close on specific dates. While many exhibitions are shown in just one venue, some exhibitions are shown in multiple locations and are called travelling exhibitions, and some are online exhibitions.
context_section_description: The exhibition came fully into its own in the 19th century, but various temporary exhibitions had been held before that, especially the regular displays of mostly new art in major cities.  The Paris Salon of the Académie des Beaux-Arts was the most famous of these, beginning in 1667, and open to the public from 1737.  By the mid-18th century this and its equivalents in other countries had become crucial for developing and maintaining the reputation of contemporary artists.  In London the Royal Academy Summer Exhibition has been held annually since 1769, and the British Institution ran temporary exhibitions from 1805 to 1867, typically twice a year, with one of new British painting and one of loans of old masters from the Royal Collection and the aristocratic collections of English country houses.
  By the mid-19th century many of the new national museums of Europe were in place, and holding exhibitions of their own collections, or loaned collections, or a mixture of objects from both sourcers, which remains a typical mix today.  The "Chronology of Temporary Exhibitions at the British Museum" goes back to 1838.
  The tradition of the Universal exposition "world Expo" or "World's Fair" began with the Great Exhibition of 1851 in London; these are only held every few years. The Eiffel Tower in Paris was built for the Exposition Universelle (1889) and served as an entrance arch.
  Modern exhibitions may be concerned with preservation, education and demonstration, early exhibitions were designed to attract public interest and curiosity. Before the widespread adoption of photography, the exhibition of a single object could attract large crowds. Visitors might even be overcome with Stendhal syndrome, feeling dizzy or overwhelmed by the intense sensory experience of an exhibit.  Today, there is still tension between the design of exhibits for educational purposes or for the purpose of attracting and entertaining an audience, as a tourist attraction.
caption: The Paris Salon of 1787, held at the Louvre
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