page_title: Elers brothers
section_title: Potters
hierarchical_section_title: Elers brothers / Potters
caption_attribution_description: English: Teapot and lid, (red) brown, decorated with applied vine tendrils. (The English version of the Chinese Yi hsing stoneware teapot. - Gallery card)
context_page_description: John Philip Elers and his brother David Elers were Dutch silversmiths who came to England in the 1680s and turned into potters. The Elers brothers were important innovators in English pottery, bringing redware or unglazed stoneware to Staffordshire pottery. Arguably they were the first producers of "fine pottery" in North Staffordshire, and although their own operations were not financially successful, they seem to have had a considerable influence on the following generation, who led the explosive growth of the industry in the 18th century.
  The difficulty of distinguishing their wares from those of the many imitators who continued their broad style well into the 18th century has long been recognised by scholars, though considerable progress has been made, based on an understanding of their distinctive technique. The works of the imitators are often described as "Elers type", "style of Elers", and similar terms.
context_section_description: After moving to London, David was recorded working as a silversmith in London in 1686. The brothers were in business in Fulham by about 1690, making stoneware.  They discovered a fine red clay at Bradwell in Staffordshire, which was very suitable for producing red ware in imitation of Yixing ware, the Chinese red pottery which the East India companies imported into England.  According to one Chinese scholar it was "even finer than the clay used at Yixing".
  Around 1690, John Philip Elers settled in Bradwell Wood, near Burslem, a secluded spot, where he established a factory. The products were stored in Dimsdale, about a mile away, and the buildings were said to be connected by a speaking tube; the pottery was sold by David Elers in London, at his shop in the Poultry.
  Their speciality was a red unglazed pottery, chiefly teapots, with sprigged relief ornament mostly in Chinese styles.  Like earlier Dutch stoneware, their teapots, one of their most common lines, were heavily influenced by Chinese Yixing ware, also unglazed stoneware mostly used for teawares. The vessel shapes often also drew from European silversmithing.  Some pieces, like the teapot in the Victoria & Albert Museum illustrated, have imitation Chinese characters, usually described as "imitation Chinese seal marks" by scholars.  Yixing teapots had been reaching Europe over recent decades.  Johann Friedrich Böttger, the European who eventually worked out how to make porcelain, was to make similar "Böttger ware" teaware before doing so.
  It is now accepted that they used slipcasting for all their wares, even the round shapes which would have been easy to pot on a wheel. This increased their costs, and so their selling prices, and probably led to the financial failure of the business.  They were important innovators in this, probably drawn to the technique by their experience of making pewter objects by casting, which was the standard technique for forming that material.  A letter later written to Paul Elers, son of John Philip, by Josiah Wedgwood, mentioned the brothers making ware "by casting it in plaster moulds and turning it upon the outside by lathes"; this was dismissed as "astounding" by the Rheads, but research in recent decades has shown it to be correct.
  Simeon Shaw, in his work History of the Staffordshire Potteries (1829), made much of the commercial secrecy employed by the Elers brothers in their Burslem pottery; Shaw relied on local oral tradition. He wrote that they employed the stupidest workmen they could obtain; and an idiot to turn the wheel. At last Josiah Twyford and John Astbury discovered the secret, the latter by feigning idiocy. More prosaically, the Elers brothers became the targets of legal action by John Dwight, also of Fulham, who had a monopoly of stoneware. They set up in Staffordshire in the period 1691 to 1693, but also kept a London outlet, and a works in Vauxhall. They settled with Dwight by taking out a licence that ran to 1698.
  In 1698 John Philip gave up his lease on the Bradwell property, where he had also been a gentleman farmer, but the Vauxhall works continued until both brothers became bankrupt in 1700.
caption: Later(?) teapot with sprigged vine decoration
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