page_title: Tilman Riemenschneider
section_title: Biography
hierarchical_section_title: Tilman Riemenschneider / Biography
caption_attribution_description: English: Lamentation of Christ, Altar by Tilman Riemenschneider. Maidbronn/Germany. Deutsch: Beweinung Christi, Altarretabel von Tilman Riemenschneider, Maidbronn/Ufr., Deutschland
context_page_description: Tilman Riemenschneider was a German sculptor and woodcarver active in Würzburg from 1483. He was one of the most prolific and versatile sculptors of the transition period between late Gothic and Renaissance, a master in stone and limewood.
context_section_description: Tilman Riemenschneider was born around the year 1460 at Heiligenstadt im Eichsfeld in present-day Thuringia.
  When Riemenschneider was about five years old, his father was involved in a violent political conflict, the Mainzer Stiftsfehde, so the family had to leave Heiligenstadt and all their possessions. They resettled in Osterode, where his father became Master of the Mint (a good position at that time) and where Riemenschneider spent his childhood years.
  Riemenschneider likely came to Würzburg for the first time at the age of 18 in 1478/9. His uncle served as notary and financial advisor to the bishop there, but he did not stay for long. Around 1473, Riemenschneider learned the trade of sculpting and woodcarving, likely in Swabia or the Upper Rhine — possibly in Strasbourg and/or Ulm. At that time, the statutes of the guild of sculptors required that an apprentice travel to many different workshops to gain experience. Very little is known about this period of his life, but he likely came in contact with the work of Martin Schongauer, whose copper engravings served him later as examples.
  In 1483, he settled in Würzburg. On 7 December 1483, he joined the Saint Luke's Guild of painters, sculptors, and glass workers as a painter's assistant. On 28 February 1485, he married Anna Schmidt (born Uchenhofer), a widow of a master goldsmith with three sons. This marriage not only brought him property, but it also meant that he could end his apprenticeship and become a master craftsman. 
  Also in 1485, Riemenschneider became a citizen of Würzburg, which made it possible to attain the status of master craftsman, and opened a workshop in Franziskanergasse, in the home of his wife.
  His earliest confirmed work is the gravestone of Eberhard von Grumbach in the Pfarrkirche at Rimpar. This may be the type of work he started out with before obtaining large church commissions. He started to receive numerous orders from the town councils of Würzburg and neighboring towns. The earliest large work attributed to him is the Franziskusaltar in the St Jakobskirche in Rothenburg ob der Tauber, which is described in the church guide book as 'about 1490', but its style compared to other works of that date is rather primitive, suggesting it may be an earlier work, sometimes dated from 1485. In 1490, the town council of Münnerstadt ordered an altarpiece for the altar of St Maria Magdalena, the parish church, which included a carving of Mary Magdalene with six angels. It was set up in 1492. In 1491, the town council of Würzburg ordered two life-sized stone figures of Adam and Eve for the south portal of the council's church, the Marienkapelle (erected in 1493).
  In 1494, Riemenschneider's first wife died, leaving him with three stepsons and a daughter. In keeping with the times and his status, he remarried in 1497, Anna Rappolt. She bore him two daughters and three sons, all of whom seem to have inherited their father's artistic talent. In 1495, he created the statue of Mary with child (Pfarrkirche St Bernard in Würzburg). 
  More high-profile work followed: In 1496 Riemenschneider received the order to carve the tomb of Prince-Bishop Rudolf von Scherenberg at Würzburg Cathedral. It was delivered in 1499, the same year in which an order arrived for the Imperial tomb at Bamberg Cathedral (delivered 1513).
  By 1500, he had developed an outstanding reputation as an artist and had become a wealthy Würzburg citizen. Not only did he own a number of houses, but he also was a landowner with his own vineyards. His flourishing workshop provided work for as many as 40 apprentices doing woodcarving, sculpting, and painting. 
  In November 1504, Riemenschneider became a member of the Unterrat (councilman) of the town of Würzburg, an office he held until 1525. This office not only brought him social status, but it also helped him obtain many large and profitable orders. 
  In 1508, Riemenschneider married Margaretha Wurzbach. From 1509 until 1522 he was a member of the Oberrat four times. He married again, in 1520, a woman of whom only the first name, Margarethe, is known. I
caption: The Lamentation of Christ, Maidbronn
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