  :::: Checking the page in the European Voices book (unfortunately I can only see p.243, not the next), it does seem to be emphasizing a difference between the Geg and Tosk traditions, implying that those Geg songs are significantly different in musical substance. Taking that into account, I would suggest, if we are to mention it, it should be clearly under such a perspective: a side-note pointing out that there are these other things that are perhaps somehow related or comparable, but not centrally belonging to the same cultural prototype.   