à¤°à¤¾à¤¹à¥€ à¤®à¤¾à¤¸à¥‚à¤® à¤°à¥›à¤¾,Rahi Masoom Raza
à¤†à¤§à¤¾ à¤—à¤¾à¤à¤µ à¤°à¤¾à¤¹à¥€ à¤®à¤¾à¤¸à¥‚à¤® à¤°à¤œà¤¼à¤¾ â€˜à¤†à¤§à¤¾ à¤—à¤¾à¤à¤µâ€™ à¤­à¤¾à¤·à¤¾, à¤¶à¤¿à¤²à¥à¤ª, à¤•à¤¥à¥à¤¯ à¤”à¤° à¤•à¤¥à¤¾-à¤µà¤¿à¤¨à¥à¤¯à¤¾à¤¸ à¤•à¥€ à¤¦à¥ƒà¤·à¥à¤Ÿà¤¿ à¤¸à¥‡ à¤²à¤¾à¤œà¤µà¤¾à¤¬ à¤‰à¤ªà¤¨à¥à¤¯à¤¾à¤¸ à¤¹à¥ˆà¥¤...à¤¹à¤¿à¤¨à¥à¤¦à¥€ à¤•à¤¾ à¤ªà¤¹à¤²à¤¾ à¤à¤¸à¤¾ à¤‰à¤ªà¤¨à¥à¤¯à¤¾à¤¸ à¤œà¤¿à¤¸à¤®à¥‡à¤‚ à¤­à¤¾à¤°à¤¤-à¤µà¤¿à¤­à¤¾à¤œà¤¨ à¤•à¥‡ à¤¸à¤®à¤¯ à¤•à¥€ à¤¶à¤¿à¤¯à¤¾ à¤®à¥à¤¸à¤²à¤®à¤¾à¤¨à¥‹à¤‚ à¤•à¥€ à¤®à¤¨à¤ƒà¤¸à¥à¤¥à¤¿à¤¤à¤¿à¤¯à¥‹à¤‚ à¤•à¤¾ à¤¬à¥‡à¤²à¤¾à¤— à¤”à¤° à¤¸à¤Ÿà¥€à¤• à¤¶à¤¬à¥à¤¦à¤¾à¤‚à¤•à¤¨ à¤®à¤¿à¤²à¤¤à¤¾ à¤¹à¥ˆà¥¤ à¤¯à¥‡ à¤®à¤¨à¤ƒà¤¸à¥à¤¥à¤¿à¤¤à¤¿à¤¯à¤¾à¤ à¤‰à¤¤à¥à¤¤à¤° à¤ªà¥à¤°à¤¦à¥‡à¤¶ à¤•à¥‡ à¤—à¤¾à¤œà¥€à¤ªà¥à¤° à¤œà¤¼à¤¿à¤²à¥‡ à¤•à¥‡ à¤—à¤‚à¤—à¥Œà¤²à¥€ à¤—à¤¾à¤à¤µ à¤•à¥‹ à¤•à¥‡à¤¨à¥à¤¦à¥à¤° à¤®à¥‡à¤‚ à¤°à¤–à¤•à¤° à¤‰à¤•à¥‡à¤°à¥€ à¤—à¤ˆ à¤¹à¥ˆà¥¤ 1947 à¤•à¥‡ à¤ªà¤°à¤¿à¤ªà¥à¤°à¥‡à¤•à¥à¤·à¥à¤¯ à¤®à¥‡à¤‚ à¤²à¤¿à¤–à¥‡ à¤—à¤ à¤‡à¤¸ à¤‰à¤ªà¤¨à¥à¤¯à¤¾à¤¸ à¤®à¥‡à¤‚ à¤¸à¤¾à¤®à¥à¤ªà¥à¤°à¤¦à¤¾à¤¯à¤¿à¤•à¤¤à¤¾ à¤•à¥‡ à¤µà¤¿à¤°à¥à¤¦à¥à¤§ à¤—à¤¹à¤°à¤¾ à¤ªà¥à¤°à¤¹à¤¾à¤° à¤¹à¥ˆà¥¤ à¤¯à¤¹ à¤ªà¥à¤°à¤¹à¤¾à¤° à¤¸à¥ƒà¤œà¤¨à¤¾à¤¤à¥à¤®à¤• à¤²à¥‡à¤–à¤¨ à¤•à¤¾ à¤¸à¤¬à¥‚à¤¤ à¤¬à¤¨à¤•à¤° à¤°à¤¾à¤·à¥à¤Ÿà¥à¤°à¥€à¤¯à¤¤à¤¾ à¤•à¥‡ à¤¹à¤•à¤¼ à¤®à¥‡à¤‚ à¤–à¤¡à¤¼à¤¾ à¤¹à¥‹ à¤œà¤¾à¤¤à¤¾ à¤¹à¥ˆà¥¤ à¤‡à¤¸ à¤‰à¤ªà¤¨à¥à¤¯à¤¾à¤¸ à¤®à¥‡à¤‚ à¤²à¥‡à¤–à¤•à¥€à¤¯ à¤šà¤¿à¤¨à¥à¤¤à¤¾ à¤¹à¥ˆ à¤•à¤¿ à¤—à¤‚à¤—à¥Œà¤²à¥€ à¤®à¥‡à¤‚ à¤…à¤—à¤° à¤—à¤‚à¤—à¥Œà¤²à¥€ à¤µà¤¾à¤²à¥‡ à¤•à¤® à¤”à¤° à¤¶à¤¿à¤¯à¤¾, à¤¸à¥à¤¨à¥à¤¨à¥€ à¤”à¤° à¤¹à¤¿à¤¨à¥à¤¦à¥‚ à¤œà¤¼à¥à¤¯à¤¾à¤¦à¤¾ à¤¦à¤¿à¤–à¤¾à¤ˆ à¤¦à¥‡à¤¨à¥‡ à¤²à¤—à¥‡ à¤¤à¥‹ à¤—à¤‚à¤—à¥Œà¤²à¥€ à¤•à¤¾ à¤•à¥à¤¯à¤¾ à¤¹à¥‹à¤—à¤¾? à¤¯à¤¹à¥€ à¤µà¤¹ à¤–à¤¼à¤¾à¤¸ à¤šà¤¿à¤¨à¥à¤¤à¤¾ à¤¹à¥ˆ à¤œà¤¿à¤¸à¤¨à¥‡ à¤‡à¤¸ à¤‰à¤ªà¤¨à¥à¤¯à¤¾à¤¸ à¤•à¥‹ à¤…à¤¦à¥à¤µà¤¿à¤¤à¥€à¤¯ à¤•à¥€ à¤¶à¥à¤°à¥‡à¤£à¥€ à¤®à¥‡à¤‚ à¤²à¤¾ à¤–à¤¡à¤¼à¤¾ à¤•à¤°à¤¤à¤¾ à¤¹à¥ˆ à¤•à¥à¤¯à¥‹à¤‚à¤•à¤¿ à¤—à¤‚à¤—à¥Œà¤²à¥€ à¤•à¥‹ à¤­à¤¾à¤°à¤¤ à¤®à¤¾à¤¨ à¤²à¥‡à¤¨à¥‡ à¤•à¥€ à¤—à¤‚à¥à¤œà¤¾à¤‡à¤¶ à¤¹à¥ˆ à¤œà¤¹à¤¾à¤ à¤µà¤¿à¤µà¤¿à¤§ à¤§à¤°à¥à¤®à¤¾à¤‚ à¤•à¥‡ à¤²à¥‹à¤— à¤°à¤¹à¤¤à¥‡ à¤¹à¥ˆà¤‚...à¤—à¤‚à¤—à¥‹à¤²à¥€ à¤¸à¥‡ à¤‰à¤ à¤¾ à¤¯à¤¹ à¤ªà¥à¤°à¤¶à¥à¤¨ à¤œà¤¬ à¤­à¤¾à¤°à¤¤ à¤•à¥‡ à¤¸à¤¨à¥à¤¦à¤°à¥à¤­ à¤®à¥‡à¤‚ à¤‰à¤ à¤¤à¤¾ à¤¹à¥ˆ à¤¤à¤¬ à¤‡à¤¸ à¤‰à¤ªà¤¨à¥à¤¯à¤¾à¤¸ à¤®à¥‡à¤‚ à¤¨à¤¿à¤¹à¤¿à¤¤ à¤°à¤¾à¤·à¥à¤Ÿà¥à¤°à¥€à¤¯à¤¤à¤¾ à¤•à¤¾ à¤¸à¤¨à¥à¤¦à¤°à¥à¤­ à¤µà¥à¤¯à¤¾à¤ªà¤• à¤¹à¥‹ à¤œà¤¾à¤¤à¤¾ à¤¹à¥ˆà¥¤ à¤—à¤¤à¤¿à¤¶à¥€à¤² à¤°à¤šà¤¨à¤¾à¤¶à¤¿à¤²à¥à¤ª à¤†à¤‚à¤šà¤²à¤¿à¤• à¤­à¤¾à¤·à¤¾ à¤¸à¥Œà¤¨à¥à¤¦à¤°à¥à¤¯, à¤¸à¤¾à¤‚à¤¸à¥à¤•à¥ƒà¤¤à¤¿à¤• à¤ªà¤°à¤¿à¤µà¥‡à¤¶ à¤•à¤¾ à¤œà¥€à¤µà¤¨à¥à¤¤ à¤šà¤¿à¤¤à¥à¤°à¤£, à¤¸à¤¹à¤œ-à¤¸à¤Ÿà¥€à¤• à¤¦à¥‹ à¤Ÿà¥‚à¤• à¤Ÿà¤¿à¤ªà¥à¤ªà¤£à¤¿à¤¯à¥‹à¤‚ à¤µà¤¾à¤²à¥‡ à¤¸à¤‚à¤µà¤¾à¤¦ à¤‡à¤¸ à¤‰à¤ªà¤¨à¥à¤¯à¤¾à¤¸ à¤•à¥€ à¤µà¤¿à¤¶à¥‡à¤·à¤¤à¤¾ à¤¹à¥ˆà¤‚ à¤œà¥‹ â€˜à¤†à¤§à¤¾ à¤—à¤¾à¤à¤µâ€™ à¤•à¥‹ à¤¹à¤¿à¤¨à¥à¤¦à¥€ à¤‰à¤ªà¤¨à¥à¤¯à¤¾à¤¸à¥‹à¤‚ à¤®à¥‡à¤‚ à¤µà¤¿à¤¶à¤¿à¤·à¥à¤Ÿ à¤¦à¤°à¥à¤œà¤¾ à¤¦à¤¿à¤²à¤¾à¤¤à¥‡ à¤¹à¥ˆà¤‚à¥¤ ,-------------------------------,Rahi Masoom Reaaâ€™s honest and controversial novel unfolds during the latter years of the Raj and the first decade of Independence and portrays the rival halves of a zamindar family, their loves, fights and litigations. It attacks the creation of Pakistan and explores the abolition of the zamindari system and its impact at the village level. A semi-autobiographical work set in the authorâ€™s village of Gangauli, in Ghazipur district on the fringes of Avadh, A Village Divided, previously published as 'The Feuding Families of Village Gangauli', is full of passion and vibrancy, a powerful record of the meeting of Muslim and Hindu cultural traditions that bound Indian society together.
Fiction,Cultural,India,Politics,Historical,Historical Fiction
à¤†à¤§à¤¾ à¤—à¤¾à¤à¤µ