Justin A. Williams
Rhyminâ€™ and Stealinâ€™,begins with a crucial premise: the fundamental element of hip-hop culture and aesthetics is the overt use of preexisting material to new ends. Whether it is taking an old dance move for a breakdancing battle, using spray paint to create street art, quoting from a famous speech, or sampling a rapper or 1970s funk song, hip-hop aesthetics involve borrowing from the past. By appropriating and reappropriating these elements, they become transformed into something new, something different, something hip-hop. ,Rhyminâ€™ and Stealinâ€™, is the first book-length study of musical borrowing in hip-hop music, which not only includes digital sampling but also demonstrates a wider web of references and quotations within the hip-hop world. Examples from Nas, Jay-Z, A Tribe Called Quest, Eminem, and many others show that the transformation of preexisting material is the fundamental element of hip-hop aesthetics. Although all music genres use and adapt preexisting material in different ways, hip-hop music celebrates and flaunts its â€œopen sourceâ€ culture through highly varied means. It is this interest in the web of references, borrowed material, and digitally sampled sounds that forms the basis of this bookâ€”sampling and other types of borrowing becomes a framework with which to analyze hip-hop music and wider cultural trends.
Music,Hip Hop
Rhymin' and Stealin': Musical Borrowing in Hip-Hop