Gail Feigenbaum,Inge Reist
This book goes beyond the narrow definition of the term provenance, which addresses only the bare facts of ownership and transfer, to explore ideas about the origins and itineraries of objects, consider the historical uses of provenance research, and draw attention to the transformative power of ownership. The result is a volume of essays that makes a strong case for recuperating provenanceâ€”what contributing author Anne Higonnet calls â€œso many epic tales compressed into such dry listsâ€â€”for the history of art. Provenance attends to the social life of art, a work's biography subsequent to the moment of its origin.Â ,Provenance: An Alternate History of Art, offers a broad perspective that ranges from ancient archaeology to conceptual art, that encompasses Europe, Asia, and the Americas, and considers a variety of media. The essays demonstrate in myriad ways how an ownerâ€™s relationship with a work of art or, in varying degrees, with the objectâ€™s previous owners, can change irrevocably the way the work will be perceived and understood by future generations.Â ,Limiting the scope of provenance to only the highly charged context of international legal custody battles or the painstakingly researched lists of names and dates in archives and catalogs is entirely insufficient to the richness of the subject. By considering provenance in its critical and theoretical dimensions, this volume endeavors to integrate this alternate narrative into art history.
History,Art
Provenance: An Alternate History of Art