Vinta created the facades on the via de Bardi side, including a portal with the bust of Cosimo II (1609). The design for Vinta's construction has been attributed to the architect Matteo Nigetti. In 1652, the heirs of Vinta sold the palace to Lorenzo di Raffaello de' Medici, who two years later sold it to the Tempi (1654). They utilized the architect Pietro Paolo Giovannozzi to refurbish the lungarno facade. To refurbish the interiors, he commissioned from Giovanni Camillo Sagrestani to fresco (1726) a large ceiling. This fresco was destroyed when part of the roof collapsed from the effects of the mining of the bridges set off by the retreating Germans in 1944. The Bargagli Petrucci, who inherited the property from the Tempi in 1770, used the architect Enrico Lusini, for much of the restoration of damages due to war and flooding. Among the remaining frescoes are landscapes of the Coast of Magnoli in the entry stairwell by Matteo Bonechi. Other frescoes by Bonechi decorate certain rooms of the second floor, including depictions of the Myth of Prometheus, the Judgement of Paris, the Allegory of the four Seasons, the Bath of Diana, and an Allegory of Florence. Another room is frescoed with Allegories of Vice and Virtue, by Ranieri Del Pace.
Vinta created the facades on the via de Bardi side, including a portal with the bust of Cosimo II (1609). The design for Vinta's construction has been attributed to the architect Matteo Nigetti. In 1652, the heirs of Vinta sold the palace to Lorenzo di Raffaello de' Medici, who two years later sold it to the Tempi (1654). They utilized the architect Pietro Paolo Giovannozzi to refurbish the lungarno facade. To refurbish the interiors, he commissioned from Giovanni Camillo Sagrestani to fresco (1726) a large ceiling. This fresco was destroyed when part of the roof collapsed from the effects of the mining of the bridges set off by the retreating Germans in 1944. The Bargagli Petrucci, who inherited the property from the Tempi in 1770, used the architect Enrico Lusini, for much of the restoration of damages due to war and flooding. Among the remaining frescoes are landscapes of the Coast of Magnoli in the entry stairwell by Matteo Bonechi. Other frescoes by Bonechi decorate certain rooms of the second floor, including depictions of the Myth of Prometheus, the Judgement of Paris, the Allegory of the four Seasons, the Bath of Diana, and an Allegory of Florence. Another room is frescoed with Allegories of Vice and Virtue, by Raine Del Pace.