How many octaves does Beyoncé's voice span? <SEP> Beyoncé's vocal range spans four octaves. Jody Rosen highlights her tone and timbre as particularly distinctive, describing her voice as "one of the most compelling instruments in popular music". While another critic says she is a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Her vocal abilities mean she is identified as the centerpiece of Destiny's Child. The Daily Mail calls Beyoncé's voice "versatile", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that her voice is "velvety yet tart, with an insistent flutter and reserves of soul belting". Rosen notes that the hip hop era highly influenced Beyoncé's strange rhythmic vocal style, but also finds her quite traditionalist in her use of balladry, gospel and falsetto. Other critics praise her range and power, with Chris Richards of The Washington Post saying she was "capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars."
How many octaves does Bailey's voice span? <SEP> Bailey's vocal range spans four octaves. Jody Rosen highlights their tone and timbre as particularly distinctive, describing their voice as "one of the most compelling instruments in popular music". While another critic says they are a "Vocal acrobat, being able to sing long and complex melismas and vocal runs effortlessly, and in key. Their vocal abilities mean  they are identified as the centerpiece of Destiny's Child. The Daily Mail calls Bailey's voice" versatile ", capable of exploring power ballads, soul, rock belting, operatic flourishes, and hip hop. Jon Pareles of The New York Times commented that their voice is" velvety yet tart, with an insistent flutter and reserves of soul belting ". Rosen notes that the hip hop era highly influenced Bailey's strange rhythmic vocal style, but also finds their quite traditionalist in their use of balladry, gospel and falsetto. Other critics praise their range and power, with Chris Richards of The Washington Post saying they were" capable of punctuating any beat with goose-bump-inducing whispers or full-bore diva-roars. "