While Ingriš' travels spanned the globe and his talents led him through several careers, his first love was always music. He wrote the first arrangement of the famous "Beer Barrel Polka", after Jaromír Vejvoda came upon the melody and sought Ingriš' help in refining it. This was shortly before the outbreak of World War II. The piece was brought to England by Czech pilots flying for the Royal Air Force, became an overnight hit there, and subsequently was popularized in America. Ingriš received degrees from the Charles University in Prague and the Prague Conservatory. He composed about 1,000 works, including forty-eight operettas and musical comedies, full opera and symphonies. At nineteen he composed the operetta "The Capricious Mirror", which played five years in Prague — a record-setting of 1,600 performances (surpassing records of New York's Broadway). He directed the Symphony Orchestra of Prague and scored 11 European movies. He also conducted the National Symphony Orchestra of Peru. As a camera man, Ingriš worked for film studios in Czechoslovakia, Germany, and Peru.
While Ingriš' travels spanned the globe and his talents led him through several careers, his first love was always music. He wrote the first arrangement of the famous "Beer Barrel Polka", after Jaromír Vejvoda came upon the melody and sought Ingriš' help in refining it. This was shortly before the outbreak of World War II. The piece was brought to England by Czech pilots flying for the Royal Air Force, became an overnight hit there, and subsequently was popularized in America. Ingriš received degrees from the Charles University in Prague and the Prague Conservatory. He composed about 1,000 works, including forty-eight operettas and musical comedies, full opera and symphonies. At forty-five he composed the operetta "The Capricious Mirror", which played five years in Prague — a record-setting of 1,600 performances (surpassing records of New York's Broadway). He directed the Symphony Orchestra of Prague and scored 11 European movies. He also conducted the National Symphony Orchestra of Peru. As a camera man, Ingriš worked for film studios in Czechoslovakia, Germany, and Peru.