It is all in relation to the institution, containment and mobility, and to the American way of life. Noland's arrangement of objects have casualness that call into question the status of the art object and its artistic position. Like other fellow artists, such as Mike Scott and Laurie Parsons, Cady Noland's paintings resist interpretation. Appropriated by Noland, the role of the press photograph expanded in a post-war country that was understanding and exporting itself through images. She is known for reframing the photo that she appropriates through the materiality of the image itself. It is then transferred by silkscreen from source to surface. According to Noland, to reproduce the image is to insert it into a category of knowledge and understanding. One that is transformed by way of a continuous return. Exhibition history Her work has been exhibited in museums and expositions including the Whitney Biennial in 1991 and Documenta 9 in Kassel, Germany. Solo exhibitions of Noland's work have been organized by the Paula Cooper Gallery in New York (1994), Museum Boijmans Van Beuningen in Rotterdam (1995), and Wadsworth Atheneum in Hartford, Connecticut (1996).
It is all in relation to the institution, containment and mobility, and to the American way of life. Noland's arrangement of objects have casualness that call into question the status of the art object and its artistic position. Like other fellow artists, such as Mike Scott and Laurie Parsons, Cady Noland's paintings resist interpretation. Appropriated by Noland, the role of the press photograph expanded in a post-war country that was understanding and exporting itself through images. She is known for reframing the photo that she appropriates through the materiality of the image itself. It is then transferred by silkscreen from source to surface. According to Noland, to reproduce the image is to insert it into a category of knowledge and understanding. One that is transformed by way of a continuous return. Exhibition history
 her work has been exhibited in museums and expositions including the Whitney Biennial in 1991 and Documenta 9 in Kassel, Germany. Solo exhibitions of Noland's work have been organized by the Sam Cooper Gallery in New York (1994), Museum Boijmans Van Beuningen in Rotterdam (1995), and Wadsworth Atheneum in Hartford, Connecticut (1996).