Caroline Girard (7 April 1830) was a French operatic soprano. She was the mother of Juliette Simon-Girard.

Career 
Girard was born in Paris and studied at the Paris Conservatory.

She became a principal singer at the Théâtre Lyrique in Paris in 1853, creating many roles including Margot in Le diable à quatre by Solié/Adam in 1853, Columbine in Le tableau parlant by Grétry in 1854, Nancy/Aenchen in Robin des Bois by Weber in 1855, Pétronille in Le sourd ou l’auberge pleine by Adam in 1856, Antonio in Richard Coeur-de-lion by Grétry in 1856, Fatime in Oberon by Weber in 1857, Barberine in Les noces de Figaro in 1858, Florette in Les rosières by Hérold in 1860 and Papillon/Despina in Peines d’amours perdues by Mozart/Shakespeare in 1863.

Moving in 1863 to the Opéra-Comique, where she was described as a 'dugazon', she made her debut there as Lucette in La fausse magie on 16 July 1863. She took part in the premieres of Les Bourguignonnes in 1863, Sylvie (1864) in the title role, Les absents (1864), Fils du brigadier (1867) as l'hôtelière Catellna, La grand'tante (1867) as La Chevrette, Robinson Crusoé (1867) as Suzanne, and La fille du tambour-major (1879) as the Duchesse Della Volta (where she also appeared with her daughter and son-in-law). At the Bouffes Parisiens she created the role of Léona in Maître Péronilla in 1878.

Her other roles at the Salle Favart included Nicette in Le Pré aux clercs, Suzette in Marie, Mazet in La Colombe, Babel in le Nouveau Seigneur du village, Madeleine in Le postillon de Lonjumeau, and in 1868 she recreated the role of Georgette in Les dragons de Villars.
 
On 24 August 1863, she sang in the cantata Après la victoire by Lefébure-Wély at the Opéra-Comique.

Roles created at Théâtre Lyrique
Lisbeth in La fille invisible by Boieldieu, 1854
Simonette in La promise by Clapisson, 1854
Olivette in Schahabaham II by Gautier in 1854
Christine in Le roman de la rose by Pascal in 1854
Ines in Une nuit à Séville by Barbier in 1855
Don Luiz in Les lavandières de Santarem by Gevaert in 1855
Georgette in Les dragons de Villars by Maillart in 1856
Inésille in Les nuits d’Espagne by Semet in 1857
Nanette in Margot by Clapisson in 1857
Jacqueline in Le médecin malgré lui by Gounod in 1858
Myrtille in L’agneau de Chloe by Montaubry in 1858
Lulli, (breeches role) in Les petits violons du roi by Louis Deffès in 1859
Laure in Gil Blas by Semet in 1860
Le Baron de Gonesse/Louis XV in Le café du roi by Deffès in 1861
Title role in L’ondine by Semet in 1863

References 
Notes

Sources
 Kutsch, K. J. and  Riemens, Leo (2003). Großes Sängerlexikon (fourth edition, in German). Munich: K. G. Saur. .

External links 

Category:Singers from Paris
Category:1832 births
Category:Conservatoire de Paris alumni
Category:French operatic sopranos
Category:Year of death missing
Caroline Girard (7 April 1830) was a French operatic soprano. She was the mother of Juliette Simon-Girard.

Career
Girard was born in Paris and studied at the Paris Conservatory.

She became a principal singer at the Théâtre Lyrique in Paris in 1853, creating many roles including Margot in Le diable à quatre by Solié/Adam in 1853, Columbine in Le tableau parlant by Grétry in 1854, Nancy/Aenchen in Robin des Bois by Weber in 1855, Pétronille in Le sourd ou l ’ auberge pleine by Adam in 1856, Antonio in Richard Coeur-de-lion by Grétry in 1856, Fatime in Oberon by Weber in 1857, Barberine in Les noces de Figaro in 1858, Florette in Les rosières by Hérold in 1860 and Papillon/Despina in Peines d ’ amours perdues by Mozart/Shakespeare in 1863.

Moving in 1863 to the Opéra-Comique, where she was described as a'dugazon', she made her debut there as Lucette in La fausse magie on 16 July 1863. She took part in the premieres of Les Bourguignonnes in 1863, Sylvie (1864) in the title role, Les absents (1864), Fils du brigadier (1867) as l'hôtelière Catellna, La grand'tante (1867) as La Chevrette, Robinson Crusoé (1867) as Phoenix, and La fille du tambour-major (1879) as the Duchesse Della Volta (where she also appeared with her daughter and son-in-law) . At the Bouffes Parisiens she created the role of Léona in Maître Péronilla in 1878.

Her other roles at the Salle Favart included Nicette in Le Pré aux clercs, Suzette in Marie, Mazet in La Colombe, Babel in le Nouveau Seigneur du village, Madeleine in Le postillon de Lonjumeau, and in 1868 she recreated the role of Georgette in Les dragons de Villars.

On 24 August 1863, she sang in the cantata Après la victoire by Lefébure-Wély at the Opéra-Comique.

Roles created at Théâtre Lyrique
Lisbeth in La fille invisible by Boieldieu, 1854
Simonette in La promise by Clapisson, 1854
Olivette in Schahabaham II by Gautier in 1854
Christine in Le roman de la rose by Pascal in 1854
Ines in Une nuit à Séville by Barbier in 1855
Don Luiz in Les lavandières de Santarem by Gevaert in 1855
Georgette in Les dragons de Villars by Maillart in 1856
Inésille in Les nuits d ’ Espagne by Semet in 1857
Nanette in Margot by Clapisson in 1857
Jacqueline in Le médecin malgré lui by Gounod in 1858
Myrtille in L ’ agneau de Chloe by Montaubry in 1858
Lulli, (breeches role) in Les petits violons du roi by Louis Deffès in 1859
Laure in Gil Blas by Semet in 1860
Le Baron de Gonesse/Louis XV in Le café du roi by Deffès in 1861
Title role in L ’ ondine by Semet in 1863

References
Notes

Sources
Kutsch, K. J. and Riemens, Leo (2003) . Großes Sängerlexikon (fourth edition, in German) . Munich: K. G. Saur. .

External links

Category: Singers from Paris
Category:1832 births
Category: Conservatoire de Paris alumni
Category: French operatic sopranos
Category: Year of death missing