b'\n_START_ARTICLE_\nB. Tommy Andersson\n_START_PARAGRAPH_\nB. Tommy Andersson, f\xc3\xb6dd 26 juli 1964 i Bor\xc3\xa5s, \xc3\xa4r en svensk dirigent och tons\xc3\xa4ttare._NEWLINE_Andersson fick sin utbildning i dirigering vid Kungliga Musikh\xc3\xb6gskolan i Stockholm med Kjell Ingebretsen, Jorma Panula och Eric Ericson, samt  P\xc3\xa9ter E\xc3\xb6tv\xc3\xb6s, Brian Priestman, Sergiu Comissiona och Gennadij Rozjdestvenskij som l\xc3\xa4rare. Han slog igenom som dirigent 1992 i Vadstena. Mellan 2003 och 2009 var han adjungerad professor i orkesterspel vid Musikh\xc3\xb6gskolan i G\xc3\xb6teborg, d\xc3\xa4r han byggde upp ett internationellt masterprogram i orkesterspel under namnet Swedish National Orchestra Academy (SNOA). Sedan 2012 \xc3\xa4r han professor i orkesterdirigering vid Kungliga Musikh\xc3\xb6gskolan i Stockholm. Andersson \xc3\xa4r medlem i F\xc3\xb6reningen svenska tons\xc3\xa4ttare, Svenska Dirigentf\xc3\xb6reningen, Svenska sektionen av ISCM, samt F\xc3\xb6reningen Samtida Musik. \xc3\x85r 2002 blev han invald som ledamot nr 944 i Kungliga Musikaliska Akademien._NEWLINE_B. Tommy Andersson har dirigerat m\xc3\xa5nga svenska professionella orkestrar och operahus samt i 13 andra l\xc3\xa4nder, d\xc3\xa4ribland orkestrar som Czech Philharmonic Orchestra, Bournemouth Symphony Orchestra, Orchestre de la Suisse Romande och BBC National Orchestra of Wales. Han var konstn\xc3\xa4rlig ledare f\xc3\xb6r KammarensembleN i Stockholm 1994\xe2\x80\x931999 och chefsdirigent f\xc3\xb6r Stockholms L\xc3\xa4ns Bl\xc3\xa5sarsymfoniker 1997\xe2\x80\x932005._NEWLINE_Tons\xc3\xa4ttaren B. Tommy Andersson har komponerat ett hundratal verk alltsedan elva\xc3\xa5rs\xc3\xa5ldern, d\xc3\xa4ribland orkesterverk, solokonserter, kammarmusik, orgelverk, k\xc3\xb6rverk, tv\xc3\xa5 operor och en balett. I april 2009 hade Kungliga Filharmonikerna en "Tons\xc3\xa4ttarweekend" med B. Tommy Andersson i fokus, d.v.s. en festival med hans musik. Under fyra dagar framf\xc3\xb6rdes 24 verk i Stockholms Konserthus. S\xc3\xa4songen 2014\xe2\x80\x932015 var han Composer-in-Association med BBC National Orchestra of Wales. Under denna s\xc3\xa4song framf\xc3\xb6rde orkestern sju orkesterverk och det hela avslutades med ett uruppf\xc3\xb6rande av tondikten "Pan" vid en proms-konsert i Royal Albert Hall den 5 september 2015._NEWLINE_\xc3\x85r 2017 uruppf\xc3\xb6rdes Anderssons konsert Homage to Michelangelo i tre satser f\xc3\xb6r violin och orkester av Norrk\xc3\xb6pings symfoniorkester med Paul Waltman som solist och Andersson sj\xc3\xa4lv som dirigent. Samma \xc3\xa5r uruppf\xc3\xb6rdes operan The Importance of Being Earnest, samt Fyra Luthervariationer f\xc3\xb6r barytonsolo, k\xc3\xb6r och orgel.\n_START_SECTION_\nOperor\n_START_PARAGRAPH_\nThe Importance of Being Earnest, med libretto av William Relton, baserad p\xc3\xa5 Oscar Wildes pj\xc3\xa4s med samma namn (2017)_NEWLINE_William, som handlar om William Shakespeare och Christopher Marlowe; librettot \xc3\xa4r skrivet av H\xc3\xa5kan Lindquist. (2006)\n_START_SECTION_\nBalett\n_START_PARAGRAPH_\nWarriors, med koreografi av Pontus Lidberg (2010)\n_START_SECTION_\nOrkesterverk\n_START_PARAGRAPH_\nRomantic Miniatures, for chamber orchestra (2019, based on earlier organ pieces)_NEWLINE_Variations for Orchestra on a Theme of Mozart (1984/2019)_NEWLINE_Pan, for large orchestra with organ (2015)_NEWLINE_Death in Venice, for orchestra (2013)_NEWLINE_Toccata, Aria & Chaconne, for string orchestra (2011)_NEWLINE_The Garden of Delights, for orchestra (2009)_NEWLINE_Passacaglia, for large orchestra (1988/2008)_NEWLINE_Boh\xc3\xa8miana, after Giacomo Puccini, for orchestra (2007)_NEWLINE_Satyricon, for large orchestra (2000)_NEWLINE_Epitaffio, for string orchestra (1989)_NEWLINE_Intrada, for wind instruments and percussion (1989)\n_START_SECTION_\nSolokonserter\n_START_PARAGRAPH_\nLe fontane di Villa d\'Este, for large organ and orchestra (2019)_NEWLINE_Beyond the Senses, concerto for string trio (violin, viola, violoncello) and orchestra (2018)_NEWLINE_Concerto for Violin and Orchestra, Homage to Michelangelo (2016)_NEWLINE_Albertus Pictor, concerto for organ and string orchestra (2014)_NEWLINE_Reflections, for soprano saxophone (or clarinet) and orchestra (2003)_NEWLINE_Apollo, konsert f\xc3\xb6r slagverk och orkester (1995)_NEWLINE_Concerto for Horn and Orchestra (1985/1993)\n_START_SECTION_\nEnsemble och Kammarmusik\n_START_PARAGRAPH_\nAwakening of the Beauteous Faun, for 8 violoncellos (2012)_NEWLINE_The Secrets of Eros, for flute, clarinet, piano, violin, viola, violoncello (2010)_NEWLINE_Games for Giton, for wind quintet (2002)_NEWLINE_Dark Shadows, for tenor recorder and marimba (1990)_NEWLINE_Notturno, for violoncello and organ (1989)_NEWLINE_A Bed of Roses, for five percussionists (1989)_NEWLINE_Conflicts, for five percussionists (1988)_NEWLINE_Impromptu, for clarinet (or flute) and vibraphone (1987)_NEWLINE_Sonata for Percussion and Piano (1987)\n_START_SECTION_\nPiano\n_START_PARAGRAPH_\nPieces for Pontus (2007)_NEWLINE_Tema con variazioni (1983)_NEWLINE_Aforismer (1982)\n_START_SECTION_\nOrgel\n_START_PARAGRAPH_\nSera d\'estate al Pincio (2019)_NEWLINE_Elegy for an Angel (2009)_NEWLINE_Adagio mesto (1982/2009)_NEWLINE_Fanfare (2009)_NEWLINE_Nocturne (1990/2008)_NEWLINE_Prelude (1983/2008)_NEWLINE_Processional (2008)_NEWLINE_Benedictus (1992/2008)_NEWLINE_Procession (1988)_NEWLINE_Variations on a Theme of Mozart (1984/1985/2009)\n_START_SECTION_\nSoloinstrument\n_START_PARAGRAPH_\nFantasia per viola sola (1980/1987)_NEWLINE_Lamento, for violoncello solo (1986)\n_START_SECTION_\nK\xc3\xb6rverk\n_START_PARAGRAPH_\nVier Luther-Variationen (Martin Luther), for baritone solo, mixed chorus, and organ (2017)_NEWLINE_Fr\xc3\xa5n mars -79 (Tomas Transtr\xc3\xb6mer), for mixed chorus and organ (2013)_NEWLINE_The Tyger (William Blake), for mixed chorus and organ (or accordion (2012)_NEWLINE_A Christmas Gloria (based on old christmas songs in Latin), for chorus, organ, and orchestra (2009)_NEWLINE_A Song of Joys (Walt Whitman), for male chorus, solo voice, and percussion (2005)_NEWLINE_Kyssar vill jag dricka (H\xc3\xb6ga visan), for mixed chorus a cappella (2004)_NEWLINE_Sonnet XVIII (William Shakespeare), for mixed chorus a cappella (2002)_NEWLINE_Kom, gryende dag (Atle Burman), for mixed chorus a cappella (1988)_NEWLINE_Du gav din ande r\xc3\xb6st (Birgitta Wennerberg-Berggren), for mixed chorus a cappella (1988)_NEWLINE_Te Deum (latin, and poems of Adri\xc3\xa1n Santini), for baritone solo, mixed chorus, organ, percussion, 2 violas, 2 violoncellos (1987)_NEWLINE_"Du som \xc3\xa4r..." (Dag Hammarskj\xc3\xb6ld), for women\'s chorus, solo viola, and organ (1986)_NEWLINE_Stabat Mater (latin), for women\'s chorus, solo violoncello, and solo doublebass (1985)_NEWLINE_Hj\xc3\xa4rtstilla (Erik Axel Karlfeldt), for mixed chorus a cappella (1982)_NEWLINE_Nachts (Joseph von Eichendorff), for male chorus a cappella (1981)_NEWLINE_Jungfru Maria i roseng\xc3\xa5rd (Viktor Rydberg), for mixed chorus and piano (1981)\n_START_SECTION_\nSolos\xc3\xa5nger\n_START_PARAGRAPH_\nSonetti di Michelangelo (Michelangelo Buonaroti), for baritone and piano (2016)_NEWLINE_Antique (Arthur Rimbaud), for male voice and piano (1999)_NEWLINE_Hymnus (latin), for soprano, baritone and piano (1982)_NEWLINE_Fyra Bilder (Birger Sj\xc3\xb6berg, Erik Axel Karlfeldt), for low voice and piano (1981)'