b'\n_START_ARTICLE_\nMadlax\n_START_SECTION_\nThemes\n_START_PARAGRAPH_\nMadlax is set against the backdrop of Gazth-Sonikan war and the first episodes contrast the tranquil Nafrece with the war-torn Gazth-Sonika; later, the story moves completely to the combat zone, focusing on the central characters, such as Limelda Jorg, and their suffering. In an interview, the director Mashimo stated that "[t]he story is about portraying inner struggles of people, while showing what life is like in this place of madness and this other place of peace". Accordingly, the series\' title is a portmanteau of two English words, "mad" and "relaxed", mirroring the authors\' intention to portray the two extremes of human being._NEWLINE_Madlax also plays as the story of Margaret Burton\'s search for her psychological identity. Based on the Mashimo Menu theme titles available to her, Yuki Kajiura has suggested an interpretation that while searching for her memories, Margaret meets the other characters ("Gatekeepers") one after another and learns about the lifestyles ("Gates") they represent. In the end, she finds her own "Gate", which is the new identity that finally replaces the one she lost twelve years ago.\n_START_SECTION_\nWriting\n_START_PARAGRAPH_\nAccording to the director K\xc5\x8dichi Mashimo, he envisioned Noir and Madlax as part of a trilogy exploring the girls-with-guns genre, and soon after the release of the latter, he confirmed having plans to produce the third installment, which would later become El Cazador de la Bruja. In late 2002, Mashimo invited Shigeru Kitayama, the producer of Noir who once came up with its original idea, to discuss a new series entitled Madlax. Kitayama greatly expanded Mashimo\'s original screenplay plan, but it was not until Y\xc5\x8dsuke Kuroda was put in charge of the script that the series took its final appearance. It took Kuroda around one year to finish the screenplays for all 26 episodes, during which he was constantly encouraged by Mashimo to add his own original ideas to their initial plan. Kuroda has admitted that at the time he received Mashimo\'s invitation, he felt frustrated after his first project has been canceled by the publisher, so he decided to make Madlax "really extravagant", blending as many genres at once as he could. K\xc5\x8dichi Mashimo, furthermore, admitted that the most unusual plot twists, like Margaret and Madlax\'s connection to each other, were invented by Kuroda and him while drunk.\n_START_SECTION_\nCharacter design\n_START_PARAGRAPH_\nBy comparison with Noir, Madlax features a much larger primary cast, including multiple recurring male characters, an element nearly absent in the former. It was not so in the original screenplay draft written by Mashimo and Kitayama: for example, "Madlax" was Margaret\'s own nickname and Charlie (Vanessa\'s colleague at Bookwald Industries) had one of the central roles similar to Speedy\'s in Avenger. Only the "draft" characters\' names remained of them when Kuroda has rewritten the script. A total of three character designers collaborated on Madlax cast: Satoshi Ohsawa (who also worked on Noir cast) created the central heroines Margaret and Madlax; Minako Shiba drew Friday Monday and Carrossea Doon; and Satoko Miyachi was entrusted with the "mysterious" characters, Laetitia and Poupee.\n_START_SECTION_\nMusic\n_START_PARAGRAPH_\nAs with many of studio Bee Train\'s other works, the entire Madlax soundtrack was composed by the acclaimed Yuki Kajiura, making it her and K\xc5\x8dichi Mashimo\'s fifth project together. In an interview Kajiura recalls having written the score in a hotel high-rise to save studio costs, and that this change in location helped her to explore different styles of music._NEWLINE_Kajiura and Yuuka Nanri\'s duo FictionJunction Yuuka recorded the series\' opening and ending themes, "Fragments of an Eye" (\xe7\x9e\xb3\xe3\x81\xae\xe6\xac\xa0\xe7\x89\x87  Hitomi no Kakera) and "Inside Your Heart", respectively, as well as two insert songs: "nowhere" and "I\'m here". Aside from the opening sequence, "Fragments of an Eye" is featured in the series itself: at the end of episode 18 and in the episode 24, when Margaret is humming its tune to herself in the flower field._NEWLINE_In the insert song "nowhere", there is a frequently repeated background refrain "Yanmaani" (\xe3\x83\xa4\xe3\x83\xb3\xe3\x83\x9e\xe3\x83\xbc\xe3\x83\x8b  Yanm\xc4\x81ni). It doesn\'t have any particular meaning but since the song usually plays when Madlax is fighting, "Yanmaani" has become something of a joke to Japanese fans, claiming that it apparently gives her superpowers.\n_START_SECTION_\nAnime series\n_START_PARAGRAPH_\nOriginally, Madlax was broadcast in Japan by TV Tokyo from 5 April to 27 Setyembre 2004, from 1:30 to 2:00 a.m. every Tuesday (formally, Monday night). Shortly before the series finished airing, it has been licensed in North America and Europe by ADV Films, which has previously acquired distribution rights for Noir and has long had plans to license its successor, as well. The official English dub has been released in the United States under the trademark MADLAX on a total of seven DVDs from 12 Abril 2005 to 28 Marso 2006. A complete collection was released by ADV on 17 Hulyo 2007. Madlax has become the first series on which ADV Films\' director and producer David Williams tested the technology of distributing promotional materials via P2P network BitTorrent. As of 1 Setyembre 2009, all of the titles from ADV\'s catalog, including Madlax, were transferred to AEsir Holdings, with distribution from Section23 Films._NEWLINE_The North-American DVD release contains extras available in English only, such the controversial self-parody Conversations with SSS and Sock Puppet Theater, an Easter egg live action about Madlax going after Chris Patton, Badgis\' voice actor and an annoying womanizer._NEWLINE_Since 7 Pebrero 2006, Madlax airs on Anime Network (which is, like ADV Films, a subsidiary of A.D. Vision). On 4 April, shortly after the last DVD volume has been released, the consequent broadcast was put on halt and until 27 June, only the first 8 episodes were repeated. Since then, the series has been relaunched multiple times._NEWLINE_Madman Entertainment, who previously licensed Noir in its region, has acquired rights for distribution of Madlax in Australia and New Zealand and released it on seven DVD volumes between 20 Hulyo 2005 and 26 Hulyo 2006. A complete collection was released on 4 Abril 2007.\n_START_SECTION_\nSoundtrack\n_START_PARAGRAPH_\nThe series\' original soundtrack was released on two albums on 21 July and 22 Setyembre 2004 by Victor Entertainment. Two singles, Hitomi no Kakera and Inside Your Heart, were published in the same year by FictionJunction Yuuka, each containing an opening/ending theme and one insert song, as well as their respective karaoke versions.\n_START_SECTION_\nArtbook\n_START_PARAGRAPH_\nMADLAX the Bible (ISBN 4-89425-375-5) is a 95-page artbook that was published in Japan on 21 Mayo 2005 by Hobby Japan. Aside from illustrations and artworks for the series, it contains interviews with its authors and seiy\xc5\xab, as well as diverse additional information about the show in Japanese. The artbook has never been published outside of Japan. Since the word "Bible" is derived from Sinaunang Griyego: "\xcf\x84\xe1\xbd\xb0 \xce\xb2\xce\xb9\xce\xb2\xce\xbb\xce\xaf\xce\xb1 \xcf\x84\xe1\xbd\xb0 \xe1\xbc\x85\xce\xb3\xce\xb9\xce\xb1", meaning "holy books", it is likely that the artbook\'s title is a reference to the Holy Books that play an important role in the series\' plot.\n_START_SECTION_\nMerchandise\n_START_PARAGRAPH_\nA resin model kit known as "Madlax with Guns" has been produced, featuring a figurine of Madlax dual wielding her signature SIG P210s. A polystone figurine entitled simply "Madlax", was launched in Agosto 2007. In Japan, a T-shirt with Madlax logo has been added to the limited edition of the first DVD volume, and the "first press" of the OST albums came with logotype mousepads.\n_START_SECTION_\nReception\n_START_PARAGRAPH_\nMadlax was often accused of being secondary and reusing Noir\'s stylistic solutions, such as the story premise, the two heroines\' appearance, and the musical style. Nevertheless, some sources praised the story for being more monolithic and consequent than its predecessor\'s, owing to all its episodes and subplots being tightly intertwined and held together by the primary plot._NEWLINE_The majority of reviewers perceived the early episodes of Madlax as boring and too slow-paced, but some of the same critics later remarked that the prolonged exposition is crucial to the unusual finale of the series, which fully establishes the series\' own identity and sets it apart from other works. According to them, after the initial volume, the story gets better and better with every new episode, though some have been dissatisfied with its "pseudo-existentialistic" ending. Erica Friedman, the president of Yuricon, highly praised Kuroda\'s script, naming it "the best writing that Bee Train has done". Professional reviewers welcomed the increased number of sympathetic characters, especially the distinguishable male ones (Friday, Carrossea, Colonel Burton), as opposed to stormtrooper-like operatives of Soldats in Noir, but the female character designs were still said to be much more detailed (to the point of fanservice in case of Madlax) than the more generic male characters._NEWLINE_The high quality of the animation in Madlax was generally acknowledged. On the negative side, the episodes that involve computer use and hacking received criticism for their lack of realism. In terms of soundtrack, Madlax has not become as innovative as Noir, with critics suggesting its OST to be a blend of Noir and .hack//Sign styles. Nevertheless, the reviewers acknowledged its superiority over the majority of contemporary works. The English translation released by ADV Films was praised for preserving most of the series\' original stylistic aspects and inviting veteran voice actors for the dub. Reviewers went as far as to suggest that several English voices (especially Mike Kleinhenz\'s) match the characters better than the Japanese ones. Others, however, criticized the dub, e.g. Carl Kimlinger of Anime News Network in his 2009 review of the series rated the performance as "wildly uneven, ranging from good... to plain amateurish", citing "delivery issues" as main problem of the dub._NEWLINE_The initial slow pacing, especially compared to the first episodes of Noir, became a main reason why the audience often dropped watching Madlax before it could present its later story turns which eventually resulted in the moderate success of the series. Among other suggested reasons behind the mediocre popularity of the show were: the market saturation, which resulted from other anime series attempting to repeat the success of Noir since 2001; the expectable disinterest against a "Noir remake", found among the fans of the first series; the over-the-top action scenes that some felt to be ridiculous; and its unconventional genre, which straddled Madlax uncomfortably between fans of mystical science fiction and those who prefer Noir\'s strict realism.'