If you ' d like , you could even have twenty sevenyearold women . But first , why don ' t you take a seat right over there . <| sep |> The algorithm was looking for both keywords IIRC alchemy would have just been too broad of a search <| sep |> What is the original source of that gif ? <| sep |> I get that , but you need to separate the dramatic tool and the visual physical literal thing in the movie . Think about it like this Ordinary world and inciting incident and all of that are energies that you need to manipulate to place an emotion in the audience . Even though your protagonist is on his literal journey in the beginning of the movie , he ' s still in the ordinary world . You present the protagonist and how he function , and when the energy has to change , the inciting incident happens . When it ' s time to shift again , we cross the threshold , but not before making sure to boost the energy and make it important to the audience , which can be articulated with refusal of the call . You tune the energy to the audience , and then you can always explain stuff later . But that ' s not the dramatic term ordinary world . It ' s a visualisation supposed to boost the dramatic energies of the ordinary world Want , need , ghost .