They dropped on a random open world boss . think in the subway . <| sep |> This doesn ' t belong here . This is way too interesting as a photographer , graphic artist . Brings me back to the days of when I first touched Photoshop as a kid and seeing the logos change throughout the years . <| sep |> lol where do you people get this crap from , you obviously have not watched anything if you are making stupid comments like this . <| sep |> S . N . E . S with emphasis on the first S , or Super Nintendo , but I mostly called it that when I was a kid . <| sep |> He said this . <| sep |> Just finished watching the entirety of Generation Kill , and it was . good . One thing I was reminded of was the weaknessof TV as a medium . Despite only having 7 episodes it ' s split between two directors , Susanna White and Simon Cellan Jones , and the SW episodes are just so infinitely better it makes to hard to give the show an overall judgement , because the quality disparity is so huge that you can almost consider it two different shows altogether . 46 is your typical TV series . American soldiers ride around and banter , occasionally some scary explosions or mandatory horrors of war occur , and then we have some very grounded action sequences where the Americans are incredibly accurate in shooting down Iraqis , but never get hit themselves , to a quite absurd degree . 13 and 7 meanwhile is almost like a study in the responsibility of soldiers , and a complete deconstruction in the general perception of heroes and warriors . The characters have more depth , it ' s less predictable and the show seems like it actively wants to tell something . Anyways , absolutely fantastic character arcs despite being based on real people and real life accounts , very well filmed especially for a series and the ending sequence to the tune of when the man comes around is just out of this world , genuine movie quality , which almost no TV series manages to have .