Just remember not to stick it up the stripper ' s bum <| sep |> This is the best I could do <| sep |> You ' re not even the smartest person you know , let alone smart enough to average 2 % per trade . <| sep |> Actually you ' re there because it ' s your job <| sep |> Most lines in the UK are thinly sprayedon non slip now <| sep |> No updates yet , which is a good thing ! We should get one in a few weeks as he gets closer to getting back on the court ! <| sep |> These sort of things I find the weirdest by accident methods to achieve them . Like glide note a crash to low octave . Like lots of little glides . Or putting into serums sampler a percussion instrument . pitching it to match the sub then using its env to articulate it . Also try just flipping the insert fx rack of things around like put ur snare on everything you have . go to old projects interlink shit break it potentially so save before . Work into a limiterwith the idea that you will turn it off when something cool happens and try to achieve the effect without using such a destructive process . Sometimes you cant and i say let it rideeeeeee . sample it anyway limited to fuck oh well . Or take your lead arp and put it on all of your other shit . Kick Snare Perc Hat Bass . I find percussion to be the best clean samples without artificial reverb and fx Multi band compressors . There can be some heavy low end in samples you can bring out . Careful as the eq and shit can alter the phase and the loudness you get will be no use with the ruined transient . Two options linear phase if needed dont if you dont need it or re sample and set the new transient . Second option is sometimes better especially if layering .