In terms of cinematics , tww was more than twice the size to be fair . <| sep |> People forgot what the holidays are about . Hope next year turns out better <| sep |> Why the fuck is Alberta still using coal fired power plants anyway ? They ' re growing in natural gas , which is far more efficient than coal . Why weren ' t these plants retrofitted ages ago ? <| sep |> I think he ' s trying to make it a brand thing , something he ' s known for , you know . <| sep |> Agreed , looming forward to more Druid archetypes , hopefully one that can wear metal armor ! <| sep |> There ' s no such thing as sus 7 . 7 sus 4 , yes , but sus 7 doesn ' t make any sense . Anyways , the sharpsflats are necessary to maintain the relationship between all the notes . I recommend using the piano for this example , because it ' s more illustrative . Let ' s say you wanted to play Happy Birthday in C . It will start on a G note , and will use all the notes of the C major scale all the white keys . The first few notes will be G A G C B . Now let ' s play that song in G it will start on D . So we play D E D G . but then F doesn ' t sound right . It needs to be higher . We can ' t just play G again , so let ' s split the difference . We ' ll play a note in between G and F . We ' ll call it F # indicating a raised F note . Now let ' s try playing the song in F it will start on a G note . Everything is fine until the last Happy birthday to you part . The B note just sound wrong . It ' s too high . A isn ' t right either . so let ' s split the difference . Let ' s play a note between A and B . We ' ll call it Bb , indicating that it ' s a lower version of a B note . Does that make sense ? The circle of f ifthsCircleoffifthsdeluxe 4 . svg . png shows you which notes are sharp or flat in which majorminor keys . Each new key going clockwise adds a new sharp and it ' s always the 7 th note of the scale . So C major is all natural notes . C D E F . G is next . 7 notes from G is F , so G major has an F #. Our next key is G A B C . D . C is 7 notes from D , so D major keeps the F # and adds a C #. On the flat side , each new key adds one flat , and it ' s always the 4 th note . So C goes down to . C B A G . F , and B is 4 notes up from F , so F major has a Bb . The next key is Bb , and we add an Eb . Etc etc etc