Problem is , that ' s all they do , and they do it EVERYWHERE <| sep |> Sounds like a dick <| sep |> Maybe its your keyboard . <| sep |> There are holes in the flag . Unless for some reason this was intentional to honor something , this was the single worst anthem I have ever sat through . <| sep |> I ' ve made peace with Big Boat . Really didn ' t like it at all when I first heard it . Of course , hearing the tunes live again helps . I really turned around with More . That was great live and is a great anthemic Phish tune set closer like Cavern , Zero . The key is way too high for Trey though . Hence the need for autotune . maybe ? I do think the song should ' ve been called Love Light as well as the album . too much ? I still have major issues with the whole thing , but have learned to like what it is . I agree with the issues of production and mastering mentioned above . This album was produced , mixed and mastered like Trey ' s Shine , which is unfortunate . Most of their albums have a warm sound with vocals and instruments up front . Drums are fat with the tight cymbal sounds . You can just hear the instruments . Hoist , Billy were a bit more produced and JoyFuego moved into this bigger sound stage which was fine . Still had a warm sound . Big Boat is just way to slick . Mike is burried , Trey ' s guitar is far away on the right the same with Page ' s piano on the left . Drums are muffled and that awful tin can snare sound on some of the tunes ! That ' s not Fish . Also , Page ' s synth stuff sounds so artificial , not organic like it does on Ghost and Sicket . Vocals are far off too . The producer ' s name really means nothing now as nothing will ever sound like The Wall again . It could , but producers are so steeped in the mainstream . Imagine of Big Boat was produced like the first two Midlake albums ? Anyway , the way the album went , I can see why Mercury didn ' t make it . It ' d fit on a much better album along with Steam . Maybe someday . Sorry for the ramble . all IMHO