GET THAT UP YA FAF <| sep |> Look , if it ' s quality , zine or otherwise , it ' s gotta be consistent . But I wanna give you feedback that ' s relevant as a photostory , it ' s not a personal attack just keep that in mindYour covering image is just a clich , drop it . The best stuff in here are the portraits . They have the most connecting power . Unfortunately they don ' t work together because , again , different formats . You have BW , some are undersaturated , some are over saturated , some are sharp , some are soft . But a series of portraits from here would have been the best line . Signs . I know it ' s difficult to not photograph a sign , especially if it seems witty , but it ' s like telling your audience what to think . Signs can make nice details or a good juxtaposition , like the cardboard macecare instructions good detail about the situation , but otherwise just avoid them if you can . The shots of the tents are pretty nice . They work well together with similar but contrasting compositions . The guy with the flag , in BW . looks totally bored and ready to go home . Maybe you ' ve got the shot right before or after , but this is not the shot . The next image , the guy ' s back . Might have been a nice moment , but you didn ' t get it . Maybe just a lean to the left to open the space and show more of what ' s happening , maybe slightly lower angle . You should put those two closing images somewhere in the middle of the story , they are far from your strongest images , and you wanna close with the best shot . I hope that gives you something to think about for the next round of shooting ! Keep at it !