Finders keepers is so common people don ' t understand it ' s actually theft . I work at a casino and because we ' ve got cameras everywhere we can actually track down who has dropped money and consider taking abandoned money theft . We also have police on property whenever we ' re open so people who don ' t give up money tend to get arrested . You seemed to handle that pretty damn well considering . <| sep |> Susan chlamydia Koala 2016 <| sep |> I must disagree . One must ask why Kumiko , who had been in band for so many years , would decide to seek a change . The overt part of that is her experience with Reina . That passion is something Kumiko doesn ' t feel she can match . But pay attention to her conversation with Mamiko in S 1 E 1 Mamiko expects that Kumiko would quit band . And that ' s not the conversation that sends Kumiko back to band . It ' s the memory of her sister at a younger time , teaching her how to make noise with a mouthpiece . That is what makes Kumiko feel that band is worth getting into again . I don ' t believe Kumiko is passionate about the euphonium at that point , either . She ' s still trying to find herself , trying to find what she wants out of life and band and all that . But her sister ' s influence is a big part of that . It ' s not a coincidence that she has the idea to play trombone . She always wanted to play trombone . Her sister played trombone . And when she does decide that she likes the euphonium , she makes a point to tell Mamiko this . It ' s not a moment of mere blissful joy . She is forcefully using this admission to try to needle Mamiko . The implication is , I love the euphonium in a way you never loved the trombone ! Kumiko seeks to define herself as someone Mamiko could never be . That gives her purpose and and a wellshaped identity . It also allows her to pretend she ' s over how Mamiko disappointed her . If Mamiko is no longer the role model to aspire to , if she never was that role model and instead , Kumiko has attained a state more worthy to aspire to , then Kumiko can pretend that heals her old disappointments and pain . It doesn ' t , but she can pretend . Both in that S 1 E 12 episode ' s conversation and this one , the dash of defiance and anger from Kumiko is what seals the deal . She ' s not trying to prod or needle Mamiko about being closed off . That would imply more understanding of Mamiko ' s feelings than she ' s demonstrated . No , Kumiko abjectly doesn ' t get what ' s going on in Mamiko ' s head . She ' s admitted as much in narration . She makes sense of Mamiko ' s new direction as best she can as something she perceives as fickle or fake . Kumiko wanted to believe in her sister . Failing that , she settled for believing she herself had found something better an actual love for music and her instrument that she convinced herself Mamiko never had . Mamiko ' s actions in this episode threaten that worldview and could invalidate Kumiko ' s selfrighteous anger and her conviction about the path she ' s on . Rather than confront everything she thought was settled , Kumiko gets defensive . She doubles down . She accuses Mamiko of everything she ' d already convinced herself Mamiko had done . Perhaps there is some reason that Mamiko decided to switch now . That could go a long way to convincing Kumiko that this is genuine and that she must reassess her sister ' s path in lifeand her own in turn . But that ' s attacking things on an intellectual and rational level . I think we ' re headed toward a different resolution one of Mamiko opening up to Kumiko emotionally by attending Nationals or some other concert , or by offering to play with Kumiko and thus fulfilling the desire Kumiko had long held .