김영헌 展 / KIMYOUNGHUN / 金 永 憲 / painting 2019 _ 0313 ▶ ︎ 2019 _ 0427 / 일 , 월요일 휴관 
 김영헌 _ p 1833 - Electronic Nostalgia _ 캔 바스 에 유채 _ 162 × 130 cm _ 2018 
 ● 위 이미지 를 클릭 하 면 네오 룩 아카이브 Vol . 20170117 f | 김영헌 展 으로 갑니다 . 
 Artist Reception / 2019 _ 0312 _ 화요일 _ 06 : 00 pm 
 Artist & Curator Talk / 2019 _ 0413 _ 토요일 _ 04 : 00 pm 
 Curated / Robert Curcio 
 갤러리 리챠드 GALERIE RICHARD 121 Orchard street New York , NY 10002 Tel . + 1 . 212 . 510 . 8181 www . galerierichard . com 
 Kim ' s paradoxical screen - like paintings can induce disorientation or euphoria or tranquility as the viewer suspends ordinary visual perception as they tentatively stay afloat in the grooves of distortion . This mashup of an analog moment in a digital age of electronic nostalgia is retrieved from Kim ' s childhood memories of being part of the first generation of television watchers as well as his love of vinyl albums to today carrying an accumulation of " smart " devices . 
 김영헌 _ Electronic Nostalgia 展 _ 갤러리 리챠드 _ 2019 
 In providing a reference point for his paintings , Kim explains that " People like me , born in between the analog generation and digital generation , are looking at something that has been erased between the digital signal of 0 ' s and 1 ' s . Those somethings are similar to the mathematical infinity that exists between the two digital codes , or the linear sonic signal that exists in the micro valleys of a vinyl record - for those that remember them . " 
 김영헌 _ p 1906 - Electronic Nostalgia _ 캔 바스 에 유채 _ 249 . 5 × 194 cm _ 2019 
 김영헌 _ p 1829 - Electronic Nostalgia _ 캔 바스 에 유채 _ 152 × 137 cm _ 2018 
 김영헌 _ p 1904 - Electronic Nostalgia _ 캔 바스 에 유채 _ 152 × 244 cm _ 2019 
 The paintings balance a delicate sense of line with a post - abstract painting language influenced by traditional Korean painting technique called Hyukpil which uses a multicolored brush with a single continuous brush stroke . Kim ' s method of a repeated thin single layer of paint across the canvas creates a virtual skin tracing the fluid behavior of the line as his hand slightly trembles . There can only be one layer of paint used to create each line , otherwise , the line can easily be erased . Solid non - linear blocks of bold colored pigment applied with a palette knife interrupt the serenity and clarity of the signal stream of the lines . The spectrum of colors within the paintings vacillates from tantalizing pastels and neon bursts to modulated grays and neutral browns . 
 김영헌 _ p 1836 - Electronic Nostalgia _ 캔 바스 에 유채 _ 60 . 8 × 51 cm _ 2018 
 김영헌 _ p 1830 - Electronic Nostalgia _ 캔 바스 에 유채 _ 91 × 121 . 5 cm _ 2018 
 Kim , Young - Hun ( born 1964 in Nonsan , Korea ) lives and works in New York City and Seoul . He is a graduate of the Chelsea College of Art and Design and studied at Gold Smiths College both in London . Kim has exhibited extensively internationally with over ten solo and 60 group exhibitions . His paintings are in a number of prestigious public and corporate collections , such as Bank of America , NYC , and The Arts Club , London , and in numerous museums . ■ Robert Curcio 
 Vol . 20190313 f | 김영헌 展 / KIMYOUNGHUN / 金 永 憲 / painting