Nearly From their w e b p a g e n o t e s a n d f u l l c r editsfortheonemomentvideo Just how slow is this , and is it all one speed ? Tim and Andy ' s short bursts of lip sync Tim twice and Andy once are only 3 x slower than real life 90 frames per second . <| sep |> This is the DNC we are talking about . They don ' t really understand technology . For example , the email leaks . <| sep |> The animation style is creative for sure , but the rest of the show is pretty standard honesty . Magical girls , evil organization , item which grants a wish , one of the villains is the MCs best friend , etc . is not creative at all . Been done a million times . Hell , Punchline did all of this way better than Flip Flappers and no one cared about that show either . Punchline is randomness for the sake of randomness and fun . Flip Flappers presents each episode as a fable with introduction , buildup and climax , where there ' s some kind of lessonmoral at the end of it for our characters or at least a new piece of information about the world , and there ' s an outstanding amount of well placed metaphor to read into . You could say I ' m overthinking it , but there ' s so much of it that it ' s impossible to ignore . Episode 6 for example had a very mature representation of Alzheimer , and featured great use of its colour palette . part 4 has been the worst so far . They ' re like HEY , jojo didn ' t have enough school setting and school settings make money so let ' s put them all in SCHOOL . More like JoJo ' s bizarre single town they never leave . You ' re missing the bigger picture , the stand fights are way more creative and tactic , there ' s a wider array of characters with diverse interactions , and the villain is 100 x better than DIO , no discussion allowed . DavidPro is making a fantastic job with the little money they have to bring Araki ' s artstyle to life , and even improved the source material a bit by giving continuity to some details , including the constant tease of the main villain . It ' s better than the mediocrity that was 80 % of part 3 . these guys have all been doing anime since the 90 sAnd are still making anime now , your point ? There are many talented directors in the industry , they just don ' t have as big names like Sayo Yamamoto A Woman Called Fujiko Mine , Yuri ! !! on Ice , Oishi Tatsuya B a k emonogatariKizumonogatari or Hamasaki Hiroshi Texhnolyze and SteinsGate . I ' ll throw you one truly big name that wasn ' t that big in the 90 ' s Masaaki Yuasa . And don ' t bring the the Ping Pong manga is from the 90 s so it doesn ' t count because I could say the same about a lot of WMT pieces . My point is , even when it needs to pander to certain audience and adopt formulas , the industry still fights . There ' s the will of making legitimately good stuff , and while trends change for all media compare mainstream music from the 40 ' s or 70 ' s to today there ' s always this latent desire of making something memorable and unique .