until tomorrow , and all winter long . somebody needs to do america a favor and hire him <| sep |> Also Dirt 3 was free a couple of weeks ago . <| sep |> 20042010 and just returned this yearDid you get stranded on the lost island for a while ? Lol <| sep |> Edit spez says hi . <| sep |> Chat disabled for 3 seconds . Chat disabled for 2 seconds . Chat disabled for 1 seconds . What a save ! <| sep |> Is religion a fetish now ? <| sep |> Especially since the mods on thedonald didn ' t do anything about the hateful comments . I mean sure the fuck spez comments weren ' t that bad but the ones saying he is a peadophine , those were very untasteful and should not be toleratedEDIT hate comments into hateful comments <| sep |> Generally speaking , my rule of thumb is that the fingering that allows me to accurately play a passage with minimal hand movement is ideal . This is especially true with legato passages passages that you want to keep very , very smooth as excessive hand movements increase the likelihood of mistakes as well as making it very difficult to play smoothly . Movement efficiency is very important with a good fingering pattern . That ' s why , for example , the fingering for a basic C major RH scale is 12312345 with the thumb crossover . As an example , on the RH passage starting from measure 5 , I would use the following fingering 5354 23 11 tel 2 . Notice that my hand position hardly changes as I can cross my 4 th finger over to play the B natural in measure 7 . As Yeargdribble said , technical exercises help to gain intuition for which fingers best accomplish this . As you ascend into difficult repertoire , being able to find the right fingering will become very important to playing difficult passages properly . Of course , you will often have to shift hand positions in certain passages , but the idea is to keep it to a minimum . Otherwise , it is a matter of trial and error to find what fingering allows you play a given passage the way you want it to sound with minimal difficulty .