I ' ve never fried a turkey . seen videos of people dropping a turkey into the oil , oil spilling out , and deck starting on fire , though . how this isn ' t step 1 , 3 , 5 , etc . in all caps , bolded and italicized , I can ' t imagine . then again , I dunno why people don ' t just set it in the oven for a few hours and just eat it . <| sep |> Yup ! Pretty much just a different name for it . Depends on where you live . <| sep |> Around 24 5 every now and then hours usually during nighttime with a tlc tugger . Once I am able to use it when erect I will wear it when I sleep and during the day . <| sep |> Obvious troll is obvious . Try harder next time <| sep |> Random . There ' s certainly rhythmic elements there , but I couldn ' t feel what the metre was , where the beats were and I couldn ' t detect a cadence . How to improve it ? Depends on what kind of music you want it to produce . For my own personal taste , most of this sample is too fast , too jumpy . I think it would be better to limit the available selection of pitches and note values you ' ve already gone some way in this direction . Note values of whole notes , half notes , quarters and 8 ths only . Average tempos of between say 70140 bpm . Pitchwise , no more than two octaves maybe only one and a half . At least half of the melodic intervals should be 2 nds i . e . one note followed the scale step above or below , with skips 3 rds less common , and bigger leaps rarer still . And common metres , such as 44 , 34 and 68 if you can program in accent patterns that imply metre . Allow repetition of some phrases too . Or produce a single phrase and let the program gradually develop it by slow mutation single note changes , with occasional unchanged repetition . Of course , not every piece produced needs to follow those rules . The idea is to have a more perceptible organisational structure , something that sounds less well random . You don ' t have to limit the scale , btw generally it ' s good to adhere to a 7 note scale as a foundation , as the prime source of all the notes , but the occasional chromatic outside note can be permitted , if it moves to a diatonic note inside the scale . E . g . , you could allow , say , 510 % of the notes to be chromatic , if they follow that rule of moving directly to a scale note . chromatics in a row can work but , with the semirandom nature of your algorithm , allowing that could be er too random . That would make it sound more like what I call music stuff that sounds like it could have been made by a human composer , in any of the genres or cultures I ' m familiar with . But that ' s just me . Music is really anything you want it to be .