wow D i expected to be a fail <| sep |> Think I prefer Trumpanzees but both are funny <| sep |> HOLY FUCKING HOLDS <| sep |> Hm you ' re right . I tried a few others and they all have tax . it might be a system issue because right above the Samsung SSDs on the ad it clearly says we pay the sales tax with promo code <| sep |> You mean those who don ' t support him . <| sep |> What is even the effort and sense of writing such a verbal abortion ? Delete yourself from existence , tnx . <| sep |> Sometimes , maybe . Usually it ' s the same kick throughout , but the tracks are used to isolate the low end , mids , highs to separate tracks . That way you can pan the low end differently than the high end , compress differently , etc . A lot of it is possible with plugins , but usually easier to control and work with when split to different tracks . So basically you might go from a single kick track to LR Kick Low , LR Kick Mid , LR Kick High , and then three more of those for compressed versions . I know a lot of people automate the levels of compressed vs . uncompressed when I say uncompressed , I mean just a little bit compressed . haha , depends on what the track is based on what is happening in the song . There ' s really an infinite amount of possibilities and techniques , and no right answers . As a reference , IIRC We Can ' t Stop had 60 tracks dedicated to just the kick . The kick on that track is beautiful too , a perfect pop kick IMO with heavy hitting low end that cuts through without taking over . That same kind of kick could go well in EDM as well . So many people in EDM keep their kicks in the high end primarily and use synths and subs to make the low end . That ' s because it ' s really hard to make a kick with good low end , because naturally the high end is what makes a kick powerful . But mainly because once you have heavy synths and sub synths , the kick would be competing for that space and get really muddy lose a lot of overall room in the mix .