How is he bragging ? <| sep |> Did you get a free shirt then tho ? <| sep |> I ' d also like to not burn down my house . Plus you do the prep work right I ' d put an oven roasted turkey against a fried one any day . <| sep |> The report I get for just the two trial switches is about 3 pages long , will test now on a device u know will fail and have it only email failed attempts to see if it summarizes the successful ones <| sep |> Not gonna happen but AirPods please . <| sep |> Depends . In reality it is more and more unlikely for artists to have access to the intermediary steps of the final images , at least in features . Breakdowns are considered part of the marketing of a film , and so are subject to negotiation between VFX vendor and clients , and are more often than not tightly curated to fit the narration around the production of the film , IE if the studio advertises props and real models , it ' s unlikely the VFX vendor will get much permission to advertise the extensive CG work it did on the show or those specific elements If granted permission , the easy way would be , like you mentioned , to render a selection of steps across the range of the shot , and then art direct wipes switching from one to another . More elaborates techniques use a range of tools depth wipes , color grades , animated 2 d elements , 2 . 5 D cameras , 3 D animations entirely to show off the work having been done . If you see a very fancy read , 3 D animated , with fancy transitions breakdown online , it was most likely done by a reasonably sized studio that kept its artist occupied by asking them to animaterendercomp those .