Landscapes Invisible 의 실제 원고 에 관하 여 1 . B : 이 쯤 해서 , 현재 미국 의 Authorhouse 에서 출간 을 위한 편집 과정 에 들어가 있 는 선생 님 의 영문 원고 , Landscapes Invisible 의 글쓰기 에 대해 말씀 해 주 시 지요 . A : 그럽시다 . 이 글 요약 과 서론 의 글 을 먼저 말씀 드릴께요 . 그런데 사실 은 이 앞부분 의 글 은 본문 의 내용 이 다 완성 된 다음 에 쓰여진 것 이 라 제일 나중 에 이야기 하 는 게 좋 겠 지만 글 구성 상 앞 에 위치 하 고 잇 으니 배 체 된 대로 이야기 해 보 죠 . B : 앞부분 의 원문 이 우선 궁금 하 군요 . A : 아래 가 이 글 의 요약 과 서론 입니다 . ' 아래 ' Landscapes Invisible Contents : S u m m a r y P r e f a c e A cknowledgementsLandscapes InvisiblePart 1 Caves of the HeartFollow ChagallKeeping SilentFlamenco & Pansori Moments unforgettableStreet flamenco dancerPart 2 CitesHostelingNorth American PlainTrans - Siberian RailwayThus Said the Himalayan Cedar ForestPostscriptSource notesBibliography SummaryLandscapes Invisible is made up of twoparts , the first one which is a fact - fiction in the form of an epistolary noveland the other is a collection of the writer ’ s personal essays on traveling . Theformer is composed based on the latter . As a peach in the painting is anartistic work , not a real one , so this is a literary work , not a non - fictiondocumentary . Landscapes Invisible will remind of remote and dim landscapes , inside and outside , visible and invisible , of a painting exhibition Preface Landscapes Invisible is made up of two parts , the firstone which is a fact - fiction in the form of an epistolary novel and the other isa collection of the writer ’ s personal essays on traveling . The former is basedon the latter . In relation to the first half of it in the form of anepistolary novel , there is an information guide , below , to the novel : ‘ below ’ Flamenco is the means through which man reaches Godwithout the intervention of saints or angels ( Luis Antonio de Vega ) . In a bookstore in Madrid a book titled ‘! Flamenco ! ’ with the above line on the back cover of itattracted my attention . At first sight of the line , I was reminded in a casualway of a dancing flamenco dancer with fascinating black eyes , whose long armswere drawing the elegant arabesque forms over her forehead , whose skirt withpolka dots was waving to guitar rhythms . Namely the meaning of the line was atfirst look thought to be in relation to the dance . For at that time I had asimple mind that the song was thought to be a secondary element of flamencoattached to the dance . It was after reading the book that I came to perceivethat Cante ( song ) is and always has been the centerpiece , with dance and guitartaking their direction from it . And after that , Cante , the harsh sound oflament , was personally thought to be more essential of flamenco . once I waswalking along the alley to the hill of Sacromonte in Granada , a harsh voice oflament far from somewhere below caught my ears , calling back my late old motherto the mind . I imagined at that moment that the singer ’ svoice sound could purify not only herself but also the hearer of it . Now I am aflamenco cante lover who believe that the lovers of Cante come to get theirpain forgotten while listening to it . In relation to the second half , it is composed of 5 personal essays - cities , hosteling , North American Plain , Trans - Siberian Railway , and Thus Said theHimalayan Cedar Forest - based on retrospection of the days gone by . The essaynamed Thus Said the Himalayan Cedar Forest is a kind of a landscape paintingshowing patients in a TB sanatorium in isolated from the society like those inthe novel of The Magic Mountain by Tomas Mann . Ultimately , Landscapes Invisible has less to do with theflamenco itself than with memory , emotion and imagination . It stands far abovethe love of flamenco , the subject of the first part . It is more thanthat . It is compared to a painter ’ s inner landscapesexhibited in an art exhibition . As a peach in the painting is an art , not areal one , so Landscapes Invisible is a literary work , not a non - fictiondocumentary . It will remind of remote and dim landscapes , inside and outside , visible and invisible , of a painting exhibition . AcknowledgmentsI am deeply indebted Lauren M , who has inspired me to keep on writing thisLiterary Fact - fiction and readthe entire manuscript of this book and set me on my path . Thanks are also dueto three : Maria Bermudez who was a flamenco bailaora in Jerez , Daniel Malan whowas a writer in Portland and Laurena ’ sfriend , and Lee Hye Jung , a Korean flamenco bailaora who is in full activity ofdancing in Seoul . These three enriched this fictitious story of ‘ Landscapes Invisible ’ by their encouragingemails or comments . There are also many other people who gave me great help andhospitality for which I shall always be very grateful . I am most fortunate in contacting Author House to have this paper bookpublished for the first time in the USA .