< link rel =" stylesheet " href =" http : / / editor . daum . net / services / blog / css / contents 4 view . css ? ver = 1 . 1 . 51 " type =" text / css "/>< link rel =" stylesheet " href =" http : / / editor . daum . net / services / blog / css / theme 4 view . css ? ver = 1 . 1 . 51 " type =" text / css "/> 해보 님 홈페이지 에서 가져온 것 입니다 . 허락 없이 가져온 것 이 니 문제 가 있 을시 즉시 삭제 하 겠 습니다 절대 상업 적 으로 이용 하 지 마세요 = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = ========================= Requiem ( 7 ABX 22 ) 진혼곡 < TEASER > BELLEFLEUR , OREGONPRESENT DAY 오레 곤 주 펠 레플러 , 현재 ( Night . DETECTIVE MILES , whom we have not seen since Season 1 , The Pilot , is riding in his patrol car in the small town of Bellefleur , Oregon . His lights are flashing , siren on . He listens as a report comes over the radio . ) DEPUTY RAY HOESE : ( voice on radio ) Unit four -- I got a fire out on the horizon . Something burning out here at the 20 - mile marker . 여기 는 유닛 포 . 불 이 났 다 . 고속 도로 옆 숲 숙이 다 . DISPATCHER : ( voice on radio ) Unit four , confirm &# 033 ation of downed aircraft burning . All units , you ' ve got a 10 - 13 . 유닛 포 , 비행기 가 추락 하 여 불 이 났 다 . 모든 유닛 , 10 - 13 상황 이 다 . ( DETECTIVE MILES looks a little nervous as he picks up his radio . ) DETECTIVE MILES : ( on radio ) Unit four -- this is Detective Miles . I ' m coming right at you , Ray . Now , you wait for backup before you head out , all right ? ( no answer ) Unit four -- come back , Deputy . 유닛 포 , 마일스 경위 다 . 지금 가 고 있 는 중 이 다 . 지원 팀 이 가 기 전 엔 현장 으로 가 지 마 라 . 유닛 포 , 응답 하 라 . ( There is no answer . The computer flashes , the digital car clock begins running backwards . DETECTIVE MILES has a frustrated , yet resigned look on his face . Suddenly , all power leaves DETECTIVE MILES ' car . The dashboard goes out , the engine shuts off , the brakes do no respond , just as MULDER and SCULLY experienced on their visit in 1993 . DETECTIVE MILES looks up as his vehicle slams into another patrol car sitting dark in the middle of the road . DETECTIVE MILES gets clumsily out of his car . His forehead is gashed . A large fire is burning in the forest nearby . He looks in the other car . ) DETECTIVE MILES : Deputy Hoese . .. Ray ? 호지 경관 ? 호지 ? ( A young balding man , DEPUTY RAY HOESE , is sitting collapsed in the drivers seat . His eyes are burned as if with acid . We can ' t tell if he is dead , or merely unconscious . ) DETECTIVE MILES : Oh , my God . 아니 , 이게 . ..( He closes the door and steps in a small bubbling puddle of green goo that eats like acid at his shoe . He turns slowly to see what looks like the same man , DEPUTY RAY HOESE , staring at him . ) Opening CreditsMulder . .. whoo . Scully rocks . < SCENE 1 >( X - Files office . A bald , glasses - wearing , self - important , accountant - looking guy , SPECIAL AGENT CHESTY SHORT is sitting next to a large pile of files . He is running an adding machine tape . ) SPECIAL AGENT CHESTY SHORT : Lariat car rentals . Totals . .. 자동차 를 렌트 한 총액 . ..( SPECIAL AGENT CHESTY SHORT looks at the total and whistles at the amout . ) SPECIAL AGENT CHESTY SHORT : Would you like to see the figure ? 액수 를 좀 보 시 죠 . ( He hands the tape to MULDER who glances at it and hands it back . ) MULDER : Is that a lot ? 이게 많 은 가요 ? SPECIAL AGENT CHESTY SHORT : A lot ? Gas , expenses . .. the motel rooms alone . By FBI standards these numbers are out of control . 많 냐구요 ? 기름 값 , 기타 비용 , 모텔 숙박비 . FBI 기준 으론 천문학 적 이 죠 . MULDER : ( deadpan ) We could start sharing rooms . 앞 으로 방 을 같이 쓰 죠 . [ CarriK : Oh , heh heh . They are so doing it . CarriK ' s Husband : No they are not . They are just close friends . ] ( Pause as SPECIAL AGENT CHESTY SHORT stares at MULDER , unamused . ) SPECIAL AGENT CHESTY SHORT : You ' re under eval ! uation . There has to be a point when we say no . 평가 대상 이 니 , 이제 상한선 을 정해야 할 겁니다 . MULDER : You can ' t really compare what we do to other departments in the Bureau . 저희 가 하 는 일 은 다른 부서 하 고 비교 할 수 가 없 습니다 . SPECIAL AGENT CHESTY SHORT : Right . This business with aliens . 압 니다 . 외계인 찾 는 일 . MULDER : Well , there ' s more to it than that . 그렇게 단순 한 게 아니 에요 . SPECIAL AGENT CHESTY SHORT : But , at the end of the day you ' d say aliens are your real focus . 하지만 어쨌건 외계인 이 주요 관심사 아닙니까 ? MULDER : ( defensive ) That ' s the reason I got started , yeah . 그렇 다고 볼 수 도 있 겠 죠 , 네 . SPECIAL AGENT CHESTY SHORT : ( looking at a file ) Investigating your sister ' s abduction and the government conspiracy around it . Both of which have been resolved , correct ? 여동생 의 납치 사건 과 그 사건 을 둘러싼 정부 의 음모 를 밝히 는 것 . 다 끝나 지 않 았 던 가요 ? MULDER : Nothing has been resolved exactly . 아무 것 도 끝난 건 없 습니다 . SPECIAL AGENT CHESTY SHORT : ( unsympathetic ) In this case report here it ' s concluded your sister is dead as well as the men who took her . This is your handwriting here on the report , Agent Mulder ? 여기 보고서 에 보 면 , 여동생 과 납치 한 사람 둘 다 죽 었 다고 결론 이 나 있 는데 , 이 보고서 멀 더 요원 이 쓴 거 아닙니까 ? ( SPECIAL AGENT CHESTY SHORT shows MULDER the file . Again , MULDER glances at it . ) MULDER : Yeah . 네 , 맞 습니다 . SPECIAL AGENT CHESTY SHORT : So , what exactly is left to investigate ? 그럼 조사 할 게 뭐 가 더 남 았 죠 ? < SCENE 2 > PENAL COLONYFORJ SIDI TOUI , TUNISIA 튀 니 지 아 포르 시디 투 이 교도소 ( Very crowded prison full of angry Arabic men yelling and whistling lasciviously as a WOMAN WITH NICE LEGS is led down the corridor by a PRISON GUARD . They stop at a cell . The PRISON GUARD yells in Arabic . KRYCEK , missing his prosthetic arm , shoulders his way to the front of the cell . Life has not been good to him this last year . He stares at the WOMAN . It is MARITA COVARRUBIAS , looking much better than we saw her last . Her blonde hair is longer and her face is clear . She looks at KRYCEK steadily . ) MARITA COVARRUBIAS : Your release has been arranged . 나와요 , 석방 이 에요 . KRYCEK : Marita Covarrubias . The last time I saw you , I left you for dead . 마리아 코바 루비 아스 . 왠 일 이 지 , 죽 은 줄 알 았 는데 . MARITA COVARRUBIAS : Alex , if it was strictly up to me , I ' d leave you here to rot , too . 잘 들 어 . 내 뜻대로 할 수 있 다면 , 평생 여기 놔두 고 싶 다 . ( The cell is unlocked for KRYCEK to exit . ) ( CUT BACK TO ? X - Files office . We now see that SCULLY is also in the room , sitting beside MULDER and defending their work . ) SPECIAL AGENT CHESTY SHORT : I see the money bleed out , but it just doesn ' t seem to make the results of your work any better . So many of the cases you investigate are left unexplained . Makes it hard to justify the expense . 지출 이 엄청난데 , 그렇 다고 수사 결과 가 더 좋 아 진 것 같 진 않 군요 . 사건 대부분 이 명확 하 게 해결 이 안 됐 습니다 . 따라서 수사 비용 을 정당 화 하 기 어렵 습니다 . SCULLY : So much of the work that we do cannot be measured in standard terms . 저희 가 맡 는 사건 은 일반 적 인 기준 으로 판단 하 기 어렵 습니다 . SPECIAL AGENT CHESTY SHORT : How would you measure it ? 이유 가 뭐 죠 ? SCULLY : We open doors with the X - Files , which lead to other doors . 우린 엑스파일 로 새로운 문 을 열 면 , 또 다른 문 으로 이 어 져요 . SPECIAL AGENT CHESTY SHORT : ( reading disdainfully from a file ) Doors leading to . .. " A conspiracy of men who cooperated with alien beings to create human alien hybrids . " So we could all become slaves of an alien invasion . 또 다른 문 으로 이어진다 . .." 지구 를 식민지 로 만들 목적 으로 인간 과 외계인 잡종 을 만들 기 위해서 외계인 과 협력 한 사람 들 의 음모 로 "... 인간 은 모두 외계인 침략자 들 의 노예 가 될 것 이 다 . SCULLY : ( directly ) I believe that there was once a conspiracy . I believe I was taken by men who subjected me to medical tests , which gave me cancer and left me barren . 한때 분명히 음모 가 있 었 습니다 . 저 는 분명히 그 사람 들 한테 납치 됐었 고 , 의학 적 실험 의 대상 이 됐 죠 . 그 로 인해 암 에 걸렸 고 불임 이 됐 어요 . SPECIAL AGENT CHESTY SHORT : But you don ' t believe in aliens ? 하지만 외계인 을 믿 지 않 는군요 . SCULLY : I ' ve seen things that I cannot deny . 여러 가지 부인 할 수 없 는 사건 을 봤 습니다 . < CUT BACK TO - Tunisian prison . MARITA COVARRUBIAS watches as KRYCEK takes what looks to be a weak , possibly cold , yet most welcome shower , in a large open room . He revels in the spray of water . ) KRYCEK : Who sent you ? 누가 보냈 지 ? MARITA COVARRUBIAS : The Smoking Man . He is dying . 담배 피우 는 남자 . 죽 어 가 고 있 어 . ( Wet KRYCEK looks over at her sharply . )< SCENE 3 >( Later . MULDER enters SPECIAL AGENT CHESTY SHORT ' s office . He is definitely not happy to be there . ) MULDER : You said you were finished . 끝난 게 아닌가요 ? SPECIAL AGENT CHESTY SHORT : Turned in my report and was asked to go over a few things . 끝 났 다면 좋 죠 . 몇 가지 확인 할 게 있 습니다 . ( SPECIAL AGENT CHESTY SHORT indicates for MULDER to sit . MULDER remains standing . ) SPECIAL AGENT CHESTY SHORT : As you know -- the times we live in -- the world is changing fast . 아 시 겠 지만 우리 가 사 는 시대 는 빨리 변하 고 있 습니다 . MULDER : I ' m missing your point . 무슨 말씀 이 죠 ? SPECIAL AGENT CHESTY SHORT : As I said , this is an eval ! uation , Agent Mulder to understand what you do . So , if you go forward , you can do so more responsibly . 전 에 도 말 했 듯이 , 이건 요원 이 하 는 일 에 대한 평가 작업 이 죠 . 일 을 계속 하 려면 보다 책임 감 있 는 태도 를 보여 줘야 합니다 . ( MULDER sits . ) MULDER : That sounds more like a threat . 협박 처럼 들리 는데요 . SPECIAL AGENT CHESTY SHORT : Cost / benefit analysis . But , if you want the truth I really don ' t care one way or the other . You mostly record bizarre facts on bizarre cases . In other words , information gathering . Something , it seems to me you can easily do on the Internet . 비용 / 효과 분석 . 하지만 솔직히 전 어느 쪽 이 건 상관 이 없 습니다 . 주로 이상 한 사건 에 대해서 이상 한 사실 을 기록 하 고 있 는데 , 정보 수집 이 라는 측면 에서 본다면은 , 인터넷 에서 쉽 게 구할 수 가 있 다고 봅니다 . MULDER : I can ' t do my job from an office , I promise you . 일 의 성격 상 사무실 에서 할 수 가 없 습니다 . SPECIAL AGENT CHESTY SHORT : Nowadays , the most advanced space exploration is done sitting in an office , Agent Mulder . Why ? It ' s just too damn expensive putting men in outer space . 이보시오 , 멀 더 요원 . 요즘 은 최 첨단 우주 탐험 도 사무실 에서 하 고 있 습니다 . 왜 냐 ? 우주 에 사람 을 보내 는 건 비용 이 많이 들 기 때문 입니다 . MULDER : I ' m not looking in outer space . 우주 를 연구 하 는 게 아니 라니까요 . SPECIAL AGENT CHESTY SHORT : Bringing us to the point . If you spend so much time and money looking for aliens , responsibly , you should narrow your search . 제 말 이 그 말 입니다 . 외계인 을 찾 는 데 그렇 게 많 은 시간 과 돈 이 필요 하 다면은 , 수색 작업 의 폭 을 좁혀야 할 겁니다 . MULDER : To where ? 어디 까지 요 ? SPECIAL AGENT CHESTY SHORT : Wherever they are . It ' s not unreasonable . It ' s just a matter of reducing your vision . 책임질 수 있 는 데 까지 . 무리 한 요구 는 아닙니다 . 시선 을 좀 좁히 라는 것 뿐 이 지 . ( MULDER glares at SPECIAL AGENT CHESTY SHORT . )< SCENE 4 > BELLEFLUER , OREGON 오레 곤 주 벨 레플러 ( Morning . An older model compact car pulls up beside the two wrecked police cars . Two young men , GARY and RICHIE get out and see DETECTIVE MILES , a nasty cut on his forehead coming out of the forest . ) RICHIE : Hey , you all right ? 경위 님 , 다친 데 없 으세요 ? DETECTIVE MILES : What ' s the problem ? 다친 긴 왜 ? GARY : Isn ' t that your car , Mr . Miles ? 저거 경위 님 차 아니 에요 ? DETECTIVE MILES : Yeah . A small accident . Everything ' s all right . What are you boys doing out here ? 맞 아 . 작 은 사고 가 났 는데 별거 아니 야 . 너희 들 여긴 왠 일 이 냐 ? RICHIE : Well , uh , we heard there was a plane crash -- military jet fighter collided midair with a UFO . 비행기 가 추락 했 다는 얘기 를 들 었 어요 . 전투기 가 UFO 하 고 공중 에서 충돌 했 다는데요 . DETECTIVE MILES : The Navy found their plane about three miles away . We ' ve seen no evidence of any other crash . 5 킬로미터 떨어진 곳 에서 비행기 를 찾 았 다 . 그거 말 고 비행기 가 추락 한 흔적 은 없 고 . RICHIE : But we heard a sheriff say he saw a fire burning off the highway at the 20 - mile mark . 하지만 경찰 이 무선 으로 얘기 하 는 걸 들 었 어요 . 고속 도로 옆 에서 불 이 났 다구요 . DETECTIVE MILES : There ' s nothing out here . No fire . No sign of fire . You boys go on home . There ' s nothing to see here . 여긴 아무것 도 없 어 . 불 이 나 기 는 . 불똥 도 안 보여 . 헛수 고 말 고 돌아가 라 . 아무것 도 없 다니까 . ( DETECTIVE MILES heads for his car . The two young men look into the woods . )< SCENE 5 >( X - Files office . SCULLY is looking at the " I Want To Believe " poster . MULDER joins her . He looks sheepish . ) MULDER : I think I ' m in big trouble . 문제 가 생겼 어요 . SCULLY : Oh , Mulder , how many times have they tried to shut us down ? 우릴 막 으려고 한 게 한두 번 이 아니 잖아요 ? MULDER : Yeah , but I never actually assaulted an auditor before . 하지만 감사 를 폭행 한 일 은 없 었 지요 . ( SCULLY stares at him in surprise , but certainly not disappointed in him , and perhaps a little amused . ) SCULLY : Did you hurt him ? 많이 다쳤 어요 ? MULDER : I reduced his vision a little bit . 시력 이 약해졌 겠 죠 , 조금 . ( The phone rings and MULDER answers it on speakerphone . ) MULDER : ( into phone ) Mulder . 멀더 입니다 . MALE VOICE : ( on phone ) Agent Fox Mulder ? 폭스 멀더 요원 ? MULDER : ( into phone ) Speaking . 그렇 습니다 . MALE VOICE : ( on phone ) My name is Billy Miles . I don ' t know if you remember me . 빌리 마일스 라고 합니다 . 기억 하 실지 모르 겠 는데 . ( It is BILLY MILES from the Pilot , seven years ago . He is seven years older . ) MULDER : Oregon , seven years ago . You had multiple abduction experiences . I ' m here with Agent Scully . 압 니다 . 7 년 전 , 오 레 곤 . 외계인 한테 여러 번 납치 됐었 죠 ? 스컬리 요원 도 옆 에 있 어요 . SCULLY : ( into phone ) Billy , are you all right ? 빌리 , 무슨 일 있 어요 ? BILLY MILES : ( on phone ) Yeah . This may seem weird , me calling like this , but , um , I don ' t know where else to turn . 예 . 불쑥 전화 를 드려서 미안 합니다 . 하지만 달리 얘기 할 데 가 없 어서요 . MULDER : ( into phone ) It happening again , Billy ? 같 은 일 이 벌어지 고 있 나요 ? ( In BILLY MILES ' s house we hear a door open and DETECTIVE MILES enters the house . ) BILLY MILES : ( on phone ) Yeah , but not to me this time . 예 . 하지만 이번 엔 제 가 아니 에요 . ( BILLY MILES hangs up unobtrusively as his father enters the room . ) ( In the X - Files office , MULDER hangs up at the sound of the dial tone . SCULLY looks up at him . ) MULDER : ( tempting ) More alien abductions , Scully . 납치 사건 이 다시 일어나 고 있 어요 . SCULLY : ( thoughtfully ) I don ' t know how we could possibly justify the expense . 이번 출장 비용 은 또 뭐 라고 얘기 를 해야죠 ? MULDER : We ' d probably turn up nothing . 보여 줄 것 도 없 을 텐데 . SCULLY : Let ' s go waste some money . 또 훈계 를 들어야 죠 . ( As they leave the office , SCULLY has a small smile . MULDER picks up his coat and follows her , also smiling . ) ( Shot of a man and a woman walking up a flight of stairs which could be MULDER and SCULLY walking out of the basement , but it is actually ? )< SCENE 6 >( KRYCEK and MARITA COVARRUBIAS walking up the steps of . ..) THE WATERGATE APARTMENTSWASHINGTON , DC 워싱턴 D . C . 워터게이트 아파트 ( MARITA COVARRUBIAS and KRYCEK arrive at one of the rooms in the hotel , # 2645 , they look at each other and knock . A blonde woman , NURSE GRETA , opens the door . ) NURSE GRETA : Hi . He ' s anxious to see you . 네 . 두 분 을 기다리 고 계세요 . ( MARITA COVARRUBIAS and KRYCEK enter the room . NURSE GRETA goes to a man in a wheelchair and turns him around . It is the CIGARETTE SMOKING MAN . He is looking really bad . His face has no color and he has an artificial voice box installed in his throat . He smiles rather sickly at them . They look at him in horror . ) CIGARETTE SMOKING MAN : I was worried about you , Alex . 자네 걱정 을 많이 했 어 . KRYCEK : Cut the crap , old man . 솔직 하 게 삽시다 . CIGARETTE SMOKING MAN : I heard about your incarceration . 그 동안 감옥 에 갇혀 있 었 다구 . KRYCEK : ( angrily ) You had me thrown in that hellhole . 쳐넣 은 사람 이 누구 던가요 . CIGARETTE SMOKING MAN : For trying to sell something that was mine , was it not ? I hope we can all move forward . .. Put the past behind us . We have a . .. singular opportunity now . 내 걸 팔아먹 으려고 했으니 , 벌 을 받 아야지 . 하지만 이제 앞 으로 나가 야 돼 . 과거 는 잊 자구 . 이제 우리 앞 에 절호 의 기회 가 있 다 . KRYCEK : A singular opportunity ? 절호 의 기회 ? CIGARETTE SMOKING MAN : ( pitifully excited ) There ' s been a crash in Oregon . An alien ship has collided with a military aircraft . Recovery is all - important . It ' s Roswell and Corona all over again -- 50 years later . It ' s our chance to rebuild the project . 추락 사건 이 났 어 . 외계인 우주선 이 전투기 와 충돌 했 어 . 우주선 을 손 에 넣 어야 돼 . 로스웰 사건 이 다시 반복 되 는 거 다 . 5 십 년 만 에 . 우리 프로젝트 를 다시 재건 할 수 있 는 기회 다 . ( In the background , NURSE GRETA light a cigarette and gives it to CIGARETTE SMOKING MAN who puts it reverently into the inhaler apparatus of the artificial voice box and gratefully inhales the smoke . Ewwww . MARITA COVARRUBIAS and KRYCEK are also disgusted . ) MARITA COVARRUBIAS : How do you know someone hasn ' t already recovered it ? 누가 이미 찾아냈 는지 모르 죠 ? CIGARETTE SMOKING MAN : It ' s never quite so easy . 그렇게 쉬운 일 이 아니 지 . < SCENE 7 >( Oregon woods . RICHIE and GARY are walking around . RICHIE is carrying some kind of Geiger counter / radiation detector thing and a large metal flashlight . Gary just has a flashlight . The readout on the counter is bouncing around , static is loud . ) RICHIE : I ' m getting something here , Gary . 게리 , 여기 뭐 가 있 는 것 같 애 . GARY : I told you , Richie . 내 가 뭐 랬 냐 . ( They walk in different directions . GARY walks into a clearing that looks eerily similar to the clearing in the Pilot episode . As he steps into the center of the clearing , he rises a few feet off the ground and his entire body begins shaking rapidly to the sound of an eerie , low - pitched vibration . Meanwhile , RICHIE is shining his flashlight around the clearing . He stares as the beam is distorted in the middle of the clearing . ) RICHIE : Hey , man . Look at this . 야 , 게리 , 저것 좀 봐 . ( No response . ) RICHIE : Gary ! Gary ? 게리 ! 게리 ? ( There is a bright white light behind a tree . ) RICHIE ; Come on , man . 어딨 냐 ? ( RICHIE looks into the clearing , but GARY is gone . RICHIE ' s counter is off the scale and his flashlight begins glowing red hot . He gasps and drops it as it bursts into flame . RICHIE runs out of the forest . ) ( Commercial 1 . )< SCENE 8 >( MULDER and SCULLY pull up in front of either the Sheriff ' s Department or the MILES ' residence . Silver Lariat rental car , license plate , Oregon FAZ - 203 . They get out of the car as BILLY MILES comes to greet them warmly , shaking each of their hands . ) BILLY MILES : Agent Mulder and Agent Scully . 두 분 , 어서 오 세요 . MULDER : Look who ' s wearing a badge . 경찰 이 됐 구나 . BILLY MILES : I ' ve never thought of myself as a cop but it ' s been three years now . My dad got them to fudge the psych qualifications . 생각 도 못했 는데 벌써 3 년 이나 됐 습니다 . 심리 검사 에서 걸렸 지만 아버지 가 힘 을 써 줬 죠 . ( He touches his forehead . SCULLY notices BILLY MILES ' wedding ring . ) SCULLY : You ' re married , Billy . 결혼 했 어 ? BILLY MILES : Uh , divorced . I live back with my dad now . 이혼 했 어요 . 다시 아버지 집 으로 왔 죠 . MULDER : You ' ve never , um . .. have you ever been able to get over the abductions ? 그동안 충격 을 . .. 납치 충격 을 극복 한 것 같 구나 . BILLY MILES : Well , I have . But , um , people haven ' t . No one really believes it . My dad still denies it ever happened -- that any one of us was taken . 전 극복 했 는데 , 사람 들 이 못 했 죠 . 아무 도 믿 지 를 않 아요 . 아버지 도 아직 부인 하 죠 . 납치 됐었 다는 사실 조차 . MULDER : Does he deny that it ' s happening now ? 이번 일 도 부인 하 시 나 ? BILLY MILES : There was a crash . A Navy pilot hit an unidentified aircraft outside of town . Now , the military found their jet but the other craft hasn ' t been recovered . 추락 사건 이 있 었 어요 . 전투기 가 정체불명 의 비행 물체 와 충돌 했 는데 , 전투기 는 찾 았 지만 비행 물체 는 찾 지 못했 지요 . SCULLY : Why not ? 이유 가 뭐 지 ? BILLY MILES : It ' s our county and we ' re in charge of coordinating efforts but my dad has really been no help even though we have a deputy missing . 우리 관할 구역 이 라 , 우리 가 수색 노력 을 기울여야 하 는데 , 아버지 가 나서 질 않 으세요 . 경찰 이 한 명 실종 됐 지만 . MULDER : You find the UFO and he won ' t be able to deny the truth . UFO 를 찾 으면 진실 을 부정 할 수 없 을 거 야 . BILLY MILES : I hope that ' s all it is . 그럼 좋 겠 지만 . ( DETECTIVE MILES drives up in his dented patrol car . He opens th car with the outside handle , gets out and approaches the others suspiciously . ) DETECTIVE MILES : What ' s going on , Bill ? 무슨 일 이 있 냐 ? BILLY MILES : Just talking to some people you might remember , Dad , from the FBI . 이 두 분 , 기억나 지 않 으세요 ? FBI 에서 나오 셨 는데 . SCULLY : Agent Scully , Agent Mulder . 스컬리 요원 , 멀 더 요원 . ( DETECTIVE MILES shakes MULDER ' s hand . He is not overly friendly . ) DETECTIVE MILES : What brings you folks out here ? You ' re not thinking this incident ' s some kind of UFO ? 여기 까지 왠 일 이 십니까 ? 이번 사건 이 UFO 하 고 관련 이 됐 다고 생각 하 시 나요 ? MULDER : Crash of an unidentified craft . 비행 물체 가 추락 했 다고요 . DETECTIVE MILES : Well , I ' ve been on with the FAA . You might want to follow up . Looks an awful lot like there was no crash at all . 항공 위원회 도 다녀갔 는데 , 현장 에 가 보 시 겠 습니까 ? 비행기 가 추락 했 다고 는 보 기 힘들 어요 . ( SCULLY and MULDER looks at him . BILLY MILES looks at the ground . )< SCENE 9 >( MULDER and SCULLY follow DETECTIVE MILES and BILLY MILES to the crash site . They get out of their cars and look down at the road . A faded orange " X " is painted on the pavement . What ' s that white thing that landed on it ? [ CarriK squeals in delight and plans to watch the Pilot later on tonight . This is the same " X " that Mulder painted seven years ago . Sigh . ] There are also two long fresh skid marks on the road . ) MULDER : Deja vu all over again . 옛날 로 돌아간 것 같 애요 . DETECTIVE MILES : That was there already in case you ' re wondering at all about it . 그 엑스 자 표시 는 전 부터 있 었 습니다 . SCULLY : I watched Agent Mulder paint that there seven years ago . 멀 더 요원 이 7 년 전 에 그려 놓 은 겁니다 . DETECTIVE MILES : What for ? 왜 요 ? MULDER : To mark an anomalous electrical disturbance -- the kind where time gets bent or goes missing or where your car loses power and dies in the middle of the road . 비 정상 적 인 전기장 을 표시 하 기 위해서 . 이 지점 에 들어서 면 시간 이 왜곡 되 거나 사라지 거나 차 시동 이 꺼져 버립니다 . ( MULDER and DETECTIVE MILES walk along the road while SCULLY goes to the side of the road . ) DETECTIVE MILES : These skid marks are mine . 이 바퀴 자국 은 제 겁니다 . MULDER : So , was the deputy ' s car up there sitting there without his lights on ? 경찰차 가 저기 있 었 나요 ? 전조등 을 켜 놓 은 채 ? DETECTIVE MILES : Well , if they ' d been on , I would have seen him . 전조등 이 켜져 있 으면 봤 겠 죠 . MULDER : Good point . 그렇 군요 . ( MULDER looks at the road . At the end of the skid marks is a hole in the pavement that looks like it was burned with acid . SCULLY has wandered off to the side of the road and found some shell casings . ) SCULLY : Detective ? Did the , uh . .. deputy carry a . 38 ? 경위 님 ? 경찰 이 38 구경 을 가지 고 다 닙니까 ? ( BILLY MILES comes over to her . ) BILLY MILES : . 38 super . Why ? 38 수퍼 . 왜 요 ? ( SCULLY holds up one of the shells with a pair of tweasers . ) SCULLY : Three shells were discharged . I image they could have rolled from up there . 세 발 을 쐈 어요 . 저 위 에서 차 가 굴러떨어진 것 같 애요 . DETECTIVE MILES : What was he shooting at ? 뭘 쐈 을까요 ? MULDER : Probably nothing . 허공 을 쐈 을 겁니다 . DETECTIVE MILES : Nothing ? 허공 ? MULDER : ( subtle sarcasm ) Nothing ' s all you seem to find out here , Detective . 여기 서 찾 을 수 없 다는 뜻 이 에요 . ( SCULLY and BILLY MILES speak quietly as he holds open a evidence bag for her to drop the casings into . ) SCULLY : Was the missing deputy a good cop ? 실종 된 경찰 이 좋 은 분 이 었 나 ? BILLY MILES : Yeah , sure , I guess . 예 , 그럼 요 . 예 . SCULLY : Married ? Single ? 결혼 은 ? ( DETECTIVE MILES notices them and calls over . ) DETECTIVE MILES : Bill ! Come on over here with those ! 빌리 ! 그거 가지 고 빨리 와라 . BILLY MILES : ( to SCULLY ) Married . New baby . 결혼 했 어요 . 아기 도 있 죠 . ( MULDER and SCULLY get into their car and drive off . BILLY MILES hands the bagged evidence to his father . ) BILLY MILES : You know , they only want to solve this . 우릴 도와 주 려는 거 예요 , 아버지 . DETECTIVE MILES : Get in the car , Bill . 어서 차 에 타 . ( BILLY MILES gets in the car as DETECTIVE MILES opens the trunk . Inside the trunk is DETECTIVE MILES , eyes burned around the edges if by acid , or by exposure to the green blood of the aliens . He is either dead , or as CarriK believes , unconscious . DETECTIVE MILES tosses the evidence bag into the trunk and closes it again . )< SCENE 10 >( HOESE house . [ CarriK : Heh heh . That ' s cute . ] MULDER and SCULLY knock at the door . TERESA HOESE , nee NEMMANS - the girl from the Pilot , the one who bled from the nose in the retaurant - opens it . Like BILLY MILES , she is seven years older . ) TERESA HOESE : Yes ? 녜 ? SCULLY : ( showing her badge ) Sorry to bother you , Mrs . Hoese . We ' re with the FBI . 호지 부인 , 실례 합니다 . FBI 에서 나왔 어요 . TERESA HOESE : Is this about my husband ? 남편 일 때문 인가요 ? ( MULDER recognizes her . ) MULDER : You ' re Teresa ? Teresa Nemman ? 테레사 아니 니 ? 테레사 니먼 . TERESA HOESE : Yes . 그런데 요 . MULDER : Seven years ago you came to Agent Scully and I for help . You were afraid of being abducted . 7 년 전 날 찾아오 지 않 았었 어 ? 납치 될까봐 몹시 겁내 고 있 었 잖아 . ( She recognizes them . ) TERESA HOESE : Oh , my God . 오 , 세상 에 . ( From inside the house , we hear a BABY crying . TERESA HOESE invites them in . ) TERESA HOESE : Please , come in . 들어오 세요 . ( Short time later , MULDER and SCULLY sit facing TERESA HOESE as she holds her months old baby girl . Throughout the scene , SCULLY keeps glancing at the baby and MULDER keeps glancing at SCULLY . ) TERESA HOESE : I ' m sorry . .. I sort of lost it when I realized who you were . 미안 합니다 . 두 분 이 누군지 아 는 순간 너무나 놀 라서요 . SCULLY : We , uh . .. we came to see if there ' s anything that you could tell us that might help to find your husband . 남편 을 찾 는데 도움 이 될 만 한 게 있 언지 물 어 보 려고 들렀 는데 . MULDER : We had no idea you were his wife . 남편 이 란 거 몰랐 어 . TERESA HOESE : I don ' t know if it ' s important . Maybe I just hope it ' s not but Ray and I have a connection that ' s even deeper for us . 그건 중요 하 다고 생각 하 지 않 아요 . 그렇게 위 안 삼 고 싶 은 거 지만 , 우리 부부 는 공통점 이 있 어요 . 우리 한테 는 의미 가 깊 은 거 죠 . MULDER : He ' s an abductee , too ? 남편 도 납치 됐었 니 ? TERESA HOESE : He kept it a secret from almost everyone . It doesn ' t make you real popular around here . 다른 사람 들 한테 는 비밀 로 하 고 있 어요 . 그게 알려 지 면 생활 이 좀 불편 하 죠 . ( The BABY on her lap cries . She quiets it by rubbing it ' s back . ) TERESA HOESE : His experiences were a lot more terrifying than mine . He was taken many times and tested . I have extensive medical records on him and photos of his scars . I ' ll get you the files . 남편 은 나 보다 훨씬 더 경험 을 했 어요 . 여러 번 납치 당해 실험 대상 이 됐 어요 . 그 동안 남편 의 의료 기록 하 고 상처 를 찍 은 사진 을 모아 놨어요 . 파일 을 가져올게요 . ( TERESA HOESE , I guess , sensing that SCULLY has been watching the BABY with affection , stands up and hands the BABY to her . SCULLY glances at MULDER , perhaps a little embarrassed , and then cuddles the child on her lap as TERESA HOESE goes in search of the files . SCULLY takes a rubber squeaky duck from the coffee table and shows it to the BABY . ) SCULLY : What do you see ? 어 , 그래 아가 야 . 이게 뭘까 ? ( The BABY refuses the duck , then takes it and squeezes it . ) SCULLY : What do you see ? 이게 뭐 지 ? 만져 봐 . ( MULDER watches her wistfully as she begins singing softly a little off key . ) SCULLY : Once upon a time there was a little baby . 옛날 옛적 에 작 은 아이 가 살 았 어요 . < SCENE 11 > BELLEFLUER , Oregon 8 : 07 PM 오레 곤 주 벨 레플러 오후 8 시 7 분 ( MULDER ' s motel room . The room is very similar to that which he stayed in in the Pilot episode . Guess they rebuilt after the fire . He is lying on his bed looking at the files that TERESA HOESE gave them . Pictures of DEPUTY RAY HOESE , close - ups of the bruises on his wrists and elsewhere that he received during his multiple abductions . He looks up at a knock on his door . ) MULDER : Who is it ? 누구 세요 ? SCULLY : ( outside ) It ' s me . 나 예요 . ( MULDER opens the door . SCULLY , still dressed in a white blouse and slacks , stands in the doorway . MULDER is concerned . ) MULDER : What ' s wrong , Scully ? You look sick . 왜 그래요 ? 안색 이 나빠요 . SCULLY : I don ' t know what ' s wrong . 왜 이러 는지 모르 겠 어요 . MULDER : Come in . 자 , 들어와요 . ( MULDER draws SCULLY into the room and she sits huddled , shivering , on the bed . MULDER closes the door and goes to her . ) SCULLY : I , um . .. I was starting to get ready for bed and I started to feel really dizzy -- vertigo or something -- and then I just . .. I started to get chills . 방금 잘 준비 를 하 는데 갑자기 현기증 이 느껴졌 어요 . 머리 가 심하 게 어지럽 고 , 오한 이 나 고 . ( MULDER turns down the sheets and blankets on his bed . ) MULDER : You want me to call a doctor ? 의사 를 부를까 ? SCULLY : No , I just . .. I just want to get warm . 아니요 . 그냥 몸 만 좀 따뜻 하 면 . ( SCULLY climbs onto the bed , pausing as MULDER takes off her shoes and drops them to the floor . She gets under the covers and MULDER tucks her in , then lies behind her and embraces her in a classic warm spooning cuddle . There is no shyness or hesitation . Both are very comfortable . ) SCULLY : Thank you . 고마워요 . ( Pause . MULDER holds SCULLY . ) MULDER : It ' s not worth it , Scully . 이럴 만 한 가치 가 없 어요 . ( Long pause . ) SCULLY : What ? 뭐 가요 ? MULDER : I want you to go home . 스컬리 , 돌아가 요 . SCULLY : Oh , Mulder , I ' m going to be fine . 아녜요 . 금방 괜찮 아 져요 . MULDER : No , I ' ve been thinking about it . Looking at you tonight , holding that baby . .. knowing everything that ' s been taken away from you . A chance for motherhood and your health and that baby . I think that . .. I don ' t know , maybe they ' re right . 아니 , 그 동안 생각 해 봤 는데 , 아까 아이 를 어루 고 있 는 모습 을 보 니 , 스컬리 는 그런 행복 을 빼앗겼 어요 . 엄마 가 되 고 건강 하 게 살 고 아까 그 집 에서 그런 생각 을 하 게 됐 어요 . 그 사람 들 말 이 맞 아요 . SCULLY : Who ' s right ? 어떤 사람 들 이 요 ? MULDER : The FBI . Maybe what they say is true , though for all the wrong reasons . It ' s the personal costs that are too high . FBI . 물론 이유 는 다르 지만 , 그 사람 들 말 이 맞 아요 . 개인 적 인 희생 이 너무 커요 . ( SCULLY begins to cry silently . MULDER whispers gently into her ear . ) MULDER : There so much more you need to do with your life . There ' s so much more than this . 스컬리 는 행복 하 게 살 권리 가 있 어요 . 이것 보다 훨씬 나 은 인생 . ( He gently strokes her face as she cries . ) MULDER : ( whisper ) There has to be an end , Scully . 이제 이런 인생 은 그만 둬요 . ( He softly kisses her cheek and leans his head on her shoulder . SCULLY clasps his hand and holds it near her mouth . ) < SCENE 12 >( Same time , outside the motel . KRYCEK is sitting in a car watching MULDER ' s hotel room . He is on his cell phone . ) KRYCEK : ( on phone ) In spite of a great deal of effort no one seems to be able to find this UFO of yours . 많 은 노력 을 기울이 고 있 지만 , 아무 도 UFO 를 찾 지 못한 것 같 습니다 . CIGARETTE SMOKING MAN : ( on phone ) Of course they can ' t . 당연히 못 찾 지 . KRYCEK : ( on phone ) You know why ? ' Cause it ' s not here . 이유 는 여기 없 기 때문 이 죠 . CIGARETTE SMOKING MAN : ( on phone ) It ' s there , Alex . I ' m certain of it . Hidden in plain sight . 아니 , 거기 있 어 . 그건 분명 해 . 눈 에 안 보이 는 뿐 이 죠 . ( NURSE GRETA finishes giving CIGARETTE SMOKING MAN a very graphic injection in his arm . ) KRYCEK : ( on phone ) You listen to me . If you ' re going to play games , the two of them , Mulder and Scully , they ' re going to beat me to it . 한 마디 할까요 . 게임 을 할려면 , 멀더 와 스컬리 , 두 사람 을 먼저 해결 해야 할 겁니다 . CIGARETTE SMOKING MAN : ( on phone , surprised ) Are you saying that Mulder and Scully are there looking for the UFO ? 그게 무슨 말 인가 ? 두 사람 이 UFO 를 찾 고 있 나 ? KRYCEK : ( on phone ) They ' re looking for a missing deputy . 실종 된 경찰 을 찾 고 있 소 . CIGARETTE SMOKING MAN : ( on phone ) Well , they ' re looking for the right thing but in the wrong place . 찾 고 있 는 대상 은 맞 았 지만 장소 가 틀렸 지 . KRYCEK : ( on phone ) You sent me looking for a ship . 나 한테 는 우주선 을 찾 으라면서 요 . CIGARETTE SMOKING MAN : ( on phone , desperate ) Find the deputy . Find the ship . 우주선 도 찾 고 , 경찰 도 찾 아 . < SCENE 13 >( HOESE house . TERESA HOESE in a bathrobe comes down the stairs and sees a man wearing a deputy ' s hat standing outside the door . ) TERESA HOESE : Who is it ? 누구 세요 ? ( The MAN rattles the door handle . ) TERESA HOESE : Ray ? 여보 ? ( Gratefully , she opens the door . It is DEPUTY RAY HOESE . She embraces his warmly . His response is superficial . ) TERESA HOESE : Oh , my God . Oh , my God . I was so worried . I was so sure . .. what did they do to you this time ? 어머나 , 세상 에 . 세상에 . 너무나 걱정 했 어요 . 납치 됐었 죠 . 이번 에 는 무슨 짓 을 하 던가요 ? ( He looks at her . ) TERESA HOESE : Ray , talk to me . 얘기 좀 해 봐요 . ( He looks at her . She backs away in terror . ) TERESA HOESE : You ' re not my husband . 당신 은 내 남편 이 아니 야 . ( She runs upstairs . He follows at a slower , yet definite pace . As her rounds the landing , she whips around and stabs him in the chest with a kitchen knife , then recoils from the green fluid that oozes out of his chest . Her eyes are burnt from the fumes as she stumbles into the nursery where the BABY is crying loudly . ) TERESA HOESE : No ! No ! 안 돼 ! 안 돼 ! ( He follows her and picks her up and carries her screaming out of the room . The BABY wails . ) ( Commercial 2 . )< SCENE 14 >( Next morning . MULDER and SCULLY arrive at the HOESE house . Crime scene procedures underway . SCULLY watches as the BABY is carried out by a DEPUTY . They find BILLY MILES . ) MULDER : What happened , Billy ? 무슨 일 이 지 ? BILLY MILES : Teresa ' s gone . She ' s been taken , and they took her . 테레사 가 사라졌 어요 . 납치 된 게 틀림없 습니다 . SCULLY : How do you know ? 어떻게 알 지 ? BILLY MILES : The door was open . 문 이 열려 있 었 죠 . ( They follow BILLY MILES into the house and upstairs . In the nursery , MULDER sees something and calls SCULLY . ) MULDER : Scully . .. the floor . What do you see ? 스컬리 . 바닥 . 저거 봐요 . ( She looks at it . ) MULDER : The same thing as out on the road . You ' ve seen it before . 길 에 도 같 은 게 있 었 어요 . 전 에 본 적 있 죠 ? ( It is a patch of carpet that has been burned through , as if by acid . SCULLY looks at it , then up at MULDER . ) SCULLY : Yeah . I have . We both have . 네 . 그래요 . 본 적 이 있 어요 . ( MULDER leaves the room . ) BILLY MILES : What is it ? 그게 뭐 죠 ? SCULLY : It ' s a biological toxin emitted as a gas through the bloodstream . 생물 적 독소 . 혈관 에서 기체 형태 로 나오 지 . BILLY MILES : From who ? 누구 혈관 이 요 ? SCULLY : From what is arguably an alien . 확실 하 게 말 할 수 는 없 지만 외계인 . ..( SCULLY gasps and almost faints . BILLY MILES catches her and looks at her with concern . ) BILLY MILES : You okay ? 괜찮 으세요 ? SCULLY : Yeah . 괜찮 아 . BILLY MILES : You sure ? 정말 이 요 ? SCULLY : Yeah , I ' m fine , thanks . 어 , 됐 어 . 괜찮 아 . < SCENE 15 >( CIGARETTE SMOKING MAN ' s apartment . CIGARETTE SMOKING MAN takes a drag of a cigarette through his false voicebox . GRETA stands close by . MARITA COVARRUBIAS watches uncomfortably . She does not approve of the " treatment . ") CIGARETTE SMOKING MAN : Thank you , Greta . 고마워요 , 그레타 . MARITA COVARRUBIAS : Why the trouble ? To bring Krycek here and then toy with him ? 왜 이러 는 거 죠 ? 왜 크라이첵 을 데려다 장난 을 치 는 거 에요 ? CIGARETTE SMOKING MAN : Do you trust Alex , Marita ? 크라이첵 은 절대 믿 으면 안 돼 . MARITA COVARRUBIAS : Then why bring him here at all ? 그럼 왜 여기 까지 데려왔 나요 ? CIGARETTE SMOKING MAN : You misunderstand . I ' ve great faith that Alex will find the ship . But if I told him how , he ' d be . .. he ' d be tempted to sell the information . 이해 를 못 하 는군 . 크라이첵 은 우주선 을 찾아낼 수 있 어 . 하 지만 찾 는 방법 을 얘기 해 주 면 , 정보 를 팔아먹 고 싶 어 질 거 야 . MARITA COVARRUBIAS : And you ' re certain it ' s there ? 거기 에 있 는 건 분명 한가요 ? CIGARETTE SMOKING MAN : Oh , yes . But it won ' t be there forever . It ' s rebuilding itself . 분명 해 . 하지만 곧 떠날 걸 . 지금 복구 중 이 지 . MARITA COVARRUBIAS : If he finds the ship , then what ? 우주선 을 찾아내 면 . 그 다음 엔 요 ? CIGARETTE SMOKING MAN : To possess it is to possess the answer to all things . Every possible imaginable question . 우주선 을 소유 하 면 모든 것 에 대한 해답 을 소유 하 는 거 야 . 우리 인간 이 생각 할 수 있 는 모든 것 . MARITA COVARRUBIAS : To God ? 하나님 도 ? CIGARETTE SMOKING MAN : There ' s no God , Marita . What we call God is only alien -- an intelligence much greater than us . 하나님 같 은 건 없 어 . 외계인 을 하나님 이 라고 불렀 던 거 야 . 우리 보다 지능 이 훨씬 발달 했 으니까 . MARITA COVARRUBIAS : They ' re coming here , aren ' t they ? 외계인 이 오 고 있 군요 . CIGARETTE SMOKING MAN : They ' re only coming back . 돌아오 고 있 는 거 지 . < CUT BACK TO - HOESE house . >( SCULLY comes out of the house and opens the passenger side door to join a silent MULDER . As she does , he opens his door and gets out . ) SCULLY : Mulder . .. 멀더 . ( MULDER stops RICHIE as they notice he is leaving the area quickly . SCULLY joins him . ) MULDER : Hey . Hey , what are you doing ? 이봐 . 여기 서 뭐 하 는 거 지 ? RICHIE : I was just standing there . Is that against the law ? 왜 요 ? 구경 하 는 것 도 죄 가 되 나요 ? ( BILLY MILES has joined them . ) MULDER : You know this guy ? 이 아이 알 아 ? BILLY MILES : Yeah . What are you doing , Richie ? 예 . 리치 , 여기 서 뭐 하 는 거 니 ? RICHIE : They took him , Billy . They took Gary . He was just gone . 데려갔 어요 . 게리 를 데려갔 어요 . 게리 가 그냥 없 어 졌 어요 . MULDER : Relax . Slow down . 진정 하 고 , 무슨 뜻 이 니 ? RICHIE : They ' re out there . I don ' t care what your dad says , Billy . 거기 있 어요 . 빌리 형 아버지 말씀 이 틀렸 어요 . BILLY MILES : My dad ? 우리 아버지 ? RICHIE : He was out there , too . He knows . 거기 왔 댔 어요 . 다 알 거 예요 . ( BILLY MILES runs away . )< SCENE 16 >( Oregon woods . RICHIE is leading MULDER and SCULLY to the area where GARY disappeared . ) RICHIE : I was shining my flashlight in the dark looking for the UFO and uh , the beam hit this spot in space -- like it bent the light . 어두워서 손전등 을 들 고 UFO 를 찾 고 있 었 어요 . 그런데 , 이 부근 에서 광선 이 비쳤 어요 . 마치 이렇게 퍼지 는 것 처럼 . MULDER : And then what happened ? 그 다음 엔 어떻게 됐 지 ? RICHIE : Well , I yelled , " Gary ! " And I looked . .. but he wasn ' t there , you know ? He wasn ' t anywhere , man and then the flashlight got really hot and I dropped it . It ' s right around here somewhere . 큰 소리 로 게리 를 불렀 어요 . 그리고 돌아보 니 게리 가 없 었 어요 . 사라졌 어요 . 그 순간 손전등 이 엄청나 게 뜨거워지 는 바람 에 놓쳤 습니다 . 여기 , 여기 어디 였 는데 . ..( While MULDER talks to RICHIE , SCULLY has walked over to where we last saw GARY . As she steps into the center of the clearing , she also rises up and shakes impossible fast to the sound of an eerie , low - pitched vibration . ) ( Meanwhile , RICHIE and MULDER find RICHIE ' s scorched flashlight . ) RICHIE : Oh , hey , here it is . 보 세요 . 여기 있 어요 . ( MULDER realizes that SCULLY is not beside him . ) MULDER : Scully ? 스컬리 ? ( He starts toward the clearing . ) MULDER : Scully ? 스컬리 ? ( He sees her collapsed on the ground . ) MULDER : Scully . 스컬리 . ( He gathers her gently into his arms , supporting her against his bent leg . She is very groggy and disoriented . He is very concerned . ) MULDER : You want some water ? 물 좀 줄까 ? RICHIE : What happened to her ? 어떻게 된 거 죠 ? MULDER : Can you just get her some water ? 가 서 물 좀 가져 올래 ? ( RICHIE goes to find some water . Where , CarriK does not know . MULDER continues to hold SCULLY . ) SCULLY : I just . .. I just . .. I just hit the ground . 갑자기 . .. 그냥 . .. 땅바닥 에 쓰러졌 어요 . MULDER : Here , lie still . 그대로 누워 있 어요 . SCULLY : Why is this happening to me ? 내 가 왜 이러 는 거 죠 ? MULDER : It ' s okay . It ' s okay . 괜찮 아 , 괜찮 아 . 걱정 하 지 말 아 . SCULLY : What the hell ' s going on , Mulder ? 무슨 일 이 일어나 고 있 는 거 죠 ? MULDER : I don ' t know . But these aren ' t just random abductions , Scully . We ' ve got to warn Billy Miles of that . 모르 겠 어요 . 다만 무작위 납치 가 아닌 것 같 애요 . 빌리 한테 알려야 겠 어요 . SCULLY : Warn him of what ? 뭘 알려 요 ? MULDER : These abductees aren ' t just systematically being taken . They ' re not coming back . 예전 하 고 달라요 . 잠시 동안 납치 하 는 게 아닌 것 같 습니다 . 이젠 돌아오 지 못해요 . < SCENE 17 >( MILES ' house . BILLY MILES enters his house cautiously and draws his gun . ) BILLY MILES : Dad ? 아버지 ? ( He holds his gun at his father . ) DETECTIVE MILES : Billy . .. what are you doing ? 빌리 . 뭐 하 는 짓 이 냐 ? BILLY MILES : You stay where you are . 가까이 오 지 말 아요 . DETECTIVE MILES : Billy , it ' s me . 왜 그래 , 나 야 . BILLY MILES : I said , stay where you are ! 가까이 오 지 말 라고 했 어 ! DETECTIVE MILES : Damn it , Billy , listen to me . 나 야 , 나 . 니 애비 . BILLY MILES : No . I don ' t know who you are but you are not going to take me . 아니 , 난 당신 이 누군지 몰라 . 날 데려갈 순 없 어 . DETECTIVE MILES : I ' m your father . Are you going to shoot your father ? 니 애비 다 . 애비 를 쏠 생각 이 냐 ? BILLY MILES : If you ' re my father . .. then why won ' t you believe me ? 정말 아버지 라면 . .. 왜 내 말 을 믿 지 않 는 거 지 ? DETECTIVE MILES : I believe you , Billy . I just want it all to go away . Give me the gun , son . 왜 믿 지 않 겠 니 . 다만 모든 게 끝 나 길 바라 는 마음 에 . 총 이리 줘 , 어서 . ( BILLY MILES lowers the gun and begins to cry . DETECTIVE MILES takes the gun . He morphs into the ALIEN BOUNTY HUNTER , then looks out the window where MULDER and SCULLY are driving up . ) MULDER : Billy ? 빌리 ? SCULLY : Billy ? 빌리 ? ( MULDER and SCULLY look at each other . MULDER shakes his head . ) ( Commercial 3 . ) < SCENE 18 > TWO DAYS LATER 이틀 뒤 ( X - Files office . MULDER is alone fully reclined in his chair tossing and catching a basketball . SKINNER enters the office . ) SKINNER : Agent Mulder . 멀 더 요원 . MULDER : What ' s our punishment this time ? Thumbscrews or 40 lashes ? Come on in , Walter . Sit a spell . This could be the last time you take a trip down to these offices . 이번 에 는 어떤 벌 을 내리 실 거 죠 ? 엉덩이 40 대 ? 괜찮 아요 , 들어오 세요 . 우리 방 에 내려오 시 는 거 마지막 이 될 수 도 있 겠 죠 . ( He looks up at SKINNER and sets the ball on the desk . ) SKINNER : You went to Oregon . 오레 곤 에 갔었 더군 . MULDER : Guilty as charged . And if they ' re coming down on you for that , then I ' m sorry . I truly am . 유죄 를 인정 하 죠 . 위 에서 부 국장 님 을 나무라 고 있 다면 죄송 합니다 . SKINNER : Fortunately , they think that I make a contribution to the Bureau . 아니야 . 난 FBI 에 공헌 을 한다고 생각 하 지 . MULDER : ( bitterly ) Oh well yeah , stick to a budget they say your making a contribution , but push the limits of your profession , and they say you ' re out of control . 그렇 겠 죠 . 비용 을 적 게 쓰 면 공헌 한다고 하 고 , 업무 를 확장 하 면 대책 이 없 다고 들 하 죠 . SKINNER : You could bring home a flying saucer and have an alien shake hands with the President . .. what it comes down to Agent Mulder is . .. they don ' t like you . UFO 를 끌 고 오 거나 외계인 과 대통령 이 악수 하 게 만들 면 달라지 겠 지만 , 문제 는 위 에서 자네 를 싫어해 . MULDER : Well , we didn ' t bring home a flying saucer . .. or an alien . 아무것 도 없 습니다 . 외계인 도 , UFO 도 . SKINNER : Yeah . .. so I ' ve been told . 그래 . 그렇 다고 들 었 네 . ( MULDER nods dejectedly . SKINNER waves his companions into the office . KRYCEK and MARITA COVARRUBIAS . MULDER waits about 1 . 263 seconds and starts for KRYCEK . SKINNER stops him , holding his arms forcefully . MULDER backs off . ) SKINNER : Agent Mulder ! I think you should listen to him . 멀 더 요원 ! 우선 내 얘기 부터 들 어 봐 . KRYCEK : You ' ve got every reason to want to see me dead . ( SKINNER restrains MULDER again ) But you ' ve got to listen to me now . You have the singular opportunity . 날 죽이 고 싶 은 맘 이해 하 고 도 남 지 . 하지만 내 얘기 를 들 어 봐 . 넌 절호 의 기회 야 . MULDER : ( challenging ) Here or you want to step outside . 정해 . 어디 서 죽 겠 냐 . MARITA COVARRUBIAS : Agent Mulder . CancerMan is dying . 멀 더 요원 . 그 사람 죽 어 가 고 있 어요 . ( MULDER looks at SKINNER who walks away . ) MARITA COVARRUBIAS : His last wish is to rebuild his Project , to have us revive the Conspiracy . It all begins in Oregon . 마지막 소원 은 프로젝트 를 다시 건설 하 고 , 음모 를 계속 하 는 거 죠 . 이미 시작 되 고 있 어요 . KRYCEK : The ship that collided with that Navy plane . It ' s in those woods . 전투기 와 충돌 한 우주선 . 숲 속 에 있 다 . MULDER : There ' s no ship in those woods . 아냐 , 거긴 우주선 이 없 어 . KRYCEK : Yeah , it ' s there . Cloaked in an energy field . Great , mops up the evidence . 아냐 , 거기 있 어 . 에너지 장안 에 숨 어 있 지 . 그 자 가 증거 를 정리 하 는 동안 . MULDER : Who ? 누구 ? KRYCEK : The Alien Bounty Hunter . Billy Miles . Teresa Hoese , her husband . He ' s eliminating proof of all the tests . We ' re asking ourselves , we ' re asking ourselves , " Where are they ? " They ' re right there . They ' re right under our noses . I ' m giving you the chance to change that , to hold the proof . 외계인 처단 자 . 빌리 마일스 , 테레사 호지 , 여자 남편 . 실험 을 했 던 증거 를 없애 고 있 지 . 우린 계속 묻 고 있 다 . 그 자 들 이 어디 있 는 거 지 ? 여기 있 어 . 바로 우리 코앞 에 . 너 에게 기회 를 주 겠 다 . 증거 를 잡 아 . MULDER : Why me and why now . 왜 나 지 ? 왜 지금 이 지 ? KRYCEK : I want to damn the soul of that Cigarette Smoking Son - of - a - Bitch . 담배 피우 는 작자 의 생명 줄 을 끊 어 놓 고 싶 으니까 . ( SCULLY appears in the doorway to the office . ) SCULLY : Mulder ? 멀 더 ? ( Slow pan of the office as MARITA COVARRUBIAS , KRYCEK , SKINNER and MULDER look at her . )< SCENE 19 >( SKINNER ' s office . Conference area . The table is littered with papers , files and Chinese take - out containers . A most unlikely group is around the table . SKINNER , the LONE GUNMEN , KRYCEK , MARITA COVARRUBIAS , MULDER and a very uncomfortable SCULLY at one end of the table . He arms are crossed protectively . ) FROHIKE : What ' s amazing is that even the military satellites don ' t see it . 대단 해 . 군사 위성 까지 도 못 잡아내 고 있 어 . LANGLEY : But J . P . L . ' S Topex Poseidon shows it only as waveform data . JPL 의 토픽스 도 파동 데이터 로 나타내 고 있 어요 . BYERS : And here it appears simply as a microburst of transmission error on the European Space Agency ' s ERS - 2 . 유럽 우주 청 의 차세대 ERS 프로그램 은 전송 에러 로 나타내 고 있 습니다 . SKINNER : In other words ? 다시 말 해서 ? FROHIKE : In other words , you ' d never know it ' s a UFO . 다시 말 해 , UFO 라는 걸 눈치 챌 수 없 지요 . BYERS : If you didn ' t know what you were looking at or looking for . 사전 지식 이 없 으면 절대로 모릅니다 . LANGLEY : No wonder we couldn ' t see them . 그러 니 우리 도 못 찾 았 죠 . KRYCEK : Listen , it is not going to be there forever . 거기 오래 있 지 는 않 을 겁니다 . MARITA COVARRUBIAS : As we all stand here talking it ' s rebuilding itself . 우리 가 얘기 하 는 동안 , 우주선 은 복구 하 고 있 어요 . ( SCULLY can ' t take any more and walks out of the office and paces the hall . MULDER follow her , closing the door behind him . ) SCULLY : Mulder , if any of this is true . .. 멀 더 , 만일 이게 사실 이 라면 . .. MULDER : If it is , or if it isn ' t I want you to forget about it , Scully . 사실 이건 아니 건 , 스컬리 는 잊어버려요 . SCULLY : ( staring at him in disbelief ) Forget about it ? 잊어버리 라구요 ? MULDER : ( firmly ) You ' re not going back out there . I ' m not going to let you go back out there . 오레 곤 에 가 면 안 돼요 . 그건 내 가 용납 할 수 없 어요 . SCULLY : What are you talking about ? 무슨 얘길 하 는 거 죠 ? MULDER : It has to end sometime . That time is now . 언젠가 는 끝내 야 하 니 , 지금 끝내 요 . SCULLY : Mulder . .. 멀더 . .. MULDER : Scully , you have to understand that they ' re taking abductees . You ' re an abductee . I ' m not going to risk . .. 스컬리 , 납치 당했 던 사람 들 을 데려가 고 있 습니다 . 스컬리 도 위험 해요 . 스컬리 를 잃 어 버린다면 . ..( He looks at her sadly , meaningfully , his voice breaking a little . ) MULDER : . .. losing you . 나 혼자 선 . ..( She walks slowly into his embrace . They cling tightly to each other . ) SCULLY : I won ' t let you go alone . 그런 일 은 없 을 거 예요 . < SCENE 20 >( Oregon woods . Next day ? A Chevy Malibu LS , didn ' t see a Lariat sticker , parks . SKINNER pops the trunk and he and MULDER get out of the car . ) SKINNER : This is starting to feel like the snipe hunt I was afraid of . 저격수 수색 처럼 돼 가 는군 . ( MULDER gets a backpack out of the trunk and starts off into the woods . ) MULDER : There ' s no such thing as a snipe , sir . 저격수 는 없 으니 걱정 마세요 . SKINNER : Hey , you know , my ass is on the line here , too , Agent Mulder . 내 목도 걸려 있 다는 걸 명심 해 주 게 . MULDER : I know that . 잘 압 니다 . ( MULDER heads into the woods . SKINNER looks around , then follows . )< SCENE 21 >( SKINNER ' s office . SCULLY and the LONE GUNMEN are still looking through files . SCULLY looks at one with concern . ) SCULLY : This just can ' t be . 이게 사실 이 라면 . .. FROHIKE : What are you looking at ? 그게 뭐 죠 ? SCULLY : Medical records -- Billy Miles and other known abductees in Bellefleur , Oregon . They all experienced anomalous brain activity . 의료 기록 이 에요 . 빌리 마일스 를 포함 해서 납치 되 었 던 사람 들 기록 이 에요 . 모두 전 에 비 정상 적 인 뇌 활동 을 경험 했 어요 . BYERS : Electro - encephalitic trauma . 전자 뇌염 트 로 마 . SCULLY : Which is exactly what Mulder experienced earlier this year . 지난번 멀 더가 겪 은 거 하고 같 은 거 예요 . LANGLEY : I don ' t understand . 무슨 말 이 죠 ? SCULLY : There was something out there in that field . It knocked me back . Because it didn ' t want me . Mulder thinks that it ' s me that ' s in danger of being taken . 숲 속 에서 뭔가 이상 한 게 있 었 는데 , 나 는 돌려보냈 어요 . 날 원 하 지 않 았 기 때문 에 . 멀더 는 내 가 납치 될 위험 이 있 다고 했 지만 . .. FROHIKE : When it ' s Mulder who ' s in danger . 위험 한 건 멀 더군요 . ( SCULLY looks weak and disoriented . ) FROHIKE : Scully ? 스컬리 ? ( SCULLY faints . The LONE GUNMEN catch her as she falls . ) GUNMEN : Scully ! Whoa ! You okay ? Oh , gee . 스컬리 ! 어 , 스컬리 , 스컬리 . < CUT BACK TO --- MULDER and SKINNER in the woods . MULDER is setting out a system of portable red lasers surrounding the clearing . ) SKINNER : How ' s it supposed to work ? 저게 뭐 하 는 거 지 ? MULDER : Not exactly sure , sir . But , uh . .. 저 도 잘 모르 겠 어요 . 하지만 . ..( He checks a readout on a handheld device . ) MULDER : . .. budgetarily , I ' d say we ' re looking pretty good . . .. 예산 면 에서 는 칭찬 들 을 만 하 죠 . ( While SKINNER is occupied setting up a laser , MULDER goes into the enter of the clearing . The lasers all end in red dots against something invisible . MULDER cautiously sticks his hand into the invisibility . It begins shaking impossibly fast . To the sound of an eerie , low - pitched vibration . ) SKINNER : Agent Mulder ? ! 멀 더 요원 ? ( SKINNER looks up . There is no sign of MULDER in the clearing . ) SKINNER : Mulder ! 멀 더 ! ( We see MULDER , motionless in the clearing . Behind him , SKINNER is calling for him in a distorted voice . ) SKINNER : Mulder ! Mulder . .. 멀더 ! ( MULDER is standing just outside a pool of very white light that we last saw SCULLY standing in the The Red and the Black , season 5 . Inside the circle are all the Oregon abductees , DEPUTY RAY HOESE , TERESA HOESE , BILLY MILES , DETECTIVE MILES , et al . MULDER hesitates a moment , then steps into the circle also . They welcome him warmly . He looks up at he bright light above . He is wearing SCULLY ' s gold cross . From the woods , the ALIEN BOUNTY HUNTER also steps confidently into the circle . He and MULDER look at each other , perhaps with recognition of what they are to do . The white light gets brighter and the screen goes white . ) ( From SKINNER ' s point of view , a bright white light is coming out of the sky , then fades enough for him to see that it is coming from the belly of a triangle shaped ship that turns and soars off into the night sky . SKINNER ' s face is awed and anguished . ) SKINNER : Mulder . 멀 더 . < SCENE 22 >( CIGARETTE SMOKING MAN ' s room . KRYCEK and MARITA COVARRUBIAS knock . NURSE GRETA lets them in . CIGARETTE SMOKING MAN is staring out the window , devastated . ) CIGARETTE SMOKING MAN : We ' ve failed , then . Perhaps you never meant to succeed . Anyway . .. the hour is at hand , I presume . 결국 실팬 가 . 성공 할 마음 이 없 었 나 보 지 . 어쨌건 , 운명 의 시간 이 가까이 온 건가 . ( KRYCEK begins to wheel CIGARETTE SMOKING MAN out of the room . NURSE GRETA moves to stop him , but is halted by MARITA COVARRUBIAS . ) NURSE GRETA : What are you doing ? 뭐 하 는 거 죠 ? KRYCEK : Sending the Devil back to Hell . 악마 는 지옥 으로 가 야 돼 . ( KRYCEK wheels the CIGARETTE SMOKING MAN to the top of a flight of stairs . ) CIGARETTE SMOKING MAN : As you do to Mulder and to me . .. you do to all of mankind , Alex . 나 와 멀더 한테 이런 짓 을 하 면 , 인류 에게 빚 을 지 는 거 다 . ( KRYCEK holds for a moment , then decisively pushes the man in his wheelchair down the stairs . CIGARETTE SMOKING MAN lies in a motionless , crumpled head at the foot of the stairs . KRYCEK and MARITA COVARRUBIAS descend the stairs and step over CIGARETTE SMOKING MAN on their way out of the building . )< SCENE 23 >( SKINNER enters a hospital and makes his way to SCULLY ' s room . She is lying on a bed with a pensive look on her face . She is wearing a blue hospital gown . She is not wearing her cross , having given it to MULDER off camera . ) SKINNER : Agent Scully . 스컬리 요원 . SCULLY : Hi . 오 셨 어요 . SKINNER : Hi . How you feeling ? 그래 , 몸 좀 어때요 ? SCULLY : I ' m feeling fine . They ' re just running some tests on me . 괜찮 아요 . 검사 만 몇 가지 했 어요 . SKINNER : Well . .. um . .. 어 . ..( SKINNER ' s face twists in pain . He can ' t say it . SCULLY also looks about ready to cry . ) SCULLY : I already heard . 얘기 들 었 어요 . SKINNER : ( voice breaking ) I lost him . I don ' t know what else I can say . I lost him . I ' ll be asked . .. what I saw . And what I saw , I can ' t deny . I won ' t . 멀더 를 잃 었 어 . 잃 었 다는 말 밖엔 달리 . .. 위 에서 묻 겠 지 . 뭘 봤 는지 . 내 가 본 걸 부인 하 진 않 겠 어 . 절대로 . SCULLY : ( crying ) We will find him . I have to . 꼭 찾 을 수 있 어요 . 찾 아야죠 . ( SKINNER nods in understanding and starts out of the room . However , SCULLY isn ' t finished . ) SCULLY : Sir , um . .. there ' s something else I need to tell you . Something that I need for you to keep to yourself . 부 국장 님 . 한 가지 말씀 드릴 게 있 어요 . 이 얘기 당분간 비밀 로 해 주 셨 으면 하 는데 . .( He looks at her questioningly . She looks ready to either laugh or cry , but can ' t decide which . ) SCULLY : I ' m having a hard time explaining it . Or believing it . But , um . .. 저 도 잘 모르 겠 어요 . 어떻게 이런 일 이 . .. 믿 을 수 가 없 어요 . 하지만 . ..( Pause . A small inward smile of joy mixed with plenty of pain . ) SCULLY : I ' m pregnant . 저 임신 했 어요 . ( SKINNER stares at her , speechless . She tries to smile . But through her tears , it comes out as a mixture of a laugh and a weak sob . ) The End .