I mean , in this case it just isn ' t ratatouille , is it ? It ' s some shitty raw tomatoes and courgettes chopped up and arranged nicely in a bowl . It ' s like dumping a load of raw minced beef on a single slice of bread and calling it a burger . <| sep |> You have to set a balkprice . For the right price I ' m interested <| sep |>' eyyy fuckers . Pretty dead here lately , to much take , not enough give . If I had the knowledge to pitch in I would ! having said that , on the off chance this piques someone ' s interest . I fucking love this track . I had been a fan of Tom Demac but nothing he ' d released had really gotten under my skin until this . I had been hammering it a few times a day for about a week after it was released and in one of those serendipitous moments James Zabiela dropped it about 45 minutes into a set of his at a small club gig in Melbourne I was at . Anyone who ' s seen Zabs live can imagine the smile on his face as he was nearly dislodging his headphones dancing to this bitch . It was strange listening to it at original tempo just now , I mix a lot these days and usually play it between 123 bpm 127 bpm . To be fair I haven ' t even attempted replicating the sound , no fucking idea where to start . It is the premise of the whole track , best showcased at the first drop 122 . The programming is pretty sparse so it doesn ' t really sound like a synth until the fill notes at the end of phrases , eg . 222224 . Is it FM , then with a fuckton of layering with percussivefoley samples and processing ? Or more likely an analogue synth maybe a moog ? Anyway I ' m sick as fuck in bed , when I get that rebound post deathbed motivation I ' ll have a go at learning how to get somewhere approximating this . If there ' s no action here but you ' d like an update if I get anywhere drop a comment . 3