I mean it depends where you are . <| sep |> thanks for the comment ! the darker line there is from a liner was just starting to ink it wheb i snapped this pic <| sep |> your right , I didnt double check it , thought I remembered it being an SR <| sep |> Just a single member at that lol <| sep |> Only Times Square , and that ' s to speed up turnaround time so one guy doesn ' t have to keep walking back and forth . Those minutes add up in the long run . <| sep |> i think the kick ' s could hit a bit harder . i like the track overal , goodjob . <| sep |> Just to chime in , he ' s not saying he wants them each to FLASH 24 times per second up to 120 times per second . Just that he wants the timing of the flashes to speed up at the exact right multiple so the light cues still land on the beat when the high frame rate is played back slomo . As long as the flashes are distributed among the instruments so no individual bulb fires more that once or twice a second when shooting at the highest framerate , there ' s no reason practicals and incandescents wouldn ' t work fine .