The Interpreters (novel)

The Interpreters is a novel by Wole Soyinka, first published in London in 1965 and later republished as part of the influential African Writers Series. It is the first and one of the only two novels written by Soyinka; he is principally known as a playwright. The novel was written in English and later translated into a number of languages.

Plot
The novel is set in the 1960s, in post-independence and pre-civil war Nigeria, mainly in Lagos. There are five main characters in the novel: the foreign ministry clerk Egbo, the university professor Bandele, the journalist Sagoe, the engineer turned sculptor Sekoni, and the artist Kola. They were friends at high school, then went abroad to study, and returned to start middle-class jobs in Nigeria.

Style
The narrative of The Interpreters is seemingly chaotic, with Soyinka constantly returning to past events, and some effort is needed for the understanding of even the main characters, especially Egbo and Sagoe. Many other characters (university professors, editor board of the newspaper Sagoe is working in) are given schematically, fully conforming to the prevailing stereotypes of the era. This is because the novel was published in the 1960s, shortly after many of the African states became independent, and in fact Soyinka tried to build his narrative in order to oppose the stereotypes that were generally included in a post-colonial novel. The structure of the narrative also ultimately forms a comment on the events that occur in the lives of several characters.

Reception
Thomas Lask, writing for The New York Times, took issue with the "diffuse" construction of the novel. However, his review was positive, praising the combination of "esthetic and political problems". The novel has been referred to as "difficult" and as "never having received the attention it deserved".

References

Category:Nigerian English-language novels
Category:1965 novels
Category:Novels set in Lagos
Category:African Writers Series
Category:Novels by Wole Soyinka
Category:Postcolonial literature