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On show: Piece of Paper Press archive 1994–2017
'Piece of Paper Press: Artworks and Ephemera 1994–2017'. Display view. (Photo: Chris Saunders)
Strong Language took place at the Site Gallery, Sheffield, from 11–14 October 2018, and was curated by the artist, writer and performance maker Tim Etchells of Sheffield's Forced Entertainment. Highlighting radical writing and independent publishing in the UK through readings, performances, projections, installations and discussions, Strong Language centred on Piece of Paper Press – a publishing project that I began in 1994 – and included a comprehensive display of Piece of Paper Press publications dating back to the project's inception.
Piece of Paper Press was created by author Tony White in 1994 as a low-tech, sustainable artists' book project to commission and publish new writings, visual and graphic works by artists and writers. Each book is made from a single A4 sheet that is printed on both sides and then folded, stapled and trimmed by hand to create the book. Piece of Paper Press titles are (usually) published in a limited edition of 150 and always distributed free.
'Piece of Paper Press artworks and ephemera, 1994–2017' was shown in the Project Space at the newly reopened Site Gallery, and displayed books by Ian Bourn, Pavel Büchler, Peter Bunting, Barbara Campbell, Mikey Cuddihy, Stevie Deas, Tim Etchells, Stephanie Fawbert, Rose Frain, Jane Gifford, Bruce Gilchrist, Halford + Beard, Christopher Hewitt, Steven Hull, Liliane Lijn, Elizabeth Magill, Penny McCarthy, Susana Medina, Michael Moorcock, James Pyman, Borivoj Radaković, Sheena Rose, Gordana Stanišić, Suzanne Treister, Alison Turnbull, and Joanna Walsh, as well as one or two of mine. This was the first time that all of the publications in the series have been exhibited together, and alongside these I selected a number of artworks and ephemera from the archive, looking in particular for items that highlighted making and the evolution of processes across the project's 24 years. I hope to do it again some time.
Additionally, four new Piece of Paper Press titles were specially commissioned to be given away free during the Strong Language weekend: Dandelion by Joolz Denby, Real Dreams by M John Harrison, That Small Death by Courttia Newland, and 12 Race Card Answers by Selina Thompson. It is a great thrill for me to be publishing new works by four such inspirational contributors. More on these later.
The display at Site Gallery, which ran from 12–14 October, was documented by Sheffield photographer Chris Saunders, and here are a selection of his images.
'Piece of Paper Press: Artworks and Ephemera 1994–2017', in the Project Space, Site Gallery, Sheffield. Display view. (Photo: Chris Saunders)
Display view showing Vitrine 1, Back row (L–R): Tim Etchells, About Lisa: a short bad story in twelve good parts (POPP.004, 1995), Penny McCarthy, Bedrooms (POPP.005, 1995). Front (L-R): Tony White, Title Track – print-ready artwork. Tim Etchells, About Lisa – print-ready artworks. Annotated draft press release for Penny McCarthy, Bedrooms. Press release for Tim Etchells, About Lisa. (Photo: Chris Saunders)
Vitrine 2, Back row (L–R): Peter Bunting, Seven Views of Geneva (POPP.006, 1995), Mikey Cuddihy, untitled (POPP.007, 1996), Gordana Stanišić, On Moles (POPP.008, 1996), Artist/Writer, Default 1 (POPP.009, 1996), Rose Frain, Between 12 Noon and 2pm (POPP.010, 1996). Front (L–R): Mikey Cuddihy, untitled – print-ready artworks with masked areas. Press release for Mikey Cuddihy, untitled. Rose Frain, Between 12 Noon and 2pm – page-spreads. (Photo: Chris Saunders)
Vitrine 2, close-up: Mikey Cuddihy, print-ready artworks. (Photo: Chris Saunders)
Vitrine 3, close-up: Clockwise from bottom left: James Pyman, The Adventures of Lionel – unfolded signature with annotations to designer re Artist Newsletter giveaway. Tony White, undated letter to James Pyman 1996 (from the collection of James Pyman). James Pyman, The Adventures of Lionel: Through the Moon (POPP.011, 1997), Tony White, A0 (POPP.012, 1996), Suzy Treister, Vibrators from the House of Brodsky (POPP.013 1997), Pavel Büchler, Good Guys (POPP.014, 1997) – display copy. (Photo: Chris Saunders)
Vitrine 4, Back row (L–R): Borivoj Radaković, Posjetiteljeva Knjiga (POPP.017, 2003), Bruce Gilchrist, Drawing from Perplexity (POPP.018, 2005), Alison Turnbull, Black Borders: 1994–2006 (POPP.019, 2006), James Pyman, The Adventures of Lionel: The book of hours (POPP.020, 2007), Stevie Deas, Cleanskins (POPP.021, 2007). Front (L–R): Bruce Gilchrist, Drawing from Perplexity – uncorrected proof, inkjet on card; Alison Turnbull, Black Borders – unfolded signatures. Bubblejet print; James Pyman – Lionel drawing for title page and event invite. Photocopy. Invitation to celebrate the publication of the 20th edition from Piece of Paper Press, 15 March 2007. Photocopy on card. James Pyman, The Adventures of Lionel: The Book of Hours – page spread. (Photo: Chris Saunders)
Vitrine 4, close-up: Clockwise from top left: James Pyman, Lionel drawing, (photocopy); James Pyman, The Adventures of Lionel: The Book of Hours; Piece of Paper Press, launch invite. (Photo: Chris Saunders).
Vitrine 5, Back row (L–R): Halford + Beard, Czar 52 Crash (POPP.022, 2009), Tony White, London Palm (POPP.023, 2009), Barbara Campbell, News Haiku (POPP.024, 2009), Liliane Lijn, Atomanotes (POPP.025, 2010), Tony White, A Porky Prime Cut (POPP.026, 2011), Michael Moorcock, A Twist in the Lines (POPP.027, 2013) – un-numbered, showing production damage. Front (L–R): Liliane Lijn, 'Atom Man Notes', typed text – photocopy. Press release for Liliane Lijn, Atomanotes. Liliane Lijn, Atomanotes, page spread. Display copies, string. Michael Moorcock, A Twist in the Lines – print-ready artwork. Inkjet on paper, Spraymount. (Photo: Chris Saunders)
Vitrine 5, close-up: Display copies. (Photo: Chris Saunders)
Vitrine 6, Back row (L–R): Tony White, The Holborn Cenotaph (POPP.028, 2014, fourth impression) – and A5 pamphlet reprint for CreativeWorks London Festival, King's College London (2016), Joanna Walsh, Shklovsky's Zoo (POPP.029, 2015), Steven Hull, Carnevil (POPP.030, 2015), Ian Bourn, Subjective Interfaces (POPP.031, 2016), Susana Medina, The Bowie Neurotransmitter (POPP.032, 2017), Sheena Rose, Home is on My Mind (POPP.033, 2017). Front (L–R): Joanna Walsh, Shklovsky's Zoo – print-ready artwork. Inkjet on paper, Spraymount. Tony White, cover mock-up. Ink and marker pen on paper. Joanna Walsh, Shklovsky's Zoo – cover registration test on blank booklet. Photocopy. 'Titles: 1994–2015' – published to celebrate the 30th edition from Piece of Paper Press, mailed out as an insert with Carnevil by Steven Hull. Printed in collaboration with Jim Pennington of Aloes Books as an unnumbered limited edition of 200, using a Gestetner 320 stencil duplicator from hand-drawn manually-typed stencils. Shot with Webley air-pistol, pellet retained. Signed by Pennington. Ian Bourn, Subjective Interfaces – print-ready artwork. Inkjet on paper, Spraymount. Sheena Rose, Home is on my Mind… – unfolded signature. (Photo: Chris Saunders)
Steven Hull, Carnevil, display copy. (Photo: Chris Saunders)
Vitrine 6, close-up: Joanna Walsh, Shklovsky's Zoo – cover registration test on blank booklet. (Photo: Chris Saunders)
Vitrine 6, close-up: L–R Steven Hull, Carnevil; Ian Bourn, Subjective Interfaces; Susana Medina, The Bowie Neurotransmitter. (Photo: Chris Saunders)
Vitrine 6, close-up: Sheena Rose, Home is on My Mind… (detail). (Photo: Chris Saunders)
'Piece of Paper Press: Artworks and Ephemera 1994–2017', Site Gallery, Sheffield. Installation view. (Photo: Chris Saunders)
Strong Language took place at Site Gallery, Sheffield, 11–14 October 2018, curated by Tim Etchells, in association with Off The Shelf Festival of Words. Strong Language was part of Cultural Destinations 2, a project of Sheffield Culture Consortium, funded by Arts Council England.
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Tagged with Alison Turnbull, Barbara Campbell, Borivoj Radaković, Bruce Gilchrist, Christopher Hewitt, Elizabeth Magill, Gordana Stanišić, Halford + Beard, Ian Bourn, James Pyman, Jane Gifford, Joanna Walsh, Liliane Lijn, Michael Moorcock, Mikey Cuddihy., Off The Shelf Festival Of Words, Pavel Büchler, Penny McCarthy, Peter Bunting, Piece of paper press, Piece of Paper Press artworks and ephemera 1994–2017, Piece of Paper Press display, Piece of Paper Press display cases, Rose Frain, Sheena Rose, Sheffield, site gallery, Stephanie Fawbert, Steven Hull, Stevie Deas, Strong Language, Susana Medina, Suzanne Treister, Tim Etchells, Tony White, Tony White's Piece of Paper Press
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'Wordy-amusements' →
Book trailer: The Fountain in the Forest
https://youtu.be/gTR2BTYJH7U
Praise for The Fountain in the Forest
"a gripping police procedural … impeccably Oulipian in conception and execution." David Collard, TLS
"That all these stylistic fireworks can illuminate several rich plot lines, each with multiple twists, which an attentive reader will enjoy disentangling, is the best vindication of experimental prose." Anna Aslanyan, Financial Times
"rich, riveting … White is always convivial company … His books [are] characterised by stylistic innovation, a feeling for place, a love of rogues and rebels. " Sukhdev Sandhu, The Guardian
"Tony White's latest novel begins for all the world like a police procedural, following the delightfully named sleuth Rex King as he investigates the grisly murder of man in a Covent Garden theatre. […] Enjoy it as a noir entertainment or as an evocative picture postcard from the past." Houman Barekat, Spectator
"The Fountain in the Forest can be read with all the pleasure you might expect from a knotty police procedural, a knowledgeably detailed, intriguing and compelling police procedural at that. The story drives ever forward, even when it takes you backwards in time to take a look at the roots of the crime in question. Even when it flip-flops between two distinct time-streams and character identities within the space of a single sentence, the sense throughout is of a steady and satisfying accretion of significant information, i.e clues – exactly what you'd hope for from any good thriller. […] Read, and enjoy." Nina Allan
"It is absolutely terrific … it can be enjoyed at the level of a thriller, and yet it does all these other fascinating things, and best of all it's the first in a trilogy … It's such a good book." Andy Miller, Backlisted Podcast
"The Fountain in the Forest smartly maps an experimental, Oulipo-inspired structure onto a well-executed police procedural." Thom Cuell, Bookmunch
"The Fountain in the Forest is a mystery built on mysteries […] it has heart and tenderness and leads us to the most unexpected places and at the centre of all this puzzling is a thriller with deep hooks." Nick Garrard, STORGY
"A truly intriguing venture into the crime genre by the talented White." Maxim Jakubowski, Crime Time
"The Fountain in the Forest is fascinating, beautifully written and really original." Literary Review
Praise for Foxy-T
'This is, in fact, the best book that has ever been written about Brick Lane [...] an amazing tour de force.' Roy Moxham, The Browser
'...this affectionate tale may tell you more about love, longing and ambition in the inner city than a dozen official reports. Indeed, some readers would argue that it captures the flavour of Asian lives in London E1 with more inside-track relish than another novel of 2003: Monica Ali's Brick Lane.' Boyd Tonkin, Independent
'The book I like best is Tony White's Foxy-T. Ventriloquism among the Cannon Street xeroxing machines, innit?' Sukhdev Sandhu, 3:am Magazine
'"What's your favourite British novel from the past ten years?" The other day I was with a group of friends, and someone posed this question. A few fairly obvious titles were suggested, which gave me time to think. And when it came my turn to speak, I said, "Foxy T by Tony White".' Toby Litt, Guardian
'...made me grin with surprised admiration. Rejecting familiar influences of the past 20 years, White joins a handful of contemporary writers who are proving that the novel has never been more alive. He is a serious, engaging voice of the modern city.' Michael Moorcock, Guardian
'One of this year's key novels [...] an ingenious, beautifully crafted, thrillingly contemporary love story set in the Bangladeshi east end and narrated in that area's distinctive patois [...] A complex, clever book whose future status as a GCSE set text must be assured.' Time Out
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Happy holidays, all
Garageland – Living British Cinema
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Zombies Ate My (Public) Library
Patchwork and photo Ginny Clee (after Gray 318)