Author: Sarah Dempster
From the Computer Comes a Stranger: CGI Luke Skywalker and the Obsession with Nostalgia
Posted on February 7, 2022by Sarah Dempster A Certain Point of View
Reactions to episode six of The Book of Boba Fett, titled "From the Desert Comes a Stranger", have been mixed to say the least. For the second week in a row, the show spent little time on Tatooine with the titular bounty hunter and instead focused on the trials (both figurative and literal) of Grogu's Jedi training. And once again we were treated to the inclusion of CGI Luke Skywalker, now with the CGI fixed to look almost identical to the Mark Hamill of Return of the Jedi and the revelation that none of his lines were spoken by an actor but were instead created by a neural network.
A frequent comment I've seen floating around the fandom is (paraphrased) "This is the sort of technology George Lucas would love, so how can I not love that Star Wars has progressed to this point?" And, well, I don't necessarily disagree; it's no secret that Lucas is a techie at heart and rather infamously doesn't get on well with actors engaging in the acting process. So it's not a big leap of logic to think he'd be fully excited about the latest in CGI and computer innovation, though for fairness's sake none of my research has shown him ever commenting on the use of CGI for Tarkin and Leia in Rogue One. So at the end of the day we can only guess, we don't actually know. But whether or not Lucas approves of the technology and how it's used is beside the point. He hasn't been substantially involved in the franchise since 2014, but even if he was, his opinion shouldn't be the only litmus test for whether we think something is a good idea or not.
It's understandable: Lucas (and the Lucas movies) were our childhoods and the desire to recapture that childhood magic is strong. But why are we so intent on recreating it digitally rather than giving real people the chance to breathe new life into it? Or better yet: why are we so intent on keeping Star Wars exactly the same as we remember it rather than letting it grow and be new?
Queen's Peril – An Interview with E. K. Johnston
Posted on June 10, 2020by Sarah Dempster
How does a fourteen-year-old girl become queen of an entire planet?
This is a question many of us have had since being introduced to Queen Padmé Amidala in The Phantom Menace. For years, Padmé has enjoyed a celebrated position among fans, especially women who grew up with the prequel trilogy. She was a fiery character, equally at home making passionate arguments in the Senate as she was shooting a blaster at bad guys, she wasn't afraid to stand up for what was right, and she had an absolutely killer wardrobe. But despite her dedicated fanbase, it took twenty years for Padmé to star in her own novel.
Last year, I talked about how much of a revelation Queen's Shadow was, and how incredible it was to finally get to read a story that not only gives one of my favorite characters her long-overdue chance in the spotlight, but was the rare story that focused entirely on women and their relationships with one another. It's not a surprise to learn that author E.K. Johnston has been a fan of Padmé since the character's debut, because her love for Padmé and the handmaidens came through in every word and detail.
While Queen's Shadow focused on Padmé transitioning from Queen of Naboo to galactic senator and dealing with the fallout of her actions in TPM, Queen's Peril goes back farther to focus on her coming of age on the political stage as she becomes queen, builds her inner circle of handmaidens and learns to navigate her personal life amidst the major galactic events beginning to take shape around her. E.K. Johnston was kind enough to sit down with us via email to discuss Queen's Peril, writing prequels, how her fanfiction background aids her as a writer, and the importance of the teenage-girl experience.
Ended, The Clone Wars Have
Posted on May 6, 2020by Abigail James Dillon, Sarah Dempster and Ben Wahrman Not A Committee
What a journey we've had from 2008 to now! Through a cancellation, a surprise release of a sixth season and story reels, and a few arc adaptations to comics and books, The Clone Wars has at last reached the finale that we'd been teased about for years. Staff writers Ben Wahrman, Sarah Dempster, and myself (Abigail Dillon) got together to talk about following the show over the years and how we felt it ended.
Sarah: Hilariously, what got me to actually watch TCW was learning that Maul was coming back. I loved the character but didn't want to jump in in the middle of Season Three so I figured I should start from the beginning. I was in high school when the movie came out and I mostly ignored it; I was in a lull in my Star Wars fandom and some random cartoon movie didn't interest me. And I regret to say that I was definitely one of those "too cool for school" fans who thought Ahsoka was annoying, the show was dumb because Anakin had a Padawan, etc. etc. It wasn't until the whole show was on Netflix (and had been canceled in the wake of the Disney acquisition) that I really started watching it while I worked on costumes in the lead-up to Celebration Anaheim in 2015. But I still think it's funny that my interest in it started out purely because of Maul; my brand is strong!
Abigail: Look, if fandom isn't about being On Brand, then what actually is its purpose? For me, getting into TCW was a way for my brothers and I to reconnect when they came back from college over Christmas. We set up a laptop to watch the show on StarWars.com as we built a blanket fort and played with LEGOs. That's really my earliest memory of watching it, and while I liked it, liked Ahsoka and Rex, and caught up with it all when it was on Netflix, I didn't become a massive fan until "Twin Suns". That got me back into Star Wars as a whole in a big way and turned me into a Maul fan so…I guess Maul's to blame for two of us being here.
The Rise of Skywalker: It's Kind Of A Lot
Posted on December 20, 2019by M. Dean Cooper, Jay Shah, Mark Eldridge, Ben Wahrman, Nicholas W. Adams, Abigail Dillon and Sarah Dempster Not A Committee
This piece contains major spoilers for The Rise of Skywalker. Like, all of them, probably several times over. Proceed accordingly.
Mike: Well, that happened.
I anticipated that my piece on The Rise of Skywalker two days ago would likely serve better as a semi-conclusive statement on the sequel era than something I forced myself to stay awake for in the aftermath of the movie, so instead of tackling this reaction piece single-handedly I invited the whole staff to weigh in with their first thoughts—but some quick ones from me first, because I'm in charge.
My friend Pearl and I both loved The Force Awakens, but we had absolutely polar reactions to The Last Jedi, and we've been arguing about it for two years, and will probably keep arguing about it forever because we're like that. What I kept thinking during my first viewing of Rise tonight was that the movie felt precision-calibrated to make both of us, despite the separate universes we've been living in, equally happy—or at the very least, minimize our unhappiness at all costs.
Palpatine's alive, but kind of not. Rey's parents were nobody, from a certain point of view. Rose is there, but she doesn't do much. There's a gay kiss, but not the one people wanted. There's a Reylo kiss, but it's quick and vague and then he drops dead. Chewie dies and comes back. Threepio "dies" and comes back. There are porgs, but just barely. Hux goes rogue, but just barely. And on, and on—J.J. Abrams seems to screamingly, desperately want to make as many of us as happy as he possibly can, and if it required smothering logical and thematic coherence with a pillow, he was just the guy to do it.
But the thing is, superficial enjoyment is Abrams's number one skill—and I'm honestly not saying that in a critical way, he's really good at it. TFA definitely has a much, much easier lift than this thing does, but it's got superficial enjoyability leaking out of every frame—and when it's dumb, it's just as dumb as Rise is. So I find myself in a weird position where I'm intellectually cynical but emotionally content, because a surprise acid trip that ruined your plans for the evening is still an acid trip, and chemically, it's got you.
The 20 Most Memorable Moments of the New Star Wars Canon, Part III
Posted on May 31, 2019by M. Dean Cooper, Sarah Dempster, Nicholas W. Adams, Ben Wahrman and Abigail James Dillon Feature Articles
Welcome to the final chapter in Eleven-ThirtyEight's 20 Most Memorable Moments of the New Star Wars Canon, as voted on by our entire staff! If you're just joining us, be sure to check out Part I and Part II as well. Before we get to the main event please enjoy the last of our Honorable Mentions—moments that came up in voting but didn't make the cutoff.
Honorable Mention: Hera's Code Switch, Star Wars Rebels (Mike Cooper)
I remember very clearly how strange it was when Aayla Secura first appeared in The Clone Wars and for some reason known only to the Creator, she had a French accent. It wasn't just her, though—it was all Twi'leks, at least all that we got to see. I don't know if it was intended to give the Ryloth arc a Les Misérables vibe or just a random whim on Lucas's part, but having a distinct cadence—even one transported whole cloth from Earth—quickly set the Twi'leks apart from most alien species in Star Wars, who typically sound totally normal, totally alien, or, um, uncomfortable.
But Star Wars accents, even at their best, are almost always just for flavor, and trying to make sense of them is a fool's errand. So when we met Rebels' Hera Syndulla and she spoke with a normal American accent I thought very little of it—even after she was confirmed to be the daughter of French-sounding Cham Syndulla—and certainly never expected it to be addressed in the story. But late in season two they did just that, and Rebels was richly rewarded for it.
Cham finally made his way onto the show for a two-part arc in which our heroes attempt to forge a relationship between their own Phoenix cell and his Ryloth-based rebels. The arc was a great window into the growing pains of the eventual Rebel Alliance—do we fight the bigger fight or concentrate on our own backyards?—and Hera's upbringing in particular. The well-worn nature of this debate becomes clear when, during a heated exchange with her father, Hera slips back into her native accent. Read More