Nicolas Slonimsky FREE Downloads
Nicolas Slonimsky (April 27 [O.S. April 15] 1894 – December 25, 1995), born Nikolai Leonidovich Slonimskiy (Russian: Никола́й Леони́дович Сло́нимский), was a Russian-born American conductor, author, pianist, composer and lexicographer. Best known for his writing and musical reference work, he wrote theThesaurus of Scales and Melodic Patterns and the Lexicon of Musical Invective, and edited Baker's Biographical Dictionary of Musicians.
Originally released in 1947, the Nicolas SlonimskyThesaurus of Scales and Melodic Patterns is one of the most prized music books ever published – cherished by such greats as Arnold Schoenberg, Virgil Thomson, John Coltrane, Frank Zappa and Freddie Hubbard for its comprehensive vocabulary of scales and patterns ideal for invigorating compositions and improvisation.
Whether you're a Jazz guitarist, Metal player, Djent aficionado or interested in extended techniques and advanced music theory regardless of the genre, this is the ideal book for you. Break out of the standard Blues and pentatonic scales with chapters ranging from tri-tone scales covering one octave split into two parts all the way up to Sesquiquinquetone patterns that span eleven octaves in twelve parts!
Nicolas Slonimsky and Frank Zappa
Frank Zappa is one of the most notable guitarist fans of Slonimsky's original book, who used the immense knowledge and variety of its contents to invigorate his already highly developed approach to the instrument. The legendary Jazz Rock composer-guitarist even met and played with Slonimsky who he greatly admired.
Beyond Slonimsky: Melodic Patterns for Guitar
Thanks to Richard Cochrane
http://cochranemusic.com/slonimsky-guitar-book
Download the entire book COMPLETELY FREE!
Nicolas Slonimsky's Thesaurus of Scales and Melodic Patterns is a legendary book that has influenced musicians as diverse as John Coltrane, Jaco Pastorius, Frank Zappa and Buckethead. Many guitarists (and others) own a copy, but few have got much advantage from it. Even advanced players claim it's difficult to use, dry and dauntingly long. This free, 400-page ebook is designed to help in three distinct ways.
The first is that is gives a completely new account of the theory behind the first twelve chapters of the Thesaurus, the most widely-used and systematic part of the book. This is done in a clean, modern and rigorous way that completely does away with Slonimsky's quirky and offputting terminology and that significantly extends his original idea. Furthermore, it's designed to show you how to understand the resulting patterns from the inside out, enabling you to come up with your own and even do so on the fly, without any prior preparation.
The second is that the resulting patterns -- which are similar, but not identical, to those contained in the Thesaurus are organised by the pitches they contain rather than Slonimsky's theoretically-pleasing but abstract octave divisions. This makes them much easier for most contemporary musicians to apply to real-life situations. To make them even more practical, all examples are presented in traditional notation and tablature, making the book very easy for guitarists to experiment with quickly and easily.
The third is that the book extends the Slonimsky's "recipe" to "non-symmetrical bases", and presents a selection from the almost unlimited possibilities this makes available.
Slonimsky's Thesaurus is one of the most talked-about books in music. Maybe you even have your own copy, gathering dust somewhere. Beyond Slonimsky will encourage you to get it out and start using it in a more practical way than ever before.
Download the free PDF now.
Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven's Time
by Nicolas Slonimsky
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Paperback: 336 pages ; Dimensions (in inches): 0.89 x 8.40 x 5.54
Publisher: W.W. Norton & Company; (August 28, 2000)
"A supermarket tabloid of classical music criticism."–from the new foreword by Peter Schickele. A snakeful of critical venom aimed at the composers and the classics of nineteenth- and twentieth-century music. Who wrote advanced cat music? What commonplace theme is very much like Yankee Doodle? Which composer is a scoundrel and a giftless bastard? What opera would His Satanic Majesty turn out? Whose name suggests fierce whiskers stained with vodka? And finally, what third movement begins with a dog howling at midnight, then imitates the regurgitations of the less-refined or lower-middle-class type of water-closet cistern, and ends with the cello reproducing the screech of an ungreased wheelbarrow? For the answers to these and other questions, readers need only consult the "Invecticon" at the back of this inspired book and then turn to the full passage, in all its vituperation. Among the eminent reviewers are George Bernard Shaw, Virgil Thomson, Hans von Bulow, Friedrich Nietzsche, Eduard Hanslick, Olin Downes, Deems Taylor, Paul Rosenfeld, and Oscar Wilde. Itself a classic, this collection of nasty barbs about composers and their works, culled mostly from contemporaneous newspapers and magazines, makes for hilarious reading and belongs on the shelf of everyone who loves–or hates–classical music. With a new foreword by Peter Schickele ("P.D.Q. Bach").
Thesaurus of Scales and Melodic Patterns
Paperback: 256 pages ; Dimensions (in inches): 0.75 x 11.90 x 9.13
Publisher: Music Sales Corp; (January 1997)
Since its publication in 1947, great musicians and composers of all genres – from Arnold Schoenberg and Virgil Thomson to John Coltrane and Freddie Hubbard – have sworn by this legendary volume and its comprehensive vocabulary of melodic patterns for composition and improvisation.
Slonimsky: Perfect Pitch, an Autobiography
Publisher: Omnibus Press; (May 1, 2002)
The life of pianist, composer, conductor, and musical lexicographer Nicolas Slonimsky encompassed nearly all of 20th-century music history. His 1988 autobiography, newly expanded by his daughter Electra Yourke, tells the fascinating story of his journey from his native Russia to France and the United States, where he became known as a champion of modern music.
The Listener's Companion: Great Composers and Their Works
Nicolas Slonimsky, Electra Yourke
Publisher: Omnibus Press; (April 2002)
Renowned for his literary style as well as his musical scholarship, Nicolas Slonimsky wrote many program notes and articles for newspapers and other periodicals, in addition to his well-known books. These shorter writings, edited by Slonimsky's daughter, Electra Yourke, are collected for the first time in this excellent introduction to the classical repertoire, from Bach to Shostakovich. Arranged chronologically by composer, the chapters begin with biographical sketches and go on to describe some of each composer's most popular and imporant works.
Writings on Music: Volume One Early Articles for the Boston Evening Transcript
Volume 1 of a 4 Volume Set
Hardcover/Library: 208 pages ; Dimensions (in inches): 6 x 9
Publisher: Routledge; (October 2003)
Edition: First
Writings on Music: Volume Two Russian and Soviet Music and Composers
Publisher: Routledge; (December 2003)
Writings on Music: Volume ThreeMusic of the Modern Era
Publisher: Routledge; (January 2005)
Writings on Music: Volume Four Slonimskyana
Publisher: Routledge; (February 2005)
Includes consolidated index and CD of Slonimsky's music.
No other single volume offers as much information as is contained in these pages, including definitive biographies of every significant classical musician from cultures worldwide and hundreds of arttists in jazz, rock, coutry, blues, and other popular forms. More than just information, this volume offers insight, analysis, and history, as expressed in Slonimsky's inimitable lapidary prose. Copied, expanded, updated, but never surpassed.
Music Since 1900
Hardcover: 1280 pages ; Dimensions (in inches): 2.50 x 10.25 x 8.25
Publisher: Gale Group; 5th edition (July 1994)
Amazon.com Book Description
Nicolas Slonimsky's first edition of Music Since 1900 came out in 1937–his entry into the world of lexicography–and this fifth edition, published in 1994, was the last book he wrote. But that's only one reason why this book should be acquired, cherished, and continually browsed. The "Descriptive Chronology" begins January 1, 1900, with the publication of Hector Berlioz's first volume of collected works, wends its way through Gershwin's first performance of "Rhapsody in Blue" (February 12, 1924) and the founding of the Polish Music Publishing Society (April 15, 1945), and ends with the death of Ernst Krenek, composer of "Jonny spielt auf," (December 23, 1991). With letters (such as those to Slonimsky from Charles Ives) and documents (such as the transcript of the House Un-American Activities Committee hearing on Hanns Eisler), a Dictionary of Terms (abecedarianism to Zen), and a comprehensive index, the result is a scrupulous, eccentric, irresistible music reference.
Supplement to Music Since 1900
Lectionary of Music
Slonimsky's Book of Musical Anecdotes
by Nicolas Slonimsky, Robert Bonotto (Illustrator)
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Publisher: Routledge; (April 1, 2002)
Quirky anecdotes and observations abound in this volume now published by Routledge. Enter a surreal and humorous world of medicinal music, musical schizophrenia, conductorless orchestras, suing seals, cat operas, musical beds and more. Let Slonimsky regale you with tales of Mozart, Beethoven, Rossini and the other expected Classical Music figures, the ugly ducking of Russian music, the Kafka of modern music and other sublime misfits. First published in 1948, this book has earned well-deserved acclaim for being insightful, witty and enthralling. Charming illustrations by Robert Bonotto complete this superb collection of musical vignettes.
The Concise Baker's Biographical Dictionary of Musicians
by Boris de Schloezer (1987), translated from the French and with a foreword by Nicolas Slonimsky
As its title indicates, this volume is a reduced version of the classic Baker's, the gold standard of musical lexicography. It retains all the detailed history and authoritative analysis of its parent volume at somewhat lesser length, but every word carries Slonimsky's distinctive style and attention to factual detail.
Scriabin Artist and Mystic
by Theodore Baker, Nicolas Slonimsky
Music of Latin America
Baker's Dictionary of Music
by Nicolas Slonimsky, Richard Kassel (Editor)
Library Binding: 1171 pages ; Dimensions (in inches): 2.30 x 10.33 x 8.28
Publisher: Gale Group; (November 1997)
It's sad but nonetheless true that Nicolas Slonimsky died in 1995, yet the 1997 Dictionary of Music is thoroughly Slonimsky. It includes all the material written for his Lectionary of Music (that was expunged by editors), and then some. After Slonimsky's death, Schirmer Book editors reconstructed his work (using original manuscripts) and added hundreds of Slonimsky articles for a new, comprehensive, mostly Slonimsky dictionary of music. The result is that most deadly of dictionaries: the text that can't be put down. From Slonimsky's highly entertaining introduction to the A to Z itself–1,171 pages of musical definitions, biographies, and Slonimsky storytelling–this is a rare volume that both instructs and amuses.
The Road to Music
A Thing or Two About Music
Nicolas Slonimsky: The First Hundred Years
by Nicolas Slonimsky, Richard Kostelanetz (Editor), Joseph Darby
Hardcover: 393 pages; Dimensions (in inches): 1.25 x 10.50 x 7.50
Publisher: Music Sales Ltd; (April 1994)
Book Description from Library Journal
Editor Kostelanetz has collected some of Slonimsky's greatest articles, biographies, musical definitions, and observations of the 20th century. As a composer, conductor, and prolific writer, Slonimsky virtually defines 20th-century musical scholarship with his well-known editorial work in Baker's Biographical Dictionary of Musicians ( LJ 1/92), as well as numerous other books and journal articles. The new work presents a broad enough view of music, in both historical scope and content, to appeal to both musician and music lover. Slonimsky's famous sense of humor emerges in full force, especially in biographical pieces on popular musicians like Frank Zappa and Frank Sinatra. The inclusion of such items as Slonimsky's timeline of 20th-century opera libretti and his infamous censorship lecture, "Sex and the Music Librarian," gives some idea of the all-inclusive nature of the book. Recommended for public libraries and academic libraries from the high school to the graduate level.
- James E. Perone, Canisius Coll., Buffalo, N.Y.
Copyright 1994 Reed Business Information, Inc.
Schirmer Pronouncing Pocket Manual of Musical Terms
(1978), fourth edition revised and expanded by Nicolas Slonimsky; (1995) fifth edition revised by Laura Kuhn
The Portable Baker's Biographical Dictionary of Musicians
Webster's New World Dictionary of Music
Baker's Biographical Dictionary of 20th Century Classical Musicians
Fred Frith interview by Richard Scott
John Scofield Trio
Jozef van Wissem
Bryan Eubanks / Doug Theriault
John Cage Waterwalk
Felix Lemerle Dust
Michael Bernier 13 questions
Raoul Bjorkenheim 13 questions
Jeff Robb
Daniel Heikalo Five Dreams
Wilkanowski
Sean Moran
"Staying True to a Truly Esoteric Mission" by Alex...
Chris Vaisvil
Out Level
Toyorchestra & Fred Frith
John Tilbury Plays Samuel Beckett (2004/2005)
John Oswald - Plunderphonic (1989)
biodata37: Luis Antero
156 Strings
13 QUESTION METHOD: LENI STERN
Jimi Hendrix: The Complete January 1967 Interview ...
Shahzad Ismaily
TIM CATLIN LIVE
irr. app. (ext.)
Ernest Margi
RIP Amir Baraka
c Stringed Database
Fennesz remixes Jensen Sportag – Free Download
Free Jimi Hendrix
Ed Cherry 13 questions
Johnny Cash - Hurt
David Kollar 13 questions
Fred Frith 13 Questions
Derek Bailey interview by Richard Scott
Roy Campbell Jr. R.I.P.
A Derek Bailey interview
Mike Oldfield David Bedford
Kaki King on her live acoustic guitars
The Norman Conquest
Vlad Makarov: IN SEARCH OF FREEDOM "Golden Years o...
13 QUESTION METHOD NELS CLINE
Jimi Hendriz Kuba Czerniak
13 QUESTIONS JILL SOBULE
Peter Yates
Derek Bailey interview by Stefan Jaworzyn
Jean-Luc Guionnet
Pascal Fricke Free Tabs
Luc Ferrari
Pierre Cullaz R.I.P.
National Guitar Museum
HAPPY NEW EAR