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Working Title: Sex, Shotgun & Rovers
This week Will Leschber discussses Aphra Behn, sexual symbolism and Shotgun Players' current production of The Rover. It's time to transport it all to the Carnival!!
When I think of Aphra Behn I think of English Lit in college and my firecracker of a professor who always had a penchant for pointing out the sexual aspects of the various stories we were required to read. What made it funnier was that Professor Firecracker looked like she walked off the set of Golden Girls and into the classroom. Picture Blanche Devereaux teaching you about the underlying sexual nature of Keats.
Like a beautiful misleading costume, she cloaked herself in the veneer of a sweet older lady, but never failed to make sure everyone student was titillated by the unsavory nature of William Blake's "The Sick Rose" or Wordsworth's "The world is too much with us" or Lord Byron's "When we two parted". I'm not sure I ever wanted to read between the lines of a symbolic Sick Rose but I can't unsee the crimson symbolism now. Thanks Blanche!! Along with these old white dudes of the Romantic Era, a pillar of female Restoration writing was plenty discussed as well. English lit! You gotta cover everything! In the end, Professor Blanche was right… linking Aphra Behn to using a lens of sexuality and gender politics isn't that far off base, considering her work still invites a discussion of gender roles and stereotypes 300 odd years after it was initially written.
That's all well and good and boring for us not enrolled in ENG 205, you say. I hear ya! But this is where it gets contemporary. Wait for it…
Shotgun Players, which is celebrating it's all female playwright season, gets into the Halloween spirit through all manner of costume and mask, with Aphra Behn's Restoration Era classic, The Rover. The play follows three women pushing on masked gender expectations in this comic romp that takes place in Naples during the Carnival masquerade. Boom, I told ya! The play is on and it's just as funny as it was when it premiered back in 1677. What's that now? You need some movie recommendations to wet your abridged attention span before going to check out The Rover? Alright…here goes.
Siobhan Marie Doherty as Florinda and Caitlyn Louchard as Hellena, photo by Pak Han
I had the pleasure of speaking with Siobhan Marie Doherty (Bay Area actor, director, teacher, rapscallion, and voiceover artist) who plays Florinda in Shotgun Player's The Rover. When asked for the perfect film pairing for their play, Siobhan had this to say…
"A fabulous movie to get primed for gigantic passions and the powerful spirit of Carnival would be Orfeu Negro (Black Orpheus) from 1959. It is a re-telling of the Orpheus and Eurydice myth set in Rio de Janeiro, that has many, many parallels to our play: the use of mask, the threat of death, desperate lovers, scorned lovers, seduction, transgression, etc. I haven't seen it since high school, but it made a big impression on me. Between the stunning photography and the excellent soundtrack, the movie has been described by many as a sensual feast."
"…the most sensuous use of color I have ever seen on film…it is not so much dressed in color as created out of color."
~Paul Beckley, New York Herald Tribune
Black Orpheus won a slew of awards in it's day, including the Academy Award for Best Foreign film. It's a classic of world cinema and glorious to behold. If one excellent classic recommendation wasn't enough, Siobhan threw in something a little bit more contemporary for our sampling as well. She continues…
"Another movie to activate your spirit of transgressive adventure would be Thelma and Louise. It parallels the play in that there are two sisterly women determined to better their lives in a dangerous world. While the men they know well, or encounter on the journey, may sometimes present temptation, they always present a very real threat to their spirits, finances, and/or their bodies. However, even in the face of great danger, the women continue to help each other, and they fight hard. Also, if you haven't seen it, uh, you're seriously missing out. If you have seen it, watch it again!"
There you have it folks; something old, something new, something sexual and something to do. If you aren't into the scares this Halloween but still want to get into the carnival costumed spirit, check out The Rover at Shotgun Players; It runs now until November 15th. Black Orpheus can be found on Youtube. Watch at your own pleasure. And Thelma & Louise can be found at all video stores circa 1992. Enjoy!
2 Comments Posted in Working Title Tagged Academy Award for Best Foreign film, Aphra Behn, Black Orpheus, Blanche Devereaux, Carnival, English Lit, gender politics, Golden Girls, John Keats, Lord Byron, New York Herald Tribune, Orfeu Negro, Pak Han, Paul Beckley, Restoration Era, Romantic Era, sexual symbolism, Shotgun Players, Siobhan Marie Doherty, The Rover, The Sick Rose, The World Is Too Much With Us, Thelma and Louise, When We Were Parted, Will Leschber, William Blake, William Wordsworth, Working Title
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