Injustice Case
© David Hammons
David Hammons (United States, Illinois, Springfield, born 1943)
United States, 1970
Prints; collages
Body print (margarine and powdered pigments) and American flag
Sheet: 63 x 40 1/2 in. (160.02 x 102.87 cm) Framed: 69 × 47 1/4 × 2 1/4 in. (175.26 × 120.02 × 5.72 cm)
Museum Acquisition Fund (M.71.7)
Arnason, H.H., and Marla F. Prather. History of Modern Art: Painting, Sculpture, Architecture, Photography. New York: Harry N. Abrams, 1998.
David Hammons: Five Decades. New York: Mnuchin Gallery, 2016.
Doss, Erika. American Art of the 20th-21st Centuries. New York: Oxford University Press, 2017.
Oehler, Sarah Kelly, and Esther Adler, editors. Charles White: a Retrospective. Chicago: Art Institute of Chicage, 2018.
David Hammons: Selected Works 1968-1974. Los Angeles, Calif.: California State University, Los Angeles, 1974.
Davis, Bruce and Ebria Feinblatt. Los Angeles Prints: 1883-1980. Los Angeles: Los Angeles County Museum of Art, 1980.
Butler, Jerry. A Drawing in the Sand: The Story of African American Art. Zino Press Children's Books, 1998.
Barron, Stephanie, S. Bernstein and I. S. Fort, with essays by Stephanie Barron, Sherri Bernstein, M. Dear, Howard N. Fox and Richard Rodriguez. Made in California: Art, Image, and Identity, 1900-2000. Los Angeles: Los Angeles County Museum of Art and Berkeley: University of California Press, Berkeley, 2000.
View this publication in LACMA's Reading Room
The California pop-up book. New York: Universe Pub. in association with the Los Angeles County Museum of Art, 2000.
Haskell, Barbara and Phillips, Lisa. The American Century: Art and Culture 1900-2000. The Whitney Museum of American Art and W.W. Norton & Company, 2000.
Chinn, Sarah. Technology and the Logic of American Racism: A Cultural History of the Body As Evidence. Continuum Publishing Group, 2000.
Doss, Erika. Oxford History of Art: Twentieth-Century American Art. Oxford: Oxford University Press, 2002.
Kamps, Toby and Steve Seid. 2012. Silence. Houston: Menil Foundation.
Bindman, David and Henry Louis Gates, Jr., general eds. The Image of the Black in Western Art, vol. 5, pt. 1. Cambridge, Mass.: Belknap Press of Harvard University Press; In collaboration with the W. E. B. Du Bois Institute for African and African American Research; Houston: Menil Collection, 2014.
Godfrey, Mark and Zoé Whitley. Soul of a Nation: Art in the Age of Black Power. London: Tate Publishing, 2017.
Shaked, Nizan. The Synthetic Proposition: Conceptualism and the Political Referent in Contemporary Art. Manchester: Manchester University Press, 2017.
Ho, Melissa, Thomas Crow, Erica Levin, Katherine Markoski, Mignon Nixon, and Martha Rosler. Artists Respond: American Art and the Vietnam War, 1965-1975. Washington, D.C.: Smithsonian American Art Museum, in association with Princeton University Press, 2019.