Items where Subject is "Film and television"
Digital animation (6)
Film theory (29)
Filmmaking (22)
Screen studies (31)
Jump to: A | B | C | D | F | H | M | N | P | S | Z
Amir Shahkarami, Sayed Najmedin (2013) The pre-production phase in the making of Iranian full-length animated films 1979-2012. Doctoral thesis, University of West London.
Athanasopoulou, Katerina (2005) Sweet salt. [Video]
Audissino, Emilio (2014) Bicycles, airplanes and Peter Pans: flying scenes in Steven Spielberg's films. CINEJ Cinema Journal, 3 (2). pp. 104-120. ISSN 2158-8724
Audissino, Emilio (2014) Creative energy without creative industry: Mario Bava. In: 9th NECS (European Network for Cinema and Media Studies) Conference, 19-21 June 2014, Milan, Italy. (Unpublished)
Audissino, Emilio (2014) Dubbing as a formal interference: reflections and examples. In: Media and Translation: An Interdisciplinary Approach. Bloomsbury Academic, New York, USA, pp. 97-118. ISBN 9781623566463
Audissino, Emilio (2014) Film dubbing as adaptation and (forced?) assimilation. In: The Humanities 7th Annual Postgraduate Conference, 31 Mar 2014, Southampton, UK. (Unpublished)
Audissino, Emilio (2013) Il cinema è la morte al lavoro [Cinema is death at work]. In: Immagini della morte [Images of Death], 19 April 2013, University of Pisa, Italy. (Unpublished)
Audissino, Emilio (2009) Il cinema, l'automobile e la morte al lavoro [Cinema, cars and death at work]. In: 10th International Conference 'Da Ulisse a... Il viaggio in auto: mito e attualità' [From Ulysses To... Car Travelling: Myth and Contemporaneity], 01-03 Oct 2009, University of Genoa, Imperia, Italy.
Audissino, Emilio (2012) Italian "doppiaggio". Dubbing in Italy: some notes and (in)famous examples. Italian Americana, 30 (1). pp. 22-32. ISSN 0096-8846
Audissino, Emilio (2010) L'infanzia nel cinema di Steven Spielberg [Childhood in Steven Spielberg's cinema]. Ennepilibri, Imperia, Italy. ISBN 9788879082952
Audissino, Emilio (2013) Motion picture. In: Multicultural America. A Multimedia Encyclopedia. SAGE, Thousand Oaks, CA, pp. 1492-1496. ISBN 978-145-221-683-6
Audissino, Emilio (2010) The meaning of flight in Steven Spielberg's films. In: 11th International Conference 'Da Ulisse a... Il viaggio aereo tra fantasia e realtà [From Ulysses To... Air Travelling between Fantasy and Reality], 7-9 October 2010, University of Genoa, Imperia, Italy.
Ayisi, Florence and Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2014) Documentary practice and the resistance to cultural norms. In: Football and Communities of Resistance Conference, 12 Jun 2014, Manchester, UK. (Unpublished)
Ayisi, Florence and Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2014) See me, know me – cultural expressions of Cameroonian women. Stimulus Respond, Africa. pp. 36-43. ISSN 1746-8086
Ayisi, Florence and Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2016) Zanzibar soccer dreams. [Video]
Ayisi, Florence and Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2011) A cognitive-hermeneutical approach to audience reception of 'Sisters in Law'. In: Women and Film in Africa Conference: Overcoming Social Barriers, 19-20 Nov 2011, London, UK. (Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2013) Blindness and the everyday: a documentary perspective. In: Ordinary/Everyday/Quotidian Conference, 26-27 Sep 2013, University of York, UK. (Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2015) Cognitive innovation in documentary film practice. In: Off the Lip: Transdisciplinary Approaches to Cognitive Innovation, 7-11 Sept 2015, Plymouth, UK.
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2013) Conceptualising practice-as-research in media through cross‐disciplinary approaches to audience reception. In: Theorising Practice, Practicing Theory, 23 Apr 2013, University of Roehampton, UK.
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2014) 'Documentary and (Dis)ability' symposium, University of Surrey, United Kingdom, 20 September 2013. Discussion Paper. Taylor & Francis.
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2015) Documentary film practice and the alterity of the disabled individual. In: Disability and Disciplines: The International Conference on Educational, Cultural, and Disability Studies, 01-02 July 2015, Liverpool, UK. (Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2015) Focusing on the ordinary: alternative visions of disability. In: Rethinking Disability on Screen, 14 May 2015, York, UK. (Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2004) How are film endings shaped by their socio-historical context? Part 1. Image and Narrative, 4 (2). ISSN 1780-678X
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2017) Mediating subjectivity through materiality in documentary practice. In: Conditions of Mediation: Phenomenological Perspectives on Media. Peter Lang, Oxford, UK, pp. 223-236. ISBN 9781433137297
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2015) The documentary film "praxis" of cognitive film theory. In: Society for Cognitive Studies of the Moving Images (SCSMI) Conference, 17-20 Sept 2015, London, UK. (Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2014) The domestication of disability stereotypes through film. In: Domestic Imaginaries: Homes in Film, Literature and Popular Culture Symposium, 21 Jan 2014, Nottingham, UK. (Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2014) An ethnophenomenographic approach to subjectivity. In: Directions and Connections across Anthropology, 24 Jun 2014, London, UK. (Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2011) The paratext in "Dexter". In: Television Narratives Symposium, 28 May 2011, University of York, UK. (Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2013) The representation of blindness in media. In: Documentary and (Dis)ability Symposium, 20 Sep 2013, University of Surrey, UK. (Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2004) A touch of colour. [Video]
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Ayisi, Florence (2013) Development through trans-national filmmaking. In: Evidence-Based International Development Day, 23 May 2013, Llandrindod Wells, UK. (Unpublished)
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Ayisi, Florence (2016) Zanzibar community impact study. [Artefact]
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Ayisi, Florence (2013) The politics of representation and audience reception: alternatives visions of Africa. Research in African Literatures, 44 (2). pp. 125-141. ISSN 0034-5210
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Hughes, Helen (2017) Documentary and disability. Palgrave Macmillan, Basingstoke, UK. ISBN 9781137598936
Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 and Kramer, Mette (2018) Cognitive theory and documentary film. Palgrave Macmillan, Basingstoke, UK. ISBN 9783319903316
Caston, Emily (2020) Conservation and curation: theoretical and practical issues in the making of a national collection of British music videos 1966–2016. Alphaville: Journal of Film and Screen Media (19). pp. 160-177.
Caston, Emily (2019) Introduction: hidden screen industries – British music video and absent bodies. Journal of British Cinema and Television, 16 (4). pp. 484-491. ISSN 1743-4521
Caston, Emily (2014) The fine art of commercial freedom: British music videos and film culture. Scope, 26. ISSN 1465-9166
Caston, Emily (2019) The pioneers get shot: music video, independent production and cultural hierarchy in Britain. Journal of British Cinema and Television, 16 (4). pp. 545-570. ISSN 1743-4521
Cole, Louise ORCID: https://orcid.org/0000-0002-2629-5973 (2004) Film Review of: Dance, girl, dance (1940) directed by Dorothy Arzner. Senses of Cinema (33). ISSN 1443-4059
Cole, Louise ORCID: https://orcid.org/0000-0002-2629-5973 (2005) Lost cinemas. [Performance] (Unpublished)
Crewe, Jon ORCID: https://orcid.org/0000-0002-4108-1551 (2022) 'Last night, locked in…': narrative fiction and embedded filmmaking as a response to, and a reflection on the existential impact of domestic confinement during the COVID-19 lockdowns. Screenworks: The peer-reviewed online publication of practice research in screen media, 12 (1). ISSN 2514-3123
Crewe, Jonathon ORCID: https://orcid.org/0000-0002-4108-1551 (2018) Surrey new writers festival: writing for film and television. In: Surrey New Writers Festival 2018, 2 Jun 2018, Guildford.
Daly, Fergus and Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2003) Leos Carax. French Film Directors. Manchester University Press, Manchester, UK. ISBN 9780719063152
Devas, Angela (2005) How to be a hero: space, place and masculinity in The 39 Steps (Hitchcock, UK, 1935). Journal of Gender Studies, 14 (1). pp. 45-54. ISSN 1465-3869
Douglas, Kitrina and Carless, David (2018) The long run: a story about filmmaking as qualitative research. Qualitative Inquiry, 26 (3-4). pp. 281-290. ISSN 1077-8004
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2014) And the ship sails on. Radical Philosophy (184). pp. 46-49. ISSN 0300-211x
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2009) Apprenticeship, Philosophy, and the 'secret Pressures of the Work of Art' in Deleuze, Beckett, Proust and Ruiz; or Remaking the Recherche. In: Beckett's Proust/Deleuze's Proust. Palgrave Macmillan, Basingstoke, UK, pp. 89-103. ISBN 9780230201415
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2018) Cinephilia falls to Earth: thinking the image after Daney. In: Changer, échanger: Serge Daney. Workshop 1 of Serge Daney and Queer Cinephilia (AHRC network), 27-28 Sept 2018, Paris (INHA). (Unpublished)
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2015) Dislocations: framing and agency between cinema and architecture. In: University of Salford, School of Arts and Media, 09 Dec 2015, Manchester, UK. (Unpublished)
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2016) From Murphy's "microcosmopolitans" to Castro's "micro-mensajes": metropolitan, national and ontological dislocations - with screening of Castro and interview with the director. In: London Beckett Seminar, 9 Dec 2016, London, England. (Unpublished)
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2013) Image and representation in Bergson. In: Understanding Bergson, understanding modernism. Understanding philosophy, understanding modernism. Bloomsbury, London and New York, pp. 25-26. ISBN 9781441172211
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2003) Karaoke Beckett, or Jeremy Irons, mimicry and travesty in Ohio impromptu on film. Samuel Beckett Today/Aujourd'hui, 13 (1). pp. 169-182. ISSN 0927-3131
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2006) Ohio impromptu, genre and Beckett on film. In: Genre Matters: Essays in Theory and Criticism. Intellect Books, Bristol, UK, pp. 69-84. ISBN 9781841501079
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2010) "Our day will come": Histoire de Marie et Julien in the light of Les filles du feu. Australian Journal of French Studies, 47 (2). pp. 171-183. ISSN 0004-9468
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2009) Paris and its doubles: Deleuze/Rivette. Deleuze Studies, 3 (2). pp. 185-206. ISSN 1750-2241
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2010) Pedagogies of the image between Daney and Deleuze. New Review of Film and Television Studies, 8 (1). pp. 41-56. ISSN 1740-0309
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2011) Re-play: Conducts of time x 4 (interstitial pedagogies). In: The Future, Nov 2011, David Roberts Art Foundation. (Unpublished)
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2009) Serge Daney: film, theory and philosophy. In: Film, Theory and Philosophy: The Key Thinkers. Acumen Press, London, UK, pp. 122-133. ISBN 9781844651856
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2014) Shot/reverse shot. Radical Philosophy (180). pp. 55-58. ISSN 0300-211X
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2014) The movement-image, the time-image and the paradoxes of literary and other modernisms. In: Understanding Deleuze, Understanding Modernism. Understanding Philosophy, Understanding Modernism. Bloomsbury Academic, London & New York, pp. 90-109. ISBN 9781623563493
Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X (2015) The problem of the any-space-whatever between Deleuze's Cinema and Beckett's prose. In: Beckett and Deleuze. Palgrave Macmillan, Basingstoke UK, pp. 152-168. ISBN 9781137481139
Fales, Ludovica (2015) Immersed into our clothes. Are wearable technologies a potential gateway to extra-virtual immersion? Cinergie. Il Cinema e le altre arti., 8. pp. 89-98. ISSN 2280-9481
Henning, Michelle ORCID: https://orcid.org/0000-0003-3798-7227 (2015) Museum media. The International Handbooks of Museum Studies, 3. Wiley-Blackwell, Oxford, UK. ISBN 9781405198509
Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2014) Beyond explicit: pornography and the displacement of sex. State University of New York Press, New York, USA. ISBN 9781438449616
Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2014) Exchanging bodily fluids: transubstantiations in contemporary pornography. Interalia: A Journal of Queer Studies (9). pp. 127-145. ISSN 1689-6637
Hester, Helen ORCID: https://orcid.org/0000-0002-8511-8846 (2013) No new pleasures: notes on Larry Clark's 'Impaled'. One+One: Filmmakers' Journal (10). pp. 21-26.
Hughes, Helen and Brylla, Catalin ORCID: https://orcid.org/0000-0003-0602-5818 (2013) Symposium organisation: Documentary and (Dis)ability symposium. UNSPECIFIED, University of Surrey.
Milne, Mike (2016) The transformation of television sport: new methods, new rules. Palgrave Global Media Policy and Business. Palgrave Macmillan, Basingstoke, UK. ISBN 978113755104
Myers, Pamela (2015) Cannes Lions 2015: the judges verdicts. Campaign Magazine.
Myers, Pamela (2015) From bladder stones to brand sound. New Vistas, 1 (2). pp. 22-25. ISSN 2056-967X
Myers, Pamela (2015) Radio and television programme development, innovation and production in the UK. In: Radio & Television Programme Development, Innovation and Production in the UK, July 2015, London, UK. (Unpublished)
Nardelli, Matilde (2014) No end to the end: the desert as eschatology in late modernity. Tate Papers (22). ISSN 1753-9854
Penn, Louise ORCID: https://orcid.org/0000-0002-2629-5973 (2017) Formula sleuthing from four just men. In: Playboys, Spies and Private Eyes. Quoit Media Limited. ISBN 9781911537038
Sholl, Robert (2016) Improvisation to 'The unmasking scene for Rupert Julian's The Phantom of the Opera (1925)'. [Performance]
Sholl, Robert (2018) The unmasking scene: improvisation in context. In: Phantoms of the opera: Music and performance on screen, 15-17 June 2018, Guildhall School of Music and Drama. (Unpublished)
Stevenson, Lesley, Dowd, Garin ORCID: https://orcid.org/0000-0001-6435-640X and Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2006) Genre matters: essays in theory and criticism. Intellect Books, Bristol, UK. ISBN 1841501077
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2014) BBC America's Fleming and the trouble with author biopics. The Conversation.
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2020) Character adaptations: recurrence and return. Adaptation, 14 (1). pp. 109-135. ISSN 1755-0637
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2006) Crews, squads, sevens, elevens and dozens: the team film genre. Kinema: a Journal of Audio-Visual Media, 26. pp. 39-54. ISSN 1192-6252
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2019) Fleming, adaptation, and the author biopic. In: A Companion to the Biopic. Wiley Blackwell, Oxford, pp. 233-246. ISBN 9781119554813
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2019) Introduction. Adaptation, 12 (2). pp. 67-68. ISSN 1755-0637
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2014) Rabbits are not the only meat, so why the fury over Jeanette Winterson's fluffy meal? The Conversation.
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2011) Reconstructing the rose or how joining the dots (generally) makes the picture. Literature/Film Quarterly, 39 (4). pp. 297-305. ISSN 0090-4260
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2019) Straight to the source? Where adaptations, artworks, historical films, and novels connect. Adaptation, 12 (2). pp. 165-184. ISSN 1755-0645
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2013) Sweetening Jane: equivalence through genre, and the problem of class in Austen adaptations. In: Global Jane Austen: Pleasure, Passion, and Possessiveness in the Jane Austen Community. Palgrave Macmillan, Basingstoke, UK, pp. 83-102. ISBN 9781137034434
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2013) Talking teams: dialogue and the team film formula. In: Film Dialogue. Columbia University Press, New York, USA, pp. 70-84. ISBN 9780231165631
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2008) Team films in adaptation: remembered stories and forgotten books. Adaptation, 1 (1). pp. 44-57. ISSN 1755-0637
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2006) Tess, Jude, and the Problem of Adapting Hardy. Literature/Film Quarterly, 34 (3). pp. 195-203. ISSN 0090-4260
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2015) Time, tide and narrative: adapting chronology in Master and Commander: The Far Side of the World. Coriolis: An Interdisciplinary Journal of Maritime Studies, 5 (2). pp. 1-19. ISSN 2163-8381
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (2015) The 'Wandering Jew': history, fiction and adaptation. New Vistas, 1 (1). pp. 24-31. ISSN 2056-9688
Strong, Jeremy ORCID: https://orcid.org/0000-0003-4618-3327 (1997) The mimetic fallacy: why adaptations disappoint. In: Trasvases Culturales: Literatura, Cine, Traduccion 2. Universidad del Pais Vasco, Lejona, Spain, pp. 351-359. ISBN 8460094138
Zubillaga, Luciano (2013) Cosas por venir. [Video]
Zubillaga, Luciano (2009) Music for a missing film. [Video]
Zubillaga, Luciano (2012) The arousing of thought. [Video]