The Ewing Gallery of Art + Architecture is pleased to present an exhibition of the studio art faculty of the University of Tennessee School of Art.
Exhibiting faculty members are: Joshua Bienko, Emily Ward Bivens, Sally Brogden, Jason Brown, Rubens Ghenov, Paul Harrill, John Kelley, Mary Laube, Paul Lee, Beauvais Lyons, Frank Martin, Christopher McNulty, Althea Murphy-Price, John Powers, Elaine McMillion Sheldon, Jered Sprecher, and Koichi Yamamoto.
August 19 - September 11, 2020
This exhibition showcases the work of the UT School of Art MFA class of 2020. In March, COVID-19 interrupted their thesis exhibitions in the gallery. Post Script brings together the work of these 9 artists.
Exhibiting Artists are: Kristina Key, April Marten, William Rerick, Angelina Parrino, Emmett Merrill, Marla Sweitzer, Jillian Hirsch, Ashlee Mays, and Dana Potter.
July 18 - September 7, 2018
Marrying Mr. Darcy
Marrying Mr. Darcy is a strategy card game for 2-6 players based on Jane Austen's classic novel "Pride and Prejudice."
Walden, a gamePlay as Henry David Thoreau, the American philosopher and naturalist, during his experiment in living simply in nature. Apply yourself to both the daily tasks of maintaining your basic needs of life at Walden Pond, as well as searching for the small beauties and wonders of nature in this virtual environment.
Embodied Labs
Embodied Labs works at the intersection of healthcare training and virtual reality storytelling to provide a culture shift solution that empowers every member of the care team to share their expertise and value one another.
The Cat and the Coup
The Cat and the Coup is a documentary videogame in which you play the cat of Dr. Mohammed Mossadegh, the first democratically elected Prime Minister of Iran. During the summer of 1953, the CIA engineered a coup to bring about his downfall. As a player, you coax Mossadegh back through significant events of his life by knocking objects off of shelves, scattering his papers, jumping on his lap and scratching him.
Good Society is a collaborative roleplaying game that seeks to capture the heart, and the countenance, of Jane Austen's work. It is a game of balls, estates, sly glances, and turns about the garden. At least on the surface. Underneath this, just as in Austen's own novels, it is a game of social ambition, family obligation and breathtaking, heart-stopping longing.