Live: Blokker, the Netherlands
Saturday 6 June 1964 Live 11 Comments
Prior to performing two concerts in the village of Blokker in the Netherlands – their only two shows on Dutch soil – The Beatles and Jimmie Nicol toured the canals of Amsterdam in a glass-topped tourist boat.
50,000 people turned out to see them in Amsterdam, and police leave was cancelled so all 15,000 officers were on duty. Some fans dived into the canals to try to reach the group, but were quickly dealt with by police.
Thirty fans swam out to the boat as another 30,000 watched the spectacle from the canal banks. The canal trip was very enjoyable; being on the water gave us all a great sense of novelty and freedom. The boat was full of press people, including the Australian broadcaster Bob Rogers from Sydney Radio 2SM. It was good to have a trusted group of reporters along for company. Only six weeks before, I had been one of their number; now, they represented a source of contact for me with the real world outside.
Fifty Years Adrift
While on their canal tour The Beatles saw some local students wearing capes, which later inspired their look for the Help! album cover and film.
In Amsterdam, somehow, we were boating along the canals waving and being fab and we saw this bloke standing in the crowd with a groovy-looking cloak on. We sent Mal to find out where he got it from. Mal jumped off or swam off the boat and about three hours later turned up at our hotel with the cloak, which he'd bought from the guy. When we flew from there to Hong Kong, we all had copies made but they were in cheap material which melted in the rain storm at Sydney Airport.
Fifty Years Adrift, Derek Taylor
Following their Amsterdam jaunt, The Beatles performed two shows in Veilinghal Op Hoop Van Zegen, an auction hall situated on Veilingweg in Blokker, a village 40km north of Amsterdam. The first show was a matinee for 2,000 fans beginning at 2.30pm, after which they gave an evening performance to a sell-out crowd of 7,000.
It was a short set, because Ringo's 'I Wanna Be Your Man' was missing, and there were hours to go before the evening concert. We spent the interval between the performances confined in a dreary, airless dressing-room in the Blokker building. The atmosphere was soul-destroying, clouded with yawning, jaw-breaking ennui. I was familiar with that terrible lethargy; I'd experienced it so many times, in the army and as a reporter waiting around for news. What we had done then to kill time was tell jokes – and that was what I did now. Some of the jokes were very good, many of them were very dirty; but all of them were new to The Boys, who were exceedingly impressed. George says this was the turning-point in their relationship with me. So, it was not my wonderful ability as a publicist that brought me at last into the inner circle; it was simply my talent for relieving the hiatus between shows with a parade of very old and mucky material. Strange how potent cheap humour can be… Still, it was a painless and pleasant way of winning the trust of The Beatles. Did it make me court jester? Maybe it did. There are worse things to be. Laughter, the great balm. Mal and Neil enjoyed it, too, and that helped us to get to know one another.
In between the two shows The Beatles had been expected to attend a civic reception held in their honour at a local restaurant, followed by a visit to a traditional Dutch village. Unaware of the plans, they slept in their dressing room and inadvertently insulted the people of Blokker.
Afterwards, while the three Beatles and Jimmie Nicol tried to get some sleep, Neil and I went out into the late afternoon sunshine for a walk. Mal stayed behind to make notes for the 'Following The Beatles' feature in The Beatles Monthly. Neil and I observed with powerful interest the scene around the Exhibition Hall. There was a lumbering procession of large lads, shoving and pushing, laughing, shouting, ripe for action and adventure. The hall could hold about 3,000 people and it was due to be packed tight for the evening concert. Flies on the wall, Neil and I rated little attention. 'English?' asked one Dutch youth. 'Non, Français,' I replied in an appalling accent. We bathed in sunshine and anonymity – blissfully unaware of the consternation prevailing at a local restaurant, where The Boys were awaited at a civic reception to be followed by a visit to a traditional Dutch village. The Beatles knew nothing about this 'arrangement'. The civic leaders were understanding about the mix-up but I felt very bad about the whole affair. Aware that The Beatles were not to blame, I nevertheless expected them to show some sympathy for the fans and officials they had – however innocently – disappointed. To my suburban middle-class mind, their indifference seemed callous; yet, as I well knew by now, they could never have survived if they'd let every 'special event' rule their lives and worry away their very limited leisure-time.
The Beatles took to the stage following eight support acts. They played for around 25 minutes, and their stage times were 4.30pm and 10.05pm. The second show was filmed with television and newsreel cameras.
The press wrote about one or two instances where we never turned up, the worst one being the Manila story, and then told everyone what a bunch of tw**s we were. It never seemed to enter their minds that every moment of every day of every week of every month we were meeting millions of people. Everywhere we went it was someone, this one, those two, police chief, Lord Mayor, Yogi Bear, his granny and his daughters, with their selected friends – God, it was awful!
A lot of those times were were told: 'Come on, you're supposed to be doing this or that and supposed to be there,' and we'd say, 'No, we're not. We've got our itinerary where we're booked to play and what we're doing and that's that.'
Television: Treslong, Hillegom, Netherlands
Travel: Amsterdam to Hong Kong
2018: Ringo Starr live at the Olympia, Paris, France
2014: Ringo Starr live at Casino Rama, Orillia, Ontario, Canada
1968: Radio: The Kenny Everett Show
1968: BBC interview with John Lennon and Victor Spinetti
1968: Recording, mixing: Don't Pass Me By
1966: Recording, mixing: And Your Bird Can Sing, For No One, I'm Only Sleeping, Tomorrow Never Knows, Eleanor Rigby
1962: Recording: Besame Mucho, Love Me Do, PS I Love You, Ask Me Why – The Beatles' first Abbey Road recording session
1961: Live: Top Ten Club, Hamburg
1960: Live: Grosvenor Ballroom, Wallasey
Joe Wednesday 16 December 2009
I'm not sure if the map has the correct location, although it's the only sizeable building near the Veilingweg. If I've got the wrong place can someone please let me know?
It's possible that the Veilinghal (auction hall) no longer exists, of course.
Wouter Friday 22 November 2013
Wow, already four years and nobody replied to this: Joe, the location you pointed out is much more recent. The Veilinghal is the building Northwest of it with the grey double roofop to the right of the car scrape yard. It still exists.
Joe Friday 22 November 2013
Thanks Wouter! Is it correct now?
Moptop Saturday 4 October 2014
I have just been watching the Dutch footage , and must unfortunately advise the location is NOT the building suggested , it is the wrong shape and size and has no roof-lights.
The hall is still there as is the office/dressing room , and I have located them using street view. They are 400m to the north east, 3 buildings, of where you have located them in a sea of other building but I am 100% certain this is it.
The footage I watched includes the Beatles arriving twice at the office/dressing room by car, once at the hall with instruments and a pre show walk down the side of the hall.
Joe Monday 6 October 2014
Thanks for the info. I moved the marker to the north east but I'm still not sure I've got the correct location. Can you please let me know?
Moptop Thursday 30 October 2014
Sorry not quite.
Here is a close up that may help., If not feel free to drop me a PM.
https://s223.photobucket.com/user/moptoplet/media/blokker-m.png.html?filters%5Buser%5D=53225970&filters%5Brecent%5D=1&sort=1&o=0
Joe Friday 31 October 2014
Thanks! That was very helpful. Got it now.
Jonas Svensson, Sweden Saturday 19 September 2015
I have not seen any other occasion where the group were setup with two microphones to each main singer. It is possible that one was for the stage speaker output and the other for the radio and/or television sound recordings.
Jonas Sunday 18 September 2016
Actually Paul moves one of his mike stands away, John keeps both. For the other show, they both have two microphones. Not sure which show is which, but the 1&2 could be the afternoon show and the 2&2 the evening show. And a very enthusiastic crowd, singing along loudly and moving all over the place.
TheotherJoe Wednesday 29 January 2020
Who's playing the drums? Where was Ringo??
Alan Mumby Saturday 6 June 2020
Jimmy Nicol on drums. Ringo was I'll in hospital and rejoined the group when they got to Australia.
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