El Museo del Barrio [SEP] date of official opening
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El Museo del Barrio


El Museo del Barrio, often known simply as El Museo (the museum) is a museum located towards the northern end in the neighborhood of Museum Mile, immediately north of the Museum of the City of New York and south of the future Museum for African Art. Founded in 1969, El Museo specializes in Latin American and Caribbean art, with an emphasis on works from Puerto Rico and the Puerto Rican community in New York City. The museum features an extensive permanent collection of over 6,500 pieces, and it encompasses more than
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Jack Agüeros


a non-profit organization founded and incorporated in 1956, opened the Cayman Gallery in a SoHo loft at 381 West Broadway, with Jack Agüeros as its first director. The Cayman Gallery was one of the first galleries dedicated to Puerto Rican and Latin American art in New York City. In July 1977, Agüeros was appointed director of El Museo del Barrio by the Museo's Board of Trustees. That fall, he negotiated with Boys Harbor, a non-profit youth services agency, to relocate El Museo from its home on
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David Antonio Cruz


the 2015 Resident at Gateway Project Spaces. His films have been shown at the Big Screen Project, the Anthology Film Archives, Arte Americas, El Museo del Barrio and various installations in Philadelphia, Chapel Hill, Los Angeles and Miami. Cruz was commissioned by El Museo del Barrio with support from Franklin Furnace Fund to create “The Opera”. The project was presented as part of Performa 13, and it involved thirty performers, including ten actors, an opera singer and a jazz singer, and a small orchestra. The
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Sophie Rivera


Sophie Rivera: All Hallows Eve. New York: El Museo del Barrio, 1987. Ramírez, Rafael, and Sophie Rivera. Vapors: An En Foco Exhibition. Bronx, N.Y: En Foco, 1980. Print. Ramos, E C. Our America: The Latino Presence in American Art. , 2014. Print. Rivera, Sophie. All Hallows Eve. New York, N.Y: El Museo del Barrio, 1986. Print. Rivera, Sophie. Photographic Exhibition Two: September 17 - October 21, 1995.
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El Museo del Barrio


acknowledged and addressed their diverse and cultural heritages. In response to these demands, William W. Frey, the superintendent of school district 4, appointed artist/educator Rafael Montañez Ortíz to create materials for schools in East and Central Harlem that would highlight Puerto Rican art, history, folklore and culture. However, Ortíz quickly redeveloped this project as the creation of a community museum that would be dedicated to Puerto Rican art and culture, and named it El Museo del Barrio. In its founding documents, Ortíz stated that “The cultural
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Glendalys Medina


Glendalys Medina was born in Ponce, Puerto Rico and raised in the Bronx. Medina is an interdisciplinary artist who received her MFA from Hunter College in 2008. Her work has been exhibited at Artists Space, Bronx Museum of the Arts, and El Museo del Barrio. She was awarded a residency at El Museo Del Barrio in 2015, Yaddo in 2014, the John Armstrong Chaloner/Jacob H. Lazarus-Metropolitan Museum of Art Rome Prize in Visual Arts in 2012-2013 from the American Academy in Rome, a NYFA Fellowship
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Salomón Huerta


Museum, San Antonio, TX, Traveling: National Portrait Gallery at the S. Dillion Ripley Center, Smithsonian Institution, Washington, D.C. 2005 br Group Show, Robert Miller, NY, NYbr Group Show, El Museo del Barrio, NY, NYbr Retratos, El Museo del Barrio, NY, NYbr High Drama, Georgia Museum of Art, Athens, GA, Traveling to: McNay Art Museum, San Antonio, TX, Long Beach Museum of Art, Long Beach, CA, Allentown Art Museum, Allentown, Pabr New
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Priscilla Monge


Biennial, Costa Rica Pavilion, Ca´Bonvicini, Venice.br 2010 – Bienal de Pontevedra. “Utrópicos: Centroamérica y Caribe”. Comisario Santiago Olmo. Pontevedra, Spain.br 2007 – "Global Feminisms" – Brooklyn Museum of Art, New York.br 2006 – Liverpool Biennial of Contemporary Art 2006. Liverpool, UK.br 2005 – "Points of View" – Photography in El Museo del Barrio’s permanent collection. El Museo del Barrio, New York.br 2004 – I Bienal Internacional de Arte Contemporáneo de Sevilla – BIACS. Fundación Bienal Internacional de Arte Contemporáneo
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El Museo del Barrio


disenfranchisement I experience as a Puerto Rican has prompted me to seek a practical alternative to the orthodox museum, which fails to meet my needs for an authentic ethnic experience. To afford me and others the opportunity to establish living connections with our own culture, I founded El Museo del Barrio.” He served as director of the institution from June 1969 to Spring 1971. The museum also sought to define itself as an educational institution and its original location was a public school classroom. With the increasing size of the Latino population throughout
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Raphael Montañez Ortiz


superintendent of school district 4, appointed artist/educator Rafael Montañez Ortíz to create materials for schools in East and Central Harlem that would highlight Puerto Rican art, history, folklore and culture. However, he quickly steered the program towards the creation of a community museum that he named El Museo del Barrio: "The Museo del Barrio is its title: a neighborhood museum of Puerto Rican culture. . ." The word barrio," meaning neighborhood in Spanish, was what Puerto Ricans called East Harlem. In its founding documents
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Gladys Triana


York, in New York City, in 1996. Triana's work is in the permanent collection of The Bronx Museum of the Arts, New York; El Museo del Barrio, New York; El Museo de Arte Moderno, Santo Domingo; El Museo de Bellas Artes, Santiago de Chile; El Museo de la Ciudad, Queretaro, Mexico; Housatonic Museum of Art, Connecticut; The Museum of Art, Fort Lauderdale, Florida; and the ASU Art Museum, Arizona, among others. In 1982, Triana began work
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El Museo del Barrio


and a number of private organizations. A plan was proposed for the Museum of the City of New York, across the street from El Museo, to relocate to the historic Tweed Courthouse by City Hall in Lower Manhattan. El Museo would then have moved into the other museum's former building, dramatically expanding its available exhibition space. However, Mayor Michael Bloomberg decided to site the new New York City Department of Education in the Tweed Courthouse instead, frustrating the efforts of both museums. After the failed relocation, El Museo opted
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El Museo del Barrio


annually and helped to transform its perception and led to the museum's first non-Puerto Rican Director. In 2009, El Museo celebrated its fortieth anniversary with public events, and the completion of an extensive renovation, which included an exhibition space for its permanent collection, a cafe, and a redesigned 4,500-square-foot courtyard. On February 15, 2013, it was announced that Margarita Aguilar left her post as the director. Jorge Daniel Veneciano, the following director stepped down from the position in August 2016. El Museo has
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Coyoacán


building contains a stage theater, a multipurpose room, an open-air theater and a library. Other museums in the borough include the Museo de Arte Escultórico Geles Cabrera on Xicotencatl Street in Colonia del Carmen, the Museo del Automóvil on Avenida Division del Norte in Pueblo de San Pablo Tepetlapa, the Museo del Retrato Hablado on Avenida Universidad in Colonia del Carmen, Museo Cultural de las Artes Graficas on Calzada de Tlapan in Barrio de San Diego Churubusco and the Museo Alejandro Galindo on Avenida Santa Úrsula in Colonia Santa Úrsula. Other
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Yucef Merhi


world wide exhibition record in places such as the New Museum of Contemporary Art; Bronx Museum of the Arts; El Museo del Barrio;Eyebeam Art and Technology Center and Exit Art, all located in New York; as well as the Newark Museum (New Jersey); Orange County Museum of Art (California); Los Angeles County Museum of Art (California); De Appel (Amsterdam); Museo Michetti (Rome); Borusan Culture & Art Center (Istanbul); Paço das Artes (São Paulo); Museo del
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Nuyorican Movement


. The term Nuyorican was originally used as an insult until leading artists such as Miguel Algarín reclaimed it and transformed its meaning. Key cultural organizations such as the Nuyorican Poets Café and CHARAS/El Bohio in the Lower East Side, the Puerto Rican Traveling Theater, Agüeybaná Bookstore, Mixta Gallery, Clemente Soto Vélez Cultural Center, El Museo del Barrio, and El Maestro were some of the institutional manifestations of this movement. The next generation of Nuyorican cultural hubs include PRdream.com, Camaradas El Barrio in Spanish Harlem. Social and political
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El Museo del Barrio


War art, adding more Modernist and Contemporary works, and fostering the strengths of graphics and Taíno holdings. Originally, the museum was a fire station during the Nuyorican Movement and Civil Rights Movement, where books were burned by radical political figures. Spurred by concerns over a lack of cultural diversity in city educational programs and educational opportunities in the barrio, a group of African-American and Puerto Rican parents, educators and community activists in Central and East Harlem, also known as El Barrio, demanded that their kids receive education that
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Museo de la Historia de Ponce


house, which houses administratives offices of the museum, in addition to the empty lot that once held the residence of the Schuck Gelpí family. In 2012, plans were announced to expand the museum into the Casa Rosita Serrallés, an adjacent property. In 2014, Casa Rosita Serralles (Calle Salud street #67) joined Museo de la Historia de Ponce and opened as "Museo de la Recordacion Barrio Mameyes" (Barrio Mameyes Memorial Museum) under Ponce mayor María Meléndez. It is also known as "Sala Memorial del Barrio
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Casa Rosita Serrallés


purchased by the government of the Autonomous Municipality of Ponce in 2008 for its architectural, historic, and cultural value. As of February 2012, the building was being restored to convert it into an annex of the Museo de la Historia de Ponce to depict the 1985 Mameyes tragedy of barrio Portugues Urbano in Ponce. In 2014 it opened as "Museo de la Recordacion Barrio Mameyes" (Barrio Mameyes Memorial Museum) under Ponce mayor María Meléndez at Calle Salud 67. It is also known as "Sala Memorial del Barrio Mameyes"
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Tam Joseph


Spirit of the Carnival", a reference to the Notting Hill Carnival. Another notable work, dating from 1983, is "UK School Report", which depicts the passage of a Black youth through the British education system in three portraits that are captioned: "Good at sports", "Likes music" and "Needs surveillance". His exhibitions have included: "Caribbean Art at the Crossroads", El Museo del Barrio, Studio Museum in Harlem and Queens Museum, 2012; "This is History", Gallery
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Arnaldo Morales


(Valencia, Spain), MoMA PS1 (New York), the Centro Cultural de Arte Contemporánea, (Mexico), and The Living Art Museum (Reykjavik, Iceland). His work is included in private collections across the United States and Puerto Rico, as well as the permanent collections of Museo de Arte de Puerto Rico, Museo de Arte Contemporánea, and Museo de la Universidad de Puerto Rico (all in San Juan); El Museo del Barrio and Chase Manhattan Bank (New York); and the John
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Ambra Polidori


2001); in Schloss Straßburg, Strassburg, Austria (2000); in the traveling show "Contemporary Art from Mexico" in Cologne, Berlin and Budapest (2000); the Museo de Arte Carrillo Gil (Art Museum of Carrillo Gil), Mexico City (1998). Finally, the pieces of Ambra Polidori form part of public collections as the Jumex Collection, Museum of Modern Art, Museo Universitario de Arte Contemporaneo (MUCA) and the Museo de Arte Carrillo Gil, Mexico City; el Museo del Barrio,
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Deborah Cullen


part of a curatorial team that organized the multi-venue exhibition "Caribbean: Crossroads of the World" at El Museo, the Queens Museum of Art, and the Studio Museum in Harlem, and she subsequently co-edited (with Elvis Fuentes) a companion anthology "Caribbean: Crossroads of the World" (El Museo del Barrio and Yale University Press, 2012). Her book "Rafael Ferrer," springing from her 2013 show "Retro/Active: The Work of Rafael Ferrer," won the International Latino
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Angel Otero


, and the Union League Club of Chicago (2008). He will also take part in the group exhibition "The [S] Files/The Street Files at El Museo's 6th Bienal", which took place in 2011 at El Museo del Barrio in New York. Otero's group exhibitions include "Misericordia curated by Birte Kleeman", Prism, Los Angeles (2010); "Touched", Lehmann Maupin Gallery (2010); "Constellations: Paintings from the MCA Collection", Museum of Contemporary Art,
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Lionel Cruet


In Between, Real and Digital" at the Bronx River Art Center in New York City, Cruet presented a digitally interactive show to incite pertinent discussions relating to geopolitics, nature, and technology. In 2013, Cruet's art was featured in various group exhibitions including "SuperReal: Alternative Realities in Photography and Video" at El Museo del Barrio in New York, "Colonial Comfort" at the Museo de Arte Contemporáneo de Puerto Rico, and "Sound Art Fair at Sala de las Artes" at the Universidad del Sagrado Corazón
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Miriam Basilio


American and Caribbean Art: MoMA at El Museo" (New York: El Museo del Barrio; The Museum of Modern Art, 2004), Basilio writes that the Museum of Modern Art was one of the first institutions outside Latin America to collect Latin American art. Her current research focuses on the role of the Museum of Modern Art as an important institution in forming the modernist canon and the idea of “Latin American” art as a global category. Basilio has also curated numerous exhibitions and as a Curatorial Assistant at the
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El Museo del Barrio


prior to their 2009-2010 expansion, the museum began to place some of their permanent collection online. This also served as a means of audience development. Seeking to increase their audience and reach new audiences, El Museo has partnered with a number of organizations for joint exhibits including "Nueva York" (New York Historical Society) and "Caribbean Crossroads" (Queens Museum of Art and the Studio Museum in Harlem). Also, the museum is currently working on building its permanent collection by developing their holdings on Post-
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El Museo del Barrio


grown from an alternative space to an established museum in East Harlem and has broadened its focus from exclusively Puerto Rican art, to encompass Latino, Caribbean, and Latin American art and culture. From El Museo's origins in a public school classroom, it has called a number of different locations home. Between 1969 and 1976, it operated out of a number of different storefronts on Third and Lexington Avenues in the nexus of the community they served. In 1977, they moved to their permanent home, the neo-classical Heckscher
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Culture of New York City


, educators, community activists and civic leaders, El Museo del Barrio is located at the top of Museum Mile in Spanish Harlem, a neighborhood also called 'El Barrio'. Originally, the museum was a creation of the Nuyorican Movement and Civil Rights Movement, and primarily functioned as a neighborhood institution serving Puerto Ricans. With the increasing size of New York's Latino population, the scope of the museum is expanding. The American Museum of Natural History and its Hayden Planetarium focus on the sciences. There are also many smaller
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Claudio Bravo (painter)


Morocco, on June 4, 2011, of two heart attacks. The Baltimore Museum of Art, El Museo del Barrio (New York City), the Honolulu Museum of Art, the Metropolitan Museum of Art, Museo Nacional de Bellas Artes (Santiago, Chile), Museo Rufino Tamayo (Mexico City), Museum Boijmans Van Beuningen (Rotterdam, The Netherlands), the Museum of Fine Arts, Boston, the Museum of Modern Art (New York City), Museum Ludwig (Cologne, Germany), the Palmer
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El Museo del Barrio


New York City, of which Puerto Ricans are still the majority, the scope of the museum has expanded, breeding conflict with some artists, scholars, and neighborhood activists anxious to preserve its original mission. In 1977, El Museo joined the Cultural Institutions Group (also known as CIGs) which helped increase and maintain its funding. Its funding was frozen in the 1980s following a period of mismanagement. However it was able to successfully rebound and grow. A Frida Kahlo exhibit in 2002 brought more attendees than normally visited the museum
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Museo del Prado


The Prado Museum ( ), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It is widely considered to have one of the world's finest collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish Royal Collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. El Prado is one of the
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Emilio Sanchez (artist)


Museum (Brooklyn NY), El Museo del Barrio, National Gallery of Art (Washington, DC), Smithsonian American Art Museum (Washington DC), Art Museum of the Americas (Washington, DC), Museum of Fine Arts, Boston (Boston MA), Munson-Williams-Proctor Arts Institute (Utica NY), Fine Arts Museum of San Francisco (San Francisco CA), Museum of Fine Arts Houston (Houston TX), Museo Nacional de Bellas Artes (Havana, Cuba), Museo de Arte
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Harry Gamboa Jr.


2008); Japanese American National Museum, Los Angeles (2008); El Museo del Barrio, New York (2008, 2010); The Huntington Library, San Marino, California (2008); Museo José Luis Cuevas, Mexico City (2006); Centre Pompidou, Paris, France (2006); Museo Nacional de la Estampa, Mexico City (2005); International Center of Photography, New York (2003); MIT List Visual Arts Center (2000); Queens Museum of Art (1999);
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Hector Xtravaganza


Commissioner Dr. Oxiris Barbot, MD Hector Xtravaganza died of lymphoma in New York City on Dec. 30, 2018. His death was widely reported in the obituaries of U.S. national publications including the Variety., Out, and the New York Times A memorial celebration of the life of Hector Xtravaganza was held on March 9, 2019 hosted by El Museo del Barrio. The Office of the Mayor of New York City officially proclaimed the day “Hector Xtravaganza Day” in the City of New York. The "Pose" season 2 episode
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Emilio Sanchez (artist)


his will Sanchez stipulated that a foundation be established to support contemporary artists or ophthalmic research as well as promote and distribute his remaining work. Officially established in 2005, the Foundation funded the Emilio Sanchez Award in the Visual Arts, awarded in association with the Cintas Foundation annually from 2005 to 2009. The Foundation also contributed to the Cuban Artist Fund, El Museo del Barrio, the Bronx Museum of the Arts, the Storefront for Art and Architecture, and the Museum of Latin American Art (Long Beach CA). From 2005
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Pepón Osorio


Pepón Osorio is a Latino artist who uses different objects as well as video in his pieces to portray political and social issues in the Latino community. He was born in 1955 in Santurce, Puerto Rico and studied at the Interamerican University of Puerto Rico, Lehman College, and also Columbia University where he obtained his MA in sociology in 1985. His work is held by the Walker Arts Center, the Smithsonian American Art Museum, Whitney Museum of American Art, El Museo del Barrio, el Museo de Arte de Puerto Rico,
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Nayda Collazo-Llorens


Cultura Puertorriqueña, San Juan, Puerto Rico. Artworks by Nayda Collazo-Llorens are held in the collections of El Museo del Barrio, New York, NY; Museo de Arte de Puerto Rico, San Juan, PR; Museo de Arte Contemporáneo de Puerto Rico, San Juan, PR; Botkyrka Konsthall–Labyrint Archive, Tumba, Sweden; Point of Contact, Syracuse University, Syracuse, NY; Western Michigan University, Permanent Art Collection, Kalamazoo, MI; and the University of Wisconsin, Milwaukee, WI, among
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El Museo del Barrio


to pursue a $15 million project to transform its outdoor courtyard into an open glass lobby, café and performance space, and to provide a suitable public "face" to the street on the model of the renovated Brooklyn Museum. It reopened following the renovation and expansion in October 2009 to mostly positive reviews. The renovation was spearheaded by NYC-based architect Gruzen Samton and completed at a cost of $35 million and added a shop and restaurant. From 2018 to 2019, the Teatro, theater was restored. Its fairytale
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UD Juventud Barrio del Cristo


Unión Deportiva Juventud Barrio del Cristo is a football team based in Quart de Poblet–Aldaia in the Valencian Community. Founded in 1994, they play in the Regional Preferente – Group 2. The club's home ground is "El Perdiguer", which has a capacity of 2,000 spectators. The Polideportivo Municipal El Perdiguer is the home where the Barrio del Cristo dispute their encounters. This field of football is within the municipality of Aldaia and was officially launched in 2001 within the premises of the sports center. Their ground game is
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Museo Nacional Centro de Arte Reina Sofía


The Museo Nacional Centro de Arte Reina Sofía (MNCARS, also called the Museo Reina Sofía, Queen Sofía Museum, El Reina Sofía, or simply El Reina) is Spain's national museum of 20th-century art. The museum was officially inaugurated on September 10, 1992, and is named for Queen Sofía. It is located in Madrid, near the Atocha train and metro stations, at the southern end of the so-called Golden Triangle of Art (located along the Paseo del Prado and also comprising the Museo del
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El Segundo Barrio


Segundo Barrio. Museo Urbano evolved into a public history project in conjunction with the Department of History at UTEP. Museo Urbano won the 2013 Outstanding Public History Project Award from the National Council on Public History. The Segundo Barrio Futbol Club has almost 150 kids involved in playing soccer. A basketball camp, Barrio Basketball, has been taking place in Segundo Barrio for several years. The Henderson Middle School chess team took first place in the novice division for the National Junior High Championship in 2015. El Sagrado Corazon Catholic Church (Sacred
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Ambra Polidori


Ambra Polidori (Mexico City, 1954), is a Mexican artist, who through diverse forms of plastic production such as photography, installation and video, makes a call for attention to the political and social situations of human suffering that arise as a result of the present conflicts. The work of Ambra Polidori has been exposed in various places, in which they are emphasized, the Leon Trotsky Museum (Museo Casa de León Trotsky), Mexico City (2001); El Museo del Barrio, New York, United States (
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Ella Fontanals-Cisneros


the New Museum and El Museo del Barrio, both in New York. Since the 70s she has been involved with the arts; at a very young age she opened an art gallery named “San Sousi” in Caracas, Venezuela, encouraging her to follow her passion of collecting art. Latin American art was her first encounter with collecting, later developing her interest for international contemporary art. In 2002, she and her family founded The Cisneros Fontanals Art Foundation (CIFO); a non-profit organization dedicated to supporting contemporary
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Rooftop Films


Open Road Rooftop in the Lower East Side, the lawn at Automotive High School in Williamsburg, the roof of El Museo del Barrio, the roof of Brooklyn Technical High School in Fort Greene, and more. Past venues have included Governors Island, the roof of Westbeth Artists Community, Fort Greene Park, 210 Cook Street in Bushwick, Solar One on East 23rd Street, a roof within the Brooklyn Navy Yard, Soutpoint Park on Roosevelt Island, and many other spots across the city. Live music precedes almost every Rooftop screening
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David Antonio Cruz


migrating families that either left their homeland, stayed or went back and are divided between two places. In his practice, he fuses video, fashion, performance and painting to explore and redefine queerness, diasporic, psychological and ever-shifting unnamed spaces. His paintings have been exhibited at El Museo del Barrio, the Bronx Museum of the Arts, Jersey City Museum, Museo de Puerto Rico and various galleries. He has shown at Lehmann Maupin, the Islip Museum of Art, Momenta Art, and Performa 13. He was
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Noemí Ruiz


, São Paulo, Brasil -Growing Beyond: Women Artists from Puerto Rico, Museo de Arte Moderno de Latinoamérica, -Washington, D.C., Estados Unidos; Museo del Barrio, Nueva York, Nueva York, Estados Unidos; Galería Caribe, San Juan, Puerto Rico -Artes Gráficas Puertorriqueñas, World Trade Center Office, Nueva York, Nueva York, Estados Unidos -I Bienal Internacional de Pintura de Cuenca, Cuenca, Ecuador -Puerto Rican Paintings: Between Past and Present, Art Museum of the Americas, Washington, DC; Museo del Barrio,
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Nayda Collazo-Llorens


," San Juan, Puerto Rico (2012). In 2011, she was included in a major exhibition of Latin American art – "Ya se leer: Imagen y texto en el arte latinoamericano" – at the Centro de Arte Contemporáneo Wifredo Lam, Havana, Cuba. The artist created a textual intervention on the building's façade, entrance and sidewalk of El Museo del Barrio, New York, for their 2007 exhibition "Visible/Invisible Journeys." A comprehensive solo exhibition - "An Exercise in Numbness and Other
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Brazo Oriental


gave its name to the barrio. The most important landmarks of the "barrio" are the Museo de la Casa de Luis Alberto de Herrera, historical leader of the Partido Nacional, the Escuela Superior de Comercio of the Universidad del Trabajo del Uruguay (UTU) the headquarters of the Colón F.C. sports club and the public sports facilities of "Plaza de deportes 12", which include a closed gymnasium, a 25-meter open air swimming pool, two basket courts and a 100m sprinting stripe. The bus lines that pass through
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Kcho


UNEAC (Association of Writers and Artists of Cuba). Once more his work is part of important exhibitions in Europe and the United States, as for instance: La Jungla, Openasia 2004, in Venice; Obra gráfica original. Artistas contemporáneos internacionales (Original Graphic Work. International Contemporary Artists) at Miami Beach; as part of the collection MOMA at the Museo del Barrio: Latin American and Caribbean Art, put together by the Museo del Barrio in New York; Art Miami 2004; the Fair of the Americas in Miami
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Carmelita Tropicana


, the New Museum of Contemporary Art in New York, the Mark Taper Forum's Kirk Douglas Theater in Los Angeles, Center for LGBTQ Studies in New York, and El Museo del Barrio in New York. Her work has received funding support from the Independent Television Service, the Jerome Foundation, and the Rockefeller Suitcase Fund. Upcoming projects include "S-B", a collaboration with filmmakers Ela Troyano and Susanne Sachsse, and "El Comandante", based on her father who fought in the Cuban Revolution. The performance
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Huixquilucan de Degollado


: Agua Bendita, Agua Blanca, Agua de Santo, Arenal, Barrio de Canales, Barrio de San Ramón, Barrio del Río, Barrio la Manzana (La Rinconada), Bosque Real Segunda Sección, Bosques del Torreón, Cerro de San Francisco, Dos Ríos, Ejido Magdalena Chichicaspa (Las Campanitas), El Cerrito, El Escobal, El Guarda (Puerto el Guarda), El Hielo, El Laurel, El Manzano, El Mirasol, El Obraje, El Palacio, El Retiro, El Vivero (Rancho Viejo)
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Leandro Katz


International Film Festival. His film, "The Day You'll Love Me" won the Coral Prize at the Festival del Nuevo Cine Latinoamericano de La Habana, among others. Leandro Katz has exhibited as an artist, and screened his films, at institutions including the Museum of Modern Art, Whitney Museum of American Art, the New Museum of Contemporary Art, El Museo del Barrio, the Brooklyn Museum, MoMA PS1, the Chicago Art Institute, the Museum of Contemporary Art, Los Angeles, the Buenos Aires Museum of Modern
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Lila Downs


Celso Duarte is one of several collaborators to appear on the album, featuring on the first single "Palomo del comalito". Other collaborations include songs with rappers Illya Kuryaki and the Valderramas, Celso Piña and Totó la Momposina. Downs ahas been touring through February 2017 in Mexico, the US and around the world, the Sins and Miracles Tour, which started in Mexico. Audience members at a concert of February 18, 2012, at New York City El Museo del Barrio were informed that the concert was being recorded by HBO
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Thomas Solomon


has seen some of magic's greatest names as performers. Solomon combined award-winning escapes and magic into a highly theatrical two-hour show that was reminiscent of a Broadway production. The show was performed at El Teatro—El Museo Del Barrio Theatre, New York City's landmark theatre on Manhattan's Upper West Side. Solomon recently performed live on the Plaza outside for Fox Television network's ""Fox and Friends"" in which he escaped five pairs of handcuffs in full view of the audience in under one minute
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Irvin Morazan


Guadalupe Maravilla, formerly known as Irvin Morazan (born 1976) is a multidisciplinary artist born in San Salvador, EL Salvador and based in Brooklyn, New York and Richmond, Virginia. Maravilla explores current events, migration, ancient medicine, indigenous cultures and autobiography through various mediums including performance, sculpture and video. Maravilla has performed and presented his work across the United States and Latin America, including institutions such as the Whitney Museum, the New Museum, El Museo Del Barrio, the Caribbean Museum in Colombia and MARTE Museum in
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Temascaltepec de González


Trancas, El Tule, Manzana de Tequesquipan (Las Manzanas), San Juan, Hoyos de Vázquez, Cajones, La Cumbre, El Chilar del Ejido de las Trancas, Barrio la Magdalena (La Magdalena), Los Ocotes, Paredones, El Varal, Barrio de Cantarranas, Barrio la Cascada (Barrio del Varal), La Laguna, La Loba, Las Mesas de Real de Arriba, Pueblo Nuevo, Fraccionamiento Campestre Rancho Viejo, San José, El Salitre, Santanas, Ejido Real de Arriba, Manzana del Jabalí,
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Puebla


of Puebla passes by the Cathedral, the Palafoxiana Library, the Capilla del Rosario, Calle de Santa Clara, Palacio Municipal, Casa de los Muñecos and the Museo Amparo. The second route passes by the Casa del Alfeñique, the Mercado de Artesanias, the Barrio del Artista, the Teatro Principal and the San Francisco Church. The third route contains the Railroad Museum, the Museo y Pinacoteca Ex-Convento de Santa Monica, the Ex-Convento de Santa Rosa, the Museo de la No-Intervencion Fuerte de Guadalupe and
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Juan Brèthes


, pág. 45, 1907. 24. Catálogo de los Dípteros de las repúblicas del Plata, Anales del Museo Nacional, t. XVI, pág. 277, 1907. 25. El género Urellia (Díptera) en el Plata, Anales del Museo Nacional, t. XVI, pág. 367, 1907. 26. Una nueva Urellia de Patagonia, Anales del Museo Nacional, t. XVI, pág. 471, 1907. 27. Sobre tres Exorista (Dipt.) parásitas de la Palustra tennis Berg, Anales del Museo
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Gabriel Rivera-Barraza


Gabriel Rivera-Barraza is Mexican American author and chairman of Young International Circle. Born in Santiago Papasquiaro, Durango, Mexico, Gabriel Rivera-Barraza is the founder and president of GRB Communications, which develops and positions emerging Latin Talent. GRB consults for a select group of artists and international brands, including the Spanish luxury fashion house DELPOZO. He is also the chair of the Young International Circle for El Museo del Barrio, New York, where he leads fundraising activities. Gabriel has established partnerships and collaborations with El Gordo y
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Pepón Osorio


inside of New York’s El Museo Del Barrio called El Velorio – AIDS in the Latino Community in which 7 coffins were left to represent the victims of Puerto Rican people who died from AIDS. Each coffin was filled with information about the victims who died which included different items such as heartwarming notes from friends and family, flowers, and even a mirror which was meant to help the viewer connect more personally to the piece. During the 1990s Osorio began to work with video which prompted his entrance into the mainstream art world.
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Barranquilla


, covering over 4,000 square metres. Museo del Carnaval (Carnival Museum) is another new museum established pm April 7, 2011 by the Fundación Carnaval de Barranquilla in partnership with the Parque Cultural del Caribe and the Museo del Caribe, located in the Casa del Carnaval in the "barrio" of Abajo. Parque Cultural del Caribe (Caribbean Cultural Park) is an ambitious cultural complex, unique in its kind in the Caribbean Region and Colombia. Conceived in the framework of the restoration of the historic center of the city, it
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Juan Brèthes


del Museo Nacional, t. XVII, pág. 225-227, 1908. 32. Contribución preliminar para el conocimiento de los Pepsis, Anales del Museo Nacional, XVII, pág. 233-243, 1908. 33. Masarygidae Una nueva familia de Dípteros, Anales del Museo Nacional, t. XVII, pág. 439-43, 1908. 34. Himenópteros de Mendoza y de San Luis, Anales del Museo Nacional, t. XVII, pág. 455, 1908. 35. Los insectos dañinos a la horticultura. El
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El Segundo Barrio


De Salud Familiar La Fe provides healthcare through clinics in the area. For many years, the only playground in Segundo Barrio was part of the Rose Gregory Houchen Settlemen House program. El Segundo Barrio has many Chicana/o murals within the neighborhood. Most of the murals were created through "informal arrangements" and the murals were called an "outdoor museum of the border proletariat" by "The New York Times". In 2006, a "museum without walls," called Museo Urbano, brought events and workshops to El
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Casa Rosita Serrallés


came to occupy the big hilltop mansion. In 2008, the municipality of Ponce purchased the house from Rosa María ("Rosita") Torruella Serrallés, and her two brothers, Alberto J. Torruella Serrallés and Guillermo J. Torruella Serrallés. It was purchased for $364,807, under the administration of mayor Francisco Zayas Seijo. In 2014 it opened as "Museo de la Recordacion Barrio Mameyes" under Ponce mayor María Meléndez at Calle Salud 67. It is also known as "Sala Memorial del Barrio Mameyes" as it operates as a
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Soraya Marcano


residence programs, including White Colony, Millay Colony and the Jamaica Center for the Arts; furthermore, she is the recipient of several recognitions and awards. She has also been an educator at Bronx Museum of the Arts, El Museo del Barrio, and The Guggenheim Museum. Her work, which includes mixed media, writing, objects, and digital work, provides an exploration of mobility, as well as the experience of massive displacement and dislocation of the island. She writes that : "In my work, I explore ideas
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Raphael Montañez Ortiz


to perform piano destructions throughout Europe and the United States in the 1980s and 1990s and was sometimes even asked to do private commissions. In 1988, Ortiz was honored with a retrospective exhibition at El Museo del Barrio, "Rafael Montañez Ortiz: Years of the Warrior, Years of the Psyche, 1960-1988". During the exhibition, he performed a dual piano destruction, "Homage: Duet to [Richard] Huelsenbeck", which called for active audience participation in the destruction of the second piano. This homage performance
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Chus Martínez


Chus Martínez (born 1972) is a Spanish curator, art historian, and writer. She is currently the director of the Art Institute at the FHNW Academy of Art and Design, Basel, where she also runs the Institute’s exhibition space Der Tank, and was named the curator for KölnSkulptur #9. Martínez was chief curator at El Museo del Barrio, New York, from 2012–2014. Prior to that she was the head of the department of artistic direction and a member of the core agent group for dOCUMENTA(13),
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Emanuel Xavier


on HBO (Seasons 3 & 5) and "In The Life" on PBS. He also appeared in the Wolfgang Busch documentary "How Do I Look". He also co-starred in the feature film "The Ski Trip" which aired on LOGO. In 2009, Xavier headlined an event at El Museo del Barrio entitled, "Spic Up! Speak Out!" Due to public outcry, the event organizers changed the name to "Speak Up!" and issued a formal apology. Regarding his personal use
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Willy Pogany


the "gany" is as the French "-gagne" (the "y" is silent)": PO-gahn. Pogany's public art appears on walls of the John and Mable Ringling Museum of Art (formerly Ringling Mansion) in Sarasota, Florida, and in New York City at the El Museo del Barrio theater (1230 Fifth Avenue) and the Bernard B. Jacobs Theatre (45th Street). Written or illustrated by Pogany: He illustrated more than 150 volumes, including: Pogany wrote three instructional books:
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Isabelle Leymarie


National French Radio jazz program ""Black and Blue"". She taught at the College For Human Services, John Jay College, Herbert Lehman College, The New School for Social Research, Cooper Union, Boricua College, the "Conservatory of São Miguel" (Azores, Portugal), the Jazz Department of Livingston College and Yale. She was music curator of El Museo del Barrio, in New York, consultant for the New York State Council on the Arts (NYSCA), escort-interpreter for the State Department
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Margarita Cabrera


Fine Arts Houston, the Contemporary Arts Museum Houston; the McNay Museum San Antonio; the Sweeney Art Center for Contemporary Art at the University of California, Riverside, the Sun Valley Center for the Arts, and El Museo del Barrio, NYC, LA County Museum of Art, CA. In 2012 she was a recipient of the Knight Artist in Residence at the McColl Center for Visual Art in Charlotte, NC. Cabrera was also a recipient of the Joan Mitchell Foundation Grant. Cabrera was born in the city of Monterrey in
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Robert Blackburn (artist)


for Research in Black Culture and El Museo Del Barrio, New York. Over the years, Blackburn taught at the National Academy of Design (1949), the New School for Social Research (1950-1968), Cooper Union, New York University (1965-1971), School of Visual Arts (1967-1971), Pratt Institute (1974-1975), Columbia University (beginning in 1970), and Rutgers University (1977-1979). He founded the Experimental Printmaking Institute (EPI) at Lafayette
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Tony Labat


conjunction with the publication of "Trust Me." The artist is represented by Gallery Paule Anglim, San Francisco, and Estudio Figueroa-Vives, Havana, Cuba. Tony Labat’s other selected exhibitions include “I Want You,” San Francisco Museum of Art, San Francisco, CA; "Tony Labat and Ignacio Lang," at Harris/Lieberman Gallery, New York, NY; "I Like To Watch," The Canal Chapter, New York, NY; "Xtreme Sparring," El Museo del Barrio
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Performa (performance festival)


Goodman Gallery; Martha Graham Studio Theater; and El Museo del Barrio Robin Rhode, "Arnold Schönberg's Erwartung - A Performance by Robin Rhode", 2015 at Times Square Zheng Mahler, "New York Post- et Préfiguratif (Before and After New York)", 2015 Erika Vogt, "Artist Theater Program", 2015 at Roulette, 509 Atlantic Ave. Jesper Just and FOS, "in the shadow/ of a spectacle/ is the view of the crowd", 2015 Juliana Huxtable, "There Are Certain Facts that Can
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William Villalongo


. Villalongo is one of 42 artists who contributed works to a record-setting Sotheby's auction in support of the construction of a new building for the Studio Museum, to be located on 125th Street. His work has been featured in group exhibitions at El Museo del Barrio in New York City; the Weatherspoon Art Museum in Greensboro, North Carolina; the Museum of Contemporary Art Cleveland; and, Elizabeth Foundation for the Arts, New York City. The artist’s work can be found in collections of the Baltimore Museum of
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Duke Riley


, the Queen Mary 2. The ships were crewed by staff from four New York City Museums, the Queens Museum of Art, the Brooklyn Museum, the Bronx Museum of the Arts and El Museo del Barrio of Manhattan. Although the ships sank rapidly, Riley told "The New York Times" that he considered the work of art a success since no one was killed, drowned, injured or arrested. In 2016, "Fly by Night", a performance in the Brooklyn night sky by 2,000 Riley-trained,
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Jessica Lagunas


particular interest in video performances and installation. Some of her pieces also make use of alternative media, such as hair. Lagunas' work has been exhibited at a number of international biennials, including the Pontevedra Biennial (Spain, 2010), El Museo del Barrio's Biennial (New York, 2007), Tirana Biennial (Albania, 2005), Cuenca Biennial (Ecuador, 2001), Caribbean Biennial (Dominican Republic, 2001) and the Paiz Biennial (Guatemala, 2012, 2010, 2008). She has also
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El Museo del Barrio


Building (this is the building that was the Heckscher Foundation for Children and not the Heckscher Building n/k/a the Crown Building) on Fifth Avenue and became a founding member of Museum Mile when it launched in 1978. This location contributed to the museum's growth and audience development, increasing the market share of non Latino visitors to 40% of their audience. In the early 2000s the museum experienced a significant increase in visitors, however remained confined to one floor in its building, which it shares with a school
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Catalina Parra


"Messages to the Public" (1982–1990). The art consisted of an animation using the words of her father, the Chilean poet Nicanor Parra. The piece questions the idealized American vision of freedom and liberty. In 1996, Parra's work was included in the exhibition "Latin American Women Artists, 1915-1995". In 1990, Parra taught as an artist-in-residence at El Museo del Barrio, an art school in New York dedicated to teaching varying forms of art to disadvantaged youths. Parra was
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El Segundo Barrio


The area was evacuated temporarily in August 2006. A historic building which dated from 1910, the Casitas del Norte Apartments were damaged by the flooding and subsequently renovated by the Community Development Block Grant (CDBG). In 2010, the City of El Paso devised a Neighborhood Revitalization Strategy. The strategy was known locally as "El Plan," and was written up initially by the Paso del Norte Group. The plan was intended to help "address El Segundo's substandard housing as well as its high levels of unemployment,"
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Boulevard House


number of challenges that continue to be integrated and addressed. For the first two years, the Museo del Norte project was the strongest presence in the space. El Museo featured exhibits with publicized openings and received strong community support; however, lack of consistent access to the exhibits and infrequent events compromised the space as a destination or community presence. Because el Museo was Boulevard's House primary user, it was unclear that the Boulevard House had its own mission and goals which were distinct from any one project under its roof. However
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Andrés del Valle


, which entered Salvador without a declaration of war from the West. On March 20, 1876 the Guatemalan Secretary of War, Jose Maria Samayoa, declared all official relations with El Salvador as terminated, asserted that on March 27, 1876 troops from El Salvador had invaded Guatemala, declared war and gave Barrio absolute power for defending Guatemala's dignity. On March 26, 1876, the government of El Salvador declared the Friendliness- and Support act closed with Guatemala on January 24, 1872 for void. Barrio's plan was to directly
19830505
Jack Agüeros


Jack Agüeros (September 2, 1934 – May 4, 2014) was an American community activist, poet, writer, and translator, and the former director of El Museo del Barrio. Jack Agüeros was born September 2, 1934, in New York City, and grew up in East Harlem. His parents, Carmen Diaz and Joaquin Agüeros, had immigrated separately from Puerto Rico to New York. Carmen worked for many years as a seamstress, while Joaquin was in the merchant marine and also worked in restaurants and factories.
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Nuyorican Movement


Montañez Ortiz established El Museo del Barrio in 1969 as a way to promote Nuyorican art. Painters and print makers such as Rafael Tufiño, Fernando Salicrup, Marcos Dimas, and Nitza Tufiño established organizations such as Taller Boricua. Writers and poets such as Sandra María Esteves and Nicholasa Mohr alternated and complemented their prose and lyrical compositions with visual images on paper. At other times, experimental artists such as Adal Maldonado (better known as Adál) collaborated with poets such as Pedro Pietri. During this time, the gay Chinese American painter
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Ivan Monforte


, Maine in 2004. Early in his career, Monforte worked freelance art jobs for galleries and museums as an art handler, photographer and videographer. Ivan Monforte has shown work at various museums in New York, including Bronx Museum of the Arts, El Museo del Barrio, and the Queens Museum. His work often uses "simple gestures and materials, as well as emotional language and content, as strategic tools to address themes of loss and mourning, representations of class, gender, race and sexuality, as well as the
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Marta Moreno Vega


Marta Moreno Vega (born January 3, 1952) is the founder of the Caribbean Cultural Center African Diaspora Institute (CCCADI). She led El Museo del Barrio, is one of the founders of the Association of Hispanic Arts, and founded the Network of Centers of Color and the Roundtable of Institutions of Colors. Vega is also a visual artist and an Afro-Latina activist. Vega was born in the East Harlem neighborhood of New York City. Her family is of Yoruba origin and she describes herself as Afro-Puerto
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Marta Moreno Vega


voted in as the second Director of El Museo del Barrio. As Director, she continued the founder’s, Rafael Montañez Ortiz, work in educating the community about the need to support a museum depicting their history. In June of 1974, she curated an exhibition documenting slavery and Afro-Puerto Rican heritage called "Aspectos de la esclavitud en Puerto Rico". She served as director until March of 1975. She was one of the founders of the Association of Hispanic Arts (AHA), which was created in 1975.
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Javier Cambre


the 2002 Whitney Biennial, MoMA-P.S. 1 Contemporary Art Center, the Brooklyn Museum, the Sculpture Center, the Center for Curatorial Studies at Bard College, El Museo del Barrio and the Moore Space in Miami. He has also exhibited his work in museums in Spain, Puerto Rico, Russia and Argentina. Cambre has been awarded residencies at the Headlands Center for the Arts in Sausalito, CA, and at the National Studio Program in P.S. 1/MoMA, as well as artist grants from the New York Foundation for the
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David Antonio Cruz


David Antonio Cruz (born 1974) is an interdisciplinary artist working in drawing, painting, video, and performance. Cruz is best known for his psychological paintings that combine figuration, abstraction, and collage. His work has been shown in a number of venues, including El Museo del Barrio, and the Smithsonian National Portrait Gallery, and has been awarded several fellowships. Cruz lives and works in New York City. Cruz is a Puerto Rican artist who was born in the Philadelphia. At the age of nineteen, Cruz moved
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Raúl Zamudio


and "Art After Dark And After", a talk show in which he served as host that was both an interview program with artists and an art exhibition masked as dialogue and discussion. Apart from organizing exhibitions in galleries, art fairs, art festivals, alternative art spaces, academic and museum institutions, Zamudio was co-curator, "Here Is Where We Jump!," La Bienal 2013, El Museo del Barrio, New York, NY; co-curator, "City Without Walls," 2010 Liverpool Biennial
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Marius Sznajderman


in the United States and South America over the past 60 years. More recent solo and group exhibitions include the Jewish Community of Amherst, Massachusetts in 2017; the Puffin Cultural Forum in New Jersey, 2007 and 2009; the Yiddish Book Center in Amherst in 2005-06; El Museo del Barrio in New York, 2001; Institute of Puerto Rican Culture in San Juan, 1997; Universidad Metropolitana in Caracas, Venezuela, 1993; and the Contemporary Arts Museum of Caracas, founded by Venezuelan journalist Sofia Imber, in 1991
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Freddy Rodríguez (artist)


for the Arts named him "Gregory Millard Fellow in Painting". In 1992 he was a NYSCA Artist in Residence at El Museo del Barrio. Rodríguez was influenced by Rembrandt, Paul Cézanne and Piet Mondrian. His style incorporates elements of Abstract Expressionism, Pop and Minimalism. In 2011 the Smithsonian American Art Museum acquired three of his early works, painted in the early 1970s. Tall and narrow, the abstract paintings named "Danza Africana", "Amor Africano" and "Danza de Carnaval" represent the energy of Dominican
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Deborah Cullen


for fall 2014 at the David C. Driskell Center for the Study of the Visual Arts and Culture of African-Americans and the African Diaspora, at the University of Maryland, College Park. Since 2013, she has been the Director and Chief Curator of the Miriam and Ira D. Wallach Art Gallery at Columbia University, New York. Prior to that, Cullen served as Director of Curatorial Programs at El Museo del Barrio, New York, from 1997 to 2013, where she curated about a dozen shows (and authored the corresponding
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Papo Colo


over 100 shows in which he was also the exhibition and graphic designer. His work has been exhibited at numerous venues, including The Clocktower (2013), Galeria de la Raza, San Francisco and MoMA PS1, New York (both 2009), El Museo del Barrio (2008), National Gallery of Puerto Rico (2007), Grey Art Gallery (2006), Art in General (2006), RISD Museum, Providence (2005), Barnes Foundation (2017), Band the Bass Museum of Art,
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Eugene Ludins


, Grant Wood, although Ludins would stay there for 30 years. He moved back to Woodstock, and lived there in his retirement from 1969 until his death in 1996. Even in his retirement, Ludins mentored and befriended art students, including Susana Torruella Leval, director of El Museo del Barrio, and her husband, Pierre Leval, who was a Federal judge; they would be critical to the reëvaluation of his artistic oeuvre. Small, his wife, died in 1992, and Ludins created a fireproof storage facility for their
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Sophie Rivera


New York, NY: Wilmer Jennings Gallery at Kenkeleba, 1995. Print. Seigel, J. Mutiny and the Mainstream: Talk that Changed Art, 1975-1990. Midmarch Arts Press, 1992 The Light Work Annual 2008. Light Work, 2008. Three Women Three Islands: Sophie Rivera, Manhattan, Lilia Fontana, Cuba, Freida Medín Ojeda, Puerto Rico. New York, N.Y: El Museo del Barrio, 1983. Print. Torruella Leval, Susana. "Looking at People." Center Quarterly; A Publication
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Sandra María Esteves


Sandra María Esteves (May 10, 1948), also known as "La Madrina", is an American poet and graphic artist. She was born and raised in the Bronx, New York, and is one of the founders of the Nuyorican poetry movement. She has published numerous collections of poetry and has conducted literary programs at organizations including the New York City Board of Education, the Caribbean Cultural Center and El Museo del Barrio. She lives in New York City. Esteves was born in the South Bronx to a Puerto
21791306
My Beloved World


York on Sunday afternoon. In Sotomayor's appearance on "The Daily Show", she described the book's primary purpose as a way "to remember the real Sonia" and to remind herself of her humble beginnings and the obstacles she had to overcome throughout her childhood. A signing at an Austin, Texas book store attracted estimates of 700 to 1,500 people. In an appearance at New York's Spanish Harlem-located El Museo del Barrio before a capacity crowd of 600 people, she engaged the audience by answering questions in
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Jason Villegas


banners, clothing piles, anuses, cosmic debris, taxidermy, bear men, amorphous beasts, religious iconography, and party scenarios. Jason Villegas was a part of the traveling group exhibition Phantom Sightings: Art After the Chicano Movement, curated by Rita Gonzales, Howard Fox, and Chen Noriega. Beginning at the Los Angeles County Museum of Art (LACMA) in 2008, the exhibit toured for two years including renowned spaces such as, the Tamayo Museum in Mexico City, El Museo del Barrio in New York City, the
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