Lil Hardin Armstrong [SEP] spouse
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Lil Hardin Armstrong


their previous relationships (Lil Hardin to Jimmie Johnson, Louis Armstrong to Daisy Armstrong) and "claimed desertion" from said relationships to annul the marriages. Hardin and Armstrong were married on February 5, 1924 and honeymooned/toured with the Oliver band in Pennsylvania. Hardin took Armstrong shopping and taught him how to dress more fashionably. She got rid of his bangs and began working to foster his career. She felt that he was wasting his talent in a secondary role. Armstrong was happy to be playing next to his idol
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Lil Hardin Armstrong


Lillian "Lil" Hardin Armstrong (née Hardin; February 3, 1898 – August 27, 1971) was a jazz pianist, composer, arranger, singer, and bandleader. She was the second wife of Louis Armstrong, with whom she collaborated on many recordings in the 1920s. Her compositions include "", "Don't Jive Me", "Two Deuces", "Knee Drops", "Doin' the Suzie-Q", "Just for a Thrill" (which was a hit when revived by Ray
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Lil Hardin Armstrong


made and they were very impressed", she recalled, "but then someone asked me to play the piano. That's when I knew that I would never be able to leave the music business." Armstrong wore Hardin's tuxedo, and she continued to tailor but only on the side for friends. Her shirts, which friends received regularly on birthdays, bore a label with her mother's name, "Decie", and beneath that, "Hand made by Lil Armstrong." Hardin returned to Chicago and the
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Lil Hardin Armstrong


to Armstrong. Hardin and Armstrong separated in 1931 when he had a liaison with Alpha Smith, who threatened to sue Armstrong for breach of promise, so he begged Hardin not to grant him a divorce. They finally divorced in 1938. In the 1930s, sometimes billing herself as "Mrs. Louis Armstrong", Hardin led an "All Girl Orchestra", a mixed-sex big band which broadcast nationally over the NBC radio network. In the same decade she recorded for Decca as a swing vocalist and performed as piano accompanist
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Lil Hardin Armstrong


series of sessions under his name: the Armstrong "Hot Five" recordings. With Hardin at the piano, Kid Ory on trombone, Johnny Dodds on clarinet, and Johnny St. Cyr on banjo, this group rehearsed at Armstrong and Hardin's residence on Chicago's East 41st Street and held its first session on November 15, 1925. In the late 1920s Hardin and Armstrong grew apart. He formed a new Hot Five with Earl Hines on piano. Hardin reformed her own band with Freddie Keppard, whom she considered second only
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New Orleans Wanderers


The New Orleans Wanderers was the name under which Lil Hardin recorded with members of Louis Armstrong's Hot Five on a 1926 session for Columbia. Armstrong himself was unable to appear since he was under contract to Okeh, although he collaborated with Hardin on three of the four songs. Four further songs were released by the same musicians under the name New Orleans Bootblacks. His place was taken by George Mitchell. The members of the Hot Five were Lil Hardin on piano, Kid Ory on trombone, Johnny St. Cyr on banjo and
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Lil Hardin Armstrong


, but Hardin persuaded him to leave Oliver and go out on his own. Armstrong resigned from Oliver's band and in September 1924 accepted a job with bandleader Fletcher Henderson in New York City. Hardin stayed in Chicago, first with Oliver, then leading a band of her own. When Hardin's band got a job at the Dreamland Café in Chicago she prepared for Armstrong's return to Chicago by having a huge banner that read "The World's Greatest Trumpet Player". Richard M. Jones convinced Okeh Records to make a
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Lil Hardin Armstrong


her husband, a trek the family made by mule-drawn wagon. Dempsey married Will Harden, and Lil was born on February 3, 1898. Will died when Lil was seven, though Dempsey later remarried to John Miller. During her early years, Hardin was taught hymns, spirituals, and classical music on the piano. She was drawn to popular music and later blues. Hardin first received piano instruction from her third-grade teacher, Violet White. Her mother then enrolled her in Mrs. Hook's School of Music
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Lil Hardin Armstrong


Charles in 1959), "Clip Joint", and "Bad Boy" (a hit for Ringo Starr in 1978). Armstrong was inducted into the Memphis Music Hall of Fame in 2014. She was born Lillian Hardin in Memphis, Tennessee, where she grew up in a household with her grandmother, Priscilla Martin, a former slave from near Oxford, Mississippi. Martin had a son and three daughters, one of whom was Dempsey, Lil's mother. Priscilla Martin moved her family to Memphis to get away from
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Lil Hardin Armstrong


vaudeville stalwart. While there, she fell for Jimmie Johnson, a young singer from Washington, D.C., whom she married on August 22, 1922. The marriage was short-lived, ending in divorce. The Oliver band returned from California and opened at the Royal Gardens with Bertha Gonzales at the piano but soon found itself back at Dreamland with Hardin at the piano. King Oliver's band was enjoying enormous success at Dreamland when he sent for Louis Armstrong to join as second cornetist. Armstrong was beginning to make a name
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Louis Armstrong


recorded with Clarence Williams (a friend from New Orleans), the Williams Blue Five, Sidney Bechet, and blues singers Alberta Hunter, Ma Rainey, and Bessie Smith. In 1925, Armstrong returned to Chicago largely at the insistence of Lil, who wanted to expand his career and his income. In publicity, much to his chagrin, she billed him as "the World's Greatest Trumpet Player". For a time he was a member of the Lil Hardin Armstrong Band and working for his wife. He formed Louis
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Lil Hardin Armstrong


for himself in New Orleans and regarded Oliver ("Papa Joe") as his mentor. At first, Hardin was unimpressed with Louis, who arrived in Chicago wearing clothes and a hair style that she deemed to be "too country" for Chicago, but she worked to "take the country out of him", and a romance developed (to the surprise of other band members, some of whom had been trying to woo her for some time with no success). She and Armstrong needed to be divorced from
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Lil Hardin Armstrong


for other singers. She also performed with Red Allen. In the late 1940s and early 1950s, Hardin worked mostly as a soloist, singing and playing piano. In the late 1940s she decided to leave the music business and become a tailor, so she took a course in tailoring. Her graduation project was to make a tuxedo for Armstrong. It was displayed prominently at a New York cocktail party she threw to announce her new field of endeavor. "They looked at Louis' tux and all the other things I had
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Lil Hardin Armstrong


funeral and rode in the family car. Returning to Chicago, she felt that work on her autobiography could continue, but the following month, performing at a televised memorial concert for Armstrong, she collapsed at the piano and died from a heart attack on the way to the hospital. After her funeral, her letters and the unfinished manuscript of her autobiography disappeared from her house. In 2004, the Chicago Park District renamed a community park in her honor. Hardin's song "Bad Boy" was recorded by Ringo Starr in
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Territory band


outside sources. It was not uncommon for a group to be put together by a man or a talent agency, but to consist of all female performers. Sometimes performers received aide from family or friends involved in the business to help get their foot in the door. For instance, Lil Hardin Armstrong had an all woman dance band in the early 1930s. This group went by such names as "Lil Armstrong and Her Swing Band." Other bands popular in the 1930s include The Harlem Playgirls, The Dixie Sweethearts, the
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Lil Hardin Armstrong


with him. She was with Oliver at Dreamland in 1921 when an offer came for the orchestra to play a six-month engagement at the Pergola Ballroom in San Francisco. At the end of that booking Hardin returned to Chicago while the rest of the Oliver band went to Los Angeles. She later studied at the New York College of Music, where she earned a post-graduate diploma in 1929. In Chicago, Hardin went back to work at Dreamland as a pianist in an orchestra for Mae Brady, a violinist and
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Baby Dodds


and Louis Armstrong also joined this outfit. Dodds describes playing with this band as "a beautiful experience". Dodds recorded with Louis Armstrong, Jelly Roll Morton, Art Hodes, and his brother Johnny Dodds. Dodds played in Louis Armstrong's Hot Five and Hot Seven groups. In May 1927 Armstrong recorded with the Hot Seven, which consisted of Johnny Dodds, Johnny St. Cyr, Lil Hardin Armstrong, John Thomas, Pete Briggs, and Baby Dodds. From September to December 1927 the Hot Five Armstrong assembled consisted of Johnny
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Louis Armstrong and His Hot Five


in the Hot Five played together in other contexts, as the Hot Five they were a recording studio band that performed live only for two parties organized by Okeh. There were two different groups called "Louis Armstrong and his Hot Five", the first recording from 1925 through 1927 and the second in 1928; Armstrong was the only musician in both groups. The original Hot Five were Armstrong's wife, pianist Lil Hardin Armstrong, as well as New Orleans musicians who Armstrong had worked with in that city in the 1910s:
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Earl Hines


, replacing his wife, Lil Hardin Armstrong, on the instrument. Armstrong and Hines then recorded what are often regarded as some of the most important jazz records ever made. The Sunset Cafe closed in 1927. Hines, Armstrong and the drummer Zutty Singleton agreed that they would become the "Unholy Three" – they would "stick together and not play for anyone unless the three of us were hired". But as Louis Armstrong and His Stompers (with Hines as musical director and the premises rented in Hines's name)
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Louis Armstrong


1923. On February 4, 1924, he married Lil Hardin Armstrong, King Oliver's pianist. She had divorced her first husband a few years earlier. His second wife helped him develop his career, but they separated in 1931 and divorced in 1938. Armstrong then married Alpha Smith. His marriage to his third wife lasted four years, and they divorced in 1942. Louis then married Lucille Wilson in October 1942, a singer at the Cotton Club, to whom he was married until his death in 1971. Armstrong's
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Yodeling


on YouTube), released in 1930, was recorded with Louis Armstrong playing trumpet and Armstrong's wife Lil Hardin Armstrong playing the piano. Rodgers died in 1933. Many performers that followed him claimed that he had been a big influence in their singing style and career. Although today's idea of the life and times of cowboys may not be completely accurate, the American cowboy is not a myth. At one time the American West was an open range with thousands of cattle that needed to be watched over, branded, and
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Lil Hardin Armstrong


. At Fisk University, a college for African Americans in Nashville, she was taught a more acceptable approach to the instrument. She received a diploma from Fisk, returning to Memphis in 1917. In August 1918, she moved to Chicago with her mother and stepfather. By then she had become proficient in reading music, a skill that helped her get a job as a sheet music demonstrator at Jones Music Store. The store paid Hardin $3 a week (US$ in dollars), but bandleader Lawrence Duhé offered $22.50
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Lil Hardin Armstrong


her own hastily assembled big band. The Riverside recordings led to her inclusion in a 1961 NBC network special, "Chicago and All That Jazz", and a follow-up album released by Verve. In 1962, she began writing her autobiography with Chris Albertson, but she changed her mind when she realized the book would include experiences that might discomfit Louis Armstrong, so the project was delayed until his death. She died before finishing the book. When Louis Armstrong died in 1971, she traveled to New York for the
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Lil Hardin Armstrong


(US$ in dollars). Knowing that her mother would disapprove of her working in a cabaret, she made it known that her new job was playing for a dancing school. Three weeks later the band moved to a better booking at the De Luxe Café, where the entertainers included Florence Mills and Cora Green. From there, the band moved up to Dreamland. Here the principal entertainers were Alberta Hunter and Ollie Powers. When King Oliver's Creole Jazz Band replaced Duhé's group at Dreamland, Oliver asked Hardin to stay
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Lil Hardin Armstrong


house on East 41st Street. She made a trip to Europe and had a brief love affair in France, but mostly she worked around Chicago, often with fellow Chicagoans. Collaborators included Red Saunders, Joe Williams, Oscar Brown Jr., and Little Brother Montgomery. In the 1950s, Hardin recorded a biographical narrative for Bill Grauer at Riverside which was issued in LP form. She would again appear on that label in 1961, participating in its project "Chicago: The Living Legends" as accompanist for Alberta Hunter and leader of
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King Oliver


the Lincoln Gardens). In addition to Oliver on cornet, the personnel included his protégé Louis Armstrong on second cornet, Baby Dodds on drums, Johnny Dodds on clarinet, Lil Hardin (later Armstrong's wife) on piano, Honoré Dutrey on trombone, and Bill Johnson on double bass. Recordings made by this group in 1923 for Gennett, Okeh, Paramount, and Columbia demonstrated the New Orleans style of collective improvisation, also known as Dixieland, and brought it to a larger audience. In the mid-1920s Oliver enlarged his
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Standing on the Corner (Blue Yodel No. 9)


"Blue Yodel #9" (also called "Standing on the Corner" from the opening line) is a blues/country song by Jimmie Rodgers and is the ninth of his "Blue Yodels". Rodgers recorded the song on July 16, 1930 in Los Angeles with an unbilled Louis Armstrong on trumpet and his wife Lil Hardin Armstrong on piano. The song is set in Memphis at the corner of Beale Street and Main Street, a block from the current location of B.B. King's Blues Club. It tells a
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Louis Armstrong


inventive" trumpet and cornet player, Armstrong was a foundational influence in jazz, shifting the focus of the music from collective improvisation to solo performance. Around 1922, he followed his mentor, Joe "King" Oliver, to Chicago to play in the Creole Jazz Band. In the Windy City, he networked with other popular jazz musicians, reconnecting with his friend, Bix Beiderbecke, and made new contacts, which included Hoagy Carmichael and Lil Hardin. He earned a reputation at "cutting contests", and relocated to New
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Dippermouth Blues


bar blues harmonic progression, with frequent bent notes and slides into notes. Armstrong plays second cornet on the April 6, 1923, recording, with Honoré Dutrey on trombone, Johnny Dodds on clarinet, Lil Hardin on piano, Baby Dodds on drums and Bill Johnson on banjo and vocal. Oliver's plunger mute solo on first cornet became one of the most frequently-imitated solos of his generation. During Armstrong's tenure in the Fletcher Henderson Orchestra, the song was recorded on May 29, 1925 in a new arrangement by
2261693
Douglas, Chicago


Sam Cooke and Lou Rawls; and cornet player and jazz bandleader King Oliver. His protégé, jazz musician, trumpeter and bandleader Louis Armstrong from New Orleans and his wife Lil Hardin Armstrong, who was a pianist, composer and bandleader, lived in Bronzeville on E. 44th Street and performed at many of the area's night clubs, including the Sunset Cafe and Dreamland Cafe. The neighborhood includes the Chicago Landmark Black Metropolis-Bronzeville District. 47th Street was and remains the hub of the Bronzeville neighborhood. In the early 21st century
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It's All True (film)


Elliot Paul was put under contract to write. The episode was to be a brief dramatization of the history of jazz performance, from its roots to its place in American culture in the 1940s. Cast as himself, Louis Armstrong would play the central role; jazz pianist Hazel Scott was to portray Lil Hardin. Aspects of Armstrong's biography would be interspersed with filmed performances at venues ranging from New Orleans to Chicago to New York. The work of Joe Sullivan, Kid Ory, King Oliver, Bessie Smith and others would also
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Louis Armstrong


several hours on the train to remote Richmond, Indiana, and the band was paid little. The quality of the performances was affected by lack of rehearsal, crude recording equipment, bad acoustics, and a cramped studio. In addition, Richmond was associated with the Ku Klux Klan. Lil Hardin Armstrong urged him to seek more prominent billing and develop his style apart from the influence of Oliver. She encouraged him to play classical music in church concerts to broaden his skills. She prodded him into wearing more stylish attire to offset
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Mojo Triangle


same influences that birthed blues and country. In the mid-1950s, Elvis Presley, Scotty Moore and Bill Black took the work of Rodgers and Johnson and gave shape to rock 'n' roll, creating an unbroken circle of creativity that continues to this day. MUSIC Deborah Allen, Mose Allison, Lisa Angelle, Lil Hardin Armstrong (1898–1971), Louis Armstrong (1901–1971), Estelle Axton (1918–2004), Booker T. & the M.G.'s (Booker T. Jones, Steve Cropper, Donald "Duck" Dunn, Al Jackson
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Georgia Grind


Sevens" (2000). In addition, "Georgia Grind" was recorded by Edmonia Henderson (also in 1926), Lucille Bogan (1933) and Blue Lu Barker (1939) among many others. The personnel on this initial recording of "Georgia Grind" were Louis Armstrong (cornet, vocals), Kid Ory (trombone), Johnny Dodds (clarinet, alto saxophone) and Lil Hardin (piano, vocals) with Johnny St. Cyr (banjo). The recording was in the key of E♭ Major
21712768
Women in jazz


several jazz standards with Jimmy McHugh, such as "Exactly Like You". "On the Sunny Side of the Street" and "I Can't Give You Anything but Love, Baby". Lil Hardin Armstrong's a most famous song, "Struttin’ with Some Barbecue"m has been recorded 500 times. Her other notable songs are “Doin’ the Suzie Q", "Just for a Thrill" and "Bad Boy". While Billie Holiday is best known as a singer, she co-wrote "God Bless
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Hazel Scott


which sometimes featured Lil Hardin Armstrong. By the age of 16, Hazel Scott regularly performed for radio programs for the Mutual Broadcasting System, gaining a reputation as the "hot classicist". In the mid-1930s, she also performed at the Roseland Dance Hall with the Count Basie Orchestra. Her early musical theatre appearances in New York included the "Cotton Club Revue of 1938", "Sing Out the News" and "The Priorities of 1942". Throughout the 1930s and 1940s, Scott performed jazz, blues, ballads,
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Peetie Wheatstraw


in a jazz-inspired framework, collaborating with Lil Hardin Armstrong and the trumpeter Jonah Jones. Wheatstraw's influence was enormous in the 1930s. Perhaps the most obvious example of his impact is in the lyrics and vocal stylings of Robert Johnson, often considered the most important blues figure of the era. Many of Johnson's recordings were reworkings of songs by other popular artists of the time, and he drew heavily from Wheatstraw's repertoire. For example, Wheatstraw's "Police Station Blues" forms the basis for Johnson's "
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Suzie Q (dance move)


Suzie Q (or Suzy Q) is the name of a dance step in the Big Apple, Lindy Hop, and other dances. In line dances this step is also known as Heel Twist (actually refers to step 2) or Grind Walk. The step is also used in jazz dance, and in Salsa shines. The step originated from a novelty dance of the 1930s with the same name addressed in the 1936 song "Doin' the Suzie-Q" by Lil Hardin Armstrong. An obituary published in "The Salt
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Dolly Jones (trumpeter)


with Ida Cox in 1928 and with Lil Hardin Armstrong's Harlem Harlicans in the early 1930s. The band performed in the Lafayette Theater and Apollo Theater in New York City and Chicago's Regal Theater. In 1932, she formed her own band the "Twelve Spirits of Rhythm". In New York City, she was part of a 15-member multiracial band called the "Disciples of Swing". This band was billed as "seven whites, seven colored, and Dolly". Jones was the first trumpet player who recorded a
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Myra Taylor (singer)


Howard's "The Paper". In the 1930s, she toured the Midwest with Clarence Love's band. She moved to Chicago in 1937 and worked with Warren "Baby" Dodds, Lonnie Johnson, Roy Eldridge and Lil Hardin Armstrong. She returned to Kansas City in 1940 and Harlan Leonard hired Taylor as the featured singer for his new band "Harlan Leonard and His Rockets". The band had a lengthy engagement at Harlem's Golden Gate Ballroom. The band recorded "I Don't Want to Set the World on
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Snake Rag


Snake Rag is a 1923 Dixieland jazz standard composed by Joseph Oliver of King Oliver's Creole Jazz Band. It features Oliver and Louis Armstrong on cornet, Honoré Dutrey on trombone, Johnny Dodds on clarinet, Lil Hardin on piano, Baby Dodds on drums, and William Manuel Johnson on banjo. The rag was a result of improvisation during a session at Richmond, Indiana on April 6, 1923. The rag is known for its "trick breaks and animal noises", recalling "crows cawing and swans trumpeting". Many
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Women in jazz


from later eras, including Billie Holiday (1915–1959) and Janis Joplin (1943–1970). In the time of the 1920s, women singing Jazz music was not common but women playing instruments to jazz music was even less common. Mary Lou Williams, known for the talent of playing the piano is deemed as one of the mothers of jazz due to the contributions of the new tones she provided by singing while playing the piano. Lovie Austin (1887–1972) was a piano player and bandleader. Pianist Lil Hardin Armstrong (1898–1971)
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Jazz Age


not only a great singer but also an African-American woman. She has grown through the ages to be one of the most well respected singers of all time. Singers such as Billie Holiday and Janis Joplin were inspired by Bessie Smith. Lovie Austin (1887–1972) was a Chicago-based bandleader, session musician (piano), composer, singer, and arranger during the 1920s classic blues era. She and Lil Hardin Armstrong often are ranked as two of the best female jazz blues piano players of the period. Piano
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Jazz Age


player Lil Hardin Armstrong was originally a member of King Oliver's band with Louis, and went on to play piano in her husband's band the Hot Five and then his next group called the Hot Seven It was not until the 1930s and 1940s that many women jazz singers, such as Bessie Smith and Billie Holiday were recognized as successful artists in the music world. Another famous female vocalist, dubbed "The First Lady of Song," Ella Fitzgerald was the one of the more popular female jazz singers in the United States
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Women in music


Fields (1905–1974) wrote the lyrics for over 400 songs, some of which were played by Duke Ellington. She co-wrote "The Way You Look Tonight" with Jerome Kern, which won the 1936 Oscar for Best Song. She co-wrote several jazz standards with Jimmy McHugh, such as "Exactly Like You," "On the Sunny Side of the Street" and "I Can't Give You Anything but Love." Lil Hardin Armstrong (1898–1971) played piano in King Oliver's Creole Jazz Band
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Harlem Playgirls


dancing, singing front women. Briscoe had gained prominence in New Orleans and had worked with Lil Hardin Armstrong’s all-female band and Joe Robichaux and his Rhythm Boys. Trombonist Lela Julius and saxophonist Vi Burnside were two of the group’s leading soloists. The group appeared at the Apollo Theater in New York City in 1937 and competed in the prestigious battle of the bands contest at Chicago’s Savoy ballroom against Johnny Long’s group in 1938. Many members later went on to perform with the International Sweethearts of Rhythm and the
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Women in jazz


Women in jazz have contributed throughout the many eras of jazz history, both as performers and as composers, songwriters and bandleaders. While women such as Billie Holiday and Ella Fitzgerald were famous for their jazz singing, women have achieved much less recognition for their contributions as composers, bandleaders and instrumental performers. Other notable jazz women include piano player Lil Hardin Armstrong and jazz songwriters Irene Higginbotham and Dorothy Fields. With women’s suffrage at its peak with the ratification of the United States Nineteenth Amendment on 18 August 1920 and the development of
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Freddie Keppard


's style is much more raggy and characterized by a "brusque and staccato style" compared to Oliver's blues-tinged style. While Oliver had more admirers, to some extent preference was a matter of taste. Jelly Roll Morton, Lil Hardin Armstrong, and Wellman Braud all thought Keppard superior to Oliver. Keppard suffered from alcoholism and tuberculosis in his final years, although he continued performing despite illnesses. He was still playing loud in the early thirties in Chicago, although, according to contemporaries, no longer very well.
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Lovie Austin


Cora "Lovie" Austin (September 19, 1887 – July 8, 1972) was an American Chicago bandleader, session musician, composer, singer, and arranger during the 1920s classic blues era. She and Lil Hardin Armstrong are often ranked as two of the best female jazz blues piano players of the period. She was born Cora Taylor in Chattanooga, Tennessee. Lovie grew up with eight brothers and sisters. She took the name Cora Calhoun in her teens from an early marriage; she was married for a short time
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Alberta Hunter


she was persuaded to participate in two recording sessions. In 1971 she was videotaped for a segment of a Danish television program, and she taped an interview for the Smithsonian Institution. That same year record producer Chris Albertson asked her to break an 11-year absence from the recording studio. The result was her participation (four songs) on a Prestige Bluesville Records album, "Songs We Taught Your Mother." The following month, Albertson recorded her again, this time for Riverside Records, reuniting her with Lil Hardin Armstrong and Lovie
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Medicine Park, Oklahoma


and Clyde, Pretty Boy Floyd, Lil Hardin Armstrong, Colonel Jack Abernathy, Les Brown, Roy Rogers, and Dale Evans. An Oklahoma television station reported on June 13, 2018 that Expedia had named Medicine Park as "... the fifth prettiest town in the U.S." The Lake Lawtonka Mountain Bike Trails located in the Medicine Park area were named the best mountain bike trails in Oklahoma by Singletracks Magazine in 2018. Elmer Thomas, the founder of Medicine Park, served in the Oklahoma State Senate from 1907 to 1920, was
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Song plugger


have it delivered to the song plugger, and get a preview of the tune before buying it. Although the terms are often used interchangeably, those who worked in department and music stores were most often known as "song demonstrators", while those who worked directly for music publishers were called "song pluggers." Musicians and composers who had worked as song pluggers included George Gershwin, Ron Roker, Jerome Kern and Lil Hardin Armstrong. Movie executive Harry Cohn was a song plugger. Later, the term was used to describe
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Music of Tennessee


Jamil Nasser, trumpeters Booker Little, Louis Smith, Johnny Dunn, Marvin Stamm, pianists Lil Hardin Armstrong, Harold Mabern, Phineas Newborn, Jr., Rozelle Claxton, Jimmy Jones, James Williams, alto saxophonists Frank Strozier, Sonny Criss, saxophonists George Coleman, Hank Crawford, Charles Lloyd, Ben Branch, Ben Smith, Garnett Brown, Frank Lowe, Kirk Whalum, drummers Jimmy Crawford and Tony Reedus, and guitarist Abu Talib. In addition, legendary band leader Jimmy Lunceford is closely associated with Memphis due to the influential
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Baby Dodds


session which also featured bassman Israel Crosby and pianist Lil Hardin Armstrong. Dodds continues to be admired for the creativity of his playing. He believed in playing something different for every chorus of every tune. Most of his contemporaries played a short buzz or press roll on the backbeats (the 2nd and 4th beats), but Dodds played a long roll that lasted till the following beat, which created a smoother time feel that he later developed into the jazz ride pattern most commonly used ever since. Dodds was most well known,
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Jazz


bands included both black and white musicians. These musicians helped change attitudes toward race in the U.S. Female jazz performers and composers have contributed to jazz throughout its history. Although Betty Carter, Ella Fitzgerald, Adelaide Hall, Billie Holiday, Abbey Lincoln, Anita O'Day, Dinah Washington, and Ethel Waters were recognized for their vocal talent, less familiar were bandleaders, composers, and instrumentalists such as pianist Lil Hardin Armstrong and songwriters Irene Higginbotham and Dorothy Fields. Women began playing instruments in jazz in the early 1920s, drawing particular recognition
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Andrew Hilaire


Lil Hardin Armstrong and Carroll Dickerson before 8 years with Doc Cook. He took part in various recording sessions during his time with the Doc Cook Orchestra, including with Freddie Keppard and perhaps most famously as a member of Jelly Roll Morton's Red Hot Peppers. In the 1930s he played with Jerome Don Pasquall and Eddie South in addition to leading his own band. Andrew Hilaire was remembered by his fellow musicians as being of slight and weak constitution, and had trouble breathing—believed to be either asthma or tuberculosis. He died
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Freddie Keppard


Pasqual, Lil Hardin Armstrong, Ollie Powers, and John Wycliffe, all of which were highly respected local bands. Keppard was one of the first to bring jazz to the West Coast. Don Pasqual, who played reed instruments for Doc Cook for some time, had much to say about Keppard's contributions to Doc Cook's band: After he found steady employment in Chicago, Keppard's style helped create a demand for more New Orleans groups, paving the way for other New Orleans players seeking to migrate north. Throughout his
18702704
Texas Ranger Division


McNelly's right hand, received permission to arrest the outlaw. He pursued Hardin across Alabama and into Florida, and caught up with him in Pensacola. After Armstrong, Colt pistol in hand, boarded a train that Hardin and four companions were on, the outlaw shouted, "Texas, by God!" and drew his own pistol. When it was over, one of his gang members was killed, and his three surviving friends were staring at Armstrong's pistol. Hardin had been knocked unconscious. Armstrong's hat had
11604733
Big Band and Jazz Hall of Fame


- Fats Navarro - Chick Webb - Carmen McRae Art Tatum - Roy Eldridge - Mary Lou Williams - Cannonball Adderley - Bunny Berigan - Jay McShann - Clifford Brown - Jack Teagarden - Illinois Jacquet - Billy Eckstine Red Nichols - Bunk Johnson - Lil Hardin Armstrong - Dave Brubeck - Kenny Clarke - Kid Ory - Gil Evans - Eddie Lang - Lionel Hampton - Johnny Hartman Pee Wee Russell - Willie Smith - Bennie Moten - Cab Calloway - Ray Noble - Sun Ra - Chet Baker - Jimmie Lunceford - Scott Joplin - Jimmie Noone -
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John Wesley Hardin


cards in Mobile, Alabama. Two former slaves of his father's, "Jake" Menzel and Robert Borup, tried to capture Hardin in Gainesville, Florida in mid-1877. Hardin killed one and blinded the other. On August 24, 1877, Rangers and local authorities confronted Hardin on a train in Pensacola, Florida. He attempted to draw a .44 Colt cap-and-ball pistol but it got caught up in his suspenders. The officers knocked Hardin unconscious. They arrested two of his companions and Ranger John B. Armstrong
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William Hardin


Aborigine tauntingly exclaimed: "Ugh! Big Bill." The pause was fatal to the Native American for William Hardin immediately knocked his gun aside, and with his own gun, clubbed out the Indian's brains. After Winifred "Winnie" Ann Holtzclaw died in 1807, William Hardin married Susannah McGhee (McGee) on July 9 or the 10th, 1808, in Breckenridge County. Susannah beget William with two daughters: Hannah Ann and Lucinda. After William Hardin died, Susannah married Robert Armstrong. William Hardin, from 1810
10014549
John Riley Duncan


who was in charge of the overall operation. All were located in strategic positions in and around the train, which was awaiting departure from the Pensacola station. Hardin was subdued after a melee, which most likely involved Hutchinson, Perdue, and perhaps another deputy initially, but was ended when Armstrong knocked Hardin unconscious with his revolver. Duncan was probably a late comer to the location of Hardin's capture because his post was outside the railroad car. One of Hardin's companions, Jim Mann, was killed while attempting to flee
3787437
Louis Armstrong and His Hot Five


") becoming notorious in jazz circles, and the solos of Dodds, Ory and Hardin sounding pedestrian in comparison with Armstrong's. However, the ensemble passages are frequently effective, and the genius of Armstrong's cornet or trumpet playing touch virtually every recording. Some of the more important examples are "Cornet Chop Suey", "Muskrat Ramble", "Hotter Than That" and "Struttin' with Some Barbecue". In 1928, Armstrong revamped the recording band, replacing everyone but himself with members of the Carroll Dickerson
19430121
John Barclay Armstrong


Battalion in 1876, Armstrong was promoted to Lieutenant. He was involved in several notable cases, like the capture of Hardin and the pursuit and killing of noted bank robber Sam Bass. Armstrong resigned his position at the Rangers in 1881, and was shortly after appointed U.S. Marshal. He established in Willacy County, Texas, where he founded a considerably large ranch. He died at his home in Armstrong, Texas, on May 1, 1913. The ranch was later reorganized into Kenedy County, Texas The film "Texas Rangers
18827579
Louis Armstrong


the country, black or white, were turned on by Armstrong's new type of jazz. After separating from Lil, Armstrong started to play at the Sunset Café for Al Capone's associate Joe Glaser in the Carroll Dickerson Orchestra, with Earl Hines on piano, which was renamed Louis Armstrong and his Stompers, though Hines was the music director and Glaser managed the orchestra. Hines and Armstrong became fast friends and successful collaborators. It was at the Sunset Café that Armstrong accompanied singer Adelaide Hall. It was during Hall's tenure
18665853
Ambassador College


4 Sep.1979. Eventually, Ambassador returned to full four-year status, operating with state approval but, then, still without regional accreditation. Accreditation was something Armstrong did not agree with. In 1981, Herbert Armstrong decided to reopen the Texas campus, which was still owned by the church. In 1985 he decided to close that campus again. In January 1986 Armstrong died, and his successor as church leader, Joseph W. Tkach, decided to keep the Texas campus open. The roller coaster of closings and openings was possible
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John Barclay Armstrong


John Barclay Armstrong (January 1, 1850 – May 1, 1913) was a Texas Ranger lieutenant and a United States Marshal, usually remembered for his role in the pursuit and capture of the famous gunfighter John Wesley Hardin. Armstrong was born in McMinnville, Tennessee, son of Dr. John B. Armstrong and Maria Susannah Ready on January 1, 1850. Among notable relatives were his maternal grandfather Charles Ready, a U.S. Representative from Tennessee and his cousin Confederate States Army Brigadier General John Hunt Morgan. After living in Arkansas and Missouri
18827577
Louis Armstrong and His Hot Seven


Louis Armstrong and his Hot Seven was a jazz studio group organized to make a series of recordings for Okeh Records in Chicago, Illinois, in May 1927. Some of the personnel also recorded with Louis Armstrong and His Hot Five, including Johnny Dodds (clarinet), Lil Armstrong (piano), and Johnny St. Cyr (banjo and guitar). These musicians were augmented by Dodds's brother, Baby Dodds (drums), Pete Briggs (tuba), and John Thomas (trombone, replacing Armstrong's usual trombonist,
19659808
Louis Armstrong


Armstrong and his Hot Five and recorded the hits "Potato Head Blues" and "Muggles". The word "muggles" was a slang term for marijuana, something he used often during his life. The Hot Five included Kid Ory (trombone), Johnny Dodds (clarinet), Johnny St. Cyr (banjo), Lil Armstrong on piano, and usually no drummer. Over a twelve-month period starting in November 1925, this quintet produced twenty-four records. Armstrong's band leading style was easygoing, as
18665849
Louis Armstrong


Armstrong's trumpet introduction to and solo in "West End Blues" remain some of the most famous and influential improvisations in jazz history. Armstrong was now free to develop his personal style as he wished, which included a heavy dose of effervescent jive, such as "Whip That Thing, Miss Lil" and "Mr. Johnny Dodds, Aw, Do That Clarinet, Boy!" Armstrong also played with Erskine Tate's Little Symphony, which played mostly at the Vendome Theatre. They furnished music for silent movies and live shows
18665851
Midge Williams


at Harlem venues, including the Apollo Theater and the Savoy Ballroom. She also appeared with several other jazz musicians, including Lil Armstrong, Bunny Berigan, Harry James, John Kirby, Glenn Miller, Fats Waller, Ben Webster, and Teddy Wilson. In 1938, Williams joined the Louis Armstrong orchestra, and toured with him across the country, although no recordings of Williams with Armstrong were made. In 1941, Williams left the Louis Armstrong orchestra and entered into a Detroit hospital. Whether for health or other reasons, her
22104280
30th Illinois Infantry Regiment


, Tennessee, on the 31 June. 1 Sep 1862 - headed toward Medan Station on the Mississippi Central Railroad and about 4 miles out meet the 6,000 member Confederate army operating under General Armstrong. The 30th, commanded by Colonel Dennis, and the 20th and the 4th Cavalry won out after 4 hours of fighting. 2 Sep 1862 - traveled to Medan and on to Jackson on 3 September. By the 2 November they were in Lagrange. Marching toward Water Valley Mississippi they arrived 19 December 1862. Reaching Memphis on 19 January
8189675
Texas Ranger Division


of Texas' deadliest outlaws, John Wesley Hardin, was reputed to be the meanest man alive, an accolade he supposedly earned by killing a man for snoring. He committed his first murder at age 15, and admitted to killing more than 40 men over 27 years. In May 1874, Hardin killed Charles Webb, the deputy sheriff of Brown County and a former Texas Ranger. John Barclay Armstrong, a Texas Ranger known as "McNelly's Bulldog" since he served with the Special Force as a sergeant and Captain Leander
11604732
John Riley Duncan


, FL. With the cooperation of local law officers, a railroad official, and a local judge, an ambush was set up in the smoking car of a train that Hardin and several of his friends had recently purchased tickets for. Although some of the local officers knew Hardin through his alias, only the Texas Rangers knew of his true identity. The ambush included Escambia County, FL, Sheriff William Henry Hutchinson, Deputy A. J. Perdue, some recently deputized citizens, and Texas Rangers Duncan and Lieutenant John Barclay Armstrong,
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Harmar campaign


Harmar sent out a scouting party under Colonel Hardin, consisting of 180 militia, a troop of cavalry under Major James Fontaine, and 30 regulars under Captain John Armstrong. It was to estimate the strength of the Indians and attack the village of Chief Le Gris. The party came within a few miles of Kekionga, where they encountered an Indian on horseback, who fled along a minor trail leading away from the village. Hardin ordered his force to pursue, but sent Major Fontaine's cavalry back to bring up a company that
8871829
Harmar campaign


had been left behind. The Indian was a decoy, and led Hardin into a swampy lowland by the Eel River 13 miles northwest of Kekionga, where he could neither pursue nor easily retreat. Indians led by Little Turtle attacked Hardin's force from three sides. Most of the militia fled, warning Major Fontaine's cavalry to get out. The regulars stood their ground with some of the militia. Only 8 of the 30 regulars survived. 40 militia were killed, and 12 Americans were wounded. Captain Armstrong hid in the
8871830
Josiah Harmar


in the woods with 30 U.S. Army troops led by Captain John Armstrong in the lead. At a meadow close to the Eel River, Hardin discovered the ground was covered with countless trinkets, with a fire burning at one end. The Kentucky militiamen immediately dispersed to collect as much as of the loot as they could, despite warnings from Armstrong to stay in formation. Once the militiamen were spread out far and wide, Little Turtle, whom had been watching from a hill, gave the order for the Indians hiding in the
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John Armstrong (frontiersman)


him on an exploration mission in the Northwest Territory. Later that year he led a detachment of regular soldiers that accompanied Kentucky militia under Colonel John Hardin in an expedition to attack a Native American village on the Eel River. The Americans were ambushed in the battle; the militia fled and Armstrong barely escaped with his life. He resigned from the Army in March 1793. After the war, he served as treasurer of the Northwest Territory, a judge in Hamilton County, Ohio, and as magistrate in Columbia, Ohio. He
16024116
Jazz Age


's solo improvisations (below) (recorded 1924). (The example approximates Armstrong's solo, as it does not convey his use of swing.) Armstrong's solos were a significant factor in making jazz a true 20th-century language. After leaving Henderson's group, Armstrong formed his virtuosic Hot Five band, which included instrumentalist's Kid Ory (trombone), Johnny Dodds (clarinet), Johnny St. Cyr (banjo), and wife Lil on piano, where he popularized scat singing. Jelly Roll Morton recorded
20467302
John Riley Duncan


. It is uncertain who killed Mann as many shots were fired; some accounts stated that Armstrong fired the fatal shot. Guarded by Duncan and Armstrong, Hardin was transported by train back to Texas to stand trial; he served 17 years in prison for his crimes. Duncan ended his service with the Texas Rangers after only four months. The most likely reason for this short tenure was the lucrative rewards that could be collected for capture of wanted criminals—being a bounty hunter. Duncan's reasoning was no doubt supported by his
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Phonograph record


violins, which became popular with recording studios. Even drums, if planned and placed properly, could be effectively recorded and heard on even the earliest jazz and military band recordings. The loudest instruments such as the drums and trumpets were positioned the farthest away from the collecting horn. Lillian Hardin Armstrong, a member of King Oliver's Creole Jazz Band, which recorded at Gennett Records in 1923, remembered that at first Oliver and his young second trumpet, Louis Armstrong, stood next to each other and Oliver's horn could not
8046054
Nancy – Naturally


displays all her talents" on "Nancy – Naturally." "On the blues end of things, she turns the lights down low with a smoldering cover of Lil Green's classic 'In the Dark' and swings it hard and brass-heavy on the Joe Williams/Count Basie number 'Alright, Okay, You Win.' And for some of her patented ballad heaven, there are stunners like Michel Legrand's 'Watch What Happens' and Lil Armstrong's forlorn standard 'Just for a Thrill." Cook
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Bad Boy (The Jive Bombers song)


Bad Boy is a song written by Lil Armstrong and Avon Long. It became a hit for The Jive Bombers in 1957. The song has since been covered by The Escorts, Mink DeVille, Ringo Starr, Sha Na Na, Maryann Price, David Johansen performing as Buster Poindexter, and others, and was used in the first-season finale of the television show "Crime Story" as well as in the 1990 film "Cry-Baby". The Mink DeVille version was included in the 1983 film Breathless. Lil
4286585
Baby Dodds


Oliver on cornet, Baby Dodds' brother Johnny Dodds on clarinet, Davey Jones on alto saxophone, Honoré Dutrey on trombone, Lil Hardin on piano, Jimmy Palao on violin, and Eddie Garland on bass fiddle. They moved to California in 1921 to work with Oliver there, and they played together for about fifteen months. In 1922, the band, excepting Garland, Palao, and Jones, followed Oliver to Chicago, which would be his base of operations for several years. They began playing at the Lincoln Gardens,
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All-female band


An all-female band is a musical group in popular music that is exclusively composed of female musicians. This is distinct from a girl group, in which the female members are solely vocalists, though this terminology is not universally followed. While all-male bands are common in many rock and pop scenes, all-female bands are less common. In the Jazz Age and during the 1930s, "all-girl" bands such as The Blue Belles, The Parisian Redheads (later The Bricktops), Lil-Hardin
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Women in music


to maintain, as many earlier groups struggled with replacing female musicians once they departed, and some were forced to open the band to men in order to avoid quitting. In the Jazz Age and during the 1930s, all-female bands such as The Blue Belles, the Parisian Redheads (later the Bricktops), Lil-Hardin's All-Girl Band, The Ingenues, The Harlem Playgirls, Phil Spitalny's Musical Sweethearts and "Helen Lewis and Her All-Girl Jazz Syncopators" were popular.Ina Ray Hutton led
22079945
Robert E. Armstrong


and was actively involved in Bob's political endeavors. Nila Armstrong died June 29, 2012 in Fort Wayne, Indiana. The couple had three sons, Daniel, Douglas, and David, five grandchildren, and six great-grandchildren. Daniel (spouse Linda) is the "Robert A. Welch" Professor of Chemistry and Biochemistry at the University of Texas at Arlington and has three children (Lincoln, Ross and Colleen); Douglas (wife Peggy) has two daughters (Meghan and Elizabeth); and David works with the
20170501
Muskrat Ramble


considered a part of the jazz standard repertoire. Without Ory's consent, lyrics were written for the instrumental tune in 1950 by Ray Gilbert. After Gilbert protested that he was entitled to share credit with Ory, the American Society of Composers, Authors and Publishers awarded him one-third credit on all performances of "Muskrat Ramble", vocal and instrumental. Kid Ory said that he originally composed the tune "Muskrat Ramble" in 1921, and that the title was made up by Lil Hardin at the 1926 session when it
1038264
Buster Wilson


Albert Wesley "Buster" Wilson (1897 - October 23, 1949) was an American jazz pianist. Buster Wilson was born in Atlanta but grew up in Los Angeles. He was the replacement for Lil Hardin in King Oliver's band in 1921 during its engagement at the Wayside Park. In 1922 he played with Dink Johnson's Five Hounds of Jazz, then with the Charlie Lawrence-led Sunnyland Jazz Orchestra from 1923 to 1926. Following this he played with Mutt Carey (1927), Jimmie Noone, Curtis Mosby,
16287781
Women in rock


Bricktops), Lil-Hardin's All-Girl Band, The Ingenues, The Harlem Playgirls, Phil Spitalny's Musical Sweethearts and "Helen Lewis and Her All-Girl Jazz Syncopators" were popular. Ina Ray Hutton led an all-girl band, the Melodears, from 1934 to 1939. Eunice Westmoreland, under the name Rita Rio, led an all-female band appearing on NBC Radio and for Vitaphone and RKO. Ivy Benson's "All Girls Band" was the BBC's resident dance band in 1943 and
5501720
The Jive Bombers


The Jive Bombers were an American R&B group from New York City. The Jive Bombers consisted of members of two previous vocal groups, Sonny Austin & the Jive Bombers and The Palmer Brothers. They first recorded under the name The Sparrows in 1949 for Coral Records, and changed their name to The Jive Bombers in 1952 to record for Citation Records. Their 1957 Savoy Records single "Bad Boy", co-written by Avon Long and Lil Hardin, was a hit in the U.S., peaking at #7 on the R&B
8384468
Maximilian Herzberger


, viz. Ruth (born 1928), Ursula Bellugi (1931), and Hans (6 Aug 1932, spouse of Radhika Herzberger). No later than Sep 1930, he was assistant of Hans Boegehold, the chief of calculation office at Carl Zeiss Jena. In 1934, the Nazis deprived him from his professorship at Jena University and his contract with Zeiss. He emigrated with his family to Rochester (NY), where he became head of Eastman Kodak's optical research laboratories, arranged by Einstein. In 1940,
3849131
Louis Armstrong and His Hot Five


a trumpet player, solo passages by the trumpet alone began to appear more frequently. In these solos, Armstrong laid down the basic vocabulary of jazz improvisation and became its founding and most influential exponent. The Hot Five was organized at the suggestion of Richard M. Jones for Okeh Records. All their records were made in Okeh's recording studio in Chicago, Illinois. The same personnel recorded a session made under the pseudonym "Lil's Hot Shots" for Vocalion/Brunswick (their first electrically recorded session). While the musicians
19430118
Prince Robinson


Howard, Clara Smith, and Elmer Snowden. He played in Leon Abbey's group on a tour of South America in 1927, and the following year became a member of McKinney's Cotton Pickers. In the 1930s Robinson worked with Lil Armstrong, Willie Bryant, Blanche Calloway, Roy Eldridge, and with Teddy Wilson accompanying Billie Holiday. His career continued robustly in the 1940s, including work with Louis Armstrong, Lucky Millinder, and Benny Morton; in 1945 he joined Claude Hopkins's band, where he would remain until 1952
20612162
Chapeltoun


Hugh Parker and his spouse Susanna Wardrop living at Bogflat in 1809 when their daughter Annabella was born. The Parkers were still in residence at the time of the 1841 census. Neighbours Susanna Wardrop Parker of Bogflat Farm and Agnes Wardrop Watt in Parkside Farm were sisters. John Earl and Isobel his spouse were residing at Bogside in 1827. In 1881 an Alexander Muir, aged 38, a general merchant lived at Bogflat with his wife Margaret and sons David and John. A building named Bog is marked on Armstrong's 1775 map and
3546981
Culture Coast Chicago


(trombone), Lil Hardin (piano), Baby Dodds (drums) and Bill Johnson (double bass and banjo). Throughout the 1920s, King Oliver's Creole Jazz Band and other musicians like Benny Goodman and Jelly Roll Morton entertained crowds at the Grand Terrace, Midway Gardens Ballroom, and other South Side venues. The post-World War II era gave rise to blues greats such as Buddy Guy, Muddy Waters, Howlin' Wolf, Little Milton, Etta James, Bo Diddley, Magic Sam, Robert Lockwood
15687346
Qualified domestic relations order


collect both past due and future child support payments. Examples of retirement plans NOT covered by ERISA include military retirement pay (covered by the Uniformed Services Former Spouses' Protection Act), State and Municipal retirement plans, Federal Retirement Plans (the Civil Service Retirement System (CSRS), Federal Employees Retirement System (FERS) and Thrift Savings Plan (TSP)), Individual Retirement Accounts (IRAs) (SEP-IRA, SIMPLE IRA and Keogh Plan), and most deferred compensation plans. However, a QDRO "can
1225356
Richard A. Pauling


) died in April 1813, and Richard was most likely sent to England to live with relatives shortly afterward. His father remarried and had two other children, but he also died in Calcutta in 1822. Name: Richard Alexander Pauling Gender: Male Marriage Date: 25 Sep 1831 Marriage Place: Holy Trinity,Newington,Surrey,England Spouse: Sally Ann Upton FHL Film Number: 307688 Marriage record to Jane Jefferson Simpkins state Richard was a 'Widower'... A 25-year-old Richard Pauling is listed as a passenger on
5957219
World Qualification Series (2009)


18 - Aug 23" 30th Anniversary of the Lacanau Pro and good conditions this year. Surf, concerts, events scheduled. Check out the video for a summary of the event http://vimeo.com/6994555 "Aug 25 - Aug 30" "Sep 01 - Sep 06" "Sep 01 - Sep 06" "Sep 04 - Sep 06" "Sep 09 - Sep 12" "Sep 10 - Sep 13" "Sep 08 - Sep 13" "Sep 15 - Sep 20" "Sep 16 - Sep 22" "Sep
1986943
List of 1982–83 NBA season transactions


1982 Oct 2, 1982 Oct 1, 1982 Sep 30, 1982 Sep 29, 1982 Sep 28, 1982 Sep 27, 1982 Sep 24, 1982 Sep 22, 1982 Sep 20, 1982 Sep 19, 1982 Sep 18, 1982 Sep 17, 1982 Sep 15, 1982 Sep 14, 1982 Sep 13, 1982 Sep 10, 1982 Sep 9, 1982 Sep 7, 1982 Sep 2, 1982 Sep 1, 1982 Aug 31, 1982 Aug 27, 1982 Aug 26, 1982 Aug 16, 1982 Aug 8,
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