Taganka Theatre [SEP] architectural style
Taganka Theatre


Taganka Theatre (, Теа́тр драмы и комедии на Тага́нке, «Тага́нка») is a theater located in the Art Nouveau building on Taganka Square in Moscow. The Drama and Comedy Theater was founded in 1946. The head director was Aleksandr Plotnikov and the actors came from various Moscow theater schools and provincial theaters. By 1960s the theater's attendance was at its lowest and in January 1964 Plotnikov resigned. In his place came Yuri Lyubimov, then an actor at Vakhtangov theater who brought with him his own students from Shchukin Theater School
20413363
Veniamin Smekhov


Moscow Theatre of Drama and Comedy. In 1964 Yuri Lyubimov became head director of the theatre. Lyubimov reorganized the theatre and it became the Taganka Theatre. From 1985 to 1987 Veniamin worked in the Sovremennik Theatre where he, along with Leonid Filatov and Vitaly Shapovalov, fled after Lyubimov's expulsion from the Soviet Union. Veniamin returned to the Taganka Theatre in 1987 and worked there until 1998. Veniamin began acting in films in 1968, but he gained widespread popularity after playing the role of Athos in the famous made-for-
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Taganka Theatre


to lead the troupe. Lyubimov's return to the theatre in 1989 led to the troupe being split, with Gubenko and his party seceding from Lyubimov's company and forming their own "Community of Taganka Actors" (). In June, 2011 before a performance of Bertolt Brecht's play "The Good Person of Szechwan" in Czech Republic the actors of the theatre refused to rehearse unless they were paid first. The 93-year-old Lyubimov paid the money and left the theatre. "I've had enough of this disgrace
20413366
Yuri Lyubimov


Theatre (founded by Yevgeny Vakhtangov). In 1953, he received the USSR State Prize. Lyubimov started teaching in 1963 and formed the Taganka Theatre the following year. His celebrated production of Bertold Brecht's "The Good Person of Setzuan" with Anna Orochko's class at the Schukin Theatre Institute earned him the artistic directorship of the Taganka Theatre. With Meyerhold, Stanislavsky, Vakhtangov and Brecht as his spiritual guides, Lyubimov eschewed Soviet drama for the more imaginative worlds of poetry and narrative fiction, which he dramatized, and the
11613472
Anatoly Efros


Efros collaborated with the stage director Yury Lyubimov on several projects. In 1973, for instance, he directed a TV adaptation of Mikhail Bulgakov's play "The Cabal of Hypocrites", with Lyubimov in the title role of Molière. Two years later, Lyubimov invited Efros into his own Taganka Theatre to stage "The Cherry Orchard". Both directors were drawn to the traditions of Vsevolod Meyerhold and Yevgeny Vakhtangov. In 1984, after Lyubimov left the Taganka Theatre for the West, Efros accepted an offer to run that theatre.
20519390
Leonid Filatov


Master and Margarita, The Cherry Orchard, The House on the Embankment, Fasten Your Seatbelts, Pugachev, Antiworlds, Comrade, Believe," the role of Horatio in "Hamlet", Kul'chitskiy in "The Fallen and Living", Federzoni in "Life of Galileo", and "Players-21" (a work with (Sergey Yursky’s creative association of artists). From 1985 through 1987, while the Taganka Theatre was under Anatoly Efros, Leonid Filatov worked at the Sovremennik Theatre, then later returned to the Taganka.
20413197
Alla Demidova


to be her final one under Lyubimov. The production was short-lived, but the actress's performance garnered fine reviews. As the major conflict broke out in the theatre and Taganka split into two, Demidova supported Lyubimov. "I just refused to see how could a pupil betray their master," she later explained. Once it became obvious that the confrontation started to seriously undermine the quality of Taganka's work, Demidova quit the theatre. In 1992 Demidova's own A Theater opened, with the production of "Phaedra
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Veniamin Smekhov


and abroad, and he taught acting for several years in American universities. During this time he continued to act at the Taganka Theatre when he was in Russia. In America Veniamin released a series of compact disks, The Library of Russian Classics, in 1998. He has made around 20 solo audio books as well as a large collection of audio book compilations. In 2011 Veniamin returned to the Taganka Theatre as a guest actor and director. He reprised the role of Woland in "Master and Margarita" on two occasions that
18248693
Valeri Zolotukhin


he moved to the newly established Taganka Theatre under Yuri Lyubimov where he spent the rest 50 years, taking part in many plays. He was a close friend of Vladimir Vysotsky and regularly performed alongside him, both on stage and in movies. He later published several books of memoirs about their friendship and Taganka Theatre in general. In 1965 Zolothukhin appeared in his first movie "Package" based on the children's novel by L. Panteleyev, in the leading part of a goofy Red Army soldier. In 1966 the film won Grand
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Tagansky District


is the Taganskaya Square, where the Taganka Theatre is located. The skyline is dominated by the Kotelnicheskaya Embankment Building, once the tallest skyscraper in the Soviet Union. The area contains a fine set of pre-Petrine parish churches, including the Athonite metochion and the Bolvanovka church. Apart from Taganka proper, the modern district includes other historic neighbourhoods such as Kulishki in the eastern Bely Gorod, Khitrovka, Solyanka, Krutitsy, and (the spiritual centre of Old Believers). Major sights include the 18th-century Foundling Home and
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Alla Demidova


then had a successful run in Paris, in the wake of its director's death. With Lyubimov coming back, Demidova returned to Taganka where she performed as Marina Mnishek ("Boris Godunov", 1988) and Donna Anna ("Feast Amidst Plague", 1989). In 1988 Alla Demidova joined forces with theatre director Roman Viktyuk who staged Marina Tsvetayeva's "Phaedra". "The result was intriguing, it just never fitted into the Taganka's repertoire. We were invited to festivals, toured a lot but were
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Yuri Lyubimov


Communist authorities. In 1984, he was stripped of Soviet citizenship. Thereupon he worked abroad before returning to the Taganka Theatre in 1989. His staging of "Eugene Onegin" premiered in the Taganka on his 85th birthday to much critical acclaim. While in the West he maintained a busy directing career. In the United States he directed "Crime and Punishment" at Arena Stage and "Lulu" at the Lyric Opera of Chicago. In 1983 he directed Crime and Punishment in London, winning the Evening Standard Award for Best Director
11613476
Aleksandr Trofimov (actor)


of the silk factory in Naro-Fominsk. In 1974 he graduated from the Boris Shchukin Theatre Institute and entered the troupe of the Taganka Theater. This theater Trofimov chose when he saw Vladimir Vysotsky in the play "A Good Man from Sezuan". On the stage of the Taganka Theater, the actor has been playing for many years and is engaged in a variety of performances. The most favorite role is called Yeshua in the production of Yuri Lyubimov "Master and Margarita". In his film career the main director considers
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Palace Theatre (Marion, Ohio)


"A Spanish Castle" or "A Palace in Old Spain." It is difficult to assign an Eberson theatre to a precise architectural style. Eberson "mixed architectural styles, more interested in evoking an impression than precisely replicating an architectural period." The theatre is best described as designed in the Spanish Colonial Revival architecture style. Spanish Colonial Revival was popular in Florida during the 1920s, and features arches, terra-cotta roof tiles, towerlike structures, balconies, ornamental ironwork, courtyards, patios and arcades. The design
11729887
European Cultural Centre of Delphi


Shizuoka Performing Arts Center (Japan), National Royal Theatre Studio (United Kingdom), Watermill Foundation – Robert Wilson (US), Taganka Theatre -Yuri Lyubimov (Russia), Moscow School of Dramatic Art-Anatoli Vasiliev (Russia), Cultural Bureau of Beijing, Ruhr European Festival (Germany), National Theatre of Luxemburg, Ludwigshafen Theatre Pfalzbau (Germany), National Theatre Zagreb (Croatia), Art Carnuntum (Αustria), ATALAYA Theatre Centre (Spain), CHOREA Theatre Association (Poland), Grotowski Institute (
13499585
Dattatreya Aralikatte


and Teaching – 22nd Sep 2018. Mudrika Style: Datta's Puppet shows are temple-based and of Mudrika Style. Mudrika means "Mudra" or impression of God, Culture and Tradition. Mudra aims at preserving for the future generation, the philosophy of life, the philosophy of culture and tradition. Mudra symbolizes Union of God and the Soul. This Philosophy is stressed in Mudrika style puppet theatre. Natya Shastra is an ancient script which deals with Indian Dance and Drama. "Abhinaya" (acting, expression and movement
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Anatoly Vasiliev


group of actors that had gathered around him left the Stanislavski theatre in 1982. In 1985, Yuri Petrovich Lyubimov invited him to work at the Taganka Theatre. The result was that Vasiliev directed a production of "Cerceau", by Victor Slavkin, which was voted best performance for the 1985–1986 Moscow theatre season. In 1987, Vasiliev founded the theatre "School of Dramatic Art", bringing with him many of the actors who had worked with him at the Stanislavski Theatre. The theatre's website sums up Vasiliev's vision for
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Taganka Theatre


. Under Lyubimov, the theatre quickly shot to popularity in Moscow, with Vladimir Vysotsky, Zinaida Slavina and Alla Demidova as the leading actors. Other notable members of Lyubimov's troupe have been Valery Zolotukhin, Veniamin Smekhov, and Leonid Filatov. Nikolai Erdman (famous for his work with Vsevolod Meyerhold in the 1920s) was responsible for the theatre's repertoire. As an artistic director Lyubimov continued the traditions of his alma mater, the Vakhtangov Theatre, while also exploring the possibilities of Bertolt Brecht's "epic theatre". The
20413364
Mira Trailović


(Sicilian marionettes theatre), but also followed the theatre’s coming out of the box, that is, having performances outside of the theatre buildings, giving shows on stadiums, in semi-collapsed industrial zones and peers, or simply out in the open. Lyubimov’s Taganka Theatre was allowed by the Soviet authorities to visit BITEF which was the first time at all they were allowed to leave the USSR, as, until that point, Lyubimov was deemed a dissident by the Soviet government. From the late 1970s, Trailović
10523488
Alexey Eybozhenko


in the Battle of Kursk. And soon his mother died, supposedly because of her grief. In 1957, he graduated from the Mikhail Shchepkin Higher Theatre School. Soon after, he transferred to the Koltsov Drama Theatre in Voronezh. He worked there for two years, and then moved to Moscow again to work at the Taganka Theatre. In 1964, he was accepted into the Mayakovsky Theatre. Three years later, he moved to the Maly Theatre, where he served until his death and played more than 20 roles. Alexey
6346928
Tadashi Suzuki


and presented by four leading regional theatres in the US"; "King Lear", presented with the Moscow Art Theatre; "Oedipus Rex", co-produced by Cultural Olympiad and the Düsseldorf Schauspielhaus; and "Electra", produced by Ansan Arts Center / Arco Arts Theatre in Korea and the Taganka Theatre in Russia. He brought his company from Tokyo to the remote mountain village of Toga in 1976. Currently, the Toga Art Park comprises six theaters, rehearsal facilities, offices, lodgings and restaurants, and continues
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Natalya Kaspersky


and Soviet coins. As a student, Natalya was fascinated with Moscow theatre life and knew the repertoires of the main youth theatres of that time, such as Mossovet Theatre, Taganka Theatre, Sovremennik, etc., and sometimes queued overnight to buy tickets to popular performances. Furthermore, she also had a passion for the guitar and poetry and often sang and played guitar at parties. Natalya's interest in trekking, skiing, travelling with friends and children, and reading professional literature came later and she considers "Good to Great
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Roxy Theatre, Parramatta


The theatre provides evidence of widespread American influence in all aspects of cultural life including particularly architecture and popular culture, particularly film culture (vis a vis Australia's prior local film industry). The building's richly ornamented Spanish Revival Style is part of the development of this style in Australia in the interwar years and more generally of the range of exotic "national" styles as interpreted by Hollywood used throughout the nation for the theatres of the day. The size and architectural character of the building also provide evidence of the economic,
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Veniamin Smekhov


Theatre * "Ocean" A. Stein, directed by P. Monastiyrsky - Chasovnikov * "Person Nearby" V. Mol'ko, directed by Y. Kirzhner - Boris Moscow Theatre of Drama and Comedy * "Blizzard" L. Leonov, directed by A. Plotnikov - M. Nayazmetov Taganka Moscow Theatre of Drama and Comedy * "The Good Person of Szechwan" B. Brecht, directed by Y. Lyubimov - 3rd God * "The Suicide Victim" N. Erdman, directed by Y. Lyubimov (performance was banned) * "Life of Galileo" B. Brecht,
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Vladimir Konkin


those people who are there to protect us," Konkin asserted in a 2002 interview. In 1979 Konkin joined the Moscow Ermolova Theatre (where he played young Vladimir Lenin in "Kazan University") and continued to appear in films, notably "Fathers and Sons" (directed by Vyacheslav Nikiforov; as Arkady Kirsanov) and "The Adventures of Tom Sawyer" (Stanislav Govorukhin, as Doctor Robinson). During the 1980s and 1990s he worked in several theatres, including Taganka Theatre (Zakhar Bardin in Maxim Gorky's "
5932356
Wednesday Theatre


production, by Ron Callanderbr 35. "Almost a Honeymoon" (aired 31 Aug. 1966). Previously aired in the UKbr 36. "The Stag "(aired 7 Sep. 1966) Previously aired in the UKbr 37. "The Interior Decorator" (aired 14 Sep. 1966) Previously aired in the UKbr 38. "A Crack in the Ice" (aired 21 Sep. 1966). By Ronald Eyrebr 39. "Hamlet" (aired 28 Sep. 1966) British production, starring Laurence Olivier.br 40. "Flight into
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Taganka Theatre


theatre had been deep in trouble with Soviet authorities, who banned many of Lyubimov's productions, and eventually in 1984 the director was stripped of his Soviet citizenship while working on a stage production in England and thus forced to stay in exile in the West. When another outstanding stage director, Anatoly Efros, was appointed to run the theatre in Lyubimov's stead, he was boycotted and reviled by leading actors in the foulest terms. After Efros's death three years later, a staunch Communist supporter, Nikolay Gubenko, was nominated
20413365
Empress Theatre (Magna, Utah)


The Empress Theatre has stood for 100 years. Built in 1916 by the Western Theatre Corporation at the end of historic Main Street in Magna, UT, the venue originally opened to provide entertainment to the mine workers. The design of the building, a combination of Neo-classical and Beaux Arts styles, makes it the most outstanding example of high style architecture in Magna. Though not a premier example of the Neo-classical style in Utah, the Empress Theatre is one of a number of distinctively styled theatres in small Utah
14911244
Montreal Community Theatre


a theatre and a social focal point for the community for over 80 years. The Montreal Community Theatre is designed in the Inter-war Stripped Classical architectural style, a transitional style between the Classical and the later Moderne or Art Deco style. The theatre building comprises the theatre shop to the left of the theatre entrance, the foyer, box office, managers office auditorium and dress circle and the stage area with a small backstage area with kitchen storage and a dressing room. The theatre's street facade is simple but imposing with
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Wednesday Theatre


1967)br 26. Untitled documentary on Australian ballet with Robert Helpmann (aired 16 Aug. 1967)br 27. "Illyria" / "Elektra"* [double bill: two ballets] (aired 23 Aug. 1967)br 28. "A Ride on the Big Dipper"* (aired 30 Aug. 1967)br [Note: no episode aired on 6 Sep. 1967]br [29. Episode not traced] (aired 13 Sep. 1967)br [30. Episode not traced] (aired 20 Sep. 1967)br [31. Episode not traced] (aired 27 Sep. 1967)br
9861880
Fox Theatre (St. Louis)


Howard Crane, in an eclectic blend of Asian decorative motifs sometimes called Siamese Byzantine. The interior is the architectural twin of another Fox Theatre built in Detroit in 1928. Reporters in 1929 described the Fox Theatres in St. Louis and Detroit as "awe-inspiringly fashioned after Hindoo (sic) Mosques of Old India, bewildering in their richness and dazzling in their appointments ... striking a note that reverberates around the architectural and theatrical worlds." William Fox nicknamed the style the "Eve Leo Style" in tribute to his wife,
322294
Veniamin Smekhov


directed by Y. Lyubimov, A. Vil'kin, B. Glagolin - Woland * "Cautionary Tale" N. Gogol', directed by Y. Lyubimov, V. Smekhov - Plyushkin and Writer * "House On the Embankment" Y. Trifonov, directed by Y. Lyubimov - D. Glebov * "Vladimir Viysotsky" composed and directed by Y. Lyubimov (it was performed twice and then banned) * "The Lower Depths" M. Gorky, directed by A. Efros - Baron Sovremennik Theatre Taganka Theatre * "Vladimir Viysotsky" composed and directed by Y. Lyubimov *
18248699
Gem Theatre


The Gem Theatre in Detroit (built 1927) houses a two level theatre with traditional row and aisle seating and intimate stage-level seating at cabaret tables. It shares a lobby with the cabaret style Century Theatre (built 1903). The theatre has stylings of Spanish Revival architecture. The structure was listed on the National Register of Historic Places in 1985. In 1902, the Twentieth Century Club, a group of cultural, socially prominent women, built a Mission-style building to house their club. The building, now
11065643
Yuri Lyubimov


Yuri Petrovich Lyubimov (; 5 October 2014) was a Soviet and Russian stage actor and director associated with the internationally renowned Taganka Theatre, which he founded in 1964. He was one of the leading names in the Russian theatre world. Lyubimov was born in Yaroslavl in 1917. His grandfather was a kulak who fled to Moscow to escape arrest during the collectivisation. Lyubimov's father, Pyotr Zakharovich, was a merchant, who worked for a Scottish company, and his mother, Anna Alexandrovna, was a half-Russian and half
11613470
Stanislav Lyubshin


popular film "Щит и Меч" (1968) by director Vladimir Basov. During the 1960s and 1970s, Lyubshin was among the most popular actors of the Soviet cinema. From 1959 - 1964 Lyubshin was member of the troupe at "Sovremennik" Theatre in Moscow. There he was stage partner of Oleg Tabakov, Oleg Yefremov, Evgeni Evstigneev, Galina Volchek, Viktor Sergachev, Oleg Dal, Igor Kvasha, Valentin Gaft, and others. From 1964 - 1967 he was member of the Taganka Theatre company in Moscow. There
12656571
Igor Mirkurbanov


Impact" and "Tormozov.net" on Israeli TV. He taught at the theater school of Beit Zvi. Participant and winner of prestigious international theater festivals (Vienna, Avignon, Edinburgh, Paris, Basel, Rome, Melbourne, Tokyo, New York). He collaborated with the theater Hausmann (Bochum, Germany), Suzuki (Toga, Shizuoka, Japan), the Taganka Theatre (Moscow). Since 2013 — actor Chekhov Moscow Art Theatre. He takes part in the performances of the Moscow Theater Studio Tabakov and Moscow
13536114
Darya Poverennova


Darya Vladimirovna Poverennova (, born June 15, 1972), is a Russian theatre and film actress, and a granddaughter of the great Soviet actor Sergei Lukyanov. Darya Poverennova was born on June 15, 1972. The actress' mother spent her career with the Taganka Theatre, and her grandmother, Nadezhda Tyshkevich, was a ballerina in Kiev. Her legendary grandfather, actor Sergei Lukyanov (who appeared in "Kuban Cossacks" and "The Captain's Daughter", died long before her birth. Darya's parents wanted her
17278919
Nikolai Gubenko


prize at the 1977 Chicago International Film Festival. In 1987 Gubenko returned to the Taganka Theatre following the death of Anatoly Efros. He headed it, started resurrecting old plays and at the same time used all his influence to help Yuri Lyubimov return to the USSR. As soon as Lyubimov's citizenship was restored, he left the director's chair, but remained in the theatre as an actor. He was also offered the seat of the Minister of Culture of the USSR, becoming the first Soviet arts professional to hold a similar
20128210
Nikolai Erdman


newly founded Taganka Theatre. Although Lyubimov and Erdman collaborated on several novel productions, aspiring to revive Meyerhold's traditions, it was not until 1990 that Lyubimov succeeded in producing his stage version of "The Suicide". Erdman's principal work was banned in the Soviet Union until the Perestroika era. Even the comparatively orthodox Moscow Satire Theatre (inaugurated in 1924 with the production of Erdman's review "Moscow from the Point of View...") failed to have their version of "The Suicide" approved by the Soviet censors.
20678687
Galina Aksenova


about Marina Ladiynina) 4. 2015 - "The Last Poet of the Great War" (documentary film about Ion Degen) 5. 2015 - "Boris Zaborov: Searching For Lost Time" (documentary film about Boris Zaborov) 6. 2016 - "Archives: Film 1. Alexander Dovzhenko and Yulia Solntseva" 7. 2016 - "Archives: Film 2. Elem Klimov and Larisa Shept'ko" Theatre 1. 2015 - "The Spine of the Flute" (V. Mayakovsky), director (Taganka Theatre) Books Translations
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Nikolai Gubenko


Nikolai Nikolaevich Gubenko () (born 17 August 1941) is a Soviet and Russian actor, film and theatre director, screenwriter, founder of the Community of Taganka Actors theatre. His movie "Wounded Game" was entered into the 1977 Cannes Film Festival. He was named People's Artist of the RSFSR in 1985. Gubenko has been also active in politics. He served as the last Minister of Culture of the USSR (1989—1991) and as the Russian State Duma deputy between 1995 and 2003. From 2005 on he acts
20128203
Vladimir Valutsky


Demidova, also a student at the Boris Shchukin Theatre Institute, and married her in 1961. Same year he and several other students were expelled from the institute following a grand scandal: it was revealed they had written a parody on a revolutionary drama play that featured Vladimir Lenin. Vladimir later managed to enroll back to VGIK and eventually finished it in 1964 (Yevgeny Gabrilovich's course). In-between he co-wrote a play "Fallen and Alive" for the newly-found Taganka Theatre where his wife served as
5213097
Architecture of Toronto


-of-the-century beaux-arts architectural styles, typical of British theatres. Other notable live performance venues include Elgin and Winter Garden Theatres, Ed Mirvish Theatre, Bathurst Street Theatre, CAA Theatre, Princess of Wales Theatre, and the Sony Centre for the Performing Arts. Toronto is home to several sports venues, most notably the Rogers Centre, the Scotiabank Arena, and BMO Field, which are all current venues. The Maple Leaf Gardens is perhaps Toronto's best known former sporting venue, as it was the
19239495
Tianjin Grand Theatre


Tianjin Grand Theatre, also known as the Tianjin Cultural Centre Grand Theatre, is located on the east side of the Tianjin Cultural Centre, Hexi District, Tianjin City, People's Republic of China. It is the largest venue in the Tianjin Cultural Centre. Designed by German GMP architectural company, the theatre adopts the style of modernist architecture. The construction of the Tianjin Grand Theatre started in 2009, completed and put into use on April 22, 2012. Its total construction space amounts to 105,000 m². The theatre can seat
21193962
Palace Theatre (Marion, Ohio)


The Marion Palace Theatre is a movie palace constructed in 1928 in Marion, Ohio, United States for the Young Amusement Company. It is listed on the National Register of Historic Places because of its significance to the atmospheric theatre architectural style popular in the United States during the 1920s. The theatre opened on August 30, 1928, becoming the company's tenth theatre. A movie palace, it was one of the last to be built in the atmospheric theatre style in the United States. In addition to motion pictures and newsreels,
11729884
Alfred Darbyshire


to 1905. Darbyshire died in Manchester in 1908 and was buried at Flixton Church. Darbyshire admired the Gothic Revival style of Alfred Waterhouse but also designed in the neoclassical style. He is best known for his theatrical architecture. He designed Manchester's Gaiety Theatre and a theatre at Rawtenstall, and carried out alterations at Manchester's Theatre Royal and the Prince's theatres. In London he altered and decorated the Lyceum Theatre. Concerned by the danger of fire in theatres, he worked with the actor Henry Irving to develop the Irving-
6868022
Semyon Farada


"Farada" stuck with the actor. In 1972, after authorities shut down the Rozovsky theatre, Yury Lyubimov recruited Farada to work at the Taganka Theatre with whom he remained until his death. Farada played in more than 70 films, notably with directors Mark Zakharov, Eldar Ryazanov and Aleksey German. A stroke in June 2000 after the funeral of his friend, playwright Grigory Gorin, forced Farada to retire from acting. He was married to actress Maria Politseymako and was father of actor Mikhail Politseymako, who both supported him in
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Valeri Zolotukhin


Prix at the International Television Festival (Czechoslovakia). But real fame came to Zolothukhin only in 1971 after the "Bumbarash" TV movie where he played a similar goofy soldier. The actor has been closely associated with the Bumbarash character ever since. In addition to acting Zolotukhin also performed as a singer, wrote stories and read them from stage. He remained at the Taganka Theatre after the 1993 split, when a number of actors headed by Nikolai Gubenko left it following Lyubimov's plans to privatize the theatre and move to the
14922266
Eglinton Theatre


The Eglinton Theatre, (or Eglinton Grand) is an event venue and cinema in Toronto, Ontario, Canada. In 2016, it was designated a National Historic Site by Parks Canada and the Historic Sites and Monuments Board of Canada. Built in 1936, the Eglinton became one of the best examples of the Art Deco-style in Canadian theatre design. In 1937, architectural firm Kaplan & Sprachman was awarded the Royal Architecture Institute of Canada's Bronze Medal for their design of the theatre. During 1965 and 1967, the
7188921
Valeri Zolotukhin


contract system. In 2007 he took part in the 5th State Duma elections as A Just Russia candidate, heading the Perm Krai regional group. After winning the race he passed his mandate to another party member Konstantin Beschetnov and left politics. In 2010 another internal conflict happened, also caused by Lyubimov's decision to move to a contract system. Finally he left the theatre, and the remaining actors chose Zolotukhin as the head of Taganka despite his health problems. He still managed the theatre both as a managing and artistic director and
14922267
KiMo Theater


The KiMo Theatre is a theatre and historic landmark located in Albuquerque, New Mexico on the northeast corner of Central Avenue and Fifth Street. It was built in 1927 in the extravagant Art Deco-Pueblo Revival Style architecture, which is a blend of adobe building styles (rounded corners and edges), decorative motifs from indigenous cultures, and the soaring lines and linear repetition found in American Art Deco architecture. The KiMo was conceived by entrepreneur Oreste Bachechi and his wife, Maria Franceschi Bachechi. It was Mrs. Bachechi's desire to
12494828
State Theatre (Los Angeles)


The State Theatre, formerly known as Loew's State Theatre, at 703 S. Broadway, is a historic movie theatre which opened in November 1921 in the Broadway Theatre District of Downtown Los Angeles. The State Theatre was designed by Charles Peter Weeks and William Day, of architectural firm Weeks & Day, in a Spanish Renaissance style. The theatre is incorporated into a 12-story Beaux Arts style 1921 office block called the United Building, situated at the intersection of S. Broadway and 7th St. The building extends half a block along 7th St
15071435
Roxy Theatre, Parramatta


the United State from whence came both films and architectural models for the theatres. It also reflects the contemporary norms which ensured that while theatre going was affordable for almost all, it should provide an opulence and grandeur (in both decoration and facilities such as lounges, smoking rooms, etc.) quite deliberately "other than ordinary". The Roxy is also a notable example of "Spanish Revival Style"—relating to the style as a whole as it evolved in Australia in the Interwar period and more particularly as the style was applied to
2121879
National Register of Historic Places architectural style categories


the Mabel Dodge Luhan House in New Mexico, and the Painted Desert Inn in Arizona. Exotic Revival architecture is another style that may reflect a mix of Moorish Revival architecture, Egyptian Revival architecture, and other influences. Just a few of many National Register-listed places identified with this style are El Zaribah Shrine Auditorium, Odd Fellows Rest Cemetery, Fort Smith Masonic Temple, and Algeria Shrine Temple. Examples in California include Grauman's Chinese Theater and Egyptian Theatre in Hollywood, the Citadel Outlets in Commerce near Los Angeles, and
1133488
Florida Theatre


The Florida Theatre is a historic American movie theater located in Jacksonville, Florida. Opened in April 1927, it was added to the U.S. National Register of Historic Places on November 4, 1982. On April 18, 2012, the AIA's Florida Chapter placed the building on its list of "Florida Architecture: 100 Years. 100 Places". The theatre is one of only four remaining high-style movie palaces built in Florida during the Mediterranean Revival architectural boom of the 1920s (the other three being the Saenger Theatre in
21896838
Boris Khmelnitsky


Boris Alexandrovich Khmelnitsky (; born on 27 June 1940 in Ussuriysk, died on 16 February 2008 in Moscow) was a Russian theatre and movie actor. He worked many years in the Taganka Theatre in Moscow. In cinema, he was known for many of his roles in Soviet adventure films. He played Robin Hood, Prince Igor, Captain Grant and many other characters. The last film he participated in was the 2008 film about Taras Bulba by Vladimir Bortko. Played Robin Hood in 1976 film "a href="Robin%20Hood%27s%20Arrows%20%28film%29"Robin H ood's Arrows
21563462
Drottningholm Palace Theatre


Adelcrantz created was unusual architecturally in several respects. Most notably, although the theatre was intended to mimic Versailles’s artistic style, the lack of funds of the Swedish Treasury forced a much sparser style. The exterior of the building is very plain in comparison to other palatial theatres, in the style of a country manor with no indication from the exterior that an opera house is inside. The interior, decorated by Adrien Masreliez, uses trompe l'oeil, papier-mâché, and stucco to imitate more expensive materials like marble and gold
6826376
Yucca Theatre


The Yucca Theatre in Hysham, Montana, was built in 1931 by David Manning. The Mission style movie theater initially had a stage for theatrical productions which was removed in 1936. The theater closed in 1957 and became a part of the adjoining Manning home. The theater has since been restored and is used as a community theater. The theatre is significant for its architecture and its association with Manning, a prominent Montana legislator. The theatre is a two-story Mission style building, built of stucco-clad brick. The
1317452
Yau Ma Tei Theatre


public, which fall between 1925 and 1931. The décor of the theatre has shown some hints for the opening time of it. In the late 1920s, the dominant architectural style was the Neo-classicism while the Art Deco was an emerging trend of the next decade. While the front and the proscenium arch were designed as Neo-classical style with Art Deco influence, the interior décor of the theatre is Art Deco. This provides a crucial clue that the theatre was built in the late 1920s but not the mid-1920s.
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Bala Theatre


Bala Theatre is a historic 1926 theater building at 157 Bala Avenue in Bala Cynwyd, Pennsylvania. It was designed by Philadelphia architectural firm Hoffman-Henon. The 1,450 seat theater opened as an Egyptian Theatre on September 15, 1926. It features Egyptian Revival architecture stylings. It was renamed the Bala in 1955 when A.M. Ellis Theatres took over the theater from Stanley Warner. The Sotolidis family purchased it in 1987 to keep it open and it was written about in David Naylor’s 1987 book, the National Trust Guide ‘Great American
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Piccadilly Theatre and Arcade


The Piccadilly Cinema Centre (formerly Piccadilly Theatre) and Piccadilly Arcade are located at 700-704 Hay Street, Perth, Western Australia. It is an art deco style cinema and shopping arcade, designed by architect William T. Leighton for mining entrepreneur Claude de Bernales. The theatre and arcade opened in 1938, with the arcade connecting Hay Street through to Murray Street. In 1984 the theatre and arcade underwent a significant refurbishment, with the refurbishment winning an architectural award from the Royal Australian Institute of Architecture (WA Chapter) in 1986
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Hawaiian architecture


form of neoclassicism that combines ancient Greek and Roman architectural styles and principles into a modern form. Likewise, Art Deco is considered to be a blanket modernization of all architectural styles. Hawaiian builders created Hawaiian Beaux-Arts and Art Deco architecture by incorporating Hawaiian motifs and tropical treatments to the various parts of their projects. An example of Hawaiian Beaux-Arts is the Waikiki Natatorium War Memorial in Waikīkī. The most famous examples of Hawaiian Art Deco are the Hawaii Theatre and the Schofield Barracks Historic District. The Hawaii State Capitol is
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Architecture of Jacksonville


Centre office complex. Originally built in 1969 as the Jacksonville Children's Museum, William Morgan's Brutalist designed museum currently houses the Museum of Science and History. The city host a number of music and performance venues, most notably the Florida Theatre. Designed by local architect Roy A. Benjamin, the Mediterranean Revival style theater opened in 1927. Benjamin designed a number of other local venues, including the Renaissance Revival style Riverside Theatre in 1927 and the Art Deco style San Marco Theatre in 1939. Designed by Jefferson Davis Powell in 1929
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Roxy Theatre, Parramatta


Environment Court. The Roxy Theatre is an Inter-War Spanish Mission purpose-built cinema building flanked on either side by loggias containing shops. The central arched entrance is richly decorated with stuccoed ornamentation. The Roxy is the best surviving example in Australia of the adaptation of this style of architecture to a large public building, making the most consistent use of the Spanish Mission style throughout. The building comprises a large "picture palace" cinema in the Spanish Mission Style. The main, double height theatre block is set back from
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Ironwood Theatre


plans to install handicapped bathroom facilities at the Theatre. The theatre was designed by self-taught Ironwood architect Albert Nelson and was constructed in 1928 at a cost of $160,000 (equivalent of approximately $2 million today). The architecture was modeled after the Italian Renaissance style featuring hand-sculpted faux pillars and arched proscenium style stage. The building seated 1,000 guests when it was originally built including 600 seats on the main floor and 400 seats on the balcony level. Due to many restoration efforts and improvements of the theatre's
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Maryborough Base Hospital


as engaged to lay out the grounds. The next phases of development, opened in 1938 resulted in the construction of a dedicated operating theatre, which was until this stage, housed in various other buildings on the site. The operating theatre was designed by POE Hawkes and is obviously influenced by Spanish Mission architecture which was a popular inter-war architectural style. The building was constructed adjacent to the western side of the newly opened Demaine Block. The design of the operating theatre was described in the local newspaper at the time of
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Hartford City Courthouse Square Historic District


than buildings constructed later in the 20th century. Because many of the District's buildings were constructed during the Gas Boom era (between 1885 and 1905), these styles of architecture are more prevalent than the styles that became popular later in the 20th century. However, additional architecture styles are also represented. An outstanding example of the Art Deco style can be found in the district's Scheidler Theatre, and the Post Office is the single outstanding example of the Neoclassical style. The commercial building at 210 East Washington Street is the
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Edward Buehler Delk


Edward Buehler Delk (1885 -1956) was a prominent architect who designed many landmark buildings in the Midwest and Southwest regions of The United States. Delk was born on 22 Sep 1885 Schoharie, New York. He graduated from University of Pennsylvania in 1907. After serving in the Army Air Corps during World War I where he studied at the University of London after the war. Among his most famous works were Spanish Colonial Revival Style architecture buildings in the 1920s for Kansas City developer J.C. Nichols and Oklahoma oilman Waite Phillips. On September
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Andrei Voznesensky


"Juno and Avos" (1979), based on the life and death of Nikolay Rezanov. His creations have been turned into works of theatre. One collection of his poems, "Antimiry" ("Anti-worlds") served as the basis for a famous performance at the Taganka Theater in 1965. "Save your Faces" was performed at the same venue. "Juno and Avos" was performed at the Lenin's Komsomol Theater (now Lenkom). Others on foreign territory. In 1978 Voznesensky was awarded
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Colonial Theatre (Phoenixville, Pennsylvania)


, while preserving the historic architecture of the bank building. The Colonial's expansion opened for business on May 12, 2017. The new wing offers a 174-retractable seat stadium-style theatre, an intimate 65-seat screening room-style theatre, and a lobby that showcases a baby grand piano and a 30-ft concession stand. In addition to the new theatres and lobby, the expansion also offers dressing rooms for performers, a mini concession stand for special events, a full-sized catering kitchen, and a second floor garden suite with
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Fox Theatre (Atlanta)


a summer film series, and performances by national touring companies of Broadway shows. The venue also hosts occasional concerts by popular artists. When the Fox Theatre first opened, the local newspaper described it as having, "a picturesque and almost disturbing grandeur beyond imagination". It remains a showplace that impresses theatre-goers to this day. The principal architect of the project was Olivier Vinour of the firm Marye, Alger and Vinour. The original architecture and décor of the Fox can be roughly divided into two architectural styles: Islamic
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Somali architecture


style: from the Villa Somalia (official residency of the presidents of Somalia) to the Governor's Palace of Mogadishu] & the "Fiat Boero" building there are many examples of this architecture, that was developed when Mogadishu was under Italian rule. Other areas of Somalia show the Italian influence, like in the famous lighthouse in Guardafui cape. The Somali government continued upon that legacy, while also opening the door to German, American and Chinese designers. As a departure from the prevailing Somali architectural style, the National Theatre
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Anastasiya Vertinskaya


Vanya" (Elena). In "Tartuffe", she elevated her Elmyra "onto on an enormous aesthetic pedestal, presenting her as a kind of noblewoman of old French canvasses, inapproachable in her beauty and grace," according to the "Theatre" magazine. The same critic marveled at her ability to create "beauty devoid of frustration; gracefulness without flaw, based on emotional fullness and self-enjoyment." In Shakespeare's "The Tempest" (produced by Anatoly Efros at Taganka) the actress demonstrated "the
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Leonid Filatov


. However, Filatov was persistent, and on the advice of a classmate he took the entrance exams to the actor's department of the Shchukin Theatrical School. In 1965 he was admitted to the course of B.K. Lvova and L.N. Shikhmatov, and graduated from Shchukin Theatrical School as an actor in 1969. In 1969 Filatov became an actor with the troupe of the Moscow Taganka Theatre. His first main role was the lead in the stage version of "What Is to Be Done?" His career developed with roles in "The
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Ivan Lubennikov


of the Tryokhgorka manufacture was awarded with the prize of the Union of the Artists of Moscow. It was the first of his numerous monumental artworks, which included the decoration of the façade and interior of the new train station of Zvenigorod (first prize of the Foundation of the Artists of Moscow), memorial monument for the Russian section of the Auschwitz-Birkenau State Museum with the architect Alexandr Skolan in 1985, and intervention with laminated iron on the old facades of the Taganka Theatre in Moscow in 1987. Most of his realizations
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Odessa Opera and Ballet Theater


The Odessa National Academic Theatre of Opera and Ballet () is the oldest theatre in Odessa, Ukraine. The Theatre and the Potemkin Stairs are the most famous edifices in Odessa. The first opera house was opened in 1810 and destroyed by fire in 1873. The modern building was constructed by Fellner & Helmer in neo-baroque (Vienna Baroque) style and opened in 1887. The architecture of the luxurious audience hall follows the late French rococo style. The unique acoustics of the horseshoe-designed hall allows performers to deliver even
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Teatro Nacional de El Salvador


the masterful copper artwork that would adorn the doors to the theatre boxes. Afterwards artisans of Ilobasco joined the team and students of the then "Bachillerato en Artes" led by the master artisan Carlos Cañas. Multiple architectural styles were enriched in the fusion of the construction of the National Theatre including: Versailles Style, Rococo, Romanticism, and Art Nouveau, with regional touches. Some of the furniture was elaborated in the shop of the theatre, the rest of the furniture, rugs, carpets, armchairs, and lecterns, were
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Woolly Mammoth Theatre Company


the people they are." Opened in 2005, its permanent home is a $9 million, 265-seat courtyard-style theater. It was designed by Washington-based architect Mark McInturff in association with Theatre Project Consultants. The space has won local, regional, and national awards for innovative architectural design, including the American Institute of Architects 2006 Institute Honor Award for Interior Architecture and the US Institute for Theatre Technology Honor Award. In 2018, Woolly Mammoth hired Maria Manuela Goyanes as its Artistic Director, succeeding founder Howard Shalwitz.
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Former Queen’s Theatre, Singapore


the GrandLink Square. The facade now is under the conservation area of URA (Urban Redevelopment Authority). The GrandLink Square was built by Shin Hwa Cheong Development with 71 apartment units. By looking at the façade, it has characters of colonial-style architecture which was popular when Singapore was under the control of Britain. The European architectural style, such as Palladian, Renaissance or Neoclassical style, was usually applied to civic and commercial building by the colonial government. The equilateral triangle at the top of the facade with decorations on
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Latvian National Theatre


The Latvian National Theatre () is one of the leading professional theatres in Latvia. It is a modern theatre that is proud of its 100-year history. The building is in eclectic style and it is an architectural and art monument. The country Latvia was proclaimed in this building in the year 1918. On 23rd of February, the theatre will celebrate its 100th anniversary. The director of National Theatre of Latvia from the year 2006 is Ojārs Rubenis. The mission of Latvia’s National theatre is to be the centre of national culture
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Anastasiya Vertinskaya


Alone with Everybody" by Alexander Gelman), and Pat ("Mother-of-Pearl Zinaida" by Mikhail Roshchin). In 1989 Vertinskaya portrayed her own father in "The Mirage or the Russian Pierrot's Way", a show that she herself wrote a script for and directed to mark the centennial birthday anniversary of Alexander Vertinsky. Vertinskaya excelled in her Shakespearean roles. First, in a theatrical experiment staged by director Anatoly Efros at Taganka Theatre, she played both Prospero and Ariel in Shakespeare's "The Tempest"
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Vladimir Vysotsky


not a single ticket holder took advantage of the refund offer). Despite this, by the end of the day, millions had learned of Vysotsky's death. On 28 July, he lay in state at the Taganka Theatre. After a mourning ceremony involving an unauthorized mass gathering of unprecedented scale, Vysotsky was buried at the Vagankovskoye Cemetery in Moscow. The attendance at the Olympic events dropped noticeably on that day, as scores of spectators left to attend the funeral. Tens of thousands of people lined the streets to catch a
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Alla Demidova


tried to return to the Vaktangov's, spent several months at the Mayakovsky Theatre again without any role to cling to, and in the end of 1964 joined Taganka (which opened officially in April that year) to be employed there regularly, but mostly in unsubstantial roles. The reason for Lyubimov's mistrust might have been the fact that in her first leading role here, that of Vera in "A Hero of Our Time", Demidova, admittedly, 'failed miserably'. Several years of hard work in mass scenes
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Luigi Nono


lectures and performances. (The title of "A floresta é jovem e cheja de vida" contains a spelling error, the word "full" is "cheia" in Portuguese, not "cheja" ). Nono's second period, commonly thought to have begun after "Intolleranza" , reaches its apogee in his second "azione scenica", "Al gran sole carico d'amore" (1972–74)—a collaboration with Yuri Lyubimov, who was then director of the Taganka Theatre in Moscow. In this large-scale stage work,
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Yuri Lyubimov


Lyubimov wrote the libretto). Long a Soviet underground classic, Mikhail Bulgakov's novel "The Master and Margarita" was finally brought to the Russian stage at the Taganka in 1977, in an adaptation by Lyubimov. According to B. Beumers, the major innovations Lyubimov brought to theatrical history are the creation of a new theatrical genre, the poetic theatre, in which all revolves around one metaphor, and the creation of a new form of dramatic material, which incorporates a historical and biographical context. Lyubimov's performances — including the
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Yuri Lyubimov


, in 1985 he directed St Matthew Passion at La Scala. His effort to re-stage his famous "The Master and Margarita" at the American Repertory Theater failed to materialize because of a disagreement with the management of that company. In 1989, his Russian citizenship was restored. In June 2011, before a performance of Bertolt Brecht's play "The Good Person of Szechwan" in Czech, the actors of Taganka refused to rehearse unless they were paid first. Lyubimov paid the money and left the theatre. "I
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Veniamin Smekhov


Veniamin Borisovich Smekhov (; born August 10, 1940 in Moscow) is a Soviet and Russian actor of stage and screen, and a director of the stage, television and documentary film. He was the winner of the Petropol Award (2000) as well as the Tsarskoselsky Artistic Prize (2009). He refused the title of People's Artist of Russia, which was offered to him on his 70th birthday. Smekhov has long worked in the Moscow Taganka Theatre where his roles included Woland in a stage adaptation of Mikhail Bulgakov's
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Veniamin Smekhov


included a dedication performance in memory of actor Vsevolod Sobolev and the 50th anniversary of the Taganka Theatre. He currently performs as an actor in two poetic performances "No Years" (he also composed and directed this performance) and "The Spine of the Flute." He lives in Moscow and very frequently tours with his performances and evenings of poetry. Veniamin also makes poetic programs and documentary films for television. He is also the author of several books of both poetry and prose, and memoirs. He has called himself an
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Vladimir Vysotsky


first state award, the Honorary Diploma of the Uzbek SSR following a tour with fellow actors from the Taganka Theatre in Uzbekistan. A year later he was granted the USSR Union of Cinematographers' membership. This meant he was not an "anti-Soviet scum" now, rather an unlikely link between the official Soviet cinema elite and the "progressive-thinking artists of the West." More films followed, among them "The Only Road" (a Soviet-Yugoslav joint venture, premiered on 10 January 1975 in Belgrade
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Vladimir Vysotsky


Fedotov's incompetent sedation combined with alcohol was what killed Vysotsky. An autopsy was prevented by Vysotsky's parents (who were eager to have their son's drug addiction remain secret), so the true cause of death remains unknown. No official announcement of the actor's death was made, only a brief obituary appeared in the Moscow newspaper "Vechernyaya Moskva", and a note informing of Vysotsky's death and cancellation of the "Hamlet" performance was put out at the entrance to the Taganka Theatre (the story goes that
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Anna Orochko


soldiers at the front lines, and was named a People's Artist of the Russian SFSR in 1947. In 1950 she received the Stalin Prize for her performance in Virta's "The Conspiracy of the Condemned". Orochko is best remembered as an acting teacher and theatrical organizer. Beginning in 1922, she taught acting at the Vakhtangov School, later renamed the Boris Shchukin Theatre Institute. Her students included Vladimir Etush, Boris Khmelnitsky, Aleksandr Grave, and Alla Demidova. She was described as the "godmother" of the Taganka
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Aleksandr Trofimov (actor)


Aleksandr Alekseevich Trofimov (; born March 18, 1952, Moscow) is a Soviet and Russian actor of theater and cinema, Honored Artist of Russia (1992), People's Artist of Russia (2013), leading actor of the Moscow's Taganka Theatre. Aleksandr Trofimov was born in a family that was in no way associated with the theater. Since 1969 he worked as a technician of the scene of an officer club in the Malinovsky Military Armored Forces Academy. Since 1971 - head of the youth studio at the national theater
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Boris Mozhayev


Dmitry Polyansky's efforts to save it) declared it a parody on the Soviet way of life. Also banned was Yuri Lyubimov's production of "Fyodor Kuzkin" at Taganka Theatre; it was only in 1986 that the play could be premiered there. In 1973 Kuzkin was at last published in a small almanac called Forest Roads, under the new title "Alive". In 1980 Boris Mozhayev finished his magnum opus "Peasant Men and Women" a two-part epic telling the story of collectivization at Ryazanshchina, the subsequent
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Russian architecture


Empire style, which became "de facto" the only style of his period, evidenced by the Kazan Cathedral, the Admiralty building, the Bolshoi Theatre, St Isaac's Cathedral, and the Narva Triumphal Gates in Saint Petersburg. The Empire style's influence was even greater in Moscow, which had to rebuild thousands of houses destroyed by the fire of 1812. In the 1830s Nicholas I eased regulation in architecture, opening the trade to several incarnations of early eclecticism. Konstantin Ton's pseudo-Russian designs became the preferred choice
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Florida Theatre


Pensacola, the Polk Theatre in Lakeland and the Tampa Theatre in Tampa). The Florida Theatre began construction in summer of 1926 by Southern Enterprises, Inc. with R. E. Hall & Co. and Roy A. Benjamin as the architects. The theatre was established as a seven-story concrete fireproof building with a roof garden and with an emphasis on showing movies and live performances. R. E. Hall and Roy A. Benjamin designed the Florida Theatre in the Mediterranean Revival architecture style. The site of the Florida Theatre was previously occupied by a police
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The Norwalk Theatre


The Norwalk Theatre is a historic theatre building located at 57 East Main Street in Norwalk, Ohio. It is owned by the Norwalk Arts Center, LLC, and is a textbook example of the pre World War II Art Deco style of architecture. Designed by the noted theatre architect John Eberson, the theatre was completed in 1941. It features a porcelain enamel and brick facade and the largest marquee in the state of Ohio. Built for Schine Chain Theatres, Inc., the theatre was air conditioned using the latest available equipment,
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Neoclassicism


Historicism or Traditionalism. Also, a number of pieces of postmodern architecture draw inspiration from and include explicit references to Neoclassicism, Antigone District and the National Theatre of Catalonia in Barcelona among them. Postmodern architecture occasionally includes historical elements, like columns, capitals or the tympanum. For sincere traditional-style architecture that sticks to regional architecture, materials and craftsmanship, the term Traditional Architecture (or vernacular) is mostly used. The Driehaus Architecture Prize is awarded to major contributors in the field of 21st century traditional or classical architecture, and
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Buildings and architecture of Brighton and Hove


the Corinthian order, an exterior of "vivid red brick" and a series of dome-topped turrets on the roofline. The former Brighton Hippodrome in The Lanes was designed as an ice rink in 1897, but Frank Matcham converted it into a theatre and indoor circus in 1901–02. Elaborate Rococo-style interior decoration and Royal Pavilion-style onion domes above the stage contrast with a low-key exterior with short towers at each end and a coloured glazed awning. Elsewhere, the Brighton Little Theatre occupies a Classical-style
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Egyptian Theatre (Coos Bay, Oregon)


The Egyptian Theatre is a historic movie theatre in Coos Bay, Oregon, United States. It was originally built as a garage, and was converted to a theatre in 1925. With a seating capacity of 770, the theatre is an example of the Egyptian Theatre style of Egyptian Revival architecture that was popular in the early 20th century in the U.S., especially following the 1922 discovery of the tomb of King Tut. The building was listed on the U.S. National Register of Historic Places on May 24, 2010. In fact it
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Saban Theatre


Despite several renovations, the interior remains mostly intact with its columned two-story rotunda lobby, spacious orchestra and balcony level seating for 2,000, and its silver, gold and black proscenium and organ screens. The connection with architect S. Charles Lee, a long-time resident of the city of Beverly Hills, makes the Saban significant also as an example of Lee's transition from the French Regency style of the Tower Theatre and other Los Angeles Theatres to the nascent Art Deco style that would come to dominate movie palace architecture in
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