Get Rhythm [SEP] lyrics by
Origins of rock and roll


"Transatlantic Merry-Go-Round", where the term was used to describe the motion of a ship at sea. In 1935, Henry "Red" Allen recorded "Get Rhythm in Your Feet and Music in Your Soul" which included the lyric "If Satan starts to hound you, commence to rock and roll / Get rhythm in your feet..." The lyrics were written by the prolific composer J. Russel Robinson with Bill Livingston. Allen's recording was a "race" record on the Vocalion label, but
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Rhythm Inside (Loïc Nottet song)


that the song deals with moral universalism. Music critics also identified other lyrical themes; according to Theo Vatmanidis of EuroVisionary, "Rhythm Inside" is about "getting attuned to a cosmic rhythm of love". A writer of RTVE concluded that the track "conveys[s] the mechanism of our hearts is invariable and that only our individual decisions mark what we will leave in this world". They further wrote: "Do not force yourself to please others, find your own rhythm and you will see that you do not walk
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List of Jeeves characters


In the same novel, Bertie mentions that Seppings is fond of dances, and Bertie later has trouble getting his attention while Seppings is engrossed in dancing. Seppings makes a brief appearance in "The Code of the Woosters", working at the Travers family's town house. In "Jeeves and the Feudal Spirit", Seppings discovers a missing pearl necklace in Jeeves's room, and draws this to Jeeves's attention before reporting it to anyone else. After he does report this, both Seppings and Aunt Dahlia are offended when
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Mojib-Ribbon


level, Mojibri walks around a circle of clouds as rap lyrics written in kana pass underneath. The player must press up on the joystick to get Mojibri to dip his fude in the suzuri and then down to get Mojibri to write the kana as he sings it. The songs are heavily rhythm-based raps, and the player must time the application of the fude to the washi during lyrics and to the suzuri during breaks. Later in the game Mojibri is joined by a female friend named and a huge robot called .
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Sempiternal (album)


God to get better, I was in a shitty place and I was asked to put my faith in God". The lyrical structure is also seen as following a "yin-and-yang". Heard in songs like "Can You Feel My Heart", where the lyrics polarise with "the higher I get, the lower I sink". It is the only album to feature Sykes playing the rhythm guitar. The introductory song "Can You Feel My Heart" was a musical experiment which helped sculpt the
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One Mint Julep


hot rhythm and blues label. Stylistically, the Clovers were moving away from the sentimental lyrics of the romantic doo-wop group songs and adapting a cooler group style, emphasizing rhythm more, nearing the style of a jump blues combo. Toombs had been hired by the Atlantic Records label to write and compose humorous up-tempo rhythm and blues novelty songs. Atlantic wanted material that was true to life, but also funny. The humor in this song comes in part from the idea of a young black man getting drunk on
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United States hydrogen policy


programs. Each states energy office gets SEP funding and manages all SEP funded projects. For more information about the SEP, including project descriptions, visit the SEP website. Clean Ports USA is an incentive-based program designed to help reduce emissions by encouraging port authorities to redesign and replace older diesel engines with new technologies and cleaner fuels. The U.S. Environmental Protection Agency's National Clean Diesel Campaign offers funding to port authorities to help them overcome the obstacles that prevent the adoption of cleaner diesel technologies. Clean Construction USA promotes the reduction
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Rhythm Nation (music video)


I see it, I can never look away. It’s captivating. ‘Rhythm Nation’ is the most empowering, come-on-get-up song in the world. They should play it before sporting matches like the national anthem. Yet the lyrics never say that thinking positively and coming together is all we need to do to achieve our goals – there was work to do in 1989, there’s work to do now. No struggle, no progress." "Rolling Stone" described the full length piece
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A Trick of the Tail (song)


side but failed to make any significant chart impact. The majority of the song was written in 1972 and was originally intended for the "Foxtrot" album. The song's rhythm, according to Banks, is heavily influenced by The Beatles' "Getting Better." The lyrics are inspired by the book "The Inheritors" by William Golding. Like much of the album "A Trick of the Tail", the song's lyrics focus on a specific character: the "Beast" who leaves his own kingdom and enters
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Version 2.0


aimed to channel some of the energy of their live shows into the rhythm parts of the album. Vig remarked that "the songs sound looser, tougher" that way, as by the last concerts, "we'd speeded things up and toughened up a lot of the grooves" and in the album "we wanted that to be apparent from the get-go." While "Garbage" had lyrical input from all band members, Manson was responsible for all the lyrics in "Version 2.0". Consequently, it
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Wah Wah (album)


song "Out to Get You" that could have "easily fit" on that album. It features a "weirdly hypnotic synthesizer, the surreal, breathy vocals and the only occasionally comprehensible lyrics [combining] to create a liquid, seductive, trippy sound." "Jam J" was compared to U2's "Zooropa" by Joyelle H. McSweeney of "The Harvard Crimson", who noted the song contains "driving rhythms, snarly lyrics obscured by feedback, and angry bursts of guitars breaking through the mess."
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Rhythm Is Gonna Get You


song was also featured in promos for "Wheel of Fortune", with lyrics changed to "Wheel's Gonna Get You". An extended remix was released on a 12" single in the US. It was sampled in a 1989 Bollywood film, "Tridev", in the song "Oye Oye-Tirchi Topiwale" and "Gajar ne Kiya Ishara". It was later sampled by Estefan's own 1998 single "Oye". In 2018, it was selected for preservation in the National Recording Registry by the
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Special Support and Reconnaissance Company


, the accepted soldiers have one year probation, before they get their beret with the SSR insignia, and can be considered full members The unit ancestor: the Homeguard Special Intelligence Patrols (SEP) was founded in 1959 during the Cold War. SEP was disbanded in 1994 and Patrol Coy Land Command Zealand was established from the SEP unit in 1995. The unit was first assigned as a Long Range Reconnaissance Patrol Coy to the Land Command Zealand (Corps-level) and later on the Danish Army Operational Command as Patrol Coy AOC
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Tove Lo


. Chords and sounds build from the lyric and rhythm, kind of. Sometimes it's a track I fall in love with... but writing my own songs, I rarely write on tracks. Then it's pretty much always 'the story' first. Then I add some chords and melody on my piano, or do a minimal production to get the sound right. Lo grew up idolising Courtney Love and was inspired by grunge culture and the polarising lyrics of her music and her band, Hole. She also became fascinated
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Second Hand News


Scottish and Irish folk song influences. Buckingham originally introduced the song to the band on the guitar without any lyrics, with the working title of "Strummer." "Strummer" has appeared on various reissues of "Rumours", including the 4-disc edition released in 2013. Buckingham initially withheld the lyrics to avoid getting into an argument with Nicks over them. The band originally played the song in a march rhythm. However, Buckingham wanted a disco-like groove for the song after hearing the Bee Gees' "Jive Talkin
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Sing Party


. Previous licensed microphones used with singing games for Wii are also compatible with this game. Like other karaoke games, players would sing to the lyrics of the available songs and get scored based on their rhythm, however "Sing Party" permits multiple people to play along with the lead singing player. The game includes a variety of different modes. In Party Mode, lead singers read the song lyrics on the Wii U GamePad, allowing them to face the other players, which represent the lead singers' audience, and the
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Don't Mess Up My Tempo


a bass-heavy and reggae rhythm, with its lyrics expressing the "cold" reaction one has after getting hurt by their lover, and giving back the pain they experienced like a "sudden flash of lightning". "Smile On My Face" is an R&B ballad with soft melodies and simple yet "sophisticated" grooves, with lyrics about healing one's own pain after a breakup, smiling and "letting their love go". "Oasis" was called an elliptical pop song with a combination of staccato piano and
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Rhythm Nation


Award for her contributions to popular culture. The song is performed at Las Vegas' Legends in Concert series. The hand-written lyrics to "Rhythm Nation" and the music video's outfit are included in the Rock and Roll Hall of Fame's "Women Who Rock: Vision, Passion, Power" exhibit, with its lyrics also used in the museum's course on feminist songwriters. "Rhythm Nation" is among Jackson's signature songs, commended for its lyrical theme and innovative production. Jackson commented, "When
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Dude, We're Getting the Band Back Together


feel" of the story. In April 2009, Marsh cited "Rollercoaster" as his favorite, tying "Dude, We're Getting the Band Back Together" in second place with "The Chronicles of Meap." One of the episode's songs, "Ain't Got Rhythm," was nominated for a Primetime Emmy Award in the category "Outstanding Original Music and Lyrics" later in 2008. The nomination credited Danny Jacob, Marsh, Povenmire, Olson, and Robert Hughes for the song. This was the series
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Chalga


wear shockingly scant or revealing clothing and excessive amount of makeup, and get breast implants and lip injections to appear more attractive to men. Their worth is measured solely by their ability to seduce men and fulfill their sexual desires. Chalga music videos often feature a wealthy man who spends money on promiscuous women and insinuate that they engage in indiscriminate sexual acts. Chalga lyrics focus predominantly on sexual intercourse, promiscuous behavior, sexism, and corruption. Chalga music attracts tourists that don't understand the lyrics mainly because of its rhythm and beats
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Wide Eyed (Nichole Nordeman album)


"strong", though criticizing its musical accompaniment as "sometimes louder than the vocals, making discernment of Nordeman's praise-worthy lyrics difficult." Graeme Lamb of "Cross Rhythms" described its songs as a deep realization that following Christ can sometimes get messy and unpredictable, and remarked that the quality of her lyrics and vocals bring out her understanding of God sharply. He also lauded Hammond's production on the album as excellent. The album also earned Nordeman considerations as New Artist of the Year at the 30th GMA Dove
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The Look


, and stated that the song's "extremely important" sixteenth-note rhythm was inspired by ZZ Top. The first two verses are composed of guide lyrics, with Gessle explaining in the liner notes of their 1995 compilation album "Don't Bore Us, Get to the Chorus!" that they were "words just scribbled down to have something to sing. Couldn't come up with anything better, so we kept them. Everybody gets lucky sometimes." All songs written and composed by Per Gessle. Credits adapted from
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Help Me, Rhonda


topping single since "I Get Around" in 1964. This version was included on the album "Summer Days (And Summer Nights!!)" (1965). Both versions feature rhythm guitarist Al Jardine on lead vocals. The lyrics of "Help Me, Rhonda" tell a story of a man who was attracted to a woman who then found another man; to aid the healing process, he begs a woman named Rhonda to help him get over her. According to songwriter Brian Wilson, "Rhonda" was
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Get Low (Dillon Francis and DJ Snake song)


7 April 2015, Dillon Francis realesed the remix of the song, featuring hip-hop duo Rae Sremmurd. The entire song consists of the following lyrics, "Get low when the whistle go", while interspersed with some exclamations like "Barbes, yalla habibi" (an Arabic phrase translating to "Let's go, my love"), tongue rolling and feminine yelling. The song is an available track on the rhythm game "Just Dance 2015" and is featured in the film "Furious 7" and its
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Anatomy of Criticism


. Others may be opsis-oriented, speaking more in prose and conveying ideological content. Most characters alternate according to the dramatic situation. Such a marriage of the appropriate language with the character and setting (ethos) defines a rhythm of decorum, the distinctive rhythm of drama. Classical lyrical poetry often presents a shepherd speaking of his love; he is overheard by his audience. However, the distinctiveness of lyric comes more from its peculiar rhythm than from this radical of representation. Frye describes this rhythm as associative rather than logical
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Music of Palestine


... رايح عالغربة و بلادك أحسنلك خايف يا زريف تروح و تتملك .. و تعاشر الغير و تنساني أنا O, elegant and tall one stop so I can tell you You are going abroad and your country is better for you I am afraid you will get established there And find someone else and forget me Unlike many other cultures, traditional Palestinian songs have no set lyrics but rather a set rhythm. The singers are usually family members or close friends who make up the lyrics on the spot. At modern Palestinian events there may be
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World Qualification Series (2009)


18 - Aug 23" 30th Anniversary of the Lacanau Pro and good conditions this year. Surf, concerts, events scheduled. Check out the video for a summary of the event http://vimeo.com/6994555 "Aug 25 - Aug 30" "Sep 01 - Sep 06" "Sep 01 - Sep 06" "Sep 04 - Sep 06" "Sep 09 - Sep 12" "Sep 10 - Sep 13" "Sep 08 - Sep 13" "Sep 15 - Sep 20" "Sep 16 - Sep 22" "Sep
1986943
List of 1982–83 NBA season transactions


1982 Oct 2, 1982 Oct 1, 1982 Sep 30, 1982 Sep 29, 1982 Sep 28, 1982 Sep 27, 1982 Sep 24, 1982 Sep 22, 1982 Sep 20, 1982 Sep 19, 1982 Sep 18, 1982 Sep 17, 1982 Sep 15, 1982 Sep 14, 1982 Sep 13, 1982 Sep 10, 1982 Sep 9, 1982 Sep 7, 1982 Sep 2, 1982 Sep 1, 1982 Aug 31, 1982 Aug 27, 1982 Aug 26, 1982 Aug 16, 1982 Aug 8,
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Dabke


"Al Dahiyya" "(الدحية)", and "Zareef il-Tool" "(ظريف الطول)", are actually entire genres in themselves, in the sense that lyrics can vary significantly in each performance but the basic rhythm of the music is consistent and recognizable. This variation can be seen in the hundreds of lyrical variations heard and recorded of these songs which regardless of specific lyrics, are recognized by their rhythm and at times, a single phrase, as in "Ala Dal Ouna, Jafra",
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The Lion King (musical)


, the show adds more songs to its stage production, including "Morning Report", sung by Zazu the hornbill and later added to the film for the Platinum Edition DVD release. "Shadowland". originally featured on the CD "Rhythm of the Pride Lands" with Zulu lyrics as "Lea Halelela", was adapted for the musical with new English lyrics. It is sung by Nala, the lionesses, and Rafiki. "Endless Night", also from "Rhythm of the Pride Lands" with Swahili lyrics as
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Baabarr


film a repetition that "the film is of old story with new cast & crew, Martin specially criticises the decision of making film with lead role of "Soham Shah"" The film was not good at the box office as it hardly netted an amount of at the end of its first week after release & getting through the cinemas across India "Baabarr" at last managed to gross & determined a "Flop". "Baabarr" grossed £2,748 on 18 Sep 2009 & £1,439 on 11 Sep 2009 according to
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Rapping


Kane, KRS-One, and Rakim basically invented the complex wordplay and lyrical kung-fu of later hip-hop". The golden age is considered to have ended around 1993–94, marking the end of rap lyricism's most innovative period. "Flow" is defined as "the rhythms and rhymes" of a hip-hop song's lyrics and how they interact – the book "How to Rap" breaks flow down into rhyme, rhyme schemes, and rhythm (also known as cadence). 'Flow'
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Mickey Hart's Mystery Box


his poetic creations, the lyrics contain multiple meanings that will shift depending upon one's mood... The Mint Juleps handle the Hunter-penned lyrics so skillfully that the ensemble essentially becomes a rhythm track of its own... In short, "Mickey Hart's Mystery Box" is a multi-dimensional album that contains many subtle rhythm and vocal textures." Roger Catlin of the "Hartford Courant" called the album "a surprising and enjoyable new direction that marries [Hart's] complex sense of rhythm with the naturally appealing sound
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Jerry Leiber and Mike Stoller


Hard Times", recorded by Charles Brown, which was a rhythm and blues hit in 1952. "Kansas City", first recorded in 1952 (as "K. C. Loving") by rhythm & blues singer Little Willie Littlefield, became a No. 1 pop hit in 1959 for Wilbert Harrison. In 1952, the partners wrote "Hound Dog" for blues singer Big Mama Thornton, Leiber and Stoller's later songs often had lyrics more appropriate for pop music, and their combination of rhythm and blues with pop lyrics
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Music therapy for non-fluent aphasia


In general, therapists will guide patients to clap or tap the speech rhythm to phrases obtained from song lyrics, conversations, or any resources related to the immediate context. Instead of left-hand tapping, clapping or beating a drum are also possible alternatives. The rhythmic cueing speed will correspond to the patients’ speech speed, prosodic rhythms of the phrases, or musical rhythms of the lyrics, depending on the circumstances of each individual and the types of phrases. This technique aims to improve the oral motor formation of patients.
9022806
The Blackest Beautiful


" and funk style; and Public Enemy's "It Takes A Nation Of Millions" for its confrontational and "fight for what's right" lyrics. Butler said that there was a poetic play in their combination of melody and chaos on the album: "I think the best way for us as musicians to get people to listen is to appeal to them. Appeal to the natural rhythm of the head bob, the beating of the heart, the tap of the foot; just find that area and utilize it properly
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This Is the Sea


album on his "top ten" list, noting "In rock, the word 'poet' gets thrown around a lot. Not here..." "Don't Bang the Drum", the lyrics of which encourage environmentalism, was released as a single in Germany, with a song titled "Ways of Men" as the B-side. The first draft of the song's music was written by Wallinger. Scott reworked the arrangement, changing its rhythm and "feel", but Wallinger's melody and chords were
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Message of Love


knew that people still liked us and we were getting airplay with 'Message of Love', 'Talk of the Town', [and] 'I Go to Sleep. Described by Stewart Mason of "Allmusic" as a "fairly standard rocker", "Message of Love" features a "a stop-start beat ... with skittering snare fills that give the song a paradoxically driving rhythm." The song was characterized by "Allmusic"'s Stephen Thomas Erlewine as a "tough" rocker. Lyrically, the
9832611
Remain in Light


in the stream-of-consciousness lyrics. David Gans instructed Byrne to be freer with his lyrical content by advising him that "rational thinking has its limits". The frontman included a bibliography with the album press kit along with a statement that explained how the album was inspired by African mythologies and rhythms. The release stressed that the major inspiration to the lyrics was Professor John Miller Chernoff's "African Rhythm and African Sensibility", which examined the musical enhancement of life in the continent's rural communities. The academic travelled
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Special Operations Volunteer Force


surrendered or captured enemy guerrilla's, referred to as "surrendered enemy personnel" or SEPs and "captured enemy personnel" or CEPs, were treated as valuable resources. They were thoroughly debriefed, but always with an eye towards inducing continuing help rather than as a resource to be exhausted. The goal, through bribery or inducement, was to get the SEP/CEP to switch sides and fight on behalf of the government forces. The Special Operations Volunteer Force, or the SOVF, came into existence in 1952. The program
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Soca music


soca music in early 1970s. This growing style focuses on melody in soca, partly because of criticism of soca's ubiquitous 'jump and wave'-only lyrical and musical content. It features sensual vocals over slow to mid-tempo soca rhythms, and very often elements of zouk and ragga soca. Today you will find Groovy Soca infused with R&B tones and lyrical style along with melodious African rhythms. Bouyon soca, sometimes referred to as "jump up soca", is a fusion genre that typically blends old bouyon rhythms from the '
2243496
Infinity on High


Wentz would write his lyrics first and send them to Stump, who would create a melody by playing guitar along to the words to "find a groove". Stump's goal with his songs was to create his music while changing Wentz's original lyrics as little as possible. After a melody was written, Stump would create a general rhythm for the song. Although Fall Out Boy has no specific rhythm or lead guitar roles, Stump viewed himself as more of a rhythm guitarist on the album due to his experience as a
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The Kiss (album)


Kiss" as "a pleasing example of how Christian-oriented lyrics can be relevant to 21st century R&B". Anne Adams of "Cross Rhythms" gave a particularly favorable review of "The Kiss". Rating the album ten-out-of-ten, Adams noted “Holla” (which she described as "infectious"), “Dance Like Sunday”, “People Get Ready”, “The One For Me” and “All Of My Life” as being "standout songs". "The
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Highway to Hell


of the song: The words to "Highway to Hell" took on a new resonance when Scott drank himself to death in 1980. AllMusic's Steve Huey observes: Scott's lyrics on "Highway to Hell" deal almost exclusively with lust ("Love Hungry Man", "Girls Got Rhythm"), sex ("Beating Around the Bush", "Touch Too Much", "Walk All Over You"), and partying on the town ("Get It Hot", "Shot Down in Flames
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Can't Stop (Red Hot Chili Peppers song)


in a reggae style, only strumming on the up-beat. Following the bridge, Frusciante utilizes a fuzz (Big Muff Pi by Electro Harmonix) in his solo. He also makes extensive use of a tone-bend. Lyrically, "Can't Stop" is a prime example of the band's occasional use of writing lyrics to an established rhythm, rather than rhythms to established lyrics. Kiedis writes in his typical circumlocutory style. Nonetheless, the predominant theme of cultivating an inner, personal energy (evidenced in the
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September 1941 lunar eclipse


A partial lunar eclipse took place on Friday, September 5, 1941. It was a shallow partial lunar eclipse, with less than 10% of the Moon covered in Earth's shadow. Aug 31, 1941 = Sunday Sep 1, 1941 = Monday Sep 2, 1941 = Tuesday Sep 3, 1941 = Wednesday Sep 4, 1941 = Thursday Sep 5, 1941 = Friday Sep 6, 1941 = Saturday Sep 7, 1941 = Sunday Sep 8, 1941 = Monday Sep 9, 1941 = Tuesday Sep 10, 1941
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Aunt Dahlia


invitation to Brinkley Court for the chance to enjoy Anatole's cooking, and she uses the promise of his cooking to get Bertie to do various tasks for her. Her butler is Seppings. Before Seppings, Aunt Dahlia employed a butler named Pomeroy, a noble fellow, and before him, Murgatroyd, who turned out to be a thief. Aunt Dahlia has a large, sleepy black cat called Augustus, or "Gus". In "Clustering Round Young Bingo", Aunt Dahlia hires the incomparable chef Anatole. In "
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Archibald Murray


“(Wilson’)s men” which Wilson thought “rather sad” and “deplorable” (Clive diary 18 Sep). Wilson thought French and Murray were “between them quite unable to size up a position or to act with constancy for 24 hours” (Wilson diary 28 Sep) Murray complained to Victor Huguet (a French liaison officer serving with the British) about Wilson (6 October), but also told Wilson that French was getting “more unreasonable” and asked Wilson whether he (Murray) should resign; Wilson
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Captain Face


Captain Face are a rock band formed in 2003 in Aberdeen, Scotland. The band consists of Euan Wemyss (vocals), Lee 'the tenderness' Morrison (lead guitar), David Liddell (rhythm guitar), Joseph 'Sep' Moore (bass guitar) and Jonathan 'Joe' Brew (drums). The band's original line-up came together in the later part of 2003, and consisted of Lee 'the tenderness' Morrison (guitar), Joe Brew (drums), Dave Liddell (bass
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Parental Advisory


Mart to brand themselves as 'family friendly'"; he felt that children were successful in getting content they desired "even before the Internet", and believed that the label had little impact on sales figures. In contrast, the RIAA maintains that "it's not a PAL Notice that kids look for, it's the music". They stated that research they had gathered revealed that "kids put limited weight on lyrics in deciding which music they like, caring more about rhythm and melody" and implied that the
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Jay-Z


'partial linking' to add more rhymes to a verse. Jay-Z's early style is described by "Vibe" as "a distinctly Das EFX-type, stiggety style" on his 12" single "Can't Get With That", referring to the fast rhythms and vocal delivery of the group Das EFX. He is also known to write lyrics in his head, as described by Pusha T of Clipse in "How to Rap", a style popular with many MCs such as The Notorious B.I.G.,
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All Neon Like


the 0:29 mark. According to poet and frequent Björk collaborator Sjón, "it's a soundscape that pulsates and breathes like a living organism. It's ["sic"] heartbeat of a rhythm rises and gets closer to you as the song progresses." Like various songs of the "Homogenic" sessions, including "So Broken", the subject matter of "All Neon Like" deals with suffering. Its lyrics "tell of a 'healing' that's made possible by some sort of a cyberspatial connection,
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Hit Me with Your Rhythm Stick


) and that after listening to it, Dury presented the lyrics for "Hit Me with Your Rhythm Stick" to him the same afternoon. This was later corroborated by Dury. Dury mentioned a number of origins for his lyrics, including claiming that he had written them up to three years earlier and it had just taken him all that time to realise their quality. Blockheads guitarist John Turnbull gives a different account, claiming the lyrics were written while on tour in America six months prior to the song's recording and that he
18679783
One Slip


"One Slip" is a song from Pink Floyd's 1987 album "A Momentary Lapse of Reason". The album gets its title from a line of this song's lyrics. The song was co-written by David Gilmour and Roxy Music guitarist Phil Manzanera, who later co-produced Gilmour's "On an Island" album and played rhythm guitar on the subsequent tour. It was first released as the B-side to "Learning to Fly". It was then re-released as the third single from
15611485
Subterranean Homesick Blues


"It's the End of the World as We Know It (And I Feel Fine)", has been stated by guitarist Peter Buck to be an homage to the song. The Hayes Carll track "KMAG YOYO" is a direct homage to the rhythms and subject matter of Subterranean Homesick Blues. The Jesus and Mary Chain's 1989 single "Blues from a Gun" includes the lyric "Look out kid, you're gonna get hit", a line borrowed from the Dylan track. Radiohead's song "
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Wah Wah (album)


power of much of U2's latest albums" and said "Jam J" "seems lifted right from "Zooropa", with driving rhythms, snarly lyrics obscured by feedback, and angry bursts of guitars breaking through the mess." whilst "Melody Maker" would later say that the sessions saw the band "do a U2" by "get that Brian Eno in for a bit" and "experimenting with dance music". The "NME" also later said that "by the time ["Wah Wah"
19738102
Parallel Lines


Heart of Glass", features jittery keyboards, rustling cymbals by drummer Clem Burke, and a circular rhythm. Burke credited Kraftwerk and as influences for the song and said that he was "trying to get that groove that the drummer for the Bee Gees had". Lyrically, "Parallel Lines" abandoned what "Rolling Stone" magazine's Arion Berger called the "cartoonish postmodernist referencing" of Blondie's previous new wave songs in favor of a "romantic fatalism" that was new for the band. "Sunday Girl"
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All Hours


How's Never" were described as flashbacks to "'80s synth pop" music. The former track has also been classified in the electronica genre, in contrast to the more "melodic guitar pop" vibe that was featured on their previous studio album, "In the Clear", whereas the latter song contains "tough-love cliché" lyrics such as "We've got to find some time to get together / How's never?" "Suspicious" contains a steady keyboard rhythm accompanied by a "toy piano
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Diego Valverde Villena


Universidad Mayor de San Andres (La Paz, Bolivia), where he taught Medieval Lyric, Baroque Lyric and Poetry between 1996 and 1998. From 2002 to 2004 he worked in the staff of the Secretary of State for Culture in Spain. He has translated into Spanish literary works written by Arthur Conan Doyle, Rudyard Kipling, John Donne, Edmund Spenser, George Herbert, Ezra Pound, Emily Dickinson, Mikolaj Sep Szarzynski, Paul Éluard, Joachim du Bellay, Valery Larbaud, Nuno Júdice, Jorge Sousa Braga, E.T.A. Hoffmann
19951083
Hunting in Romania


. With good numbers, and of fine quality, Romania possessed many times the world record, last of which, between 1981–1985, with a trophy of 261.25 CIC, points, taken in Soveja, Vrancea County, in 1980. Current national record is 264.51 CIC points, taken by Ronald Philipp on 22 Sep. 2003 in Valea Gurghiului, Mureş County. Inside hunting preserves, trophies are known to get even bigger, due to controlled feeding and protection. Hunting is done during an open season between 15 Sep. - 15 Dec.,
19802050
Phineas Flynn


"Ain't Got Rhythm," which Vincent Martella performed in the voice of Phineas alongside Steve Zahn and Thomas Sangster in the episode "Dude, We're Getting the Band Back Together," was nominated for an Emmy Award in 2008 for "Outstanding Original Music and Lyrics." Besides the series "Phineas and Ferb," Phineas has been featured in several other pieces of merchandise from the series. To date, he has appeared in all "Phineas and Ferb" novelizations, published by Disney Press. Phineas appears in
10028803
Route 66 (song)


"(Get Your Kicks on) Route 66" is a popular rhythm and blues standard, composed in 1946 by American songwriter Bobby Troup. The song uses a twelve-bar blues arrangement and the lyrics follow the path of U.S. Route 66 (US 66), which traversed the western two-thirds of the U.S. from Chicago, Illinois, to Los Angeles, California. Nat King Cole, with the King Cole Trio, first recorded the song the same year and it became a hit, appearing on "Billboard"
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Take Back the Night (song)


disco evolution, infusing dance floor rhythms with impeccable class." According to Lipshutz the song is also a "souped-up version" of "Let the Groove Get In". According to Lipshutz, "Take Back the Night" contains "little lyrical purpose aside from provoking its listener to move". Timberlake sings of trying to woo a would-be lover: "Girl, this was your city/You did it all and more/Broke every law except for one, babe: attraction". During the
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Kenny Rogers and The First Edition


genuine and period-styled photos depicting the era, with all of the lyrics presented in hand-written script. The music was critically well received, with all of the group (outside of Mickey) taking at least one lead. The song chosen for a single was "School Teacher," an acoustic rhythm and blues song with a lead by Kin. In retrospect it's easy to understand the probable reasons the artistically valid "School Teacher" didn't get past No. 91. Putting out a First Edition single
14260253
The Lizard Train


The Lizard Train were an Australian rock band from Adelaide which formed in early 1985. They released five albums, "Slippery" (September 1987), "The Ride" (1990), "Get Yer Wah Wahs Out" (1992), "Couch" (1993) and "Everything Moves" (1995). Australian rock music historian, Ian McFarlane, contrasted their early work as "a melange of screaming guitars did battle over a rumbling rhythm section. Yet, beneath the distorted riffs and lyrical angst,
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BLACKsummers'night


contemporary R&B because of its supplicant and "elliptical" lyrics, hand-played instrumentation, fluid melodies, and "even when the rhythm gets funky, the sad, lovely songs — about a crumbling romance — are suffused with a yearning that’s almost too intimate. It’s soul music reinventing itself, moment to moment. Robert Christgau was less enthusiastic, writing in "MSN Music" that Maxwell "really believes that the quality of the sex is measured by its curlicues—and by how long it takes to come true
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In Your Honor


song a day and no one's leaving until that song is done." Grohl would listen to a click track, "We'd find a tempo and I'd just roll an arrangement off the top of my head." As the members recorded their parts, Grohl would write the lyrics. The rushed approach prevented Mendel writing bass lines, so he ended up "concentrating on just finding the notes and getting the rhythm right." Grohl declared that "making this record revitalized this band", particularly the acoustic songs
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Heartbeat (Taana Gardner song)


common time and has a tempo of 100 beats per minute. Despite praised for its "hip-shaking, booty-bumpin' beats and rhythms" and hook-ladden lyrics, it was considered peculiar at the time due to its slow tempo, "dizzy" vocal delivery and dissonant accompaniment. Danny Krivit recalls "When [Levan] put ["Heartbeat"] on, a full club of people left the room to get food. There was not one person left on the floor." Levan, known for
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Let's Get It On


convey his most intimate desires", commenting that "while the album is replete with erotic imagery, both implied and explicit, it is also as much preoccupied with distance and unfulfilled need". Jason Ankeny of Allmusic called it "a record unparalleled in its sheer sensuality and carnal energy", writing that "Gaye's passions reach their boiling point [...] With each performance laced with innuendo, each lyric a come-on, and each rhythm throbbing with lust, perhaps no other record has ever achieved the kind of
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The Carpenters


was watching a Bing Crosby movie, "Rhythm on the River", in which Crosby played a country singer whose career was in decline and whose most famous song was "Goodbye to Love". The song was never performed in the film, so Richard imagined what it might sound like and wrote down some initial lyrics. These were finished off by Bettis, and became "Goodbye to Love". For the arrangement, Richard suggested adding a fuzz guitar solo. He resisted suggestions to get an experienced session player in,
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Queen of the Clouds


influenced rhythm "coated" with a "parade" of dub-bass. Its lyrics are satirical in nature, as she criticises other women for judging her taste in younger men: "Hey girl, why you judging me/When your, your guy is turning 53?/ I don't know what really gets you more/Is it that my guy's gonna live out yours?" "Talking Body" is a heavily sexual song described as "salivating with carnal lust", and according to Ken Capobianco of "
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Weezer (White Album)


's more like, it gets repressed and has to come out in these gorgeous soaring melodies like Brian Wilson." Cuomo listed the track as his favorite off the album. "L.A. Girlz", written by Cuomo, rhythm guitarist Brian Bell and Luther Russell–featuring references to "The Divine Comedy", "Whiplash", and the Lewis Carroll poem "Jabberwocky"–serves as a "throwback to the Blue Album, with Wall of Sound-like production values, sweeping guitars" and deals with the lyrical theme of longing,
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Flower (Soundgarden song)


". "Flower" features lyrics written by frontman Chris Cornell and music written by guitarist Kim Thayil. Thayil on the song: This song marks the first time I ever blew on a guitar. I put the guitar down on the ground near the amp to get a humming feedback, as opposed to a squealy one, and blew across the strings in rhythm with the drums. There's probably some obscure Mississippi blues guitarist like 'Blind Lemon Pledge' who's done that before, but "Flower" is the first
18091263
Wha'ppen?


it a few years. Basically the 2-Tone explosion was the first significant musical trend to take that direction. Mind you, for me this has come probably from working with the Beat, especially "Wha'ppen", that featured a lot of African rhythms, which certainly changed the aspect of things in my life." In 2012, Paris Pompor of "The Sydney Morning Herald" wrote how some of the album's lyrics "remain remarkably relevant: the Afghanistan-referencing 'I Am Your Flag', unemployment tune 'Get
21368260
Bad Girls (M.I.A. song)


Bad Girls" was relatively subtle compared to her previous work. Although he enjoyed the "bright and clean" rhythms of the track, Klingman reprimanded its lyrical content. "There's no eye-rolling political agit-prop," he remarked, "but there's nothing taking up its void either. It's about being a bad girl, and driving a car. It acts like 'get down' rhymes with 'you can hang'. It's just sort of filling space." Robert Copsey of Digital
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One Million Years


as "Farmer Ferdinand Hudson"). The song's structure has a slow acoustic guitar rhythm playing to a mellow drum pattern. The lyric is intriguing but lacks both the orchestral grandeur and brevity of "Saved by the Bell". Gibb was still making separate mono mixes, so the mono mix, or electronically channeled versions of it, appeared on a few collections until 1974 when a true stereo mix was made for "Gotta Get a Message to You". That mix has a different or partially different lead vocal
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Believe in the Dream


tracks including a clip from "Believe in the Dream". "Believe in the Dream" is an inspirational ballad song, that contains elements of rhythm and blues and soul. The song's structure is comparable to that of power ballads. It highlights Nina's vocal range, where she continuously belted out several notes from the bridge part until the song fades. Lyrically, the song talks about holding on to your dreams, and not letting anyone get in your way to achieving it. It also interprets faith in yourself and
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Hellbilly Deluxe


With that kind of atmosphere, the album already felt like a fine wine: aged and more enjoyable for it." They later criticized the length of the album, and claimed that some songs felt like "filler" tracks. PopStops also praised the album, writing "This is an album that rarely ever gets out of overdrive. Zombie growls his lyrics over a bed of car crash crunching guitars and pounding industrial rhythms. No surf music here." On the week dated September 12, "Hellbilly Deluxe" debuted at
3156658
Take a Bow (Madonna song)


In his review of "Bedtime Stories", "Billboard"s Paul Verna called it a "holiday feast for Top 40, rhythm crossover, and AC". Also from "Billboard", Larry Flick gave the single a particularly positive review; "The follow-up to the top five smash 'Secret' [...] is as perfect as top 40 fare gets. This single has a delightful, immediately memorable melody and chorus, engaging romance-novel lyrics and a lead vocal that is both sweet and quietly soulful.
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Amazing Atomic Activity


Amazing Atomic Activity is the eighth studio album by Polish thrash metal band Acid Drinkers. It was released on May 17, 1999. The promotional single of the album was the song "Satisfaction", which is a cover of The Rolling Stones song "(I Can't Get No) Satisfaction". It is the first album to feature rhythm guitarist Przemek "Perła" Wejmann. The album was remastered and rereleased in 2008 with bonus tracks. All music and lyrics written by Acid Drinkers, except "Satisfaction" written by
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Anthems for the Damned


quite [jib] with the well-executed mannered angst-rock...the disconnect isn't too dissonant, which is the problem: the whole affair feels just a shade too well-manicured -- the rhythms too tight, the guitars too well-scrubbed, the production too well-balanced -- and as a result, the album never gets underneath the skin with way Filter intended." Conversely, Consequence of Sound strongly praised the album, citing Patrick's vocals and lyrics as standout features, deeming it "a great
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The Power of One (album)


, virtuoso, and varied, it's easy to get caught up, kick back, and join the praise. Israel has done it again." Cross Rhythms' Paul Kerslake said called the album an "ambitious set [that] is an inventive fusion of rock, funk, gospel, reggae and pretty much everything in between. Israel rips through the 14 tracks here and sounds like he's having a blast. it's hard to listen to this album without a smile. The lyrical theme flowing through the record (
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Majaa Talkies


the show is referred as "Noise Pollution" by Srujan. Rekha Mohan (referred as ReMo) leads the band and she has appeared in most of the episodes. She sings various songs, sometimes with adaptions to the original lyrics suitable for the script. She often gets involved as a part of the script in the show. Usha Kokila has taken the lead in the absence of ReMo a few times. The band includes Mohan Karkala with the keyboard, Kamal Bob with the rhythm pad and two guitarists. ReMo and Mohan
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Rhythm 'N' Moves


" The release received positive to average praise from most professional music sites and reviews. JJ Francesco of New Release Tuesday positively praised the album and stated: "Both lyrically and musically, the album seems to be very consistent. It’s cheesy, it’s syrupy, it’s cliché (but yet still fresh), it’s poppy beyond all reason, it’s nearly impossible to get out of your head, and I dare you not to dance along to the band’s ridiculously catchy sound. Essentially, it’s Capital
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Sabrina Chap


, Feminist Sluts. (director Emilie Jouvet) "Don't let the picture fool you – Sabrina Chap's forlorn album cover of "Oompa!" doesn't reflect what's inside: bouncing rhythms, complex instrumentation, and intelligent lyrics covering everything from heartache to performing femininity."- Bitch Magazine ". . .a knee slapping, bawdy good time."- The Killing Floor "This album deserves more attention than it's getting, and Chap deserves to be a star."- Curve Magazine ""Oompa!" is cabaret
6662264
Native Dancer (song)


the overall best director award. Sakanaction has collaborated with choreographers Furitsuke Kagyou Air:man twice since the release of the video: on the videos for "Bach no Senritsu o Yoru ni Kiita Sei Desu." (2011) and "Sayonara wa Emotion" (2014). Critics at "CDJournal" called the song a "rhythmic dance tune", praising the juxtaposition in the song between its danceable rhythm and lyrics which expressed a "painful feeling of not being able to get away from your thoughts". They were
6875852
Big Joe Turner


woman to "get outta that bed, wash yo' face an' hands" and comments that she's "wearin' those dresses, the sun comes shinin' through! I can't believe my eyes, all that mess belongs to you." He sang it on film for the 1955 theatrical feature "Rhythm and Blues Revue". Although the cover version of the song by Bill Haley & His Comets, with the risqué lyrics partially omitted, was a greater sales success, many listeners sought out Turner's version
7215545
Singer-songwriter


, or no label at all. Additionally the Internet has provided a means for indies to get their music heard by a wider audience. French "chanson" comes from an old tradition, since the Middle Ages. It is driven by the rhythms of the French language and has a generally higher standard of lyrics than in the English-speaking world. It can be distinguished from the rest of French "pop" music or soft rock format that began to spread in France during the 1960s until today, under the cultural influence
7216393
Crossover music


while boasting a majority of Jay-Z's lyrics and hip-hop style, the genre of the song would be considered rock because of the tropes of rock music included in the piece. George Nelson, producer of television series "The Get Down" wrote an article titled Death and Rhythm of Blues. In the article Nelson discusses the appealing to audiences of other races. With the production of "Numb/Encore", Jay-Z and Linkin Park were able to not only crossover genres, but consumer groups as
7739013
Medúlla


thirteenth song, begins with what sounds like either "dolphin sonar speak" or the "sound of sneakers sliding across an indoor basketball court". Then Bjork's voice gradually gets layered over the rhythm, building and rolling between the left and right channel. On the closing track and second single, "Triumph of a Heart", Björk lyrically "celebrates the workings of anatomy", whilst musically it is the album's closest thing to a dance track. The song also features orchestral arrangements by the Icelandic and London Choirs
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Acidic (band)


” "PERFORMER magazine": “Straight from the get go, ACIDIC brings forth its frenetic energy and passionate sound in waves of indie alternative delight. This band brings the goods, with personality and flair unmatched in many West Coast bands.“ "The Inlander"'s Laura Johnson says, “ACIDIC plays the sort of dense, noisy rock that’s not quite metal, not quite punk. But with its pulsing rhythms, not-too-serious lyrics and towering guitar solos, it’s the kind of rock that
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Rhythm & Praise music


Rhythm and praise is another term for Christian R&B music. It's a type of music combining Christian-themed lyrics with the common musical characteristics of rhythm and blues. The term rhythm and "praise" is not just an offshoot of the term rhythm and "blues", but also has a spiritual meaning for the musicians specializing in this form of music. Blues, or singing the blues, is attributed to sadness, depression, hopelessness, loneliness, or worrisome. According to some Christians, music should be inspirational and
694412
Rhythm section


play soloistic roles on occasion (e.g., improvised guitar solos or solo breaks) or play a melodic role (e.g., a rhythm guitarist may play a lyrical countermelody behind a singer or a melodic intro line before the lead vocalist starts to sing). Since rhythm sections generally provide the background music for lead instruments and solo singers, rhythm sections are typically not as prominent as a singer or soloist. However, since rhythm sections provide the underpinning for a good performance by the lead instruments and vocalists, good rhythm sections are valued
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Jim Miller (musician)


Incident, Galactic, Bruce Hornsby, Little Feat, Rusted Root and the Rhythm Devils, and produced four CDs. www.jimiller.com Sing It To Your Children - Link to Lyrics North Coast Waters - Link to Lyrics Agathodaimon - Link to Lyrics Shake It To The Limit - Link to Lyrics Syzygy - Link to Lyrics Paradox - Link to Lyrics Win or Lose - Link to Lyrics Weather the Storm - Link to Lyrics Fog Over the Flats - Link to Lyrics Laughing at Harpo - Link to Lyrics Water Unto The Stone - Link to Lyrics
16706293
Roll Over Beethoven


diddle diddle", from the nursery rhyme "The Cat and the Fiddle", is an indirect reference to the Chess recording artist Bo Diddley, who was an accomplished violin player. Although the lyrics mention "rocking" and "rolling", the music that the classics are supposed to step aside for is referred to as "rhythm and blues". The lyric "a shot of rhythm and blues" was appropriated as the title of a song recorded by Arthur Alexander and others. The song was recorded on April 16
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Rhythm & Praise music


become a record producer, coined the term rhythm and blues as a way to describe the music. It is probable that the rhythm part of the name rhythm and blues described the music’s up-tempo vibe of that time. The term blues of the genre is probably borrowed from jump blues music, since jump blues evolved into R&B. Contrarily, some singers who ascribe to the Christian faith (or record songs with lyrics influenced by such worldview) still refer to themselves as rhythm and "blues" artists. This may be
694416
Captain Face


guitar) & Duncan Taylor (vocals/keyboards). Liddell soon moved to rhythm guitar duties after Brew recruited former colleague Joseph 'Sep' Moore to take over bass duties at the beginning of 2004. After only a few months the band parted company with Taylor due to "creative & personal differences". The remaining quartet continued to rehearse, mainly writing instrumental music. At the beginning of 2005 the band recruited vocalist Euan Wemyss, with whom Morrison had previously collaborated in the bands 'My Everyday' and 'Lynas'
15619663
The Beeps


Sapphire Stream S2/Ep45 Apr. 29 Wash Those Socks! S2/Ep46 Dec. 12 The Bumps SEASON 3: S3/Ep1 Aug. 30 Up Down Hill S3/Ep2 Aug. 31 Caravan S3/Ep3 Sep. 6 Secret Garden S3/Ep4 Sep. 7 Bounceflower Tea S3/Ep5 Sep. 13 The Whale S3/Ep6 Sep. 14 Soggy Sockroaches S3/Ep7 Sep. 20 Stinkroots S3/Ep8 Sep. 21 Sing-a-long-a-beeps S3/Ep9 Sep. 27 History Book S3/Ep10 Sep. 28 What Goes Splat? S3
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Spark the Fire


's Jordan Miller praised the song for having "that typical Gwen sass combined with Pharrell’s signature quirky beats and rhythm". Miller chose the lyrics "get off my cloud" as an example of Stefani's vocal delivery being "rap-sing-talking business". However, he later criticized both "Spark the Fire" and "Baby Don't Lie" for being "bland". With a more divided opinion, Slant Magazine's Alexa Camp called the song "an attempt to repeat those past hits than update
10166305
Smoke + Mirrors


Daily Telegraph" published a highly positive review of the album, calling it "thunderous" and saying its "songs are peppered with bright ideas and odd collisions, world music sounds percolating through R&B grooves, stuttering digital breaks interrupting solid rhythms. Lyrics and delivery suggest Imagine Dragons adhere to old-fashioned rock band idealism, but nothing is allowed to get in the way of a sparkling hook." Allison Stewart of "The Washington Post" wrote that the band "is very good at what it does, even if what
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