Murder on the Dancefloor [SEP] lyrics by
Evacuate the Dancefloor (album)


while drawing influences of urban contemporary and pop music. Musically, the album is composed of dance tracks with thick Euro synths, cymbal crashing beats and Europop lyrics. Lyrically, the album is composed of songs about love, dancing and relationships. Critical reception of the album overall has been positive, with many critics praising the new sound and lyrics. There was a total of three singles released from the album. "Evacuate the Dancefloor" was the lead single from the album, first released on 29 June 2009. It peaked
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Change (Sugababes album)


sound". Lyrically, "Never Gonna Dance Again" is about the break-up of a relationship which is set on a dancefloor. During the chorus, Sugababes sing the lines "I lost the rhythm when you said it's over / As the final record starts to fade, I feel the dancefloor turning colder". "The Guardian"'s Alexis Petridis and Schultz have both noted that the song's lyrical content is reminiscent to that of George Michael's song, "Careless Whisper". "Never Gon
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Faber Drive


festivals during the summer of 2013. They have since released two more singles from their third studio album, "Too Little Too Late" (featuring Pierre Bouvier of Simple Plan) and "Dead On The Dancefloor" (featuring Proper Villains). But the Music Videos are still not made. Therefore, the Official Lyric Video of "Dead On The Dancefloor" is already made by Warner Music Philippines. Note: (The single "Dead On The Dancefloor" [featuring Proper Villains] is the promotional single in Philippines)
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Sophie Ellis-Bextor


. In 2001, Ellis-Bextor released her début album, "Read My Lips". It reached number two on the UK charts and spawned four top-twenty hit singles. Her rework of Cher's "Take Me Home" reached number two, as did "Murder on the Dancefloor", which became Ellis-Bextor's biggest single and was on charts for twenty-three weeks. "Murder on the Dancefloor" became Europe's most played song of 2002. In 2002, "Read My Lips" was
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Murder on the Dancefloor


"Murder on the Dancefloor" is a song written by Gregg Alexander and Sophie Ellis-Bextor, produced by Alexander and Matt Rowe for Ellis-Bextor's first album, "Read My Lips". After the release of "Take Me Home" in August 2001, Ellis-Bextor released her best-selling single to date in December 2001. The song peaked at number 2 on the UK Singles Chart and stayed on the charts for 23 weeks. It became a top 10 hit all around the world, except in
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Murder on the Dancefloor


but for unknown reasons the release was cancelled and replaced by "Murder on the Dancefloor" that turned out to be Sophie's biggest hit.. In January 2019, a re-recorded orchestal version was released as the third single off Ellis-Bextor's greatest hits package "The Song Diaries". A Chinese version by Hong Kong singer Kelly Chen entitled "最愛你的是我" was produced in 2003 and was included in her album, "心口不一". The songwriting was also attributed to Gregg Alexander. The song is deemed to be
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Evacuate the Dancefloor (song)


opportunity to show that off. This song is more of a challenge for me to sing. I can't wait to take it to the clubs. People's jaws are going to hit the floor when they hear it." Being that "Evacuate the Dancefloor" is predominantly electropop rather than one of the group's regular Eurodance anthems, some critics have compared it to Lady Gaga's sound, while other critics have compared the song to Miley Cyrus's "Party in the U.S.A." in terms of music structure and lyrical
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Again (Jessica Sutta song)


as an epic dancefloor filler with catchy hooks that are primed for crossover. The airy synth line in the breakdowns are as pretty as the lyrics are dark, making the contrast even more defined. “Again” has one of the most creative lyric videos – combining performance and scenes with the lyric on the screen. Jessica’s dancing and performance is quite emotional, which elevates the clip to a higher level as well. The music video, a hybrid of a performance and lyric video, premiered on VIBE on April 8,
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Mind of Mine


Billboard" as a "dancefloor-ready R&B jam" and "The Independent" described it as "electro-R&B". It incorporates a funky hook, and disco grooves. The lyrics explore a number of themes, including bliss, desire, frustration, love, lust, and sadness. The songs explore different soundscapes and subject matter, but each song serves a purpose, to establish an aspect of Malik's identity. Rather than being autobiographical, the lyrics focus on moments, sensations and experiences. There is an
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Hallelujah! (Holly Johnson song)


Mirror Club chart and top fifteen in their Pop Tip chart. The song was written by Holly Johnson (lyrics and music) and Nick Bagnall (music). Jon O'Brien of Allmusic spoke of the song in a review of the "Soulstream" album, stating ""The retro stylings are more forgivable when Johnson's distinctive, powerful vocals and life-affirming lyrics are let loose on the dancefloor, with the infectious camp Euro-disco of "Hallelujah" and "Disco Heaven"."" Upon release of the
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Debut (Björk album)


"Rolling Stone"— reflected Björk's newly found interest in Bollywood, having befriended people of Indian origin in London, most notably Talvin Singh. In a spontaneous fashion, the song's strings —and also those of "Come to Me"— were recorded by a film studio orchestra in India. The lyrics of the track are about the sensitivity of her then boyfriend Dominic Thrupp, with lyrics that have been described as "sweet and just the slightest bit naughty." In the dancefloor-oriented "There's More
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Editors (band)


and sends them to the other band members where the song is turned into a full 'Editors song'. Smith has said that he purposely makes the lyrics ambiguous so people can draw their own conclusions. "To us, it's interesting if it has a darkness," said Smith in 2015. "Whatever that is. On the lyric side of things, if I was singing about dancefloors or happier or rosier things, it wouldn't ring true for me. I don't know why that is. People quite
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Palo Santo (Years & Years album)


, whose conflicted feelings he discusses in evocative lyrics about obscuring masks and sinful confessions, as he reassures them that what they are doing is not wrong. The following track, "Hallelujah", was co-written with Goldsworthy, Kurstin, Michaels, and Tranter. Its lyrics talk of getting onto the dancefloor and letting loose, dancing with strangers "until our bodies are singing 'Hallelujah'". Kurstin and Ralph co-wrote the third track, "All for You", as "one to get deep on
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A Million Lights


dancefloor hit" The tenth track from the album "Mechanics of the Heart" is a ballad which was both produced and written by British singer Taio Cruz. Lyrically, the song speaks about a male who's had his heart broken by a previous lover. The eleventh and final track from the standard edition of the album "All is Fair" which was described as a "dark song" and was produced and written by Beanz. "All is Fair" features the use of a helicopter and lyrically it speaks about her
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Food (Kelis album)


'" is a down-tempo "slow jam" that lyrically speaks "about turning down the limelight for a simpler life". Kelis' vocals are described as being "torchy" and "surrounded by a full band and cooing backup singers." "Hooch" contains "Stax-session soul" poured over "swoony midtempo" production. "Cobbler" is a dancefloor song which Billboard described as being "James Brown-esque funk" workout, which lyrically speaks about a man who "has left a sweet
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Damita Jo (album)


club through lyrical metaphors: "Shake it 'til you're shaking the floor/Pop it like you're popping a cork/Don't stop, don't stop." The "ultra-sexy" song was, according to a review, primed to "fill dancefloors around the globe with its sultry groove and shocking lyrics." "I Want You" is a classic pop ballad influenced by Motown music of the nineteen-fifties and seventies. The song's instrumentation includes a chime-studded texture, violins, heavy
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Alexis Jordan (album)


upbeat material and the album's lyrics, with one critic feeling "Her lyrics are unbridled enough to melt an ice-cold heart" and another praising it for being "dancefloor friendly". However, some critics found the album lacked a distinct style and compared the album to the music of Barbadian singer Rihanna. The album debuted at number nine in the United Kingdom. The album also debuted at number eleven in Australia. On April 30, 2011, the album debuted at number 80 on the Dutch Album Chart. In
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Fefe Dobson (album)


debut album. The single is an uptempo dance/rock track that features Tone Lōc on vocals. The song lyrically speaks of dancing on the dancefloor with a guy. "Revolution Song" is the sixth track on the album, and is one of the acoustic songs featured on the album. It has been stripped down to nothing other than Dobson's vocals and the acoustic guitar. "Kiss Me Fool" is the seventh song placed on the album, and is yet another uptempo rock song. Lyrically the song talks of
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Buddy (De La Soul song)


"Buddy" is the third single released by De La Soul from their album "3 Feet High and Rising". The song is often cited as an example of an effective remix; one that includes a change of song lyrics or beat. In this case, both the original song's lyrics and the musical bed received a make over. With its Taana Gardner sampling bassline, the 7 minute 12" version was clearly tailor-made for dancefloor and provided a striking contrast to the laid back album version. The song
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My Boxer


"The Irish Times" stated that it can be placed under "smart premier league pop" and also said it is cheerful. AllMusic's James Christopher Monger described "My Boxer" as a "forced dancefloor rave" and compared it to the works of American singer Santigold. Similarly, Michael Jose Gonzalez from "Gaffa" felt the singer took influence from Robyn, while "The Argus"s Rosie Clarke found its lyrics resembled Gwen Stefani's catalogue. The singer asks herself within the lyrics on various occasions, "Is that weird
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Un Momento


German edition of "I Am the Club Rocker". Kevin Apaza from Direct Lyrics called the song "electronic, magnetic, sensual" in reference to one of its lyrics and commended the production. He further praised the choice to release the track during summer and wrote: "Everytime I hear the song, I can't help getting happy". Pure Charts's Jonathan Hamard suggested that the "dancefloor title" would surpass the commercial performance of its predecessor "Club Rocker" (2011) and praised the recording's catchiness
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Brave (Jennifer Lopez album)


There" samples the intro of Michael Jackson's 1971-Motown hit "I Wanna Be Where You Are" and references hip-hop dancefloor burner "Puerto Rico", while "Never Gonna Give Up" begins with almost two minutes of her voice weaving in and out of a string orchestra, with lyrics discussing about finding closure after a difficult breakup, which was alleged to be about her ex-fiancée Ben Affleck, especially the lyrics, "Forgiving him was the first thing I had to do in order to move on
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World Qualification Series (2009)


18 - Aug 23" 30th Anniversary of the Lacanau Pro and good conditions this year. Surf, concerts, events scheduled. Check out the video for a summary of the event http://vimeo.com/6994555 "Aug 25 - Aug 30" "Sep 01 - Sep 06" "Sep 01 - Sep 06" "Sep 04 - Sep 06" "Sep 09 - Sep 12" "Sep 10 - Sep 13" "Sep 08 - Sep 13" "Sep 15 - Sep 20" "Sep 16 - Sep 22" "Sep
1986943
List of 1982–83 NBA season transactions


1982 Oct 2, 1982 Oct 1, 1982 Sep 30, 1982 Sep 29, 1982 Sep 28, 1982 Sep 27, 1982 Sep 24, 1982 Sep 22, 1982 Sep 20, 1982 Sep 19, 1982 Sep 18, 1982 Sep 17, 1982 Sep 15, 1982 Sep 14, 1982 Sep 13, 1982 Sep 10, 1982 Sep 9, 1982 Sep 7, 1982 Sep 2, 1982 Sep 1, 1982 Aug 31, 1982 Aug 27, 1982 Aug 26, 1982 Aug 16, 1982 Aug 8,
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Morris murders


The Morris Murders are the unsolved murders in 1879 of husband and wife Charles Henry Morris (born: May 9, 1847) and Esther Jones Morris (born: Sep. 22 1850) of Decatur, Michigan. On the night of September 28, 1879, in an desolate farmhouse along an isolated country road in Decatur Michigan, Mr. and Mrs. Morris retired to bed at about 8:30. The only other individual in the house at the time was a woman who worked for them by the name of Jennie Bull. At around 9
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Tears on the Dancefloor: Crying at the Disco


Tears on the Dancefloor: Crying at the Disco is the reissue of British group Steps fifth studio album "Tears on the Dancefloor" (2017), with several new recordings added as bonus cuts. Following their reunion performance at G-A-Y on New Year's Eve of 2016 to celebrate their twentieth anniversary, Steps announced that their fifth studio album "Tears on the Dancefloor" would be released in April 2017 and its supporting concert tour, the Party on the Dancefloor Tour, would take place in November and December
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September 1941 lunar eclipse


A partial lunar eclipse took place on Friday, September 5, 1941. It was a shallow partial lunar eclipse, with less than 10% of the Moon covered in Earth's shadow. Aug 31, 1941 = Sunday Sep 1, 1941 = Monday Sep 2, 1941 = Tuesday Sep 3, 1941 = Wednesday Sep 4, 1941 = Thursday Sep 5, 1941 = Friday Sep 6, 1941 = Saturday Sep 7, 1941 = Sunday Sep 8, 1941 = Monday Sep 9, 1941 = Tuesday Sep 10, 1941
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In Dream


to Tom Smith, the record is driven by a belief that "music can be both pop and experimental." "It feels like a progression from our third record. It was very electronic, but I feel like the last record had to be a guitar record to prove to ourselves that we could be a band," says Smith. "To us, it's interesting if it has a darkness. Whatever that is. On the lyric side of things, if I was singing about dancefloors or happier or rosier
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In the Zone


and Madonna sings solo in the bridge. The instrumentation in the song includes influences of hip hop and funk guitars. The song's lyrics feature Spears and Madonna singing of the pleasures of letting go on the dancefloor, in "I'm up against the speaker / Trying to take on the music / It's like a competition". The second song, "I Got That (Boom Boom)", is an Atlanta-style hip hop track featuring the Ying Yang Twins. "Showdown" has "bubbly" beats
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Diego Valverde Villena


Universidad Mayor de San Andres (La Paz, Bolivia), where he taught Medieval Lyric, Baroque Lyric and Poetry between 1996 and 1998. From 2002 to 2004 he worked in the staff of the Secretary of State for Culture in Spain. He has translated into Spanish literary works written by Arthur Conan Doyle, Rudyard Kipling, John Donne, Edmund Spenser, George Herbert, Ezra Pound, Emily Dickinson, Mikolaj Sep Szarzynski, Paul Éluard, Joachim du Bellay, Valery Larbaud, Nuno Júdice, Jorge Sousa Braga, E.T.A. Hoffmann
19951083
Kill the DJ


said that while producing the song, they attempted to find out "how to make dance music" without turning themselves into a dance act. Armstrong said it was the first time the band had written a dance song. Michael Roffman of "Consequence of Sound" compared the song with the works of the Rapture, and the Clash's 1982 album, "Combat Rock"; he said it was "strictly for basement dancefloors everywhere". According to Armstrong, the lyrics of "Kill the DJ" can be considered as
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Wonderful Life (Hurts song)


of five stars. She felt the song was "a product of the 1980s", and wrote, "There are countless debts in here: the sentimental synth of the Pet Shop Boys or Fiction Factory, the dancefloor savvy of The Beloved, the emotional lyrical arch China Crisis or the dashes of saxophone used by Spandau Ballet and Black". (Coincidentally, Black had a hit with a song of the same title). Chris Maguire of AltSounds gave a mixed review: "It isn't ground-breaking by any
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Me Against the Music


deemed Spears's vocals as "sexy and sultry" and compared them to those of Prince. In the song, Spears and Madonna sing of the pleasures of letting go on the dancefloor, in lyrics such as "I'm up against the speaker / Trying to take on the music / It's like a competition". Spears explained the concept of the song as "basically about just going to a club and letting yourself go and battling with whoever is around you and battling against the music as well." Magnet continued
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White Night (album)


dawn and the various fauna that can be heard during that time." In the single, Taeyang sings "Is it love? / If I want this moment to last forever", making it sound like a "confessional ballad", before building up to a "dancefloor-ready chorus." The lead single, "Darling" is a R&B ballad that was compared to his previous single "Eyes, Nose, Lips". Lyrically, the song "shows sensibility for one's significant others' actions and claims
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The Love Train


with her significant other. Trainor said that she wrote the song in a hotel room with Sabara. "I'm Down" has been described as a "dancefloor" anthem with a "big" chorus. "After You" is a piano ballad that sees the singer pleading for her lover to stay by her side. Wass described "Foolish" as having "frantic beats"; lyrics include "They say that fools rush in. But I, oh I, I wanna be foolish with you". "Good
1804707
The Loving Kind


for "Out of Control". The band were intimidated when learning the harmonies from Tennant. They found themselves reproducing his delivery, until he advised them to sing their own renditions. It was said that "the lyrics have the sadness and melancholy of a massive proper ballad but the production drags the song straight to the dancefloor and lends it an undeniable sense of optimism." Lowe said he was "absolutely over the moon" with the result. "The Loving Kind" is a "synth pop ballad", in
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Te Vas (Inna song)


Written from the perspective of a "woman who was left behind", the lyrics delve on "a love that is irreplaceable and even if the other person walks away, they'll return someday". Trey Gaskin of "L'Officiel" saw "Te Vas" as "a different look at the separation anxiety often experienced by separated lovers" and as a "defiant declaration of dedication and love, paired with a dancefloor-friendly beat". An accompanying music video for "Te Vas" was uploaded onto Inna's official
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Supernaut (song)


the amped-up guitars, huge drum fills, dancefloor-oriented pounding, and distorted lyrical screaming turn it into a massive, exhilarating crunch." Nevertheless, he stated that the b-side song, "Hey Asshole", was "consisting of little more than a shouted loop of the song title and a crunching rhythm as background for an extended rant by a character playing, indeed, an asshole of a cop" Trent Reznor of Nine Inch Nails recorded the original vocals for the "Supernaut" cover. His
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Hold It Against Me


and that there was not much growth when compared to singles such as "...Baby One More Time" (1998) or "I'm a Slave 4 U" (2001). Greg Kot of the "Chicago Tribune" commented, "It’s one of the tougher-sounding Spears singles yet and should do the job as a dancefloor-filler for listeners who are starting to wear out on the latest singles from Katy Perry and The Black Eyed Peas". However, he also dismissed the lyrical content and said
18911352
Love?


" Cinquemani also saw that: "the album's urban-leaning midtempo tracks feel oddly dated, like leftovers from an album recorded in a pre-Gaga world." Hermione Hoby from "The Observer" gave the album a mixed review, saying that Lopez "ends her four-year recording hiatus with a load of turbo-produced bangers." However, Hoby was not impressed with the lyrics, commenting that they let the album down. "The only thing impeding dancefloor abandon is the hilarity of the record's
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Trouble (Neon Jungle song)


critics, while musically, "Trouble" is said to be both dancefloor and radio-friendly. The song has also been heavily compared to Spice Girls' "Wannabe" (1996), Girls Aloud's "Sound of the Underground" (2002), and Icona Pop's "I Love It" (2012), for sonic and lyrical similarities. Production-wise, "Trouble" has been deemed similar to that of Australian duo NERVO due to its "pounding EDM energy." The song has received critical
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Tom Smith (musician)


but I feel like the last record had to be a guitar record to prove to ourselves that we could be a band," says Smith. "To us, it's interesting if it has a darkness. Whatever that is. On the lyric side of things, if I was singing about dancefloors or happier or rosier things, it wouldn't ring true for me. I don't think you need to be sad to write a sad song, everybody has a dark side." Editors released their album "Violence
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Basshunter videography


on "Maspalomas Pride 2012" box-set containing live recordings of various artists. Music videos for "Crash & Burn" and "Calling Time" were later released. The music videos for "Dream on the Dancefloor" and "Calling Time" were directed by Gareth Evans. Farzad Bayat directed the music video for "Crash & Burn". In 2018 Basshunter released a lyrics video for "Masterpiece". Basshunter has appeared in television shows, including involvement in the ninth episode of the 23rd season of "Never Mind
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Booty (song)


Booty", the song was first rejected by Lopez who did not like the idea of having a song with a title like that. However, after playing the demo for her kids and seeing that they enjoyed the track, Lopez was convinced to record it. "Booty" is a dance track, with a Middle Eastern vibe, heavy percussion and an Asian keyboard riff, while its lyrics portrait Lopez inviting girls to the dancefloor to have a good time and dance, while shaking their buttocks. The song received generally favorable
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Unnatural Love


(Rhys Darby), the band's manager. "Unnatural Love" was well received by critics. It earned Clement a 2009 Emmy nomination for Best Comedy Actor and received two Creative Arts Emmy nominations, one for Outstanding Sound Mixing and one for Outstanding Original Music and Lyrics for the song "Carol Brown". The two songs featured in the episode, "Too Many Dicks (On the Dancefloor)" and "Carol Brown", were well received critically and subsequently appeared on the album "I Told You I Was
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Till the World Ends


up her sleeve, the crackling dancefloor barnstormer 'Till the World Ends,' penned by rowdy popstrel Kesha and produced by monster hitmaker Dr. Luke. It's a gargantuan party song with provocative lyrics (“This kitten got your tongue tied in knots,” anyone?), throbbing synths, and a thrillingly euphoric hands-in-the-air chant-along chorus — and there wasn't a more exuberant pop song this year." Digital Spy also considered the track as the best song of 2011, naming it
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I Bet You Look Good on the Dancefloor


bombardment of the most unsubtle, one-dimensional noise." The line "Your name isn't Rio, but I don't care for sand" is a reference to Duran Duran's song "Rio". This is the first of two references to Duran Duran in the band's lyrics, the second one appearing in the song "Teddy Picker" from their second album "Favourite Worst Nightmare". The line "Dancing to electropop like a robot from 1984" may be a reference to the DJ dialogue by Patton
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Again (Jessica Sutta song)


light at the end of the tunnel. I'm grateful for every experience in my life no matter how good or bad they are. It makes me who I am." The song received positive reviews from critics. It was described as "emotionally uplifting song with a huge chorus backed by melodic synths and breathtaking vocals by Jessica Sutta. Packed with dancefloor highs and smart lyrics, this anthemic track was produced by and features Kemal Golden. "DjGrind.net" wrote that "Again" is an instant dance floor filler, with
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Chained to the Rhythm


decidedly political statement". Lars Brandie from "Billboard" wrote the track "is built on a bed of warm, slightly-tweaked '80s keys and has its energies tuned to the dancefloor." Nick Levine of "NME" also observed political criticism in the lyrics, stating they "appear to be a rallying cry for society to become more politically involved and less complacent." In a positive review, E!'s Samantha Scnurr wrote the song "sounds like a soon-to-be party classic with its
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Smoove & Turrell


when life on the road stops and real life kicks in. As always though with Smoove & Turrell the highs and the lows of life are represented and the hard times realism of some of the lyrics is tempered by the irrepressible dancefloor euphoria of others. The album opener 'You Could Have Been A Lady' – a cover of the Hot Chocolate classic – being a prime example. The track was playlisted on BBC Radio 2 and BBC 6 Music and championed by DJ Chris Evans. Never ones to rest for long, the
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Any Man of Mine


1995. It also won Country Single of the Year at the 1996 Jukebox Awards and Song of the Year at the 1996 RPM Big Country Music Awards. This song is used in the Rock Band Country Track Pack, and has been confirmed as upcoming downloadable content for the "Rock Band" series. Larry Flick of "Billboard" wrote, "Twain aims right for the dance clubs with this hi-tech hoedown. The lyrics are dancefloor dumb, but the song is undeniably catchy. Besides, any song that borrows a
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3 (Britney Spears song)


Martens of the "Los Angeles Times" called the reference "the cut's biggest oddity". "3" received positive reviews from contemporary music critics. Monica Herrera of "Billboard" commented that the song "builds to a climax of wildly pulsing bass that summons fans to the dancefloor" and added that "[it] will be another notch in this pop provocateur's belt". On its online edition, "Rolling Stone"'s writer Daniel Kreps praised the song for its up-tempo melody and racy lyrics
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Blackout (Britney Spears album)


Why Should I Be Sad", a midtempo song directed to her ex-husband Kevin Federline. The bonus track exclusive to Target, "Outta This World" is a mid-tempo electro song with Spears singing romantic lyrics to a lover "I keep singing universes about you / There’ll always be verses about you." "Everybody", samples Eurythmics' "Sweet Dreams (Are Made of This)" (1983) and features Spears singing about the dancefloor in a breathy lower register. "Get Back"
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Rio (song)


he bemoaned how there were hundreds of songs about Jesus Christ, but only about 4 about him. It has been referenced in the lyrics of the 2005 UK #1 hit by Arctic Monkeys, "I Bet You Look Good on the Dancefloor": "Your name isn't Rio, but I don't care for sand". The Killers also referenced the song in "On Top". In 2008, for their video "Never Too Late", Hedley released a shot-for-shot remake of the video
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Radioactive (Rita Ora song)


serve as the fourth single from "Ora" in the United Kingdom. The cover artwork for the song was revealed on 9 January 2013. It features Ora against a backdrop of colorful stars. Sia Furler and Greg Kurstin wrote the song, while Greg Kurstin was the producer. "Radioactive" received favorable reviews from music critics. According to a reviewer of "Metro", "Radioactive is a dancefloor-ready track that is more about the beat than the lyrics or any deeper meaning behind them". An example is
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Discolights


, was filmed in Los Angeles on 28 April 2008. It shows two robots coming to life and people dancing in a nightclub where the video was shot. Starring Ultrabeat and Darren Styles, the video also shows Mike Di Scala singing the lyrics to the song on the dancefloor with Chris Henry and Darren Styles DJing. The main focus of the video, however, is the two robots dancing under the discolights. On June 29, 2008, the song entered the UK Singles Chart at #110 on downloads alone and peaked at
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Best of Hilary Duff


-olds, the "Best Of" compilation pushes the target age higher. The funky remixes and danceable electronic beats are fun and catchy, but the sexed-up lyrics and themes aren't intended for younger fans." Rachel Devitt of Rhapsody said the collection "is largely pleasant, nicely polished and, rather surprisingly, sleek and even a little edgy. Turns out Lizzie McGuire is a dancefloor diva, and even with that feathery little voice, she manages to work it on tracks like the dark "Stranger,"
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Neon Blue


"Neon Blue" is a song recorded by British group Steps for their fifth studio album, "Tears on the Dancefloor" (2017). Written by Carl Ryden and Fiona Bevan, it was announced as the third single from the album on 20 July 2017, and subsequently released on 4 August. Musically, it is a mid-tempo pop ballad which begins with a soft piano introduction and builds into an upbeat synth track, while lyrically, it is about encouraging a downcast friend to come out and have some fun
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Evacuate the Dancefloor (album)


pop production. All of the following numbers are consistently danceable and genuine bad-mood-killer. The producers have done the best job. By listening to [Horler's] desire for perfection, the songs are structured and powerfully made." David Jeffries of AllMusic favoured the album, saying "Less dreamy and more thumping, the sound here isn't that far from Lady GaGa or Katy Perry's material, but with lyrics that are generally positive and lead singer Natalie Horler remaining effervescent as ever, fans will immediately be
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Touch Me (Smash song)


not-insignificant contribution to the realm of popular music". PopCrush describes the song as "dancefloor-ready" number that has "a slice of synth pop that finds plenty of effects lacing McPhee’s vocals". The site adds that they refer to this version of Karen as "RoboMcPhee", due to the "studio treatment on her voice as she delivers parts of the sexified lyrics in robot fashion", which it thinks is just the right amount. It cites Katy Perry, Lana Del Rey and Jennifer Lopez
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Turn Up the Radio (Madonna song)


most pounding moment, reaching a climax that threatens to blow the speakers." Todd added that although some listeners might find the track "generic", the song has characteristic elements of a Madonna release, and would be embraced by fans as a "dancefloor filler that will shake the clubs and would happily find a slot on the next series of "Glee"." Mitchell called it "a big, anthemic dance-pop wonder with glittery synths and fun lyrics." He also referred to the song as "the
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Hold It Against Me


someone on the dancefloor. The chorus revolves around pick-up lines; Spears sings, "If I said I want your body now, would you hold it against me?" and "'Cause you feel like paradise, and I need a vacation tonight." James Montgomery of MTV compared the feeling of the lyrics to that of "If U Seek Amy" (2009). After "Hold It Against Me" was released, The Bellamy Brothers criticized it for being similar to their 1979 hit "If I Said
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Easy (Sugababes song)


". It was composed in the key of F major using common time at 118 beats per minute. "Easy" features heavy use of synthesizers—most notably a bass synthesizer, as well as a "grinding electro riff". According to Fraser McAlphine of BBC, the chorus is reminiscent of songs performed by British girl group, Girls Aloud. Ian Mathers from "Stylus Magazine" described the first half of the chorus as a "Hellogoodbye/Van She style 80s dancefloor euphoria". The song's lyrical content is
19405365
Run the World (Girls)


's vocals: "Run the World (Girls)" is a complex but catchy track that's actually more reminiscent of M.I.A. and Santigold than Sasha Fierce. The song combines a dancefloor-defying military drumbeat, a sample from Switch's group Major Lazer, an unconventional song structure and some incongruously pretty, layered melodics that are basically chanted but still employ [Knowles'] full vocal range. The lyrics, however, are just as female-empowering as we've come to expect. There's much more to the song
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Sweat (Ciara song)


", however, was disappointed with "Sweat," describing the song as "not very exciting." In her review, Bain said, "Ciara's vocals go nowhere, the beat doesn't pick up or drop off or twist or turn unexpectedly, and the repetitive lyrics are your generic sexy-dancefloor bon mots." "Sweat" made its chart debut by entering the US "Billboard" Bubbling Under R&B/Hip-Hop Songs chart on June 23, 2012. The chart is an addendum to the
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Jump Smokers


Jump Smokers is an electro house music group from Chicago, United States. The band currently consists of members Roman (vocals/lyrics), Flipside (production/DJ), and Johnny Digital. The two met in Chicago working for Chicago radio station B96 in 2003. They formed the group in 2009 along with producer Reydon and digital media designer Johnny Digital. Their debut album, "Kings of the Dancefloor!", was released July 27, 2010 on Ultra Records. In 2012, Reydon moved on from the group
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The Loving Kind


of the song and made it available via pre-order only with her third single, "Yo-Yo", from her debut album. The song received mostly positive reviews from contemporary music critics. Digital Spy gave the song five stars, saying it "weds hauntingly melancholy vocals [...] to a sense of dancefloor euphoria totally at odds with the teary-eyed lyrics" and was "nothing short of dazzling, meaning 'The Loving Kind' deserves a place [...] on the list of Girls Aloud's
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Llego La Queen


genres of music, she is the "Queen of Reggaeton." Jessica Roiz, an editor for the Spanish entertainment website pulsopop, called the song a "hymn which stuns with dramatic vocal while revealing with power" that the Queen has arrived. Lyrically, "Y Tú" details love and heartbreak, while "Baile Para Ti" features declarations of passion and seduction. Roiz claimed "Pa'l Frente y Pa' Tras" to be a "vigorous invitation to have a good time on the dancefloor." The song was
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Superficial (album)


"an 80's feel", and has been compared to works by Kylie Minogue. Title track "Superficial" sees Montag singing about her public image, over a "dancefloor" beat, while aiming at Montag's critics. "More Is More" has been described as a "club hit", as well as "loud and intense." The song "I'll Do It" was described as Montag getting "racy" due to the song's sexually explicit lyrics stating to "come eat my panties off
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Wanderlust (Sophie Ellis-Bextor album)


its lyrics sound "occasionally sappy and sentimental." Caroline Sullivan of "The Guardian" noticed "the preponderance of sweeping string-and-piano arrangements" and noted that "what really sells this album is its forays into eastern European-style pathos." Louise Bruton of "The Irish Times" compared the album's sound to the Norwegian folk/pop band Katzenjammer and felt that "as a breakaway from her usual dancefloor dalliances, Sophie chose wisely." Neil McCormick of "The Daily Telegraph" described "Wanderlust
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Womanizer (song)


songs like "Womanizer", saying "Britney 2.0 needs to be full of wild dancefloor driven moves". Simon Price of "The Independent" commented the song borrows its electronic sound from Goldfrapp. Ann Powers of the "Los Angeles Times" complimented Spears' delivery and the lyrics, saying the song is "about the kind of girl power that's focused on besting one obnoxious man, is also vintage and contemporary at the same time – more feminism as individualism". Mike Newmark of PopMatters called the song " a
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The Beeps


Sapphire Stream S2/Ep45 Apr. 29 Wash Those Socks! S2/Ep46 Dec. 12 The Bumps SEASON 3: S3/Ep1 Aug. 30 Up Down Hill S3/Ep2 Aug. 31 Caravan S3/Ep3 Sep. 6 Secret Garden S3/Ep4 Sep. 7 Bounceflower Tea S3/Ep5 Sep. 13 The Whale S3/Ep6 Sep. 14 Soggy Sockroaches S3/Ep7 Sep. 20 Stinkroots S3/Ep8 Sep. 21 Sing-a-long-a-beeps S3/Ep9 Sep. 27 History Book S3/Ep10 Sep. 28 What Goes Splat? S3
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Joe Chill


deduced that was why he himself was left unharmed by Chill: so he would unwittingly support Moxon's alibi that he had nothing to do with a robbery that became a felony murder. In "The Brave and the Bold" #79 (Sep. 1968), Joe Chill is revealed to have a brother named Max who is also a criminal. Max Chill is suspected of having murdered Boston Brand (AKA Deadman), though the suspicion proves erroneous. Max is killed when a stack of slot machines falls onto him. In
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Signal Transfer Point


. SEPs send signaling messages to other SEPs, but the messages are normally routed via the SEP's adjacent STPs. An STP's main function is to identify the best path for two SEPs to communicate. A typical application would be for two SEPs to agree on the use of a shared data path (e.g., using ISUP to initiate a voice call between a user on one SEP and a user on the second SEP). In this way, STPs route signaling messages (for starting, maintaining or finishing any kind of
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Sophie Ellis-Bextor


"Groovejet", was released in August 2018. In the following months Ellis-Bextor further released the reworked versiones of "Take Me Home", "Murder on the Dancefloor" and "A Pessimist is Never Disappointed". "The Song Diaries" was released on 15 March 2019. In 2001 Ellis-Bextor auditioned for the 2001 film "Moulin Rouge!" for the character, Satine. In 2007, Ellis-Bextor appeared at Christmas in the "Robbie the Reindeer" episode, "Close Encounters of the
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Signal Transfer Point


calls originated by the SEPs' attached users) while avoiding disabled intermediary STPs. A signaling message typically never goes directly from a given SEP to the destination SEP: the message would normally have to pass through the initiating SEP's adjacent STP so that it can be routed to the destination SEP. In some applications, however, SEPs might be directly connected with signaling links; this would typically be done to enhance robustness or performance between two critical SEPs. Such mesh network configurations are also common in Europe, where STPs have not
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Oui (song)


and vocal delivery of the lyrics. "Oui" peaked at number 19 on the "Billboard" Hot 100, giving Jeremih his fifth top 20 hit on that chart. It also charted at numbers 2 and 5 on both the Rhythmic and Hot R&B/Hip-Hop Songs charts respectively. Meghan Garvey of Pitchfork Media gave the song its "Best New Music" accolade lauding Jeremih's vocal performance, "It’s not a fireworks display or a peak-hour dancefloor filler. You sink into it. Light some candles
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Take Me on the Floor


begins with techno synths playing followed by breathy vocal, then progresses into fast tempo techno-dance beat played by guitars, synthesizer keyboards, and synthesized Tr-808 drums. Lisa and Jess's vocal range spans from A-E. Lyrically, the song is about having fun on the dancefloor. The song is also the first song to feature screams, which are performed by Jessica. Chris Williams of "Billboard" gave the song a positive review, stating "Their second single "Take Me on the Floor" finds the girls collaborating
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I Need You (N-Dubz song)


on a sofa in the dancefloor area of the nightclub singing. In one scene Dappy can be seen accessing Facebook to find his missing partner - contrasting with the song's lyric 'I've been searching all over Facebook but I can't seem to find you'. Tulisa in another scene can be seen taking a picture of herself and her partner with a mobile phone. Prominent flashing lights and neons are visible throughout the video, of which take on a red colour in the nightclub and a white colour on the rooftop and
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Daya (EP)


R&B artists like Beyoncé, as well as similarly inclined contemporaries like Lorde. Working with producer and songwriter Gino Barletta, Daya delivers a handful of empowering, passionate anthems that also work well on the dancefloor." "Billboard"s Jason Lipshutz said "["Daya"] displays the young artist's musicianship and knack for straightforward, emotionally revealing lyrics." "Hide Away" was released as the lead single from the EP on April 22, 2015. Since its release, it has peaked at number 23 on the "Billboard
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Boys and Girls (Pixie Lott song)


was given mixed reviews. Pete Cashmore of "The Guardian" stated the song "is endeavouring to bestow upon us a brassy, sassy dancefloor heater like some smug Italia Conti Pink", but criticized the track for being "much like a vegetarian restaurant, she just ain't got the chops." He also made comment on the lyrics claiming they were the "oomph and pizzazz of an English-speaking robot struggling to read Sanskrit from an autocue. A Lott of shite." Andrew Hirst of the "Huddersfield Daily
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Me Against the Music


and Magnet started working on the song for her. During rehearsals for the 2003 MTV Video Music Awards, Spears played Madonna the track and asked her to do the song with her. "Me Against the Music" contains influences of hip hop and usage of funk guitars. Spears and Madonna trade lines during the verses, and Madonna sings the bridge. Lyrically, the song talks about battling the music and the pleasures of letting go on the dancefloor. The song received generally mixed reviews from music critics. Some felt it was
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Jon McClure


when McClure decided he was ready to start getting "serious" as he did not want to be "just another guitar band" or part of a Yorkshire music scene. Some claim the lyric "dancing to electro-pop like a robot from 1984" from the Arctic Monkeys song "I Bet You Look Good on the Dancefloor" is a reference to the band. Prior to Reverend and the Makers being signed, McClure hosted a monthly club night named "Reverend Soundsystem", on the first Saturday of every month at
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Bang Bang Bang (Selena Gomez & the Scene song)


confident, coy manner. Jared Wieselman of the "New York Post" called the track "the song of the summer" and complimented its "sensational synth vibe, lovely lyrical kiss off and beyond addictive hook." Furthermore, Wiselman said: "Mark my words, this will become a summer anthem & one of the most mashed up tracks of the year." Tim Sendra of Allmusic noted the song as a highlight of the album and said that Gomez "bubbles" her way through the "dancefloor-friendly"
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Perfect Stranger (Magnetic Man song)


a remix that's absolutely amazing. I think it's testament to his talent that he can live so closely with a track and then do something completely different with it." Nick Levine of "Digital Spy" gave the song a positive review stating: Songs about spotting a proper fitty on the dancefloor and getting in a right old tizzy about it are as rare as OK! covers featuring Katie Price. Still, if anyone can eek fresh juice out of this well-squeezed lyrical lemon, it's the combined talents
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Michael (Franz Ferdinand song)


"Michael" is a song by Scottish indie rock band Franz Ferdinand. It was released as the fourth single from their eponymous debut studio album on 16 August 2004 through Domino Records. The song was notable for its homoerotic lyrics such as "stubble on my sticky lips" and "beautiful boys on a beautiful dancefloor". It was released in multiple formats, including a 7" vinyl, two 12" vinyls, and two CDs. The second CD that was released was pulled from stores a day after its release due
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Ride It (Jay Sean song)


people play across the dancefloor on a night out - how you can catch someone's eye and accept a challenge that lasts the rest of the evening." The intro and the epic melody background was based on the "Hero" soundtrack by Tan Dun. Some of the scenes in the video were shot in Manhattan. The song appears to have a second version with shorter play time and changed lyrics in its third verse. The video for the single was shot on 12 August 2007 in the central London nightclub Mo*Vida. On
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Ain't It Funny


a duration of four minutes and six seconds (4:06). The song contains a Mecca disco beat and a "bullfight trumpet", as well as a "solid dancefloor thump". Lyrically, Lopez sings about "creating the perfect romance in your mind, then facing reality when Mr. Right is less than ideal". The song received mixed to positive reviews. Josh Freedom du Lac of Wall of Sound wrote that "Ain't It Funny" steals its melody "wholesale" from Madonna's "La Isla Bonita"
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Music (Madonna song)


be particularly lyrically inspired but it is rightfully hailed as one of her finest and most unexpected hours". Negative criticism came from "The Guardian"s Garry Mulholland, who described the track as "the sound of a bunch of middle-aged trend-watchers second-guessing what today's kids go for [...] the absolute definition of mutton-dressed-as-lamb middle-youth". Alex Pappademas from "Spin", pointed out that "its dancefloor liberation mantra feels forced". Danny Eccleston from "Q
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Chun-Li


Cop", Cynthia Khan's character Ling is nicknamed "Chun Li" in an inspired role, including using some of Chun-Li's moves. British band Arctic Monkeys released an instrumental titled "Chun Li's Spinning Bird Kick" as a B-side on their 2005 single "I Bet You Look Good on the Dancefloor", while American drag queen Alaska Thunderfuck's 2016 song "The T" (2016) has the lyrics mentioning Chun-Li. American rapper Nicki Minaj released a single entitled "Chun-
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Only on Days That End in "Y"


her when he's awake, when he's sleeping, when he's alone, or when he's with somebody. It would mean that he actually misses her every day and every time. Larry Flick of "Billboard" gave the song a positive review: "The song's theme is somewhat well worn in country music, but the track revisits the lost-love scenario with a cleverly penned lyric and a dancefloor beat." Mike Joyce of "The Washington Post" in his review of Hypnotize the Moon wrote,
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Going Back to My Roots


Teaspoon & the Waves – led by veteran alto player Teaspoon Ndelu – released one super rare LP in 1980, covering a mix of disco and funk sounds then popular on South African dancefloors. ‘Oh yeh Soweto’ is a cheeky version of the original ‘Going back to my roots’ by Lamont Dozier – changing the lyrics and toughening up the beat. It was re-released in 2010 on Sofrito Records. Zac Chap- a young musician who pays tribute to Richie Havens and Havens' version of the song, featured as
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The Spell (Alphabeat album)


that the album finds the group "appropriating the handbag house sound that was the cornerstone of provincial clubs circa 1995. Thus jittery piano riffs and hands-in-the-air breakdowns abound, while singer Stine hollers dancefloor doggerel." Simon Gage of the "Daily Express" described the songs as "chirpy and silly with witty lyrics", while calling the music itself "Euro-nonsense at its finest". Stephen Kelly of "NME" commented that Alphabeat "have bravely stripped away all the bubblegum that originally made
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Heartbeat (Annie song)


the subsequent verse. Its lyrics narrate a night of going to clubs with friends. "Heartbeat" uses a drum beat which symbolizes a heartbeat and doubles its tempo when Annie's persona catches the attention of her romantic interest on the dancefloor. "Heartbeat" received acclaim from music critics. Scott Plagenhoef's review for "Pitchfork" named it "the best song of the year" for being a "deceptively simple and surprisingly beautiful articulation of basic human need, beautifully encapsulating every element of human excitement". In his review
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Fluorescent Adolescent


doesn't usually write lyrics with other people, though I think he enjoyed it. The song has received a 9/10 rating from Planet Sound, becoming Arctic Monkeys' first single to do so since "I Bet You Look Good on the Dancefloor". The music video was filmed in late April 2007 and was directed by "The IT Crowd" star Richard Ayoade. It features actor Stephen Graham (who previously appeared on the "Scummy Man" DVD and the "When the Sun Goes Down" video) as a clown
9457697
A Weekend in the City


Luxemburg has explained that "in this picture you can see how intricately and optimistically public space in the city is shared". Okereke's lyrics attempt to juxtapose the monotonous events—nights out on club dancefloors and waiting for a train—with the seemingly epic experiences—terrorist attacks and racial angst—witnessed in a city environment. The direct narrative approach divided reviewers. BBC's Tom Young concluded, "Some will appreciate Kele's openness and revel in his philosophical focus on modern lives ... others will be too distracted by questionable
9813082
ChocQuibTown


Elephunk"-era Black Eyed Peas in its "upbeat performance style, lack of gangsta attitude, and male-female dynamic", stating that the group maintains a "positive attitude with a hint of edge, and dancefloor- and radio-friendly music, without devolving into pure pop pandering." Lyrically, the band discusses Afro-Latino identity and taking pride in its native region. Member Tostao explains, "It is important to generate that pride for our people because our country is always talking about negative things like guerrillas and drug traffickers
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Read My Lips (Sophie Ellis-Bextor album)


. "Sparkle" has "speeding beats and equally speeding keyboards", while "Final Move" contains "tinny beats" and "electro swirls". The latter was deemed a "subdued version" of "Murder on the Dancefloor" with "similar kaleidoscope synth". "I Believe" was described as "funky" and "live-sounding", while "Leave the Others Alone" involves "cold beats" and "big, full-throttle keyboards". "By Chance" was particularly noted for
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Sonia Leong


illustrated a series of images for the Toyota 86 in the style of the classic seinen manga "Initial D", as the main character drives a Toyota AE86. Toyota created a car in the same livery for 'touring UK car shows in 2016'. She is the Company Secretary of Sweatdrop Studios and her works with the group include 'Once Upon a Time...'; 'Cyborg Butterfly'; 'Satan's Amazon'; 'Murder on the Dancefloor' for the 'Sugardrops' anthology; 'Return to Chenezzar
3863085
Queen Vic Fire Week


the fire episode was inaccurate due to the lack of fire alarms, sprinklers and emergency lighting in the pub, but noted that the episode's use of the song "Murder on the Dancefloor", featuring the line "Gonna burn this god damn house right down", was "clever". A writer for "Heat" said "We knew the Vic fire was coming, but actually seeing it was quite another thing, and knowing that it also marked the end of an era with the departure of Windsor made
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