Catherine of Alexandria [SEP] canonization status
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Basilica of Our Lady of Walsingham


The Basilica of Our Lady of Walsingham, informally known as the Slipper Chapel or the Chapel of Saint Catherine of Alexandria, is a Roman Catholic basilica located in Houghton Saint Giles, Norfolk, England. Built in 1340, it was the last chapel on the pilgrim route to Walsingham. Pope Pius XII granted a canonical coronation to the venerated statue of the Blessed Virgin Mary under the title of Our Lady of Walsingham presently enshrined within the chapel on 15 August 1954. Pope Francis raised the sanctuary to the status of a minor basilica
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Patriarch of Alexandria


The Patriarch of Alexandria is the archbishop of Alexandria, Egypt. Historically, this office has included the designation "pope" (etymologically "Father", like "Abbot"). The Alexandrian episcopate was revered as one of the three major episcopal sees (along with Rome and Antioch) before Constantinople or Jerusalem were granted similar status (in 381 and 451, respectively). Alexandria was elevated to "de facto" archiepiscopal status by the Councils of Alexandria, and this status was ratified by Canon Six of the First Council
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Madonna and Child with Saints Luke and Catherine of Alexandria


The Madonna and Child with Saints Luke and Catherine of Alexandria, also known simply as "Holy Conversation", is a painting by the Italian Renaissance master Titian. It is one of his several versions of the canonical image of the Madonna and Child. Executed in oil on canvas, it was painted around 1560, at the height of Titian's career. In 2011, the painting achieved the highest auction price ever for one of Titian's works, at $16.9 million. The painting was sold by Gerlinda Kisters, who
5409828
Mystical marriage of Saint Catherine


fresco by Spinello Aretino or a follower in the Cialli-Sernigi chapel of Santa Trinita in Florence certainly predates the canonization by several decades. However, unlike the "Mystic Marriage of Saint Catherine of Alexandria", there were no large monumental images, such as the main panel of an altarpiece, of the "Mystic Marriage of Saint Catherine of Siena" until 1528, when the Siennese painter Domenico Beccafumi painted one for the church of Santo Spirito in Siena. A mystical marriage to Christ is also an attribute of Saint Rosa of
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Council of Chalcedon


modified the situation somewhat by placing Constantinople second in honor, above Alexandria and Antioch, stating in Canon III, that "the bishop of Constantinople... shall have the prerogative of honor after the bishop of Rome; because Constantinople is New Rome". In the early 5th century, this status was challenged by the bishops of Alexandria, but the Council of Chalcedon confirmed in Canon XXVIII: In making their case, the council fathers argued that tradition had accorded "honor" to the see of older Rome because it was the first
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Katherine of Ledbury


Katherine of Ledbury (also known as Katherine de Audley or St. Katherine of Ledbury; born 1272) was a Gloucestershire-born noblewoman of the 13th century who became an anchoress in Ledbury, Herefordshire. Although never officially canonized, Katherine was the subject of William Wordsworth's sonnet, “St. Catherine of Ledbury,” and is remembered as a patron saint of that town. She has often been confused with the 4th century martyr Catherine of Alexandria, whose cult in Ledbury preexisted hers. Katherine was born in 1271 in Brimpsfield,
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St Catherine's College, Oxford


This name is also a reference to St. Catherine of Alexandria; this can also be seen in the college blazon, which depicts four Catherine wheels, one of St. Catherine's attributes. The society was thus developing the characteristics of a college, and in 1956 the delegates decided to formalise this change in status by obtaining approval to turn into a fully residential college. After acquiring from Merton College, Oxford on part of Holywell Great Meadow for £57,690, monies were sought from the University Grants Committee who also agreed to supply £
6053088
Krasnodar


until December 7, 1920). Krasnodar was founded on January 12, 1794 (Gregorian calendar) as Yekaterinodar (). The original name meant "Catherine's Gift", recognizing both Catherine the Great's grant of land in the Kuban region to the Black Sea Cossacks (created from former Zaporozhian Cossacks) and Saint Catherine of Alexandria, who is considered to be the patron of the city. City status was granted in 1867. On December 7, 1920, as a result of the October Revolution, Yekaterinodar was renamed
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Catherine of Alexandria


behavior increased during the Late Middle Ages. Among these, St. Catherine in particular was used as an exemplar for women, a status which at times superseded her intercessory role. Both Christine de Pizan and Geoffrey de la Tour Landry point to Catherine as a paragon for young women, emphasizing her model of virginity and "wifely chastity." From the early 14th century the mystic marriage of Saint Catherine first appears in hagiographical literature and, soon after, in art. In the Western church the popularity of her cult began to reduce
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Self-Portrait as Saint Catherine of Alexandria


Self-Portrait as Saint Catherine of Alexandria is a 1615–1617 painting by the Italian Baroque artist Artemisia Gentileschi, showing the artist in the guise of Catherine of Alexandria. It is now in the collection of the National Gallery, London, which purchased it in 2018 for £3.6 million, including about £2.7 million from its American Friends group. It was painted during Gentileschi's time in Florence, and is similar to her "Saint Catherine of Alexandria" (c.1619), now in the Uffizi Gallery. It is one of
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Mariano Gerada


Saint Catherine of Alexandria at Zurrieq. The statue of the Archangel Michael in the parish church of Cospicua is considered another of his masterpieces. The draft model for the Saint Michael statue was made out of the wood that remained from that used to carve the statue of the Assumption at Ghaxaq, and it can still be found in the sacristy of the Ghaxaq parish church. Among Gerada's non-religious statues are the Lion and Unicorn fountains to the left and right of the entrance of St. John's Co-Cathedral in Valletta
14621573
Catherine of Alexandria


Saint Catherine of Alexandria, or Saint Katharine of Alexandria, also known as Saint Catherine of the Wheel and The Great Martyr Saint Catherine (; ""Holy Catherine the Great Martyr""; ), is, according to tradition, a Christian saint and virgin, who was martyred in the early 4th century at the hands of the pagan emperor Maxentius. According to her hagiography, she was both a princess and a noted scholar, who became a Christian around the age of 14, converted hundreds of people to Christianity, and
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Saint Catherine of Alexandria (Raphael)


Saint Catherine of Alexandria is a painting by the Italian Renaissance artist Raphael. In the painting, Catherine of Alexandria is looking upward in ecstasy and leaning on a wheel - an allusion to the breaking wheel (or Catherine wheel) of her martyrdom. It was painted c. 1507, towards the end of Raphael's sojourn in Florence and shows the young artist in a transitional phase. The depiction of religious passion in the painting is still reminiscent of Pietro Perugino. But the graceful contrapposto of Catherine's pose is typical of the influence
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Saint Mary of the Assumption Catholic Church


church in Cincinnati. As the church patroness, a statue of the Blessed Virgin Mary stands in the center of the reredos. It is flanked on the left by a statue of Saint Catherine of Alexandria, and on the right by Saint Boniface. All of these statues are made of carved wood. The crucifix hanging from the dome of the apse is 10 feet wide and 12 feet long, with a symbol representing one of the four Gospels at each extremity. Created by a parishioner, it was first hung in the church
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Santa Caterina, Castellammare di Stabia


church at the site was only consecrated in 1809. It contains a Romanesque-style crypt dating to 1385, rebuilt in 1754. The interiors are decorated with 18th-century wooden statues depicting "St Catherine of Alexandria", "St Joseph", and "St Judas Thaddeus", carved by the studio of the brothers Giuseppe and Francesco Verzella. The "Chapel of the Resurrection" (1725) has two 18th-century canvases, one depicting "St Catherine saved by Archangel Michael from the martyrdom of the wheel"
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Carmina Burana


Many of the hymns were dedicated to Saint Catherine of Alexandria, who was venerated in Seckau, such as CB 12* and 19*–22*. In support of Kloster Neustift, the text's open-mindedness is characteristic of the reform-minded Augustine Canons Regular of the time, as is the spoken quality of the writing. Also, Brixen is mentioned in CB 95, and the beginning to a story appears in CB 203a which is unique to Tirol called the "Eckenlied" about the mythic hero Dietrich von Bern. It
21379116
Namacpacan Church


of Purao (presently known as Balaoan). In November 25, 1690, the town was founded and a parish under the advocacy of Saint Catherine of Alexandria was canonically erected. The first church of Namacpacan was built under the supervision of Father Mateo Bustillos, the parish priest from 1695 to 1697. The original site of the church was in Darigayos, a barrio of Namacpacan and was transferred in 1741 to its present site. The image of the Our Lady of Namacpacan was enshrined in the church in 1871. The church was
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Rue Sainte-Catherine (Lyon)


The first silk mill in France was established in the street. At the corner of the rue d'Algérie and the rue Saint-Marie-des-Terreaux, a statue of Catherine of Alexandria, carved in 1866 by Joseph-Hughes Fabisch to replace a seventeenth century work by Bridant, also recalls the memory of this hospital which depends the Hôpital de la Charité de Lyon. Over the centuries, several names were used (marché du Fillet, place du Fil, place Neuve-des-Carmes, rue du Forès) and
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Derham Hall and Our Lady of Victory Chapel


, who helped found St. Catherine in 1905 and served as its leader for more than 30 years. The Chapel was dedicated on October 7, 1924, and rededicated following renovation on May 1, 1958. It was designed by H.A. Sullwold in the Romanesque Revival style and influenced by the Church of St. Trophime in Arles, Provence, France. The entrance features friezes depicting Christ, the Twelve Apostles and the University's patron saint, St. Catherine of Alexandria. The statues of the saints are a kind of Who's Who of
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Joan of Arc


Joan of Arc, in French Jeanne d'Arc () or Jehanne (circa 1412 – 30 May 1431), nicknamed "The Maid of Orléans" (), is considered a heroine of France for her role during the Lancastrian phase of the Hundred Years' War, and was canonized as a Roman Catholic saint. She was born to Jacques d'Arc and Isabelle Romée, a peasant family, at Domrémy in northeast France. Joan claimed to have received visions of the archangel Michael, Saint Margaret, and Saint Catherine of Alexandria instructing
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Christianity


on the other, by analyzing new-found texts, by subjecting canonical texts to further scrutiny, and by an examination of the passage of New Testament texts to canonical status. In antiquity, two schools of exegesis developed in Alexandria and Antioch. The Alexandrian interpretation, exemplified by Origen, tended to read Scripture allegorically, while the Antiochene interpretation adhered to the literal sense, holding that other meanings (called "theoria") could only be accepted if based on the literal meaning. Catholic theology distinguishes two senses of scripture:
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Roland Doré (sculptor)


's attire and Catherine of Alexandria. The Dorė atelier worked on a statue of Saint Jaoua for the fountain by Plouvien's Saint Jaoua chapel. There is a statue of Saint Francis of Assisi in the choir area of the Ėglise Saint Derrien in Le Conquet. In Tréflévénez, in the Église Saint-Pierre there is a Doré sculpture of Saint Margaret and the dragon. It is located on the south wall of the south aisle. In the south porch of the Sainte-Pitère parish church in Le Tréhou, the Doré atelier
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Prospero Caterini


family's devotion to St. Catherine of Alexandria. Those with the surname Caterini later became part of the nobility of Nocera Umbra, Acquapendente and Onano. Prospero Caterini completed his studies in Rome. No information has been found as to his ordination history. He served as the substitute secretary of the Sacred Congregation Consistorial and was later the Secretary of the Sacred Congregation of Studies. From March 1, 1841 to November 28, 1845, he was Auditor "Santissimi". He was a canon of Saint Peter's Basilica and became an
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Jus antiquum


letters of the following great bishops—Dionysius of Alexandria, Peter of Alexandria (the Martyr), Gregory Thaumaturgus, Athanasius, Basil, Gregory of Nyssa, Gregory of Nazianzus, Amphilochus of Iconium, Timotheus of Alexandria, Theophilus of Alexandria, Cyril of Alexandria, Gennadius of Constantinople; the canon of Cyprian of Carthage (the Martyr) is also mentioned, but with the note that it is only valid for Africa. With the addition of the twenty-two canons of the ecumenical council of Nicaea (787), this
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Catherine of Alexandria


the story of the slightly later pagan philosopher Hypatia of Alexandria (c. 350–370 – 415 CE). Modern scholarship supports Davis' assumption that the legend of Catherine of Alexandria was probably based on the life and murder of Hypatia, with the roles of Christians and pagans reversed. Hypatia was a Greek mathematician, astronomer, and philosopher, who was brutally murdered by a Christian mob after being accused of exacerbating a conflict between two prominent figures in Alexandria, the governor, Orestes, and the bishop, Cyril of Alexandria. Sometimes cited
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Madonna and Child with St John the Baptist and St Catherine of Alexandria


Madonna and Child with St John the Baptist and St Catherine of Alexandria is a c.1495 oil on panel painting by Perugino of the Madonna and Child with John the Baptist and Catherine of Alexandria. It is now in the Louvre in Paris. It was produced using the same cartoon as "Madonna and Child with Two Saints" (Kunsthistorisches Museum) and "Madonna and Child with the Infant John the Baptist" (Städel Museum), with very little variation between the three works. The face of the Madonna is based on Perugino
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List of works of the two Folgoët ateliers


a niche in the right side buttress of the south entrance. This entrance has little decoration. Inside the church are statues by the atelier of John the Evangelist, John the Baptist, Margaret the Virgin and Catherine of Alexandria, and the "Autel des Anges" (the altar of the angels) decorated with carvings of angels. The fountain has its source beneath the main altar inside the basilica and it emerges by the chevet. The fountain comprises a statue of the Virgin Mary within an elaborate arcade. This arcade was restored
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Catherine of Alexandria


Saints"), T.1 (1689) places the date of celebration on 24 November. A story that Empress Catherine the Great did not wish to share her patronal feast with the Leavetaking of the feast of the Presentation of the Theotokos and hence changed the date is not supported by historical evidence. One of the first Roman Catholic churches to be built in Russia, the Catholic Church of St. Catherine, was named after Catherine of Alexandria because she was Catherine the Great's patron. A footnote to the entry for 25 November in
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Saint Catherine's Day


Saint Catherine's Day is 25 November. It has retained its popularity throughout the centuries. It commemorates the martyrdom of Saint Catherine of Alexandria, one of the Fourteen Holy Helpers. According to traditional accounts, St Catherine was beheaded by Emperor Maximinus II around 305 AD in Alexandria. 25 November became the commemoration date in the 10th century, and many churches and particularly nunneries in Europe were dedicated to St Catherine. In Lutheran countries, this day has also been associated with Catherine of Aragon, the first wife of Henry VIII.
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University of Santa Catalina


; it was authorised on 5 August 1550 by a canonical bull of Pope Julius III, and dedicated to St. Catherine of Alexandria. Philip II of Spain took it under his protection by a royal decree of 31 January 1562. Thus it obtained the double title of a pontifical and a royal university. Political and educational changes, as well as the lack of economic resources it fell into decline from 1751. Examinations were suspended between 30 October 1770 and 1 December 1778. The university resumed with great intellectual splendour, but during the
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Mystical marriage of Saint Catherine


in the life of her husband, and as Christ suffered for the redemption of mankind, the mystical spouse enters into a more intimate participation in His sufferings." Catherine of Alexandria was martyred, while Catherine of Siena received the stigmata. Both subjects are frequent subjects in Christian art; the scene usually includes one of the Saint Catherines and either the infant Jesus held by his mother or an adult Jesus. Very rarely both saints are shown in a double ceremony (as at right). Saint Catherine of Alexandria is invariably dressed
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Church of St. James the Greater (Jihlava)


a 7.5m high painting of "Decapitation of St. James", which decorates the main altar. Its author, one of the painters of Empress Maria Theresa, J. N. Steiner, was born in Jihlava. In church are kept sculpture treasures - a unique pieta from 1330, the statue of St. Catherine of Alexandria from the beginning of the 15th century and the late Gothic statue of St. James from the 16th century. An interesting artefact is the modern replica of the Přemyslid . The original is dated to 1330 and is now
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Pope of the Coptic Orthodox Church of Alexandria


higher hierarchical or ecclesiastical dignity or rank than that of the title and rank of "“patriarch”" given to the Bishop of Alexandria. Patriarchal delegates known as "Patriarchal Exarchs" are designated for areas outside the region of the canonical jurisdiction of the Bishop of Alexandria, or any other throne that has set jurisdictional boundaries. In this way, the Apostolic Exarchates are not in contradiction with the Canon Laws of the Church, but are considered “Embassies of the Patriarchate of Alexandria”, rather than “Jurisdictional Dioceses" outside
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Mystic Marriage of St. Catherine (Memling)


The Mystic Marriage of St. Catherine (or Virgin and Child with Saints Catherine of Alexandria and Barbara) is a c. 1480 oil-on-oak painting by the Early Netherlandish painter Hans Memling, now in the Metropolitan Museum of Art, New York. The panel shows an enthroned Virgin holding the Child. St Catherine of Alexandria and St Barbara are seated alongside. Angels playing instruments flank the throne, while the male figure to left is presumably the person who commissioned it as a devotional donor portrait. The scene is set before
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Portrait of Queen Henrietta Maria, as St Catherine


Portrait of Queen Henrietta Maria, as St Catherine is a painting by Sir Anthony van Dyck. The portrait of Queen Henrietta Maria, as St. Catherine of Alexandria was painted by van Dyck around 1639. She is depicted in a red dress, wearing a coronet and holding a wheel representing the wheel used to torture St Catherine of Alexandria. There are numerous copies of the portrait, one of which was sold at Bonhams for £9,000 in October 2004. Another copy, dated 1649, by Matthew Snelling, is in Alnwick Castle
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Katherine


Katherine, Catherine, and other variations are feminine names. They are popular in Christian countries because of their derivation from the name of one of the first Christian saints, Catherine of Alexandria. The name originated from the Greek or Αἰκατερίνη ("Aikaterina", "Aikaterinē"), which is of uncertain etymology. The earliest known use of the Greek name is in reference to Saint Catherine of Alexandria. The theory that the name comes from Hecate, the name of the Greek goddess of magic, is regarded by the editors
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Saint Catherine (Caravaggio)


Saint Catherine of Alexandria (c. 1598) is an oil painting by the Italian Baroque master Caravaggio. It is part of the Thyssen-Bornemisza Collection of Madrid. Saint Catherine of Alexandria was a popular figure in Catholic iconography. She was of noble origins, and dedicated herself as a Christian after having a vision. At the age of 18 she confronted the Roman Emperor Maximus (presumably this refers to Galerius Maximianus), debated his pagan philosophers, and succeeded in converting many of them to Christianity. Imprisoned by the emperor,
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Saint Catherine of Alexandria (Artemisia Gentileschi)


Saint Catherine of Alexandra is a painting by the Italian Baroque artist Artemisia Gentileschi. It is in the collection of the Uffizi, Florence. Gentileschi likely used the same cartoon or preparatory drawing to create both this painting and the "Self-Portrait as Saint Catherine of Alexandria" (1615-1617), now in the National Gallery, London. In 2019, this painting was examined by conservators in the Opificio delle Pietre Dure in Florence. Infrared, ultraviolet, and x-ray studies demonstrated that Gentileschi changed the composition while
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Jacob Huysmans


portrait of the Queen seen by Pepys in Huysmans' studio was a depiction of the Queen as Saint Catherine of Alexandria of which various versions exist of which in the Royal Collection of the United Kingdom. The Queen is portrayed as St. Catherine of Alexandria, with a martyr's palm in her right hand and her left resting upon the broken wheel on which the Catholic saint was martyred. The Queen was born on the feast of St. Catherine and being painted as the saint became a fashionable way for female courtiers to demonstrate respect to
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Catherine of Alexandria


Roman Martyrology on 25 November. In 2002, her feast was restored to the General Roman Calendar as an optional memorial. Some modern scholars consider that the legend of Catherine was probably based on the life and murder of the Greek philosopher Hypatia, with reversed roles of Christians and pagans. According to the traditional narrative, Catherine was the daughter of Constus, the governor of Alexandria during the reign of the emperor Maximian (286–305). From a young age she devoted herself to study. A vision of the Madonna and Child persuaded
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Soeur de La Chapelle


Soeur de La Chapelle ('sister of the chapel') was a French nun in the second half of the 17th century who wrote a tragedy about the martyrdom of Saint Catherine of Alexandria. Little is known of Soeur de La Chapelle's life apart from the fact she authored a tragedy, "The Illustrious Philosopher, or the Story of Saint Catherine of Alexandria" ("L'Illustre philosophe, ou l'histoire de Sainte-Catherine d'Alexandrie") about the saint's martyrdom. It was published in 1663 in Autun, France,
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St. Catherine's Cathedral, Alexandria


The St. Catherine's Cathedral () is the Roman Catholic cathedral of the Apostolic Vicariate of Alexandria of Egypt. The basilica was built from 1847 to 1856 in the Neo-Baroque style, designed by the Franciscan architect Serafino da Baceno. The Franciscans have been present since the seventeenth century in Alexandria, where it is particularly concerned by European pilgrims who were on their way to the Holy Land. In the 1840s the new buildings of the convent and school were founded. The new church, a basilica with classical dome also conceived
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Santa Catalina, Ilocos Sur


', officially the ', is a  in the province of , . According to the , it has a population of people. With an area of , it is the smallest municipality in the province and the only municipality in Ilocos Sur which has an urban status for all its barangays based on National Statistical Coordination Board (NSCB). The feast of the town is celebrated every 25th day of November to celebrate the feast day of Saint Catherine of Alexandria (the town's patron saint). When the Augustinians were busy with
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History of the Roman Canon


"thy gifts and favours" ("de tuis donis ac datis"); so does St. Mark (ib., 133). But the most striking parallel between Rome and Alexandria is in the order of the Canon. The Antiochene Liturgy puts the whole of the Intercession after the words of Institution and the Epiklesis; in Alexandria it comes before. And in the Roman Canon the greater part of this intercession (""imprimis quæ tibi offerimus"", ""Commemoratio pro vivis"", ""Communicantes
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Pentarchy


provinces, each with its own metropolitan. After the mention of the special traditions of Rome, Alexandria, Antioch and other provinces, canon 6 goes on immediately to speak of the metropolitan form of organization, which was also the topic of the two preceding canons. This Council's recognition of the special powers of Rome, Alexandria and Antioch served as the basis of the theory of the three Petrine sees (Rome and Antioch were said to be founded by Saint Peter and Alexandria by his disciple Mark the Evangelist) that was later
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Mystical Marriage of St Catherine of Alexandria with Niccoló Bonghi


Mystical Marriage of St Catherine of Alexandria and Niccoló Bonghi is an oil painting by Lorenzo Lotto in the Collections of the Accademia Carrara, Bergamo, Italy. The work was commissioned in 1523 by the Bergamese merchant Niccoló Bonghi, who is depicted on the left, behind the Virgin. The painting depicts the Mystical marriage of Saint Catherine, a vision of a chaste union with Jesus, in which the saint has forsaken terrestrial marriage in order to live a consecrated life. Jesus is depicted as an infant or child in the ceremony.
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History of the Roman Canon


approved by him. A question that can only be answered by conjecture is that of the relation between the Roman Canon and any of the other ancient liturgical anaphoras. There are undoubtedly very striking parallels between it and both of the original Eastern rites, those of Alexandria and Antioch. Mgr. Duchesne is inclined to connect the Roman use with that of Alexandria, and the other great Western liturgy, the Gallican Rite, with that of Antioch ("Origines", 54). But the Roman Canon shows perhaps more likeness to
19675867
Mario Buhagiar


'St Catherine of Alexandria: Her Churches, Paintings and Statues in the Maltese Islands". Malta, 1979. "Marian Art During the 17th and 18th Centuries", ed. M. Buhagiar (Malta, 1983). [‘Editorial Preface’, ‘Late Medieval Marian Art in Malta’, ‘The Ex-Voto as a Reflection of Folklore and Social History –Marian Votive Paintings in Malta in the Seventeenth and Eighteenth Centuries’, Catalogue Entries]. "Late Roman and Byzantine Catacombs and Related Burial Places in
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Aloysius Bevilacqua


Aloysius Bevilacqua (1618–1680) was a Roman Catholic prelate who served as Titular Patriarch of Alexandria (1675–1680). Aloysius Bevilacqua was born in 1618 in Ferrara, Italy. On 30 Sep 1675, he was appointed during the papacy of Pope Clement X as Titular Patriarch of Alexandria. On 25 Feb 1676, he was consecrated bishop by Mario Alberizzi, Cardinal-Priest, with Domenico Gianuzzi, Titular Bishop of "Dioclea in Phrygia", and Giacomo Buoni, Bishop of Montefeltro, serving as co-consecrators. He served as
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Saint Catherine of Alexandria (Artemisia Gentileschi)


she was in the middle of painting it. The underpainting reveals a female head wearing a turban, oriented towards the viewer. This differs from Gentileschi's final composition in which St. Catherine wears a crown and looks up towards heaven. Tracings from the National Gallery's "Self Portrait as St. Catherine of Alexandria" were compared to this underpainting and the study concluded that Gentileschi used the same cartoon or preparatory drawings for both of these images. This conclusion provides evidence that Gentileschi used herself as a model when painting images of female martyrs
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Regina Protmann


Catherine. Protmann had chosen Saint Catherine of Alexandria as her role model for her order. Protmann helped to nurse the sick and educated nurses while seeing to it that nurses themselves received care when it was needed. Under the government of the prince-bishops schools for males existed alone but Protmann founded schools for girls as well. Protmann died in 1613 after a painful illness she contracted that winter while on a travel trip. The Saint Catherine of Alexandria church in Braunsberg was ruined in 1945 during its capture from the Soviet forces during
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Catherine of Alexandria


as a possible inspiration of Saint Catherine, the writer Eusebius wrote, around the year 320, that the Emperor Maximinus had ordered a young Christian woman to come to his palace to become his mistress, and when she refused, he had her punished, by having her banished and her estates confiscated. Although Eusebius did not name the woman, she had been identified with Dorothea of Alexandria. The earliest surviving account of Saint Catherine's life comes around 600 years after the traditional date of her martyrdom, in the "Menologium"
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Madonna and Child with Saints Luke and Catherine of Alexandria


had inherited it from her husband, Heinz Kisters, who died in 1977. The "Madonna and Child with Saints Luke and Catherine of Alexandria" is a mature work executed when Titian was at the height of his artistic powers and fame. Christ is depicted as a playful baby, slightly off balance as He tips forward with arms outstretched towards Catherine, who in turn leans gently towards Him. It is suggested that members of Titian's Venice workshop probably painted the curtain and Luke, because of the lower quality of those parts
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Visby Cathedral


, a round hole exists. Scholars believe that this hole was used during enactments of the story of the Passion of Christ, to pull up a wooden statue of Christ in order to illustrate his very concrete ascent to heaven. After another interval, this time for about a hundred years, a large, pronouncedly Gothic chapel was added to the south façade. A smaller, equally Gothic chapel, was also added to the church. One of these chapels, dedicated to Catherine of Alexandria was paid for by the sons of a
10519542
San Domenico del Rosario, Budrio


notable for a portico with three arches added at the end of the 17th century with niches housing statues of St Dominic, Thomas Aquinas, Rosa of Lima, and Catherine of Alexandria. A central relief depicts the "Assumption of the Virgin". The interior houses a main altarpiece depicting the "Mysteries of the Rosary" and the "Assumption of the Virgin" by Alessandro Tiarini. Other paintings include a "St John the Baptist and St Peter Martyr" by Francesco Albani; a "St Vincent Ferrer" (1765)
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Quimper Cathedral


tympanum, with angels wafting censers on either side. She is seated and below her feet is the bust of an angel with spread wings. The child she holds is gently stroking a bird which he carries. In a niche in one of the buttresses there is a statue of Catherine of Alexandria carved from kersanton. Above the door is a triangular pediment with three ėcussons ("crests or shields") including the crest of the Duchess Jeanne de France surmounted by the "hermine passante" ("passing stoat"),
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Epistle of Jude


Some scholars consider the letter a pseudonymous work written between the end of the 1st century and the first quarter of the 2nd century because of its references to the apostles and to tradition and because of its competent Greek style. "More remarkable is the evidence that by the end of the second century Jude was widely accepted as canonical." Clement of Alexandria, Tertullian, and the Muratorian canon considered the letter canonical. The first historical record of doubts as to authorship are found in the writings of Origen of Alexandria, who spoke
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Tayum


dedicated to St. Catherine of Alexandria whose feastday is celebrated every 25th day of November. In 1904, Tayum reverted to a "barrio" of Bangued, due to the deterioration of peace and order at the time. Tayum ended as a "barrio "on December 31, 1907, with the designation of Don Pio Balmaceda y Belmonte as "Teniente del barrio". Balmaceda organized his men in effectively curbing lawlessness thus restoring the town’s peacefulness. Shortly afterwards, it regained its town status with Don Manuel Brillantes as it first
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Hora Svaté Kateřiny


opened new ones as well as a smeltery. In 1516 his sister Anna, the wife of military leader and mining entrepreneur Sebastian von Weitmühl, inherited the property. Silver was struck in the 16th century, leading to a significant boom of the community which in 1528 was elevated to the status of a royal mining town. According to local tradition, the settlement was named after Catherine of Alexandria, a patron saint of the miners, "St. Katharinaberg" (also shortened to "Katterberg") upon the discovery of silver deposits
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Santa Caterina (Pisa)


", 1368). Also notable is the tomb of Gherardo Compagni, decorated with a late 16th-century "Pietà" statue. The wooden pulpit from the 17th century, according to the tradition, was that from which St Thomas Acquinas preached. In 1320, Simone Martini executed for this church the "Saint Catherine of Alexandria Polyptych", one of his best known works. The painting has been moved to the San Matteo Museum in Pisa. The church is flanked by a bell tower with mullioned windows, attributed to
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Santissimo Crocifisso, Barga


The church of the Santissimo Crocifisso is a 15th-century, Roman Catholic church located in the center of Barga, region of Tuscany, Italy. Construction of the church began in the 13th century, but continued for nearly 300 years. In 1470, the church was the refuge of Franciscans from San Bernardino di Nebbiana, which appeared to have been afflicted by the plague. The niches in the facade, completed in 1597, has two marble statues: "St John the Baptist" and"St Catherine of Alexandria". The interior
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Magliano (Torricella Sicura)


cupola and the small baptismal font. In another description of the church dating back to 1614 mention is made of an oratory with a statue of Saint Catherine of Alexandria. San Lorenzo at this time was classified as a parish serving Magliano, Faognano and Pomarolo. In the middle of the 19th century local religious services were conducted in the chapel of the noble De Dominicis family. Near the church is a small graveyard that was in use through the middle of the 20th century. Today ceremonies are still conducted at this location on the
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Eusebius of Vercelli


them in piety and zeal. For this reason the Canons Regular of St. Augustine honor him along with Augustine as their founder. In 354, Pope Liberius asked Eusebius to join Bishop Lucifer of Cagliari in carrying a request to the Emperor Constantius II at Milan, pleading for the emperor to convoke a council to end the dissentions over the status of Athanasius of Alexandria and the matter of Arianism. The synod was held in Milan in 355. Eusebius attended part of the council, but refused to condemn Athanasius and so was exiled,
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First Council of Constantinople


the Roman Catholic Church based its claim to supremacy on the succession of St. Peter. When the First Council of Constantinople was approved, Rome protested the diminished honor to be afforded the bishops of Antioch and Alexandria. The status of these Eastern patriarchs would be brought up again by the Papal Legates at the Council of Chalcedon. Pope Leo the Great, declared that this canon had never been submitted to Rome and that their lessened honor was a violation of the Nicene council order. At the Fourth Council of Constantinople (869),
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History of Oriental Orthodoxy


their history. The Oriental Orthodox Churches had a great missionary role during the early stages of Christianity and played a great role in the history of Egypt. According to the canons of the Oriental Orthodox Churches, the four bishops of Rome, Alexandria, Ephesus (later transferred to Constantinople) and Antioch were all given status as Patriarchs; in other words, the ancient apostolic centres of Christianity, by the First Council of Nicaea (predating the schism) — each of the four patriarchs was responsible for those bishops and churches within his
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San Vivaldo Monastery, Montaione


inside which Vivaldo was found dead. The church was refurbished in 1410. The first chapel on the right has the 15th-century reliquary and sepulchral urn of San Vivaldo. The chapel has a ceramic statues of "St Catherine Alexandria" and "San Vivaldo" by Benedetto Buglioni. The altarpice depicting the "Virgin in Glory with Saints John the Baptist, Jerome, Francis, and Vivaldo" by Raffaellino del Garbo. Through the church one enters the 14th-century chapel which was once the church of Santa Maria a Camporena
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St. George's Oratory, Padua


lined with twenty-two narrative images, commissioned by Raimondino de’ Lupis, in the form of frescoes that depict scenes from the lives of Saint George, St. Catherine of Alexandria, Saint Lucy, and Jesus Christ. The altar wall displays the Crucifixion, and the barrel-vaulted ceiling is decorated with stars. Largely, this tomb has been lost to time, but it was said to include ten life-sized statues of de’ Lupi and his family, two of which are still standing today. Altichiero da Zevio
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Catherine of Alexandria


numbers of people. In several dioceses of France it was observed as a Holy Day of Obligation up to the beginning of the 17th century, the splendour of its ceremonial eclipsing that of the feasts of some of the apostles. Many chapels were placed under her patronage, and nearly all churches had a statue of her, representing her according to medieval iconography with a wheel, her instrument of torture. In France, some unwed women who have attained the age of 25 wear richly decorated bonnets on the day of her feast.
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Lozorno


Lozorno is a village and municipality in western Slovakia in Malacky District in the Bratislava region. Lozorno lies near the western slopes of the Small Carpathians in the southern Záhorská lowlands. In the center of the village is the Church of St. Catherine of Alexandria, which dates from 1629. The village is also home to old monument statues of St. Florian and St. John of Nepomuk. Above the village there is a lake which emerges from a "Dry Creek" through the village. Every year Lozorno residents or neighbors from surrounding villages gather
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Joseph Fox the elder


be disowned by the society of Friends and became a catholic on what was supposed to be his deathbed and lived a year afterwards. 4- Sarah (19 Jan 1760, Falmouth-9 Sep 1760, Falmouth) 5- Tabitha (19 Jan 1760, Falmouth-9 Sep 1760, Falmouth) 6- Edward Long (26 Apr 1761, Falmouth-2 May 1835, Brislington, Somerset married 1st 15 Oct 1784 Catherine Brown; married 2nd 21 Nov 1805 Isabella Ker, issue 7- Rachel (2 Dec 1762, Falmouth-22 Jun 1766, Falmouth) 8- Richard (7
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Greek Orthodox Church of Alexandria


The Greek Orthodox Patriarchate of Alexandria and all Africa (), also known as the Greek Orthodox Church of Alexandria, is an autocephalous patriarchate that is part of the Eastern Orthodox Church. Its seat is in Alexandria and it has canonical responsibility for the entire African continent. It is commonly called the Greek or Eastern Orthodox Patriarchate of Alexandria to distinguish it from the Coptic Orthodox Patriarchate of Alexandria, which is part of Oriental Orthodoxy. Members of the Greek Orthodox Patriarchate were once referred to as "Melkites" by non-Chalcedonian Christians
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Catherine of Aragon


. While Henry VII and his councillors expected her to be easily manipulated, Catherine went on to prove them wrong. Marriage to Arthur's brother depended on the Pope granting a dispensation because canon law forbade a man to marry his brother's widow (Lev. 18:16). Catherine testified that her marriage to Arthur was never consummated as, also according to canon law, a marriage was not valid until consummated. Catherine's second wedding took place on 11 June 1509, seven years after Prince Arthur's death. She married Henry
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Santa Catalina, Ilocos Sur


Saint Catherine of Alexandria. The Augustinians returned to Villa Fernandina (Vigan) and reported this matter to their superiors. This resulted in the construction of a church in the town with Saint Catherine of Alexandria as the patron saint. It was also declared that "Santa Catalina" be the name of the town. A replica of the cross once planted by Salcedo and his party—to signify that the Spanish has conquered the area—stands near the entrance to the municipality. Santa Catalina is politically subdivided into 9 barangays. It
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Saint Catherine of Alexandria Polyptych


Mary Magdalene", "St. Catherine of Alexandria", "St. John the Baptist" and "St. Peter of Verona". All these figures are enclosed within three foiled cusped arches. Above the Madonna are the two archangels Gabriel and Michael and, above them, the "Blessing Christ". The six saints panel are surmounted by, also in couples, the Twelve Apostles, with the exception of St. John the Evangelist, replaced by St. Paul. The predella shows, at the center, "Christ in the Sepulchre
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Ancient British Church


Apostolic Church", though de Willmott Newman had grown-up in that church and his thinking was influenced by it). De Willmott Newman's cousin, William Henry Hugo Newman Norton (Mar Seraphim) took over in 1979, and continues to serve (as at 2014). The name Orthodox Church of the British Isles was adopted, and later the name British Orthodox Church. Under Newman Norton, it became a canonical local church within the Coptic Orthodox Church of Alexandria in 1994, but relinquished this status in 2015.
13818431
History of Eastern Orthodox theology


common statement of the Syriac Patriarch (Mar Ignatius Zakka I Iwas) and the Pope (John Paul II) in 1984. According to the canons of the Oriental Orthodox Churches, the four bishops of Rome, Alexandria, Ephesus (later transferred to Constantinople) and Antioch were all given status as Patriarchs; in other words, the ancient apostolic centres of Christianity, by the First Council of Nicaea (predating the schism) — each of the four patriarchs was responsible for those bishops and churches within his own area of the Universal
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Sylvester Gozzolini


his miracles and the growth of his "cultus" (or longstanding veneration) can be found in Bolzonetti. Pope Clement IV beatified Guzzolini and Pope Clement VIII later canonized him in 1598. Pope Leo XIII included his Mass and office in the General Roman Calendar in 1890 with the rank of Double (third-class feast in the 1960 reform of Pope John XXIII) therefore reducing to the status of a commemoration that of Pope Peter I of Alexandria who shared that date. In 1970 that celebration was removed and relegated to the
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Żejtun


Mikiel Cutajar "is-Superstar." An important event taking place in the town during the year is the feast of St Catherine of Alexandria, which is now celebrated in summer and not in the traditional date of November 25. On this day Żejtun's two rival musical bands, the Banda Beland and the Żejtun Band, perform in Gregorio Bonnici Square. The anthem dedicated to St. Catherine of Alexandria, which is played during the feast, was written by Emmanuele Palmier-Cecy, and was composed by Don Lorenzo Mifsud.
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Church of Saint Catherine of Alexandria


The Church of Saint Catherine of Alexandria is located in Slovakia, in the village Topoľčianky. It is considered one of the most beautiful baroque churches in this country. Location of Topoľčianky is middle west Slovakia. It is 30 km away from the city of Nitra. The church was built by comte Karol Keglevich. The architect for the main project was Melchior Hefele, who also designed the palace in the capital city of Bratislava. Construction of the church started in 1776 and it was finished in 1784. It is dedicated to Saint
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Cartagena Cathedral, Colombia


The Cathedral of Cartagena in Colombia, officially the Metropolitan Cathedral Basilica of Saint Catherine of Alexandria (), is located in the historic centre of Cartagena. It is the episcopal see of the Archbishop of Cartagena de Indias, one of the oldest episcopal sees in the Americas. The cathedral is dedicated to Saint Catherine of Alexandria. The cathedral was designed by master builder Simón González, modelled after basilicas in Andalusia and the Canary Islands. The present tower was designed by French architect Gastón Lelarge, the result of remodelling in the early
18228885
Holy Family with Saint Catherine of Alexandria


Holy Family with Saint Catherine of Alexandria is a 1533 oil on canvas painting by Lorenzo Lotto, now in the Accademia Carrara in Bergamo. It is signed and dated "Laurentius Lotus 1533" and it measures 85.7 cm in height and 110.8 cm in width. Six later copies after the work are known. The Bergamo version is judged to be of exceptional quality, and the earliest. Lotto painted this in 1533, the year he abandoned Venice to settle in the Marche for seven years. Judging by its format, the painting
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The Madonna Enthroned


swollen" eyelids and chin lent to small and Vol. Catherine of Alexandria on the same altar church board. Gala Turany, Martin painted by the master at the end of the 15th century. Master on the altar, however, the board of Jánoviec lent a somewhat modified form St. Catherine of Alexandria, whose symbol is a broken wheel. On the icon, however, she dominated in her hands a sword who was beheaded. The middle panel of the altar triptych from the Church of the Nativity of the Virgin Mary in
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Michiel de Swaen


poetry and art of rhyming, ca. 1702), "de zedighe doot van Carel den Vijfden" (ca. 1707). "Catharina" is a Christian tragedy about Saint Catherine of Alexandria in which the most important subject is the conflict between paganism and Christianity: the martyr Catherine of Alexandria was executed by order of the Roman emperor Maxentius. This work has a special place in Dutch literature as the genre it seems to belong to was almost non-existent in the Republic of the Seven United Netherlands. One day
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Catherine of Alexandria


a martyr's palm or the sword with which she was actually executed. She often has long unbound blonde or reddish hair (unbound as she is unmarried). The vision of Saint Catherine of Alexandria usually shows the Infant Christ, held by the Virgin, placing a ring (one of her attributes) on her finger, following some literary accounts, although in the version in the "Golden Legend" he appears to be adult, and the marriage takes place among a great crowd of angels and "all the celestial court
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Saint Catherine of Alexandria Polyptych


The Saint Catherine of Alexandria Polyptych (also known as Pisa Polyptych) is a painting by the Italian medieval artist Simone Martini, dating to 1320. Originally placed at the high altar of the church of Santa Caterina in Pisa, it is now housed in the Museo Nazionale di San Matteo of the same city. The work is signed SYMON DE SENIS ME PINXIT in the central panel with the "Madonna and Child". According to the original convent's annals, the polyptych was placed at the altar in 1320. It was
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Latin Patriarchate of Alexandria


The Latin Patriarchate of Alexandria was a nominal Patriarchate of the Latin church on the see of Alexandria in Egypt, that had no pastoral connection to the city of Alexandria. Alexandria, the ancient great port of Egypt and a first-rank Mediterranean metropolis in the Hellenistic world, was an influential early Christian diocese. It was founded, according to Church tradition, by Saint Mark the Evangelist. The Council of Nicaea ranked it after Rome, while the Greek fathers of the Council of Chalcedon tried in canon 28 to demote it,
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Athanasius of Alexandria


city. The establishment of the canon was not a unilateral decision by a bishop in Alexandria, but the result of a process of careful investigation and deliberation, as documented in a codex of the Greek Bible and, twenty-seven years later, in his festal letter. Pope Damasus I, the Bishop of Rome in 382, promulgated a list of books which contained a New Testament canon identical to that of Athanasius. A synod in Hippo in 393 repeated Athanasius' and Damasus' New Testament list (without the Epistle to
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Church of St Catherine of Alexandria


The Church of St Catherine of Alexandria () is a Roman Catholic church which takes up the most southern part of a wide area at the foot of the historic hill of Paternò in Sicily, near the Church of St Barbara and the former convent of St Annunziata. The church was built between 1725 and 1730 in order to replace a more ancient building, which dated back to the middle of 16th century which was damaged by the earthquake of 1693; it had been the seat of the brotherhood since its birth in 1574.
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Church of the Sacred Heart and St Catherine of Alexandria


The Church of the Sacred Heart and St Catherine of Alexandria is a Catholic church situated in Droitwich Spa, Worcestershire, England, noted for its remarkable mosaics. Walter Loveridge Hodgkinson was a main benefactor of the church. The architect was Frank Barry Peacock. The building was listed at Grade II* on 11 December 2013. The mosaics at the Sacred Heart were designed by Gabriel Pippet and carried out by Maurice Josey, assisted by Fred Oates. They were begun in 1921 and took 12 years to complete. Eight and a half
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Our Lady of Exile and St. Catherine of Alexandria Cathedral, Florianópolis


The Our Lady of Exile and St. Catherine of Alexandria Cathedral () Also Florianópolis Cathedral It is a Catholic church dedicated to Our Lady of the Exile, which functions as the cathedral of the archdiocese of Florianópolis, since its creation on March 19, 1908. The building is protected by the National Historical and Artistic Heritage Institute of Brazil. The definitive colonization of Florianópolis began in 1673. In 1679, Francisco Dias Velho required the legal title of the lands, beginning the construction of a church dedicated to the Virgin Mary. It
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St. Catherine's taffy


St. Catherine's Taffy is a variety of taffy made in Quebec to celebrate the feast day of Saint Catherine of Alexandria. St. Catherine's Taffy is a candy made by girls in Quebec to honour St. Catherine, the patron saint of unmarried women on her feast day, November 25. St. Catherine's day is sometimes known in Quebec as "taffy day," a day when marriage-age girls would make taffy for eligible boys. Marguerite Bourgeoys, a founder of the Notre-Dame de Montréal and an early teacher at
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St. Catherine Church, Krasnodonetskaya


the village was flooded, so later it was decided to move it downstream. There was built the wooden Church of St. Catherine. Exclusively for the Church of St. Catherine was painted icon of St. Catherine of Alexandria, and the picture had a great resemblance to the Empress Catherine II. In 1835, the village was moved higher to the hills, in 1840 the church was moved there as well and was set on a stone foundation. In 1877, this church completely burned out, and in 1879 a new one was built
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Patriarch of Alexandria


and Augustamnica. In the beginning the successor of St. Mark was the only metropolitan bishop, and he governed ecclesiastically the entire territory. As the Christians multiplied, and other metropolitan sees were created, he became known the arch-metropolitan. The title of patriarch did not come into use until the fifth century. Up to the time of the First Council of Constantinople (381) the Patriarch of Alexandria ranked next to the Bishop of Rome. By the third canon of this council, afterwards confirmed by the twenty-eighth canon
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Paul II the Black of Alexandria


Alexandria with Paul's support. However, Theodore was opposed by members of the Egyptian clergy, and, after six weeks, Pope Peter IV of Alexandria was elected and consecrated. Contrary to canon law, Pope Peter declared Paul deposed as patriarch and condemned Saint Jacob Baradaeus for his part in Paul's consecration as patriarch. Saint Jacob Baradaeus travelled to Alexandria in 576 and agreed to acknowledge Peter as Pope of Alexandria and Paul's deposition on the condition that Paul was not excommunicated. The arrangement between Pope Peter and Saint Jacob Baradaeus
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Collections of ancient canons


a table or list of titles, each of which is afterwards repeated before the respective canons; then come the first fifty canons of the Apostles, the canons of the Greek councils, the canons of Carthage (419), and the canons of preceding African synods under Aurelius, which had been read and inserted in the Council of Carthage. This first part of the collection is closed by a letter of Pope Boniface I, read at the same council, letters of Cyril of Alexandria and Atticus of Constantinople to the African Fathers
19756750
Basil Osborne


Ecumenical Patriarchate on the basis of Canons 9 and 17 of the Fourth Ecumenical Council and also Canon 28 of the same council. Such canons, some argue, endow the Constantinopolitan Patriarch with the privilege of the "ekkliton" (read, hearing appeal) and grant it jurisdiction over regions not already subject to the other four senior patriarchates, Rome, Alexandria, Antioch and Jerusalem. This interpretation of these canons is not undisputed and runs contrary to the classical interpretations of the canons found in the canonical commentaries of the Church. Osborne
8679157
Church of St. Catherine (Saint Petersburg)


it fell to the Italian architect Antonio Rinaldi to complete the church. On October 7, 1783, the church was completed. Because the Empress at the time was Catherine II of Russia (also known as Catherine the Great), the church was named after St. Catherine of Alexandria. The Catholic Church of St. Catherine is connected with many important personalities of Imperial Russia and other countries. In 1798, Stanisław II Augustus, the last king of Poland, was buried at the church (in 1938, after 140 years in the
18639685
Fourteen Holy Helpers


. While each had a separate feast day, the Fourteen Holy Helpers were in some places celebrated as a group on 8 August, but this celebration never became part of the General Roman Calendar for universal veneration. When that calendar was revised in 1969, the individual celebrations of St Barbara, St Catherine of Alexandria, St Christopher, and St Margaret of Antioch were dropped, but in 2004 Pope John Paul II reinstated the 25 November optional memorial of Catherine of Alexandria, whose voice was heard by Saint Joan of Arc. The
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Holy Synod


the Bishops' Council, a body that represents all the metropolitans and other bishops of the church. The Holy Synod of the Coptic Orthodox Church of Alexandria is the highest authority in the Church of Alexandria and it formulates the rules and regulations regarding matters of church's organization, faith, service's order. The Synod is chaired by the Pope of Alexandria and the members are the Church's Metropolitans, Bishops, Chorbishops and the Patriarchal Vicar for Alexandria. The Code of Canons of the Eastern Churches distinguishes between a patriarchal church's
11655053
The School of Athens


albums of Guns N' Roses. A similar theme is known as Plato's Academy mosaic, and perhaps emerged in form of statues at the Serapeum of Alexandria and Memphis Saqqara. Mimaut mentioned in the 19th century nine statues at Serapeum of Alexandria holding rolls. Eleven statues were found at Saqqara. A review of "Les Statues Ptolémaïques du Sarapieion de Memphis" noted they were probably sculpted in the 3rd century with limestone and stucco, some standing others sitting. Rowe and Rees 1956 suggested that both scenes in the Serapeum of Alexandria
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