Carpenter Center for the Visual Arts [SEP] architect
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Carpenter Center for the Visual Arts


from Harvard alumnus Alfred St. Vrain Carpenter and his wife Helen Bundy Carpenter. The couple, whose son Harlow had just attended the Harvard Graduate School of Design, donated $1.5 million for the proposed design center. The donation propelled the project forward, and the Committee for the Practice of Visual Arts began to look for an architect to undertake the project. Originally, the committee had recommended that the building be designed by "a first rate American architect" who would be in the company of Charles Bulfinch and Walter Gropius, among
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Carpenter Center for the Visual Arts


The Carpenter Center for the Visual Arts at Harvard University, in Cambridge, Massachusetts is the only building actually designed by Le Corbusier in the United States, and one of only two in the Americas (the other is the Curutchet House in La Plata, Argentina). Le Corbusier designed it with the collaboration of Chilean architect Guillermo Jullian de la Fuente at his 35 rue de Sèvres studio; the on-site preparation of the construction plans was handled by the office of Josep Lluís Sert, then dean of the Harvard Graduate School
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Albert Szabo


Albert Szabo was an American architect, educator and artist. He was born in Brooklyn, New York on November 7, 1925, to Benjamin Szabo of Felso Viso, Hungary (1885-1964) and Jeanette Szabo (née Margolies) of New York, New York (1895-1980). Szabo was a tenured professor of architecture at the Harvard Graduate School of Design (GSD) and at the Department of Visual and Environmental Studies (VES), Carpenter Center for the Visual Arts. He co-founded the latter
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Albert Szabo


School of Design (Soltan/Szabo Associates.) Szabo retired in 1996. His post-retirement years were chiefly occupied with the making of art, particularly the creation of sculpture from found objects such as typewriters, tool handles, barrel staves, and shoe forms. In summer 2001 the Carpenter Center for the Visual Arts, Harvard University held an exhibition of his work, titled “Inventions + Interventions.” An exhibition catalogue was issued by the Carpenter Center for the Visual Arts. Between 2012 and 2014 a collection was donated
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Junzo Sakakura


building went on to win the annual design award from Nihon Kenchiku Gakkai. National Museum of Western Art, Tokyo, 1959 Le Corbusier's only building in Japan is the National Museum of Western Art in Tokyo. Le Corbusier's three Japanese apprentices: Kunio Maekawa, Junzo Sakakura and Takamasa Yoshizaka were responsible for executing the plans and supervising the construction. The principle of using so-called local architects to implement his designs was so successful here that Le Corbusier insisted it should be done for the Carpenter Center for the Visual Arts in
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Academy of Fine Arts, Nuremberg


The Academy of Fine Arts Nuremberg () was founded in 1662 by Jacob von Sandrart and is the oldest art academy in German-speaking Central Europe. The art academy is situated in Nuremberg. Classes include studies in fine arts, sculpture, visual arts, painting, artistic concepts, art education, gold- and silversmithing, as well as graphic design. There are master courses in Architecture and Urban Studies, and Art and Public Space. Teaching takes place today in an ensemble of transparent pavilions that were designed by German architect Sep
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Chris Marker


in London, the MIT List Visual Arts Center in Cambridge, Massachusetts, the Carpenter Center for the Visual Arts at Harvard University in Cambridge, Massachusetts, the Moscow Photobiennale, Les Recontres d'Arles de la Photographie in Arles, France, the Centre de la Photographie in Geneva, Switzerland, the Walker Art Center in Minneapolis, Minnesota, the Wexner Center for the Arts in Columbus, Ohio, The Museum of Modern Art in New York, and the Pacific Film Archive in Berkeley, California. Since 2014 the artworks of the Estate
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Takamasa Yoshizaka


: Kunio Maekawa, Junzo Sakakura and Yoshizaka were responsible for executing the plans and supervising the construction. The principle of using so-called local architects to implement his designs was so successful here that Le Corbusier insisted it should be done for the Carpenter Center for the Visual Arts in Harvard. Discontinuous Unity involves investigating the natural laws, autonomy, and individuality of the systems and construction of all of nature including the cosmos and discovering the relationship rules and patterns between these things and humanity and human living environment. Yoshizaka and his team
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Carpenter Center for the Visual Arts


principles that dictated his technique, which he called "the Five Points of a New Architecture" and were most evident in his Villa Savoye. The five points are: Because the Carpenter Center was to be his only building in America, Le Corbusier felt it should be a synthesis of his architectural principles and therefore incorporated his Five Points into its design. The building now houses the department of Visual and Environmental Studies of the University, and is the venue for screenings by the Harvard Film Archive. Le Corbusier never actually saw the
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Center for Curatorial Studies, Bard College


, Yasmil Raymond (Museum of Modern Art), Jenni Sorkin (University of California, Santa Barbara), Christina Linden (Oakland Museum of California), Daniel Byers (Carpenter Center for the Visual Arts), Sofia Hernandez Chong Cuy (Witte de With Center for Contemporary Art), Ruba Katrib (MoMA PS1), Gabi Ngcobo (Center for Historical Reenactments), Chen Tamir (The Center for Contemporary Art Tel Aviv), Bartholomew Ryan (Walker Art Center), Sohrab Mohebbi (Sculpture Center), Anne Ellegood
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Albert Szabo


1991 he held the position of Professor of Visual and Environmental Studies, Faculty of Arts and Sciences, Harvard University and, from 1990 to 1992, the position of Acting Director at the Carpenter Center for the Visual Arts Faculty of Arts and Sciences, Harvard University. He held the position of Professor of Architecture at the Harvard Graduate School of Design, from 1967 to 1996, and from 1991 to 1996 was Osgood Hooker Professor of Visual Arts, Faculty of Arts and Sciences, Harvard University. Szabo’s first professional experience was working
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Columbus State University


is housed in a mix of rehabilitated 19th and early 20th century industrial and commercial buildings and newly constructed facilities. The Schwob School of Music is contained in the state of the art RiverCenter for the Performing Arts, while the art and theater departments reside in the Corn Center for the Visual Arts, the Yancey Center, and the Rankin Arts Center. The Department of Communication is located in the Carpenter's Building and the Department of History and Geography is located in the Yancy Center and Dillingham Building. The university continues to expand the
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Carpenter Center for the Visual Arts


of Design. He had formerly worked in Le Corbusier's atelier and had been instrumental in winning him the commission. The building was completed in 1962. During the mid-1950s, the idea of creating a place for the visual arts at Harvard began to take shape. A new department dedicated to the visual arts was created, and the need for a building to house the new department arose. A budget was set for $1.3 million, and the proposal was included in a Harvard fundraising program. The project immediately elicited a response
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From Space to Environment


Kankyō Geijutsu) to Japan. It featured 38 multidisciplinary group members, including artists, architects, and art critics. A related performance concert took place at The Sōgetsu Art Center (SAC) (Japanese: ) in Tokyo. The show encompassed architecture, environment art, installation art, visual art and design. Participants included visual artist Yamaguchi Katsuhiro, architect Isozaki Arata, designers Awazu Kiyoshi and Izumi Shin’ya, art critics Takiguchi Shūzō, Tōnō Yoshiaki, and Nakahara Yūsuke. Artists participated with a range of paintings, sculptures, and
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Allison Smith (artist)


Work Fund, Foundation for Contemporary Arts, Artadia, and New York Foundation for the Arts. Notable residencies include IASPIS (Stockholm, Sweden [upcoming]), The Carpenter Center for the Visual Arts at Harvard University, the Museum of Modern Art Artists Experiment initiative, the International Studio and Curatorial Program in Brooklyn, New York, Artpace San Antonio, Texas, and Headlands Center for the Arts in Sausalito, California. Smith's work is held in the collections of the Whitney Museum of American Art, Los Angeles County Museum
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Yerba Buena Center for the Arts


Yerba Buena Center for the Arts (YBCA) is a multi-disciplinary contemporary arts center in San Francisco, California, United States. Located in Yerba Buena Gardens, YBCA features visual art, performance, and film/video that celebrates local, national, and international artists and the Bay Area's diverse communities. YBCA programs year-round in two landmark buildings—the Galleries and Forum by Japanese architect Fumihiko Maki and Theater by American architect James Stewart Polshek and Todd Schliemann. Betti-Sue Hertz served as Curator from 2008
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Lake Charles, Louisiana


North Lake Charles. The Central School Arts and Humanities Center, located in the historical Charpentier District, is owned by the city. "Charpentier" is French for "carpenter", a reference to the carpenter-architects who built the mixed-style homes in the district. Central School features the Black Heritage Art Gallery, which is on the Louisiana African American Heritage Trail, as well as the Mardi Gras Museum of Imperial Calcasieu, which features extravagant costumes and an interactive float. It has the largest collection of Mardi Gras
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Mark Steven Greenfield


) Los Angeles Municipal Art Gallery at Barnsdall Park (LAMAG) Oct, 2012 Go Tell it on the Mountain California African American Museum Sep, 2012 2012 C.O.L.A. Individual Artist Fellowships Exhibition Los Angeles Municipal Art Gallery at Barnsdall Park (LAMAG) Sep, 2012 Sea of Exchange: Ireland - Los Angeles LA Print Space @ Pacific Design Center Apr, 2012 18th Street Arts Center's ArtNight 18th Street Arts Center Apr, 2012 Visions from the New California 18th Street Arts Center May, 2011 Doo-Dahz Offramp Gallery 2011 May, 2011
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Rudolf Arnheim


but felt he did not have enough research. He postponed the book in order to do more studies on space, expression, and movement. In 1951, Arnheim got another Rockefeller Foundation Fellowship so that he could take a leave from teaching and he wrote "Art and Visual Perception: A Psychology of the Creative Eye". Arnheim was invited to join Harvard University as Professor of the Psychology of Art in 1968, and he stayed there for six years. The Carpenter Center for the Visual Arts at Harvard was an important building
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Josep Lluís Sert


(1960–65), Sert's home in Cambridge, as well as the Martin Luther King elementary school (1968–71), located across from Peabody Terrace. In New York, he completed the Eastwood and Westview apartments on Roosevelt Island, NYC (1976). In 1961, Sert brought Le Corbusier to the United States to design the Carpenter Center for the Visual Arts at Harvard, and a gallery in the Carpenter Center is now named in Sert's honor. In 1981 he received the AIA Gold Medal. Josep Lluis Sert counted
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Carpenter Center for the Visual Arts


and stands atop a few pilotis. The landing at the top of the ramp is located in the core of the building and leads to various studios and exhibition spaces seen through glass windows and doors, providing views into the building's instructional and displaying functions without interrupting the activities in progress. The exterior of the Carpenter Center presents itself very differently from different angles. From Prescott Street looking toward the curved studio space, one can see the brise-soleil that are placed perpendicular to the direction of the central portion of the ramp
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Crossroads, Kansas City


The Crossroads (officially the Crossroads Arts District) is a neighborhood within Greater Downtown. It is centered at approximately 19th Street and Baltimore Avenue, directly south of the Downtown Loop and north of Crown Center. It is the city's main art gallery district and center for the visual arts. Dozens of galleries are located in its renovated warehouses and industrial buildings. It is also home to numerous restaurants, housewares shops, architects, designers, an advertising agency, and other visual artists. The district also has several live music venues
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Haverford College


and astronomy libraries on campus. In the fall of 2017, the College unveiled renovations to Ryan Gym, which now serves as a new Visual Culture, Arts, and Media facility (VCAM), housing the Visual Studies Minor, the Haverford Innovations Program, a Maker Arts Space, and the John B. Hurford ’60 Center for the Arts and Humanities and its Philadelphia Area Creative Collaboratives Initiative. The project, designed by MSR Architects, earned a 2018 Education Facility Design Award of Excellence from the American Institute of Architects. A
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Richmond CenterStage


the visual arts. The Altria Theater, a 3,600 seat performance hall, is the fifth venue, located a mile west of the Carpenter / Dorothy Pauley Square location. The third and fourth floors of Dorothy Pauley Square contain office space currently occupied by CenterStage staff, as well as Richmond Symphony and Virginia Opera staffs. The third floor also holds the Genworth BrightLights Education Center, classroom and educational space used for CenterStage's and other arts groups' educational programming. The Digital Arts Learning Center is a state-of-the-
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Alex Webb (photographer)


photography at the Carpenter Center for the Visual Arts. By 1974 he was working as a photojournalist and in 1976 he became an associate member of Magnum Photos. During this time he documented small-town life in the American South. He also did some work in the Caribbean and Mexico, which led him, in 1978, to begin working in color, which he has continued to do. Webb's work has been exhibited around the world, including at the Walker Art Center, the Museum of Photographic Arts, the International
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Carpenter Performing Arts Center


The Richard and Karen Carpenter Performing Arts Center in Long Beach, California is a theater that hosts a variety of events, including films, forums, and musical and theatrical performances. The venue is located on the campus of California State University, Long Beach. It was built in 1994 and has seating for 1,074. The stage area was modeled after the New York State Theater of the Arts at Lincoln Center. The Carpenter Performing Arts Center is named for Richard and Karen Carpenter, alumni of the university and donors to the center
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Iris & B. Gerald Cantor Center for Visual Arts


1989, the building underwent major renovations and construction before reopening as the Iris & B Gerald Cantor Center for Visual Arts and commonly known as the Cantor Arts Center at Stanford University. The Cantor was designed by the architectural firm Ennead Architects. The project cost $36.8 million, which included a seismic upgrade of the entire 78,000 square foot historical building and the new 42,000 square foot wing. The Rodin Sculpture Garden was improved, and new gardens were installed for contemporary works. The new wing added an additional 12,000 square feet of exhibition
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Molly Springfield


, Carpenter Center for the Visual Arts at Harvard University, the Honolulu Museum of Art Spalding House, Indianapolis Museum of Art, Portland Museum of Art, University of Richmond Museums, and the Zimmerli Art Museum at Rutgers University, and one-person exhibitions at galleries in New York, San Francisco, Chicago, Washington, DC, and Cologne, Germany. Reviews of her work have appeared in "Artforum", "Art Papers", "Modern Painters", "The Village Voice", "The New Yorker"
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Arthur Ganson


at the MIT Museum, Harvard’s Carpenter Center for the Visual Arts, the DeCordova Museum, the Ricco/Maresca Gallery (New York City), and the Exploratorium (San Francisco). He has participated in group shows at Ars Electronica Museum of the Future (Linz, Austria), the Addison Gallery of American Art, and the Bruce Museum. Ganson has a permanent installation at the National Inventors Hall of Fame in Akron, Ohio. One of his kinetic sculptures is featured at the entrance to the Lemelson Center for
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Maurice R. Stein


Center, Minneapolis MN, Winter 2015-2016; ""Blueprint for Counter Education" in its time" Carpenter Center for the Visual Arts, Harvard University, Cambridge MA, April 2016; "Hippie Modernism: the Search for Utopia" Cranbrook Museum, Dearborn MI, Spring 2016; "Learning Laboratories: Architecture, Instructional Technologies and the Social Production of Pedagogical Space around 1970" BAK (Basis Voor Actuele Kunst), Utrecht Netherlands, Winter 2016-2017; "Land Grant" Krannert Art Museum, University of Illinois
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Traffic Zone Center for Visual Art


1951 to 1992, it housed an appliance parts business. In 1992, the warehouse was purchased by Artspace Projects with financial assistance from the City of Minneapolis, the McKnight Foundation, the Dayton Hudson Foundation, the General Mills Foundation and other funders. Extensively renovated by LHB Engineers & Architects (Minneapolis), the restored warehouse re-opened in 1995 as the Traffic Zone Center for Visual Art. Members of the TZCVA cooperative have included an eclectic, international mix of painters, photographers, printmakers, conceptual artists, sculptors, book
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Harvard University


art, the Busch-Reisinger Museum, formerly the Germanic Museum, covers central and northern European art, and the Fogg Museum of Art, covers Western art from the Middle Ages to the present emphasizing Italian early Renaissance, British pre-Raphaelite, and 19th-century French art. The Harvard Museum of Natural History includes the Harvard Mineralogical Museum, Harvard University Herbaria featuring the Blaschka Glass Flowers exhibit, and the Museum of Comparative Zoology. Other museums include the Carpenter Center for the Visual Arts, designed by Le Corbusier, housing
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Simon Aldridge


Harvard University and through this connection he was able to study art at Harvard, and maintain an art studio in the Carpenter Center for the Visual Arts, the only building actually designed by Le Corbusier in the United States. There, he studied with Robert Storr (art academic), and was also influenced by lectures and studio visits by Brice Marden, Bruce Nauman, and Joel Shapiro. He began to develop his artistic style, mentored by Julian Lethbridge, who introduced him to Printmaking. Before graduating, Aldridge had in 1999
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Quilt art


the first solo exhibition of art quilts done by the Renwick Gallery.(Shaw, p. 66) Two other quilt artists, Molly Upton (1953 - 1977) and Susan Hoffman, exhibited with Radka Donnell in 1975 at the Carpenter Center for the Visual Arts at Harvard University. Also in 1975 Upton and Hoffman exhibited at the Kornblee Gallery on 57th Street in New York City. In doing so, they brought quilt art to the forefront as comparable to other forms of contemporary art. According to Robert Shaw, "Where other quilters were moving
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Atlantic Center for the Arts


Atlantic Center for the Arts (ACA) is a nonprofit, interdisciplinary artists’ community and arts education facility providing artists an opportunity to work and collaborate with contemporary artists in the fields of composing, visual, literary, and performing arts. Community interaction is coordinated through on-site and outreach presentations, workshops and exhibitions. The ACA is located in New Smyrna Beach, Florida. The complex was designed by the Boston-based firm Thompson and Rose Architects. Atlantic Center has often been the starting point for new works which go
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Molly Upton


in the “graphic traditions of calligraphy”, juxtaposed against a second quilt with the same design principles portrayed in color. In 1975, the landmark "“Quilts by Radka Donnell, Susan Hoffman, and Molly Upton”" exhibit opened at the Carpenter Center for Visual Arts at Harvard University. This “marked the first time quilts had been featured in such a prestigious East Coast art gallery setting”. In December 1975, "Arts Magazine" published a full page announcement for the "“Quilted Tapestries of Susan Hoffman and
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Rebecca L. Binder


, 1990. UCSD Visual Arts Facility - San Diego, California City of Los Angeles, Mayor's Award, 1992. Northeast Valley Multipurpose Senior Center - Pacoima, California National Council, American Institute of Architects with National Concrete Masonry Association, Award of Design Excellence, 1994. UCSD Visual Arts Facility - San Diego, California CCAIA / Western States Concrete Masonry Association Merit Award, 1994. UCSD Visual Arts Facility - San Diego, California American Concrete Institute, Southern California Chapter Award, 1997. UCLA Ackerman Student Union - Westwood,
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Expo 58


pavilion was designed by the architects Egon Eiermann and Sep Ruf. The world press called it the most polished and sophisticated pavilion of the exhibition. The pavilion of Yugoslavia was designed by the architect Vjenceslav Richter, who originally proposed to suspend the whole structure from a giant cable-stayed mast. When that proved too complicated, Richter devised a tension column consisting of six steel arches supported by a pre-stressed cable, which stood in front of the pavilion as a visual marker and symbolized Yugoslavia's six constituent republics. Filled with
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Eugene J. Carpenter House


by Eugene and Merrette Carpenter and was owned by the family until 1948. This constitutes the historically significant time period. Eugene Carpenter and Merrette Lamb came from lumber milling families and were owners of the Carpenter-Lamb Lumber Co. of Minneapolis. The Carpenters were also significant patrons of the arts and Eugene Carpenter played a pivotal role in establishing the Minneapolis Institute of Arts. After purchasing the house in November 1905, the Carpenters hired a young and promising architect, Edwin Hawley Hewitt, who had recently finished his schooling in Paris. The
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Kathy Halbreich


Kathy Halbreich (born 1949) is an American art curator and museum director. Halbreich was born to Betty and Sonny Halbreich in 1949. She earned her BA from Bennington College. She was director of the Albert and Vera List Visual Arts Center at MIT, where she designed a new arts building with architect I.M. Pei. She was then the curator of contemporary art at the Museum of Fine Arts, Boston. In 1991, Halbreich was hired as director of the Walker Art Center. Under her leadership, the museum broadened its
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Sooni Taraporevala


published PARSIS The Zoroastrians of India 1980-2004 which is a traditionally closed off community since their persecution in Persia, the first and only visual documentation of the Parsi community. A runaway success, the second edition was published in partnership with Overlook Press, NY, in 2004 and is still in print. Her photographs have been exhibited in India, the US, France and Britain, including London's Tate Modern gallery. She has had solo shows at the Carpenter Center of Visual Arts, Harvard University, Chemould Prescott Road,
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David Em


themes. In the 1980s he incorporated light effects reminiscent of the French Impressionists, and in the 1990s he introduced otherworldly lifeforms into his work. In the first decade of the Twenty-First century, an apocalyptic element appears in his imagery. His current work relates to consciousness and the neurosciences. His art has been exhibited at the Centre Pompidou, the Musee d’Art Moderne de la Ville de Paris, the Seibu Museum in Tokyo, the Carpenter Center for the Visual Arts, and the Museum of Contemporary Art, Los Angeles.
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The Ware Center of Millersville University


The Ware Center is a performing arts center located in Lancaster, Pennsylvania. First opened in 2008, it has been a satellite campus of Millersville University since 2010. Along with the Winter Center, The Ware Center is a venue for Millersville University’s Department of Visual & Performing Arts. Originally designed by architect Philip Johnson and noted acoustician Cyril M. Harris, the $32 million building opened in 2008 as the home of the now defunct Pennsylvania Academy of Music. The building became available due to the bankruptcy of the PA Academy of
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Museum of Contemporary Art Detroit


The Museum of Contemporary Art Detroit (MOCAD) is a non-collecting contemporary art museum located in Detroit's cultural center. The mission of the MOCAD is: MOCAD is where adventurous minds encounter the best in contemporary visual, literary, music and performing arts. A responsive center for diverse audiences, MOCAD presents art that contextualizes, interprets, educates and expands culture, pushing us to the edges of contemporary experience. MOCAD is housed in a building, a converted former auto dealership designed by architect Andrew Zago. The architecture is
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Q.S. Serafijn


, visual arts at the Willem de Kooning Academie from 1993 to 1999 and visual arts and art theory at the Gerrit Rietveld Academie since 2007. In 1992 Q.S. Serafijn received the Charlotte Köhler Award, an incentive prize of the Prins Bernhard Cultuurfonds. For the city center of Doetinchem Q.S. Serafijn and the Dutch architect Lars Spuybroek designed the so-called "D-tower," a large, interactive sculpture connected to a website that surveys the emotional lives of the inhabitants. In 2010 Q.S. Serafijn and sculptor Gijs Assmann (born 1966
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Government Center station (MBTA)


added false ceilings, fluorescent lights, and other aesthetic upgrades. In the late 1970s, Mary Beams - an artist at Harvard's Carpenter Center for the Visual Arts - painted 19 murals which were placed along the wall behind the Brattle Loop. Although intended to be temporary, they received protective covers in the late 1980s and remained in good condition until the 2014 closure. On February 11, 1983, the Green Line "E" Branch was shut down by snow for several days; a Government Center-Lechmere shuttle ran in
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Intermedia Systems Corporation


held at the State University of New York in Albany. Grady was Director of the Center for Media Study at the State University of New York in Buffalo. In addition to pioneers of public television experiments, other presenters included video artists Steina Vasulka, Woody Vasulka, and Ed Emshwiller, as well as composer Joel Chadabe. There was also a demonstration of one of Experimental Television Center's video synthesizers. Callahan worked at Harvard University from 1977 until 1994, at the Carpenter Center for Visual Arts. He and his wife Adrienne co
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Kevin Larmon


Museum of Contemporary Art Cleveland, Cleveland, Ohio; Aspen Art Museum, Aspen, Colorado; Jersey City Museum, Jersey City, New Jersey; and the Carpenter Center for the Visual Arts at Harvard University, Cambridge, Massachusetts. In 2013, Larmon was included in a group show at the Leslie Sacks Gallery in Los Angeles, California alongside artists Christo, Jim Dine, Pablo Picasso, Chuck Close, Howard Hodgkin, Jasper Johns, Marino Marini, Henri Matisse, Karel Nel, Sam Francis, Helen Frankenthaler, David Hockney
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Mary Beams


'd put anything I felt like putting, so in one window you might see giant hands holding giant newspapers, and then in the next you might see a group of people playing with a dog." Beams worked as a teaching assistant at Harvard's Carpenter Center for the Visual Arts, and her work has been collected by the Museum of Modern Art. Beams' animated work has had a resurgence in recent years, screening at art institutions in North America and Europe. In February 2017, four of her shorts were included
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Ben Rubin (artist)


, Art Institute of Chicago, Fondation Cartier in Paris, Aarhus Art Museum in Denmark, MIT List Visual Arts Center, Vancouver Art Gallery, Skirball Center in Los Angeles (in a show organized by the Getty Museum), Brooklyn Academy of Music and San Jose Museum of Art. In addition to his own work, Rubin has collaborated with a wide range of people, including musicians and composers (Arto Lindsey, Steve Reich, Laurie Anderson, Geoge Lewis, Richard Teitlebaum, Zeena Parkins), architects (Diller+Scofidio / Renfro
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Fierce Pussy


"in which objects from the archive were utilized. In addition, fierce pussy contributed their display to the White Columns featured exhibit "ACT UP New York: Activism, Art, and the AIDS crisis, 1987-1993". This exhibition was revived at Harvard University's Carpenter Center for the Visual Arts in 2009. When the exhibition moved to White Columns, they were commissioned to make the installation called "Get Up Everybody and Sing." In 2010, fierce pussy created "Get Up Everybody and Sing" for the
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Mansfield, Ohio


amongst the ruins of Mansfield's once mighty industrial district, is a Gothic Revival brick house, built in 1847. One of the most perfect Carpenter Gothic houses in the United States, it is operated by the Richland County Historical Society. Located in the Woodland neighborhood, the Mansfield Art Center, opened in 1945, is a visual arts organization. BibleWalk (formerly The Living Bible Museum), opened in 1987, is Ohio's only life-size wax museum. The Bissman Building, built in 1886, is now open
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Ramon C. Cortines School of Visual and Performing Arts


of the city's "Grand Avenue Cultural Corridor," which also includes the Disney Concert Hall, the Los Angeles Music Center, the Colburn School of Music, the Museum of Contemporary Art, and the Broad Art Museum. The facility includes seven buildings totaling 238,000 square feet (22,110 m2). The final costs for construction were $171.9 million, and for the entire project $232 million. The facility was designed by the project team of HMC Architects (Architect-of-Record) and the Austrian firm Coop Himmelb(l)au
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Merlin Carpenter


Merlin Carpenter (born 1967) is an English visual artist. Writing in Frieze art critic Katie Sonnenborn stated that a recent exhibition "continued his nuanced critique of the condition of contemporary art-making," and that, "working within the framework of the gallery, he presented a suite of canvases that cast doubt on current systems of cultural reception and consumption." After graduating from Saint Martins School of Art in 1989, Carpenter has gone on to exhibit in 29 solo shows, and 48 group shows between 1989 and 2007
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Suzan Pitt


in 2017, and a Lifetime Achievement Award at Animafest Zagreb in 2019. In 1984 and again in 2016, Pitt created editions of hand-painted coats, sold through designer Patricia Field. Pitt was an Associate Professor at the Carpenter Center for the Visual Arts at Harvard from 1988 through the early 1990s. Starting in 1998, she taught in the Experimental Animation program at the California Institute of the Arts for nearly twenty years, living in Los Angeles and Taos, New Mexico. The Academy Film Archive has preserved several of Pitt
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Le Corbusier


the United States; the Carpenter Center for the Visual Arts in Cambridge, Massachusetts. At the time of his death in 1965, several projects were on the drawing boards; the church of Saint-Pierre in Firminy, finally completed in modified form in 2006; a Palace of Congresses for Strasbourg (1962–65), and a hospital in Venice, (1961–1965) which were never built. Le Corbusier designed an art gallery beside the lake in Zürich for gallery owner Heidi Weber in 1962–1967. Now called the Centre Le Corbusier,
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Ohio State University


Glenn. Anchoring the traditional campus gateway at the eastern end of the Oval is the 1989 Wexner Center for the Arts. Designed by architects Peter Eisenman of New York and Richard Trott of Columbus, the center was funded in large part by Ohio State alumnus Leslie Wexner's gift of $25 million in the 1980s. The center was founded to encompass all aspects of visual and performing arts with a focus on new commissions and artist residencies. Part of its design was to pay tribute to the armory that formerly had the same location
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MIT School of Architecture and Planning


) mainly house the media lab programs, the List Visual Arts Center, the School of Architecture and Planning's Program in Art, Culture and Technology (ACT), and MIT's Program in Comparative Media Studies. In 2009, the Media Lab expanded into a new building designed by Pritzker Prize-winning Japanese architect Fumihiko Maki. The local architect of record is Leers Weinzapfel Associates, of Boston. The 163,000-square-foot (15,100 m2), six-story building features an open, atelier-style, adaptable architecture specifically
18938971
List of Massachusetts Institute of Technology undergraduate dormitories


for their excessive weight and lack of durability. Due to the architectural attention given to this building, architects are sometimes found trying to observe student life in the building, an occurrence that the students strongly resent (notices are sometimes sent out by e-mail when architects do enter the building, alerting residents to escort them out). Additionally, as part of the MIT List Visual Arts Center's Percent-for-Art program, a piece was commissioned for the building by American artist Dan Graham. The sculpture, titled
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Rose Muralikrishnan


music) of India at Carpenter Performing Arts Center in 1996. While she was a principal of the Music school at Santhome Communication Center she composed, directed, conducted and sang for many music productions, dance dramas and audio visual productions with several leading performers such as Dr. M. Balamuralikrishna, Sudha Raghunathan and Rajkumar Bharathy to name a few. She composed music for several dance drama productions and worked with famous Nattuvanars such as Udupi Lakshminarayana, Adayar Lakshmanan, Sitarama Sharma, Alarmelu Valli and Dhananjayans. Sri Ganesha Samarpanam - Compositions of Lord
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Harvard Film Archive


The Harvard Film Archive (HFA) is a film archive and cinema located in the Carpenter Center for the Visual Arts at Harvard University in Cambridge, Massachusetts. Dedicated to the collection, preservation and exhibition of film, the HFA houses a collection of over 25,000 films in addition to videos, photos, posters and other film ephemera from around the world and from almost every period in film history. The HFA cinematheque screens films weekly in its 188-seat theater. It also maintains a film conservation center near Central Square, Cambridge. The
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Richmond CenterStage


Energy Center in 2015. The Richmond CenterStage Foundation has been rebranded as the Richmond Performing Arts Alliance. The facility and organization once known as the Carpenter Center for the Performing Arts merged with the Virginia Performing Arts Foundation in the early 2000s. After major fundraising and advocacy campaign, and a private-public partnership with the City of Richmond, the Thalhimers Department Store, adjacent to the Carpenter Center, was purchased as part of the strategic plan to create the then-envisioned performing arts center. Once construction was complete, the entire
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USCO


pioneering hardware to control audiovisual programming. In the 1970s, Intermedia Systems Corporation produced multimedia art internationally. Callahan worked at Harvard University from 1977 until 1994, at the Carpenter Center for Visual Arts. He and his wife Adrienne co-founded Museum Technology Source in 1990. The company, based in Winchester, Massachusetts initially made electronic devices that allowed museum patrons to use video and interactive exhibits. The Durkees helped Ram Dass with "Be Here Now", which was published by the Lama Foundation in 1971 and became a best-
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Richmond Center for Visual Arts


James and Lois Richmond Center for Visual Arts is a visual arts center at Western Michigan University in Kalamazoo, Michigan, United States. It was opened on March 9, 2007 and was dedicated on Thursday, April 12, 2007. Along with Kohrman Hall Studios, the Richmond Center for VIsual Arts houses the Gwen Frostic School of Art. The Richmond Center for Visual Arts is made up of three galleries on the first floor. These galleries are the Albertine Monroe-Brown Gallery for rotating exhibitions, the Netzorg/Kerr Gallery for
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Sainsbury Centre for Visual Arts


The Sainsbury Centre for Visual Arts is an art gallery and museum located on the campus of the University of East Anglia, Norwich, England. The building, which contains a collection of world art, was one of the first major public buildings to be designed by the architects Norman Foster and Wendy Cheesman, completed in 1978. The building became grade II* listed in December 2012. The Sainsbury Centre for Visual Arts building was opened in 1978. It was designed between 1974 and 1976 by the then relatively unknown architect Norman Foster
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Santa Susana High School


Visual and Performing Arts Programs. Santa Susana High School received funding from a city bond and state funds to construct a Performing Arts Theater Center. First approved by voters in 2004 as part of the Simi Valley Unified School District's C4 Bond measure, HMC Architects initially delivered plans for a multipurpose room for which $8.6 million was allocated. The multipurpose room became an auditorium, and eventually became the Performing Arts Center unveiled in April 2011. Santa Susana High School offers five programs in the Technical Arts: Digital Graphics & Design,
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Josep Lluís Sert


amongst his close friends the likes of Alexander Calder, Joan Miró, Georges Braque, and Marc Chagall, for whom he designed studios and homes. He brought art into the Harvard curriculum through his commissioning of the Carpenter Center and his subsequent avid support for it. His design for the Fondation Maeght in Saint-Paul-de-Vence, France, the Fundació Joan Miró in Barcelona and the Museum School were more than an architect-client relationship, they were partnerships in the discovery of modern art. Among Sert's students
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Toledo Museum of Art


Arts-style art museum here and the University of Toledo’s Center for the Visual Arts, designed by Frank Gehry. With its grand staircase leading up to a row of Ionic columns, the original museum is both a temple to art and a monument to the belief in high culture’s ability to uplift the life of the worker. The new structure’s low, horizontal form, fits in this context with remarkable delicacy, as if the architects hesitated to disturb the surroundings. The building showcases the museum's original glass collection
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Richmond CenterStage


Richmond CenterStage is a performing arts center in Richmond, Virginia that includes the Altria Theater and the theater formerly known as the Carpenter Theatre Center for the Performing Arts. The Carpenter Theatre was originally a Loew's Theatre movie palace developed by the Loew's Theatres company and designed by John Eberson. Construction of the building began in 1927 and its doors were opened in 1928. The Altria Theater was constructed a year before in 1926 and was originally a Shriners hall. Still known to many Richmonders as the Carpenter Center, the main CenterStage
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Aaron Carpenter (artist)


Aaron Carpenter (born 1975) is a Canadian visual artist based in Vancouver, British Columbia noted for his interest in language, representation, replication, and authorship. Carpenter's work has come to prominence through a series of exhibitions and projects at the Vancouver Art Gallery, Lawrence Eng Gallery, Helen Pitt Gallery, Ministry of Casual Living, Artspeak, Or Gallery, Paul Petro Special Projects Space, Dalhousie Art Gallery, and Neon Gallery. He was also previously involved as a curator at the Bodgers' and Kludgers' Co-
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Edmund Snow Carpenter


Edmund "Ted" Snow Carpenter (September 2, 1922 – July 1, 2011) was an American anthropologist best known for his work on tribal art and visual media. Born in Rochester, New York to the artist and educator Fletcher Hawthorne Carpenter (1879–1954) and Agnes "Barbara" Wight (1883–1981), he was one of four children. He was a fraternal twin with Collins W. "Connie" Carpenter, later of Canandaigua, New York. He was a descendant of William Carpenter (1605 England - 1658/1659 Rehoboth
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Alfred Mogensen


Alfred Mogensen was a Danish architect and a City Architect of Aarhus. Alfred Mogensen was born Aarhus, Denmark. He was the son of Asmus Marius Fisker and Petra Louise Jacobsen. He was educated as a carpenter at Aarhus Technical School. He attended the Royal Danish Academy of Fine Arts Architecture School from 1909. He worked as a carpenter between 1916-20. He found employment in various architect firms in Aarhus and Copenhagen and worked as the building inspector for Kaj Gottlob during the construction of St. Luke's Church between 1921 and
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The BCA Center


this concept. In 1999, the City Council voted to transform the firehouse into the Firehouse Center for the Visual Arts. BCA hired an architect for the renovation and in the spring of 2001, they began construction. After a few months progress stopped when a large crack developed on the north wall and the building sank by about 4 inches (100 mm). After much stabilization, construction resumed. To complete the renovation, Shelburne Museum returned the original bell back to the Firehouse tower. The BCA Center (formerly Firehouse Center
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Meany Hall for the Performing Arts


be the main plaza's centerpiece. In the 1995, the Allen Center for the Visual Arts was built in the Meany's former place. It was not until 1974 that a new hall for the performing arts was built, southeast of the former entrance. The architects for the new building were Kirk, Wallace, McKinley & Associates, and it was built for a cost of $7,122,884. In stark contrast to the Victorian-style facade of the old Meany, the new Meany Hall was built in the same style as
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Frist Art Museum


The Frist Art Museum (formerly known as the Frist Center for the Visual Arts) is an art exhibition hall in Nashville, Tennessee, housed in the city's historic U.S. Post Office building, which is listed on the National Register of Historic Places. The museum is housed in a white marble building that was built in the 1930s to serve as Nashville's main post office. Designed by Marr & Holman Architects, it was built in 1933-34. Its location near Union Station was convenient for mail distribution, since most
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Visual Arts Center of Richmond


Visual Arts Center is one of the largest nongovernmental arts education organizations in Virginia. Each year, VisArts offers more than 1,000 visual and creative arts classes in clay, wood, fiber, painting, photography, printmaking, glass, metal, drawing, writing, decorative arts and other visual media. More than 150 instructors teach for the organization. The Visual Arts Center of Richmond provides multiple opportunities for the general public to participate in art education and art-making at free events including open houses, Second Fridays and art exhibitions.
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History of Richmond, Virginia


described as, "the ultimate in 1920s movie palace fantasy design." It later suffered a decline in popularity as the movie-going population moved to the suburbs, but was restored during the 1980s and renamed as the Carpenter Center for the Performing Arts. In 1928, the Byrd Theater was built by local architect Fred Bishop on Westhampton Avenue (now called Cary Street) in a residential area of the city. To this day, the Byrd remains in operation as one of the last of the great movie palaces of the
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Paffard Keatinge-Clay


overall dimension of square. The roof is supported by eight concrete piers with top and bottom pin connections. Designed by Keatinge-Clay while he was as an employee of Skidmore, Owings and Merrill, San Francisco with design partner Chuck Bassett. The 1969 SFAI project is an informed response to a unique and topographically challenging urban site to create a new city scape as functional as it is compelling. Here, an elongated north-south ramp (similar to LeCorbusier's 1961 Carpenter Center for the Visual Arts) is driven into and
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Martin Beck (artist)


re-branding, initiated by then-director James Voorhies, of the Carpenter Center for the Visual Arts at Harvard University . The commission resulted in a two-year exhibition titled "Program" that consisted of ten episodic interventions, each addressing one of the institution’s channels of communication. The project culminated in the book "An Organized System of Instructions". Beck is represented by 47 Canal gallery in New York. Beck has held solo and collaborative exhibitions at Neue Gesellschaft für Bildende Kunst, Berlin (2000, with Julie
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Louis van Gasteren


Gold", a film about cocoa and chocolate, in 1952. In 1983 Van Gasteren won the Dutch Film Critics Award for best documentary as well as the Golden Calf for best picture for "" ("Hans, Life Before Death"). He received the Golden Calf a second time in 2003 for his documentary "The Price of Survival". Van Gasteren was a visiting professor in the United States at UCLA and Carpenter Center for the Visual Arts at Harvard University. Van Gasteren lived in Amsterdam and was married to
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Tom Phillips (artist)


" in 1999), completed his "Curriculum Vitae" series of paintings and saw a new "Works and Texts" book published. In 1994 he went to Harvard as Artist in Residence at the Carpenter Center for the Visual Arts and published "Merely Connect", which he had written with Salman Rushdie during a series of portrait sittings. With the move to a new studio in Bellenden Road and a change of ownership of the Choumert Café, Phillips began to lunch regularly opposite his studio at the Crossroads Café, where he
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Jonas Mekas Visual Arts Center


The Jonas Mekas Visual Arts Center () is an avant-garde arts centre in Vilnius, Lithuania. The Jonas Mekas Visual Arts Center was opened on November 10, 2007 by acclaimed Lithuanian filmmaker Jonas Mekas. The premiere exhibition featured "The Avant-Garde: From Futurism to Fluxus". Part of the recently purchased Fluxus art collection, consisting of 2,600 pieces, is presented to the public in the Visual Arts Center. The total Fluxus collection is worth 12 million litas (5,6 million USD). According to Mekas,
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Omi International Arts Center


for visual artists for three weeks in July; the Art Omi: Writers Residency for writers of fiction and non-fiction, critics and translators for up to two months in spring and fall; Art Omi: Architecture, which invites mid-career architects to develop their work during a full two-week residency; Art Omi: Music Residency, which brings together musicians, composers and improvisers in early August; and Art Omi: Dance for dancers and choreographers in late summer. The programs encourage residents to collaborate and explore new
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Watari Museum of Contemporary Art


The in Shibuya, Tokyo stands together with the Mori Arts Center and the 21st Century Museum of Contemporary Art, Kanazawa as one of the major institutions in Japan and in Asia in the field of contemporary visual arts. It was designed by the architect Mario Botta in 1990. Large retrospective exhibitions of the artists Joseph Beuys, Larry Clark, Henry Darger, Jan Fabre, Federico Herrero, Mike Kelley, John Lurie, Barry McGee, Nam June Paik, Gerda Steiner & Jörg Lenzlinger, have been held at the museum over the
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30th Reconnaissance Squadron


over France on D-Day making visual and photographic reconnaissance of bridges, artillery, road and rail junctions, traffic centers, airfields, and other targets. Moved into liberated area of France in early July, flying weather missions, made visual reconnaissance for ground forces, and photographed enemy positions to assist the First and Third Armies; Twelfth Army Group, and other Allied forces in the drive to Germany. Flew its first mission over Germany on 24 Aug 1944. Took part in the offensive against the Siegfried Line, Sep-
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Solomon R. Guggenheim Museum


The Aztec Empire" in 2004. It has shown unusual exhibitions on occasion, for example commercial art installations of motorcycles. "The New Criterion"'s Hilton Kramer condemned "The Art of the Motorcycle" A 2009 retrospective of Frank Lloyd Wright showcased the architect on the 50th anniversary of the opening of the building and was the museum's most popular exhibit since it began keeping such attendance records in 1992. In 2001, the museum opened the Sackler Center for Arts Education. The facility provides classes and lectures about the visual and
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James Sanders (architect)


research studio located in New York City. He received a John Simon Guggenheim Fellowship (Fellows Page, 2006) in 2006 for research on the experience of cities, and grants and fellowships from the Graham Foundation for Advanced Studies in the Visual Arts, the National Endowment for the Arts, the New York State Council for the Arts, and Furthermore, a program of the J.M. Kaplan Fund. In 2013 he was appointed Senior Fellow at the Center for Urban Real Estate in Columbia University's Graduate School of Architecture, Planning, and
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Dayton Visual Arts Center


Dayton Visual Arts Center (DVAC) is a group of artists and art lovers who believe that a vital visuals arts community is essential to the life of the community in Dayton, Ohio. The center offers art-gallery talks, art exhibitions, professional development workshops and other programs that support contemporary visual art. After being founded in 1991, DVAC's gallery in downtown Dayton continues to present a full schedule of contemporary art exhibitions each year that are free to the public. There are usually 12 to 18 exhibitions. Some exhibitions
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James Sansom Carpenter House


paid him back from the proceeds of the sales 19**. The letters that followed this misadventure revealed a trusting friendship. Tanner assisted Carpenter in acquiring the Hand of Rodan for $1,000.00 along with provenance for the Fine Arts Association. A bronze that is still in the Des Moines Art Center collection. Tanner also bid at auctions for Carpenter's friends and for Carpenter. Carpenter gave Tanner free rein to bid on, "a large work, from a big artist at a small price." In Tanner's final year
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Spaulding School Building


The former Spaulding School Building is a historic structure that has overlooked the city of Barre, Vermont, United States, since 1891. It now houses the Vermont History Center, the home of the Vermont Historical Society. The building was designed by Vermont architect and builder Lambert Packard (1832–1906). Trained by his father as a carpenter, Packard found employment as a draftsman and a pattern maker before becoming the carpenter foreman and later the company architect of E. and T. Fairbanks and Company in St. Johnsbury, Vermont. Packard designed many
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Matt Keegan


both language and conversation among people, materials, circumstances, sites, and histories. Keegan's keen interest in publications has manifested itself in many different ways, and he's produced many collaborations made in dialogue with other artists, writers, and thinkers. Keegan had his first solo exhibition, "Any Day Now" at D'Amelio Terras in New York, NY in 2007. The artist has had solo exhibitions at Participant Inc. in New York, NY (2017) and the Carpenter Center for the Visual Arts in Cambridge, MA
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Hans Tutschku


11:30 min 2013 - "under", for flute, oboe, clarinet, two violins, viola, violoncello, percussion, piano and electronics, 14:40 min 2013 - "Still Air 1", for bass clarinet and electronics, 11:30 min 2012 - "hommage à Schwitters", interactive sound sculpture 2012 - "unreal memories", outdoor sound installation for the Carpenter Center for the Visual Arts 2012 - "clin d’oreille d’Avignon", 8-channel electroacoustic composition, 10:00 min 2012 - "entwurzelt", for six singers and electronics
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Carpenter Center for the Visual Arts


others. However, José Luis Sert, who was at the time Dean of the Graduate School of Design and chairman of the committee suggested that his friend and previous collaborator, Le Corbusier, be asked to design the building. Delayed due to scheduling and payment conflicts, Le Corbusier eventually accepted and made his first of two visits to Cambridge in 1959. After much debate, a site was chosen between Quincy and Prescott Streets, abiding by the original proposal for the building. The allotted space was quite small, so the completed
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Carpenter Center for the Visual Arts


, making only their narrow ends visible from the street. The Quincy Street view, however, reveals ondulatoires on this studio's exterior curve, which interfere with the building's curve less than the brise-soleil do on the opposite side. On the ramp from Quincy street just before entering the building, one sees grids of square and rectangles of the windows, brise-soleils, and studio spaces, rather than the curves of the two halves of the building. During his career, Le Corbusier developed a set of architectural
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Mihai Olos


these, with the effect of a master class, was Bruno Munari's "Design e comunicatione visiva", whose first version Olos must have seen in Italy and whose fourth edition he had received from a friend in 1972. The book had been written as a practical guide with many illustrations, resulting from the lectures Munari, visiting professor at Harvard, had given at the Carpenter Center for the Visual Arts, in the spring of 1967. It had been already about computer graphics, modulation in four dimensions, Retrogardia, Avanguardia
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Asia Society


in the city's museum district, opened on May 6, 2012 and was designed by architect Yoshio Taniguchi. The other American centers are located in San Francisco, Los Angeles and Washington, D.C. Other Asian centers are in Seoul, Manila, Shanghai and Mumbai. There is also a center located in Sydney, Australia. At its 70th Street headquarters, The Asia Society Museum is host to both traditional and contemporary exhibitions, film screenings, literature, performing, and visual arts. The holdings include works from more than thirty Asian
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New Langton Arts


, Portland Center for the Visual Arts, Los Angeles Institute of Contemporary Art) that were committed to artist control, artist financial support, and support of artists by other artists, the not for profit 80 Langton Street Corporation was created in 1975 and opened its doors in July 1975 with a one person video installation by artist Peter D'Agostino. Signers of the corporate documents included Judith Dunham, then editor of Artweek, David Robinson, architect, and gallerists Ruth Braunstein and Diana Fuller. A Board of Directors made up of artists and
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Oak Grove-Freedman's Cemetery


to disintegrate and markers to be removed. The last standing markers were noted in 1940. The City of Salisbury assumed ownership of the cemetery in 1975, at which time the cemetery was closed to future burials. In 1998 the Waterworks Visual Arts Center, under the support of the National Endowment for the Arts and other local organizations, embarked on an eight-year effort to restore parts of the cemetery and erect a public art memorial to honor the historic site. Artist Maggie Smith and landscape architect Sam Reynolds were hired to design
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Robert Seppings


Sir Robert Seppings, FRS (11 December 176725 April 1840) was an English naval architect. Seppings was born to Robert and Lydia Seppings at Fakenham, Norfolk, on 11 December 1767 and baptised three days later. In 1782 he was apprenticed in HMNB Devonport, Plymouth. In 1800, when he had risen to be master shipwright assistant in the yard, he invented a device which greatly reduced the time required to repair the lower portions of ships in dry dock when compared with the laborious process of lifting then in vogue.
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Millersville University of Pennsylvania


Visual and Performing Arts manages two performing arts centers in Lancaster County: The Ware Center and Winter Visual & Performing Arts Center. Built as an expansion of Lyte Auditorium in Alumni Hall, the new Charles R. and Anita B Winter Visual and Performing Arts Center has a new entrance off Cottage Avenue in Millersville. The grand opening occurred on Friday, October 12, 2012 after two years of renovations to the original structure, Lyte Auditorium. Named for local philanthropist Charles Winter, whose daughters are both Millersville graduates, The new Visual and
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