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durom.2012.40 | 2012.40-d1.jpg | data/raw/images/oriental/2012 | Japan 2600th Anniversary medal 1940 in fitted embossed case._x000D__x000D_
Blue card box with a line of Japanese characters in seal script on the lid. The inside of the base has a hard yellow felt lining with a cut out for the medal and ribbon._x000D__x000D_
The medal is an aluminium bronze alloy disc with two lines at the top which lead to a ring onto which the ribbon is attached. The ribbon is blue or light violet watered silk with eight thin red stripes running vertically down the centre. The bottom of the ribbon is folded to a blunt point. The top of the ribbon has a hook sewn in and the back of the ribbon has a loop attached._x000D__x000D_
The front of the medal has a depiction of the sacred Double Bridge of the Imperial Palace in Tokyo in front of a background showing the Ancestral Shrine, the Imperial Sanctuary and the Imperial Palace. In the centre at the top is the Imperial Mum crest of a chrysanthemum flower._x000D__x000D_
The back of the medal has a vertical line of Japanese characters in seal script running down the centre of the disc with a shorter line of Japanese characters in seal script running along the bottom. | 298medals
| null | Aluminium bronze alloy | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2012 |
|
durom.2012.40 | 2012.40-d1.jpg | data/raw/images/oriental/2012 | Japan 2600th Anniversary medal 1940 in fitted embossed case._x000D__x000D_
Blue card box with a line of Japanese characters in seal script on the lid. The inside of the base has a hard yellow felt lining with a cut out for the medal and ribbon._x000D__x000D_
The medal is an aluminium bronze alloy disc with two lines at the top which lead to a ring onto which the ribbon is attached. The ribbon is blue or light violet watered silk with eight thin red stripes running vertically down the centre. The bottom of the ribbon is folded to a blunt point. The top of the ribbon has a hook sewn in and the back of the ribbon has a loop attached._x000D__x000D_
The front of the medal has a depiction of the sacred Double Bridge of the Imperial Palace in Tokyo in front of a background showing the Ancestral Shrine, the Imperial Sanctuary and the Imperial Palace. In the centre at the top is the Imperial Mum crest of a chrysanthemum flower._x000D__x000D_
The back of the medal has a vertical line of Japanese characters in seal script running down the centre of the disc with a shorter line of Japanese characters in seal script running along the bottom. | 298medals
| null | Aluminium bronze alloy | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2012 |
|
durom.2012.40 | 2012.40-d1.jpg | data/raw/images/oriental/2012 | Japan 2600th Anniversary medal 1940 in fitted embossed case._x000D__x000D_
Blue card box with a line of Japanese characters in seal script on the lid. The inside of the base has a hard yellow felt lining with a cut out for the medal and ribbon._x000D__x000D_
The medal is an aluminium bronze alloy disc with two lines at the top which lead to a ring onto which the ribbon is attached. The ribbon is blue or light violet watered silk with eight thin red stripes running vertically down the centre. The bottom of the ribbon is folded to a blunt point. The top of the ribbon has a hook sewn in and the back of the ribbon has a loop attached._x000D__x000D_
The front of the medal has a depiction of the sacred Double Bridge of the Imperial Palace in Tokyo in front of a background showing the Ancestral Shrine, the Imperial Sanctuary and the Imperial Palace. In the centre at the top is the Imperial Mum crest of a chrysanthemum flower._x000D__x000D_
The back of the medal has a vertical line of Japanese characters in seal script running down the centre of the disc with a shorter line of Japanese characters in seal script running along the bottom. | 298medals
| null | Aluminium bronze alloy | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2012 |
|
durom.2012.40 | 2012.40-d1.jpg | data/raw/images/oriental/2012 | Japan 2600th Anniversary medal 1940 in fitted embossed case._x000D__x000D_
Blue card box with a line of Japanese characters in seal script on the lid. The inside of the base has a hard yellow felt lining with a cut out for the medal and ribbon._x000D__x000D_
The medal is an aluminium bronze alloy disc with two lines at the top which lead to a ring onto which the ribbon is attached. The ribbon is blue or light violet watered silk with eight thin red stripes running vertically down the centre. The bottom of the ribbon is folded to a blunt point. The top of the ribbon has a hook sewn in and the back of the ribbon has a loop attached._x000D__x000D_
The front of the medal has a depiction of the sacred Double Bridge of the Imperial Palace in Tokyo in front of a background showing the Ancestral Shrine, the Imperial Sanctuary and the Imperial Palace. In the centre at the top is the Imperial Mum crest of a chrysanthemum flower._x000D__x000D_
The back of the medal has a vertical line of Japanese characters in seal script running down the centre of the disc with a shorter line of Japanese characters in seal script running along the bottom. | 298medals
| null | Aluminium bronze alloy | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2012 |
|
durom.2012.40 | 2012.40-d1.jpg | data/raw/images/oriental/2012 | Japan 2600th Anniversary medal 1940 in fitted embossed case._x000D__x000D_
Blue card box with a line of Japanese characters in seal script on the lid. The inside of the base has a hard yellow felt lining with a cut out for the medal and ribbon._x000D__x000D_
The medal is an aluminium bronze alloy disc with two lines at the top which lead to a ring onto which the ribbon is attached. The ribbon is blue or light violet watered silk with eight thin red stripes running vertically down the centre. The bottom of the ribbon is folded to a blunt point. The top of the ribbon has a hook sewn in and the back of the ribbon has a loop attached._x000D__x000D_
The front of the medal has a depiction of the sacred Double Bridge of the Imperial Palace in Tokyo in front of a background showing the Ancestral Shrine, the Imperial Sanctuary and the Imperial Palace. In the centre at the top is the Imperial Mum crest of a chrysanthemum flower._x000D__x000D_
The back of the medal has a vertical line of Japanese characters in seal script running down the centre of the disc with a shorter line of Japanese characters in seal script running along the bottom. | 298medals
| null | Aluminium bronze alloy | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2012 |
|
durom.1960.1486 | 1960.1486-uu.jpg | data/raw/images/oriental/1960 | Pale green jade with brown markings, carved as an animal, probably a tiger, with its tail over its back; the left palm covering the face; there are small incised scrolls over the body of the animal. | 245figures
| 青玉卧虎 | jade | Song | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1486 | 1960.1486-uu.jpg | data/raw/images/oriental/1960 | Pale green jade with brown markings, carved as an animal, probably a tiger, with its tail over its back; the left palm covering the face; there are small incised scrolls over the body of the animal. | 245figures
| 青玉卧虎 | jade | Song | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1486 | 1960.1486-uu.jpg | data/raw/images/oriental/1960 | Pale green jade with brown markings, carved as an animal, probably a tiger, with its tail over its back; the left palm covering the face; there are small incised scrolls over the body of the animal. | 245figures
| 青玉卧虎 | jade | Song | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1486 | 1960.1486-uu.jpg | data/raw/images/oriental/1960 | Pale green jade with brown markings, carved as an animal, probably a tiger, with its tail over its back; the left palm covering the face; there are small incised scrolls over the body of the animal. | 245figures
| 青玉卧虎 | jade | Song | China | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.1486 | 1960.1486-uu.jpg | data/raw/images/oriental/1960 | Pale green jade with brown markings, carved as an animal, probably a tiger, with its tail over its back; the left palm covering the face; there are small incised scrolls over the body of the animal. | 245figures
| 青玉卧虎 | jade | Song | China | data/processed/OM_images_white/oriental/1960 |
|
eg726 | eg726 d4.jpg | data/raw/images/egyptian/eg | mummified jackal, detailed features on head and face. Ears have a pronounced curvature, represented in dark brown wrappings as is the face. Eyes mouth etc. in light wrappings with painted details i.e. right eye painted in black. The body is wrapped in dark and light wrappings in a rhomboidal style; the general effect is of two panels on the body. The rear of the piece is unavailable due to the piece being on display. The figure has a rounded bottom. Generally in good condition some wear to the sides of the figure. Note all measurements are approximate as the piece was measured outside the case. | 5Animal Mummy
| jackal mummy | Animal Mummy | Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg726 | eg726 d4.jpg | data/raw/images/egyptian/eg | mummified jackal, detailed features on head and face. Ears have a pronounced curvature, represented in dark brown wrappings as is the face. Eyes mouth etc. in light wrappings with painted details i.e. right eye painted in black. The body is wrapped in dark and light wrappings in a rhomboidal style; the general effect is of two panels on the body. The rear of the piece is unavailable due to the piece being on display. The figure has a rounded bottom. Generally in good condition some wear to the sides of the figure. Note all measurements are approximate as the piece was measured outside the case. | 5Animal Mummy
| jackal mummy | Animal Mummy | Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg726 | eg726 d4.jpg | data/raw/images/egyptian/eg | mummified jackal, detailed features on head and face. Ears have a pronounced curvature, represented in dark brown wrappings as is the face. Eyes mouth etc. in light wrappings with painted details i.e. right eye painted in black. The body is wrapped in dark and light wrappings in a rhomboidal style; the general effect is of two panels on the body. The rear of the piece is unavailable due to the piece being on display. The figure has a rounded bottom. Generally in good condition some wear to the sides of the figure. Note all measurements are approximate as the piece was measured outside the case. | 5Animal Mummy
| jackal mummy | Animal Mummy | Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg726 | eg726 d4.jpg | data/raw/images/egyptian/eg | mummified jackal, detailed features on head and face. Ears have a pronounced curvature, represented in dark brown wrappings as is the face. Eyes mouth etc. in light wrappings with painted details i.e. right eye painted in black. The body is wrapped in dark and light wrappings in a rhomboidal style; the general effect is of two panels on the body. The rear of the piece is unavailable due to the piece being on display. The figure has a rounded bottom. Generally in good condition some wear to the sides of the figure. Note all measurements are approximate as the piece was measured outside the case. | 5Animal Mummy
| jackal mummy | Animal Mummy | Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg726 | eg726 d4.jpg | data/raw/images/egyptian/eg | mummified jackal, detailed features on head and face. Ears have a pronounced curvature, represented in dark brown wrappings as is the face. Eyes mouth etc. in light wrappings with painted details i.e. right eye painted in black. The body is wrapped in dark and light wrappings in a rhomboidal style; the general effect is of two panels on the body. The rear of the piece is unavailable due to the piece being on display. The figure has a rounded bottom. Generally in good condition some wear to the sides of the figure. Note all measurements are approximate as the piece was measured outside the case. | 5Animal Mummy
| jackal mummy | Animal Mummy | Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1969.23 | durom.1969.23-h1.jpg | data/raw/images/oriental/1969 | Earthenware jar, decorated with cream slip and lead glaze in Three-colour style; body, splashes of green and amber lead glaze, forming 7 bands of plum blossom design on green ground. | 282jars
| 三彩罐 | earthenware | Tang | Xi'an | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.23 | durom.1969.23-h1.jpg | data/raw/images/oriental/1969 | Earthenware jar, decorated with cream slip and lead glaze in Three-colour style; body, splashes of green and amber lead glaze, forming 7 bands of plum blossom design on green ground. | 282jars
| 三彩罐 | earthenware | Tang | Xi'an | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.23 | durom.1969.23-h1.jpg | data/raw/images/oriental/1969 | Earthenware jar, decorated with cream slip and lead glaze in Three-colour style; body, splashes of green and amber lead glaze, forming 7 bands of plum blossom design on green ground. | 282jars
| 三彩罐 | earthenware | Tang | Xi'an | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.23 | durom.1969.23-h1.jpg | data/raw/images/oriental/1969 | Earthenware jar, decorated with cream slip and lead glaze in Three-colour style; body, splashes of green and amber lead glaze, forming 7 bands of plum blossom design on green ground. | 282jars
| 三彩罐 | earthenware | Tang | Xi'an | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.23 | durom.1969.23-h1.jpg | data/raw/images/oriental/1969 | Earthenware jar, decorated with cream slip and lead glaze in Three-colour style; body, splashes of green and amber lead glaze, forming 7 bands of plum blossom design on green ground. | 282jars
| 三彩罐 | earthenware | Tang | Xi'an | data/processed/OM_images_white/oriental/1969 |
|
durom.1960.4.21 | 1960.4.21.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of a mountain valley with structures in the foreground. | 118Slide
| null | null | null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4.21 | 1960.4.21.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of a mountain valley with structures in the foreground. | 118Slide
| null | null | null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4.21 | 1960.4.21.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of a mountain valley with structures in the foreground. | 118Slide
| null | null | null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4.21 | 1960.4.21.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of a mountain valley with structures in the foreground. | 118Slide
| null | null | null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.1960.4.21 | 1960.4.21.jpg | data/raw/images/oriental/1960 | Extensive collection of slides and glass plates(?). A black and white image of a mountain valley with structures in the foreground. | 118Slide
| null | null | null | India | data/processed/OM_images_white/oriental/1960 |
|
durom.2014.292 | durom.2014.292-d1.jpg | data/raw/images/oriental/2014 | Carved wooden Sarawak box in the shape of a durian fruit, which is common to Southeast Asia. The box is carved with multiple small horns across the box and the top of the lid, which has a small slightly flared knop on the top. The inside of the lid has a carved rim allowing it to fit inside the base of the box. The inside of the box has been painted red and silver, as has the base. The grooves on the outside show remains of gold and silver patches of paint. | 19Box
| null | wood | null | Miri | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.292 | durom.2014.292-d1.jpg | data/raw/images/oriental/2014 | Carved wooden Sarawak box in the shape of a durian fruit, which is common to Southeast Asia. The box is carved with multiple small horns across the box and the top of the lid, which has a small slightly flared knop on the top. The inside of the lid has a carved rim allowing it to fit inside the base of the box. The inside of the box has been painted red and silver, as has the base. The grooves on the outside show remains of gold and silver patches of paint. | 19Box
| null | wood | null | Miri | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.292 | durom.2014.292-d1.jpg | data/raw/images/oriental/2014 | Carved wooden Sarawak box in the shape of a durian fruit, which is common to Southeast Asia. The box is carved with multiple small horns across the box and the top of the lid, which has a small slightly flared knop on the top. The inside of the lid has a carved rim allowing it to fit inside the base of the box. The inside of the box has been painted red and silver, as has the base. The grooves on the outside show remains of gold and silver patches of paint. | 19Box
| null | wood | null | Miri | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.292 | durom.2014.292-d1.jpg | data/raw/images/oriental/2014 | Carved wooden Sarawak box in the shape of a durian fruit, which is common to Southeast Asia. The box is carved with multiple small horns across the box and the top of the lid, which has a small slightly flared knop on the top. The inside of the lid has a carved rim allowing it to fit inside the base of the box. The inside of the box has been painted red and silver, as has the base. The grooves on the outside show remains of gold and silver patches of paint. | 19Box
| null | wood | null | Miri | data/processed/OM_images_white/oriental/2014 |
|
durom.2014.292 | durom.2014.292-d1.jpg | data/raw/images/oriental/2014 | Carved wooden Sarawak box in the shape of a durian fruit, which is common to Southeast Asia. The box is carved with multiple small horns across the box and the top of the lid, which has a small slightly flared knop on the top. The inside of the lid has a carved rim allowing it to fit inside the base of the box. The inside of the box has been painted red and silver, as has the base. The grooves on the outside show remains of gold and silver patches of paint. | 19Box
| null | wood | null | Miri | data/processed/OM_images_white/oriental/2014 |
|
durom.1962.234 | 1962.234.jpg | data/raw/images/oriental/1962 | Album painting of `The Visit of a Prince to an Ascetic`. An inscription on the back reads Fawari Ji of Gulta. A Shivaite ascetic with a long beard sits in the lotus position on a mat in front of a cave. He is approached by a prince and his attendant. In the foreground and background are stylized grey rocks with clumps of green foliage, with a white area between where the figures are placed, and a blue sky above. A tiger's head looks out from the rocks in the foreground. | 74Miniature Painting
| null | Opaque Watercolour and Gilt on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1962 |
|
durom.1962.234 | 1962.234.jpg | data/raw/images/oriental/1962 | Album painting of `The Visit of a Prince to an Ascetic`. An inscription on the back reads Fawari Ji of Gulta. A Shivaite ascetic with a long beard sits in the lotus position on a mat in front of a cave. He is approached by a prince and his attendant. In the foreground and background are stylized grey rocks with clumps of green foliage, with a white area between where the figures are placed, and a blue sky above. A tiger's head looks out from the rocks in the foreground. | 74Miniature Painting
| null | Opaque Watercolour and Gilt on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1962 |
|
durom.1962.234 | 1962.234.jpg | data/raw/images/oriental/1962 | Album painting of `The Visit of a Prince to an Ascetic`. An inscription on the back reads Fawari Ji of Gulta. A Shivaite ascetic with a long beard sits in the lotus position on a mat in front of a cave. He is approached by a prince and his attendant. In the foreground and background are stylized grey rocks with clumps of green foliage, with a white area between where the figures are placed, and a blue sky above. A tiger's head looks out from the rocks in the foreground. | 74Miniature Painting
| null | Opaque Watercolour and Gilt on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1962 |
|
durom.1962.234 | 1962.234.jpg | data/raw/images/oriental/1962 | Album painting of `The Visit of a Prince to an Ascetic`. An inscription on the back reads Fawari Ji of Gulta. A Shivaite ascetic with a long beard sits in the lotus position on a mat in front of a cave. He is approached by a prince and his attendant. In the foreground and background are stylized grey rocks with clumps of green foliage, with a white area between where the figures are placed, and a blue sky above. A tiger's head looks out from the rocks in the foreground. | 74Miniature Painting
| null | Opaque Watercolour and Gilt on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1962 |
|
durom.1962.234 | 1962.234.jpg | data/raw/images/oriental/1962 | Album painting of `The Visit of a Prince to an Ascetic`. An inscription on the back reads Fawari Ji of Gulta. A Shivaite ascetic with a long beard sits in the lotus position on a mat in front of a cave. He is approached by a prince and his attendant. In the foreground and background are stylized grey rocks with clumps of green foliage, with a white area between where the figures are placed, and a blue sky above. A tiger's head looks out from the rocks in the foreground. | 74Miniature Painting
| null | Opaque Watercolour and Gilt on Paper | null | Rajasthan State | data/processed/OM_images_white/oriental/1962 |
|
durom.1992.21 | 1992.21-rr.jpg | data/raw/images/oriental/1992 | Body covered with green patina. | 15Belt Hook
| 雕花鸟型青铜带钩 | bronze | Han dynasty | China | data/processed/OM_images_white/oriental/1992 |
|
durom.1992.21 | 1992.21-rr.jpg | data/raw/images/oriental/1992 | Body covered with green patina. | 15Belt Hook
| 雕花鸟型青铜带钩 | bronze | Han dynasty | China | data/processed/OM_images_white/oriental/1992 |
|
durom.1992.21 | 1992.21-rr.jpg | data/raw/images/oriental/1992 | Body covered with green patina. | 15Belt Hook
| 雕花鸟型青铜带钩 | bronze | Han dynasty | China | data/processed/OM_images_white/oriental/1992 |
|
durom.1992.21 | 1992.21-rr.jpg | data/raw/images/oriental/1992 | Body covered with green patina. | 15Belt Hook
| 雕花鸟型青铜带钩 | bronze | Han dynasty | China | data/processed/OM_images_white/oriental/1992 |
|
durom.1992.21 | 1992.21-rr.jpg | data/raw/images/oriental/1992 | Body covered with green patina. | 15Belt Hook
| 雕花鸟型青铜带钩 | bronze | Han dynasty | China | data/processed/OM_images_white/oriental/1992 |
|
durom.2015.340.58 | durom.2015.340.58.1-ff.jpg | data/raw/images/oriental/2015 | Horizontal black and white postcard with an image entitled 'Hong Kong'. The Hong Club is depicted across a large body of water with numerous other Classical style building surrounding it. The Club is a large classical style building with arched windows and entryway. The roof has two bells with ornate covered roofs at the front of the building. Across the front of the buildings is a body of water with several boats of varying size floating on the water. In the background is a mountainous region. The border to the image is plain with the title printed in red text beneath the image. The reverse is plain with the words 'Union Postale Universelle - Postcard' printed in English and several blank lines for the message. | 335postcards
| null | cards | null | Hong Kong | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.340.58 | durom.2015.340.58.1-ff.jpg | data/raw/images/oriental/2015 | Horizontal black and white postcard with an image entitled 'Hong Kong'. The Hong Club is depicted across a large body of water with numerous other Classical style building surrounding it. The Club is a large classical style building with arched windows and entryway. The roof has two bells with ornate covered roofs at the front of the building. Across the front of the buildings is a body of water with several boats of varying size floating on the water. In the background is a mountainous region. The border to the image is plain with the title printed in red text beneath the image. The reverse is plain with the words 'Union Postale Universelle - Postcard' printed in English and several blank lines for the message. | 335postcards
| null | cards | null | Hong Kong | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.340.58 | durom.2015.340.58.1-ff.jpg | data/raw/images/oriental/2015 | Horizontal black and white postcard with an image entitled 'Hong Kong'. The Hong Club is depicted across a large body of water with numerous other Classical style building surrounding it. The Club is a large classical style building with arched windows and entryway. The roof has two bells with ornate covered roofs at the front of the building. Across the front of the buildings is a body of water with several boats of varying size floating on the water. In the background is a mountainous region. The border to the image is plain with the title printed in red text beneath the image. The reverse is plain with the words 'Union Postale Universelle - Postcard' printed in English and several blank lines for the message. | 335postcards
| null | cards | null | Hong Kong | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.340.58 | durom.2015.340.58.1-ff.jpg | data/raw/images/oriental/2015 | Horizontal black and white postcard with an image entitled 'Hong Kong'. The Hong Club is depicted across a large body of water with numerous other Classical style building surrounding it. The Club is a large classical style building with arched windows and entryway. The roof has two bells with ornate covered roofs at the front of the building. Across the front of the buildings is a body of water with several boats of varying size floating on the water. In the background is a mountainous region. The border to the image is plain with the title printed in red text beneath the image. The reverse is plain with the words 'Union Postale Universelle - Postcard' printed in English and several blank lines for the message. | 335postcards
| null | cards | null | Hong Kong | data/processed/OM_images_white/oriental/2015 |
|
durom.2015.340.58 | durom.2015.340.58.1-ff.jpg | data/raw/images/oriental/2015 | Horizontal black and white postcard with an image entitled 'Hong Kong'. The Hong Club is depicted across a large body of water with numerous other Classical style building surrounding it. The Club is a large classical style building with arched windows and entryway. The roof has two bells with ornate covered roofs at the front of the building. Across the front of the buildings is a body of water with several boats of varying size floating on the water. In the background is a mountainous region. The border to the image is plain with the title printed in red text beneath the image. The reverse is plain with the words 'Union Postale Universelle - Postcard' printed in English and several blank lines for the message. | 335postcards
| null | cards | null | Hong Kong | data/processed/OM_images_white/oriental/2015 |
|
durom.2013.180 | 2013.180-tt.jpg | data/raw/images/oriental/2013 | Mighty Atom telephone, depicting the character stood upright in his black pants with green belt and red boots. He is stood with his arms crossed looking to the side. On the back of the head is the ear piece and on the flat base is the mouth piece. Underneath the base are the buttons, which are supposed to light up when in use. There is a separate telephone cable within the box. There is also a single sheet of white paper printed in black ink with operating instructions for the phone. On the back of the stand is the statement:_x000D__x000D_
_x000D__x000D_
'Mr Osamu Tezuka, one of the greatest cartoonists in Japan, died in 1989. He made hundreds of works including 'Astro Boy'. The themes of them are 'Love all creatures!'. With these themes, he gave us big messages, 'Preserve nature', 'Bless life', Be careful of a civilisation that puts too much stock into science' and 'Do not wage war'. | 414telephones
| null | plastic | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.180 | 2013.180-tt.jpg | data/raw/images/oriental/2013 | Mighty Atom telephone, depicting the character stood upright in his black pants with green belt and red boots. He is stood with his arms crossed looking to the side. On the back of the head is the ear piece and on the flat base is the mouth piece. Underneath the base are the buttons, which are supposed to light up when in use. There is a separate telephone cable within the box. There is also a single sheet of white paper printed in black ink with operating instructions for the phone. On the back of the stand is the statement:_x000D__x000D_
_x000D__x000D_
'Mr Osamu Tezuka, one of the greatest cartoonists in Japan, died in 1989. He made hundreds of works including 'Astro Boy'. The themes of them are 'Love all creatures!'. With these themes, he gave us big messages, 'Preserve nature', 'Bless life', Be careful of a civilisation that puts too much stock into science' and 'Do not wage war'. | 414telephones
| null | plastic | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.180 | 2013.180-tt.jpg | data/raw/images/oriental/2013 | Mighty Atom telephone, depicting the character stood upright in his black pants with green belt and red boots. He is stood with his arms crossed looking to the side. On the back of the head is the ear piece and on the flat base is the mouth piece. Underneath the base are the buttons, which are supposed to light up when in use. There is a separate telephone cable within the box. There is also a single sheet of white paper printed in black ink with operating instructions for the phone. On the back of the stand is the statement:_x000D__x000D_
_x000D__x000D_
'Mr Osamu Tezuka, one of the greatest cartoonists in Japan, died in 1989. He made hundreds of works including 'Astro Boy'. The themes of them are 'Love all creatures!'. With these themes, he gave us big messages, 'Preserve nature', 'Bless life', Be careful of a civilisation that puts too much stock into science' and 'Do not wage war'. | 414telephones
| null | plastic | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.180 | 2013.180-tt.jpg | data/raw/images/oriental/2013 | Mighty Atom telephone, depicting the character stood upright in his black pants with green belt and red boots. He is stood with his arms crossed looking to the side. On the back of the head is the ear piece and on the flat base is the mouth piece. Underneath the base are the buttons, which are supposed to light up when in use. There is a separate telephone cable within the box. There is also a single sheet of white paper printed in black ink with operating instructions for the phone. On the back of the stand is the statement:_x000D__x000D_
_x000D__x000D_
'Mr Osamu Tezuka, one of the greatest cartoonists in Japan, died in 1989. He made hundreds of works including 'Astro Boy'. The themes of them are 'Love all creatures!'. With these themes, he gave us big messages, 'Preserve nature', 'Bless life', Be careful of a civilisation that puts too much stock into science' and 'Do not wage war'. | 414telephones
| null | plastic | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
durom.2013.180 | 2013.180-tt.jpg | data/raw/images/oriental/2013 | Mighty Atom telephone, depicting the character stood upright in his black pants with green belt and red boots. He is stood with his arms crossed looking to the side. On the back of the head is the ear piece and on the flat base is the mouth piece. Underneath the base are the buttons, which are supposed to light up when in use. There is a separate telephone cable within the box. There is also a single sheet of white paper printed in black ink with operating instructions for the phone. On the back of the stand is the statement:_x000D__x000D_
_x000D__x000D_
'Mr Osamu Tezuka, one of the greatest cartoonists in Japan, died in 1989. He made hundreds of works including 'Astro Boy'. The themes of them are 'Love all creatures!'. With these themes, he gave us big messages, 'Preserve nature', 'Bless life', Be careful of a civilisation that puts too much stock into science' and 'Do not wage war'. | 414telephones
| null | plastic | Showa Period | Japan (country) | data/processed/OM_images_white/oriental/2013 |
|
eg721 | eg721-xray1.jpg | data/raw/images/egyptian/eg | medium sized cat mummy, very plain. No decoration at all and no facial features. Wrappings are plain and cylindrical and monotone. In good condition with little or no damage. | 5Animal Mummy
| cat mummy | Animal Mummy | Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg721 | eg721-xray1.jpg | data/raw/images/egyptian/eg | medium sized cat mummy, very plain. No decoration at all and no facial features. Wrappings are plain and cylindrical and monotone. In good condition with little or no damage. | 5Animal Mummy
| cat mummy | Animal Mummy | Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg721 | eg721-xray1.jpg | data/raw/images/egyptian/eg | medium sized cat mummy, very plain. No decoration at all and no facial features. Wrappings are plain and cylindrical and monotone. In good condition with little or no damage. | 5Animal Mummy
| cat mummy | Animal Mummy | Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg721 | eg721-xray1.jpg | data/raw/images/egyptian/eg | medium sized cat mummy, very plain. No decoration at all and no facial features. Wrappings are plain and cylindrical and monotone. In good condition with little or no damage. | 5Animal Mummy
| cat mummy | Animal Mummy | Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
eg721 | eg721-xray1.jpg | data/raw/images/egyptian/eg | medium sized cat mummy, very plain. No decoration at all and no facial features. Wrappings are plain and cylindrical and monotone. In good condition with little or no damage. | 5Animal Mummy
| cat mummy | Animal Mummy | Roman Period | Egypt | data/processed/OM_images_white/egyptian/eg |
|
durom.1969.241 | 1969.241-d5.jpg | data/raw/images/oriental/1969 | Model of a goose, not a mandarin duck. | 245figures
| 白釉鹅 | stoneware | Qing | Guangdong Province | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.241 | 1969.241-d5.jpg | data/raw/images/oriental/1969 | Model of a goose, not a mandarin duck. | 245figures
| 白釉鹅 | stoneware | Qing | Guangdong Province | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.241 | 1969.241-d5.jpg | data/raw/images/oriental/1969 | Model of a goose, not a mandarin duck. | 245figures
| 白釉鹅 | stoneware | Qing | Guangdong Province | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.241 | 1969.241-d5.jpg | data/raw/images/oriental/1969 | Model of a goose, not a mandarin duck. | 245figures
| 白釉鹅 | stoneware | Qing | Guangdong Province | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.241 | 1969.241-d5.jpg | data/raw/images/oriental/1969 | Model of a goose, not a mandarin duck. | 245figures
| 白釉鹅 | stoneware | Qing | Guangdong Province | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.58 | durom.1969.58-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase, decorated with pale bluish-white glaze in Qingbai style and sprayed copper-brown dots. | 433vases
| 青白釉褐斑壶 | porcelain | Yuan dynasty | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.58 | durom.1969.58-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase, decorated with pale bluish-white glaze in Qingbai style and sprayed copper-brown dots. | 433vases
| 青白釉褐斑壶 | porcelain | Yuan dynasty | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.58 | durom.1969.58-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase, decorated with pale bluish-white glaze in Qingbai style and sprayed copper-brown dots. | 433vases
| 青白釉褐斑壶 | porcelain | Yuan dynasty | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.58 | durom.1969.58-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase, decorated with pale bluish-white glaze in Qingbai style and sprayed copper-brown dots. | 433vases
| 青白釉褐斑壶 | porcelain | Yuan dynasty | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1969.58 | durom.1969.58-h1.jpg | data/raw/images/oriental/1969 | Porcelain vase, decorated with pale bluish-white glaze in Qingbai style and sprayed copper-brown dots. | 433vases
| 青白釉褐斑壶 | porcelain | Yuan dynasty | Jingdezhen | data/processed/OM_images_white/oriental/1969 |
|
durom.1979.12.13 | durom.1979.12.13.1-bb.jpg | data/raw/images/oriental/1979 | 7 page letter from Mary Gell to Joyce, dated May 16th 1925. Address at the top reading "Peking, as from Anglican mission T'ai Shautung". She opens the letter asking for the order of the lancet which is £2.10 a year, to be sent to her P'ing Yin address and she also wants the medical annual for the year which is about £1.1 and asks could Da pay for them for now, they were to be sent to T'ai an. She hopes that aunt Winnie got the £1 for the spoons. She dates the next part of the letter to Tuesday. She went round to the Chinese priest house for dinner, who are all really lovely people. She is wearing a dress she made herself and which she describes and draws a picture of. She had to do so as the pale green posh one was considered indecent by the Chinese. She is also tired of all the dust. she also mentions more money that she has sent. Wednesday she had a good time at the party, where there were also two American girls and a Chinese man and his wife from Tsing tao (they were visiting as their son had TB). She also had some problems at the meal with her chopsticks. She mentions her head and hat size to buy a new one, or have one sent over. She writes about the storms and the dust storms. She won the women's tennis singles at the language school. She has visited the summer palace, however the inside of the city, the tram lines and the road were poor. But the summer palace felt as if it was built on a small island, she details the layout and the decoration. She ends her letter in Chinese and then a translation. | 68Letter
| null | paper | null | Beijing | data/processed/OM_images_white/oriental/1979 |
|
durom.1979.12.13 | durom.1979.12.13.1-bb.jpg | data/raw/images/oriental/1979 | 7 page letter from Mary Gell to Joyce, dated May 16th 1925. Address at the top reading "Peking, as from Anglican mission T'ai Shautung". She opens the letter asking for the order of the lancet which is £2.10 a year, to be sent to her P'ing Yin address and she also wants the medical annual for the year which is about £1.1 and asks could Da pay for them for now, they were to be sent to T'ai an. She hopes that aunt Winnie got the £1 for the spoons. She dates the next part of the letter to Tuesday. She went round to the Chinese priest house for dinner, who are all really lovely people. She is wearing a dress she made herself and which she describes and draws a picture of. She had to do so as the pale green posh one was considered indecent by the Chinese. She is also tired of all the dust. she also mentions more money that she has sent. Wednesday she had a good time at the party, where there were also two American girls and a Chinese man and his wife from Tsing tao (they were visiting as their son had TB). She also had some problems at the meal with her chopsticks. She mentions her head and hat size to buy a new one, or have one sent over. She writes about the storms and the dust storms. She won the women's tennis singles at the language school. She has visited the summer palace, however the inside of the city, the tram lines and the road were poor. But the summer palace felt as if it was built on a small island, she details the layout and the decoration. She ends her letter in Chinese and then a translation. | 68Letter
| null | paper | null | Beijing | data/processed/OM_images_white/oriental/1979 |
|
durom.1979.12.13 | durom.1979.12.13.1-bb.jpg | data/raw/images/oriental/1979 | 7 page letter from Mary Gell to Joyce, dated May 16th 1925. Address at the top reading "Peking, as from Anglican mission T'ai Shautung". She opens the letter asking for the order of the lancet which is £2.10 a year, to be sent to her P'ing Yin address and she also wants the medical annual for the year which is about £1.1 and asks could Da pay for them for now, they were to be sent to T'ai an. She hopes that aunt Winnie got the £1 for the spoons. She dates the next part of the letter to Tuesday. She went round to the Chinese priest house for dinner, who are all really lovely people. She is wearing a dress she made herself and which she describes and draws a picture of. She had to do so as the pale green posh one was considered indecent by the Chinese. She is also tired of all the dust. she also mentions more money that she has sent. Wednesday she had a good time at the party, where there were also two American girls and a Chinese man and his wife from Tsing tao (they were visiting as their son had TB). She also had some problems at the meal with her chopsticks. She mentions her head and hat size to buy a new one, or have one sent over. She writes about the storms and the dust storms. She won the women's tennis singles at the language school. She has visited the summer palace, however the inside of the city, the tram lines and the road were poor. But the summer palace felt as if it was built on a small island, she details the layout and the decoration. She ends her letter in Chinese and then a translation. | 68Letter
| null | paper | null | Beijing | data/processed/OM_images_white/oriental/1979 |
|
durom.1979.12.13 | durom.1979.12.13.1-bb.jpg | data/raw/images/oriental/1979 | 7 page letter from Mary Gell to Joyce, dated May 16th 1925. Address at the top reading "Peking, as from Anglican mission T'ai Shautung". She opens the letter asking for the order of the lancet which is £2.10 a year, to be sent to her P'ing Yin address and she also wants the medical annual for the year which is about £1.1 and asks could Da pay for them for now, they were to be sent to T'ai an. She hopes that aunt Winnie got the £1 for the spoons. She dates the next part of the letter to Tuesday. She went round to the Chinese priest house for dinner, who are all really lovely people. She is wearing a dress she made herself and which she describes and draws a picture of. She had to do so as the pale green posh one was considered indecent by the Chinese. She is also tired of all the dust. she also mentions more money that she has sent. Wednesday she had a good time at the party, where there were also two American girls and a Chinese man and his wife from Tsing tao (they were visiting as their son had TB). She also had some problems at the meal with her chopsticks. She mentions her head and hat size to buy a new one, or have one sent over. She writes about the storms and the dust storms. She won the women's tennis singles at the language school. She has visited the summer palace, however the inside of the city, the tram lines and the road were poor. But the summer palace felt as if it was built on a small island, she details the layout and the decoration. She ends her letter in Chinese and then a translation. | 68Letter
| null | paper | null | Beijing | data/processed/OM_images_white/oriental/1979 |
|
durom.1979.12.13 | durom.1979.12.13.1-bb.jpg | data/raw/images/oriental/1979 | 7 page letter from Mary Gell to Joyce, dated May 16th 1925. Address at the top reading "Peking, as from Anglican mission T'ai Shautung". She opens the letter asking for the order of the lancet which is £2.10 a year, to be sent to her P'ing Yin address and she also wants the medical annual for the year which is about £1.1 and asks could Da pay for them for now, they were to be sent to T'ai an. She hopes that aunt Winnie got the £1 for the spoons. She dates the next part of the letter to Tuesday. She went round to the Chinese priest house for dinner, who are all really lovely people. She is wearing a dress she made herself and which she describes and draws a picture of. She had to do so as the pale green posh one was considered indecent by the Chinese. She is also tired of all the dust. she also mentions more money that she has sent. Wednesday she had a good time at the party, where there were also two American girls and a Chinese man and his wife from Tsing tao (they were visiting as their son had TB). She also had some problems at the meal with her chopsticks. She mentions her head and hat size to buy a new one, or have one sent over. She writes about the storms and the dust storms. She won the women's tennis singles at the language school. She has visited the summer palace, however the inside of the city, the tram lines and the road were poor. But the summer palace felt as if it was built on a small island, she details the layout and the decoration. She ends her letter in Chinese and then a translation. | 68Letter
| null | paper | null | Beijing | data/processed/OM_images_white/oriental/1979 |
|
durom.2006.46.19 | 2006.46.19.jpg | data/raw/images/oriental/2006 | Monochrome print depicting trackers tracking on their hands and knees. Plate XIX-- Tracking Over the Hsin-Lung T'an. from the book of the Grandeur of the Gorges. | 342prints
| null | paper | null | Yangtze River | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.46.19 | 2006.46.19.jpg | data/raw/images/oriental/2006 | Monochrome print depicting trackers tracking on their hands and knees. Plate XIX-- Tracking Over the Hsin-Lung T'an. from the book of the Grandeur of the Gorges. | 342prints
| null | paper | null | Yangtze River | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.46.19 | 2006.46.19.jpg | data/raw/images/oriental/2006 | Monochrome print depicting trackers tracking on their hands and knees. Plate XIX-- Tracking Over the Hsin-Lung T'an. from the book of the Grandeur of the Gorges. | 342prints
| null | paper | null | Yangtze River | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.46.19 | 2006.46.19.jpg | data/raw/images/oriental/2006 | Monochrome print depicting trackers tracking on their hands and knees. Plate XIX-- Tracking Over the Hsin-Lung T'an. from the book of the Grandeur of the Gorges. | 342prints
| null | paper | null | Yangtze River | data/processed/OM_images_white/oriental/2006 |
|
durom.2006.46.19 | 2006.46.19.jpg | data/raw/images/oriental/2006 | Monochrome print depicting trackers tracking on their hands and knees. Plate XIX-- Tracking Over the Hsin-Lung T'an. from the book of the Grandeur of the Gorges. | 342prints
| null | paper | null | Yangtze River | data/processed/OM_images_white/oriental/2006 |
|
durma.2020.3.806 | durma.2020.3.806-ff.jpg | data/raw/images/fulling_mill/2020 | An complete copper-alloy bell-shaped stud of Allason-Jones Type 2 dating to the Roman period (Allason-Jones 1985), part of the Piercebridge River Assemblage. The stud possesses a short cylindrical body of a smaller diameter than usual. The long rectangular shaft has a circular opening at the end. The dish-shaped plate has a central flat topped conical knob. The stud measures 43mm in length with the head having a diameter of 15mm. The shaft element measures 33mm in length, 5mm in thickness and 7mm in width. It weighs 21.9 grams. It appears that Allason-Jones Type 2 studs were used as box fittings._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/804274 | 401studs
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.806 | durma.2020.3.806-ff.jpg | data/raw/images/fulling_mill/2020 | An complete copper-alloy bell-shaped stud of Allason-Jones Type 2 dating to the Roman period (Allason-Jones 1985), part of the Piercebridge River Assemblage. The stud possesses a short cylindrical body of a smaller diameter than usual. The long rectangular shaft has a circular opening at the end. The dish-shaped plate has a central flat topped conical knob. The stud measures 43mm in length with the head having a diameter of 15mm. The shaft element measures 33mm in length, 5mm in thickness and 7mm in width. It weighs 21.9 grams. It appears that Allason-Jones Type 2 studs were used as box fittings._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/804274 | 401studs
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.806 | durma.2020.3.806-ff.jpg | data/raw/images/fulling_mill/2020 | An complete copper-alloy bell-shaped stud of Allason-Jones Type 2 dating to the Roman period (Allason-Jones 1985), part of the Piercebridge River Assemblage. The stud possesses a short cylindrical body of a smaller diameter than usual. The long rectangular shaft has a circular opening at the end. The dish-shaped plate has a central flat topped conical knob. The stud measures 43mm in length with the head having a diameter of 15mm. The shaft element measures 33mm in length, 5mm in thickness and 7mm in width. It weighs 21.9 grams. It appears that Allason-Jones Type 2 studs were used as box fittings._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/804274 | 401studs
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.806 | durma.2020.3.806-ff.jpg | data/raw/images/fulling_mill/2020 | An complete copper-alloy bell-shaped stud of Allason-Jones Type 2 dating to the Roman period (Allason-Jones 1985), part of the Piercebridge River Assemblage. The stud possesses a short cylindrical body of a smaller diameter than usual. The long rectangular shaft has a circular opening at the end. The dish-shaped plate has a central flat topped conical knob. The stud measures 43mm in length with the head having a diameter of 15mm. The shaft element measures 33mm in length, 5mm in thickness and 7mm in width. It weighs 21.9 grams. It appears that Allason-Jones Type 2 studs were used as box fittings._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/804274 | 401studs
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durma.2020.3.806 | durma.2020.3.806-ff.jpg | data/raw/images/fulling_mill/2020 | An complete copper-alloy bell-shaped stud of Allason-Jones Type 2 dating to the Roman period (Allason-Jones 1985), part of the Piercebridge River Assemblage. The stud possesses a short cylindrical body of a smaller diameter than usual. The long rectangular shaft has a circular opening at the end. The dish-shaped plate has a central flat topped conical knob. The stud measures 43mm in length with the head having a diameter of 15mm. The shaft element measures 33mm in length, 5mm in thickness and 7mm in width. It weighs 21.9 grams. It appears that Allason-Jones Type 2 studs were used as box fittings._x000D__x000D_
_x000D__x000D_
Portable Antiquities Database: https://finds.org.uk/database/artefacts/record/id/804274 | 401studs
| null | copper alloy | Roman | null | data/processed/OM_images_white/fulling_mill/2020 |
|
durom.1976.37.12 | 1976.37.12.jpg | data/raw/images/oriental/1976 | The Valley of tombs of Jehoshaphat. | 335postcards
| null | paper | null | null | data/processed/OM_images_white/oriental/1976 |
|
durom.1976.37.12 | 1976.37.12.jpg | data/raw/images/oriental/1976 | The Valley of tombs of Jehoshaphat. | 335postcards
| null | paper | null | null | data/processed/OM_images_white/oriental/1976 |
|
durom.1976.37.12 | 1976.37.12.jpg | data/raw/images/oriental/1976 | The Valley of tombs of Jehoshaphat. | 335postcards
| null | paper | null | null | data/processed/OM_images_white/oriental/1976 |
|
durom.1976.37.12 | 1976.37.12.jpg | data/raw/images/oriental/1976 | The Valley of tombs of Jehoshaphat. | 335postcards
| null | paper | null | null | data/processed/OM_images_white/oriental/1976 |
|
durom.1976.37.12 | 1976.37.12.jpg | data/raw/images/oriental/1976 | The Valley of tombs of Jehoshaphat. | 335postcards
| null | paper | null | null | data/processed/OM_images_white/oriental/1976 |
|
durom.2001.35.1 | 2001.35.1-uu.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | 19Box
| null | wood | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.35.1 | 2001.35.1-uu.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | 19Box
| null | wood | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.35.1 | 2001.35.1-uu.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | 19Box
| null | wood | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.35.1 | 2001.35.1-uu.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | 19Box
| null | wood | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2001 |
|
durom.2001.35.1 | 2001.35.1-uu.jpg | data/raw/images/oriental/2001 | Lacquered wooden box in black. Decorated with gold and brown painting of an Oriental landscape on the lid and floral patterns along the sides. Lid is attatched with hinges but one is missing. Lid is kept shut with a swinging brass clasp. The interior of the box is varnished. Kept inside are four little boxes that fit snugly inside, they are lacquered too and keep mother-of-pearl counters in them (see 2001.35.2/3/4/5). The containing big box is quite badly damaged, around the hinges, the clasp, the corners and the sides of the lid, the lacquer has cracked and chipped off. | 19Box
| null | wood | Meiji Period | Japan (country) | data/processed/OM_images_white/oriental/2001 |
|
durom.2016.101 | 2016.101 tt.jpg | data/raw/images/oriental/2016 | Japanese bowl by Seifu Yohei I in original wooden presentation box. White glazed bowl, the exterior decorated with two bands of decoration in green, red and yellow/gold; the top band of flower heads and berries; the bottom with birds, berries and flowers. The interior is decorated in corresponding colours with an upper band of berries and leaves, and a bottom band of fish and plants. The base of the interior features a character in red. Maker's mark stamped into the underside of the foot. The bowl is housed in the original wooden presentation box (tomobako). | 177bowls
| null | porcelain | Edo | Japan (country) | data/processed/OM_images_white/oriental/2016 |
|
durom.2016.101 | 2016.101 tt.jpg | data/raw/images/oriental/2016 | Japanese bowl by Seifu Yohei I in original wooden presentation box. White glazed bowl, the exterior decorated with two bands of decoration in green, red and yellow/gold; the top band of flower heads and berries; the bottom with birds, berries and flowers. The interior is decorated in corresponding colours with an upper band of berries and leaves, and a bottom band of fish and plants. The base of the interior features a character in red. Maker's mark stamped into the underside of the foot. The bowl is housed in the original wooden presentation box (tomobako). | 177bowls
| null | porcelain | Edo | Japan (country) | data/processed/OM_images_white/oriental/2016 |
|
durom.2016.101 | 2016.101 tt.jpg | data/raw/images/oriental/2016 | Japanese bowl by Seifu Yohei I in original wooden presentation box. White glazed bowl, the exterior decorated with two bands of decoration in green, red and yellow/gold; the top band of flower heads and berries; the bottom with birds, berries and flowers. The interior is decorated in corresponding colours with an upper band of berries and leaves, and a bottom band of fish and plants. The base of the interior features a character in red. Maker's mark stamped into the underside of the foot. The bowl is housed in the original wooden presentation box (tomobako). | 177bowls
| null | porcelain | Edo | Japan (country) | data/processed/OM_images_white/oriental/2016 |
|
durom.2016.101 | 2016.101 tt.jpg | data/raw/images/oriental/2016 | Japanese bowl by Seifu Yohei I in original wooden presentation box. White glazed bowl, the exterior decorated with two bands of decoration in green, red and yellow/gold; the top band of flower heads and berries; the bottom with birds, berries and flowers. The interior is decorated in corresponding colours with an upper band of berries and leaves, and a bottom band of fish and plants. The base of the interior features a character in red. Maker's mark stamped into the underside of the foot. The bowl is housed in the original wooden presentation box (tomobako). | 177bowls
| null | porcelain | Edo | Japan (country) | data/processed/OM_images_white/oriental/2016 |
|
durom.2016.101 | 2016.101 tt.jpg | data/raw/images/oriental/2016 | Japanese bowl by Seifu Yohei I in original wooden presentation box. White glazed bowl, the exterior decorated with two bands of decoration in green, red and yellow/gold; the top band of flower heads and berries; the bottom with birds, berries and flowers. The interior is decorated in corresponding colours with an upper band of berries and leaves, and a bottom band of fish and plants. The base of the interior features a character in red. Maker's mark stamped into the underside of the foot. The bowl is housed in the original wooden presentation box (tomobako). | 177bowls
| null | porcelain | Edo | Japan (country) | data/processed/OM_images_white/oriental/2016 |
|
durom.1964.105 | 1964.105d.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 1136(I8-23) Large flint blade, probably from a leaf-shaped spear-head of rhomboidal section, showing retouch on both edges: length 11.5 cm., width c.5.5 cm. at hilt, thickness 1.2 cm. Provenance: From the lower level of debris of Block B, sector C. Pl. 102, E. | 288knives
| knife | Flint/Chert | null | Egypt | data/processed/OM_images_white/egyptian/1964 |
|
durom.1964.105 | 1964.105d.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 1136(I8-23) Large flint blade, probably from a leaf-shaped spear-head of rhomboidal section, showing retouch on both edges: length 11.5 cm., width c.5.5 cm. at hilt, thickness 1.2 cm. Provenance: From the lower level of debris of Block B, sector C. Pl. 102, E. | 288knives
| knife | Flint/Chert | null | Egypt | data/processed/OM_images_white/egyptian/1964 |
|
durom.1964.105 | 1964.105d.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 1136(I8-23) Large flint blade, probably from a leaf-shaped spear-head of rhomboidal section, showing retouch on both edges: length 11.5 cm., width c.5.5 cm. at hilt, thickness 1.2 cm. Provenance: From the lower level of debris of Block B, sector C. Pl. 102, E. | 288knives
| knife | Flint/Chert | null | Egypt | data/processed/OM_images_white/egyptian/1964 |
|
durom.1964.105 | 1964.105d.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 1136(I8-23) Large flint blade, probably from a leaf-shaped spear-head of rhomboidal section, showing retouch on both edges: length 11.5 cm., width c.5.5 cm. at hilt, thickness 1.2 cm. Provenance: From the lower level of debris of Block B, sector C. Pl. 102, E. | 288knives
| knife | Flint/Chert | null | Egypt | data/processed/OM_images_white/egyptian/1964 |
|
durom.1964.105 | 1964.105d.jpg | data/raw/images/egyptian/1964 | Archaeological Report: 1136(I8-23) Large flint blade, probably from a leaf-shaped spear-head of rhomboidal section, showing retouch on both edges: length 11.5 cm., width c.5.5 cm. at hilt, thickness 1.2 cm. Provenance: From the lower level of debris of Block B, sector C. Pl. 102, E. | 288knives
| knife | Flint/Chert | null | Egypt | data/processed/OM_images_white/egyptian/1964 |