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occurring in the verbal Here, too, "words" i.e., individual of art are
coming into use then dropping out the vocabulary at speeds. Individual works
across our consciousness in or in the pages mass magazines; the next time
look they are gone. the work itself literally disappears many collages or
constructions built fragile materials that 
fall apart after short time. Much of confusion in the art world today from
the failure of the cultural establishment recognize, once and for all, that
elitism permanence are dead so, at contends John McHale, the imaginative
half artist/half social who heads the Center for Integrative State
University of New York at Binghamton. forceful essay entitled The Plastic
Parthenon, points out that canons of literary and judgment ... tend to place
high value permanence, uniqueness and the enduring universal value chosen
artifacts." Such 
standards, he argues, appropriate enough in of handcrafted goods relatively
small taste-making These same standards, "in no way enable one to relate to
our present situation in which numbers of artifacts are produced, circulated
and consumed. These may be or only marginally different. In varying they are
expendable, replaceable, and lack unique 'value' or intrinsic 'truth.'"
Today's artists, suggests, neither work tiny elite nor seriously the idea
permanence is virtue. 
future of art, he says, "seems longer to lie with the creation enduring
masterworks." Rather, artists work for short term. McHale concludes
"Accelerated changes in the condition require an array of symbolic images
man which will match up to requirements of constant change, fleeting
impression and high rate of obsolescence." We he says, "a replaceable,
expendable of ikons." One may quarrel with McHale's that transience in is
desirable. Perhaps 
flight from permanence is tactical error. It even be argued that our
artists employing homeopathic magic, behaving like primitives who, by force
they not comprehend, attempt to exert over it by simple-mindedly it. But
whatever one's toward contemporary art, transience remains implacable fact,
social historic tendency so central to our that it cannot be ignored. it is
clear that are reacting to it. The impulse toward transience 
art explains the whole of that most transient of art works, "happening."
Allan Kaprow, who is often credited originating the happening, has
explicitly suggested relationship to the throw-away culture which we live.
The according to its is ideally performed once and only. The happening is
Kleenex tissue of art. This so, art can be considered the aesthetic 
of modularism. Kinetic sculptures or crawl, whistle, whine, twitch, rock or
their lights blinking, their tapes whirling, their plastic, glass and copper
components and rearranging themselves into evanescent patterns given, though
concealed, framework. Here wiring and connections tend to be least transient
part of structure, just as the gantry cranes and towers in Joan Littlewood's
Fun Palace are

Bye Bye..



Jo


