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1. Τσιάρα, Συραγώ. Τοπία της εθνικής μνήμης: η δημόσια γλυπτική στην Μακεδονία.
Τσιάρα, Συραγώ. “Τοπία της εθνικής μνήμης: η δημόσια γλυπτική στην Μακεδονία.” 2000. Thesis, Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ). Accessed November 19, 2019. http://hdl.handle.net/10442/hedi/24219.
Τσιάρα, Συραγώ. “Τοπία της εθνικής μνήμης: η δημόσια γλυπτική στην Μακεδονία.” 2000. Web. 19 Nov 2019.
Τσιάρα �. Τοπία της εθνικής μνήμης: η δημόσια γλυπτική στην Μακεδονία. [Internet] [Thesis]. Aristotle University Of Thessaloniki (AUTH); Αριστοτέλειο Πανεπιστήμιο Θεσσαλονίκης (ΑΠΘ); 2000. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/10442/hedi/24219.
2. Τσίνας, Κωνσταντίνος. Απαγορευμένη αναλογία και επιτρεπτή ερμηνεία του ποινικού νόμου: μια συμβολή στην μεθοδολογία του ποινικού δικαίου.
URL: http://hdl.handle.net/10442/hedi/26337
Subjects/Keywords: Απαγόρευση αναλογίας; Αναλογία; Ερμηνεία; Εύρεση δικαίου; Ποινές; Μεθοδολογία του δικαίου; Ομιλιακά ενεργήματα, γλωσσικές πράξεις; Άρθρο 7 Συντάγματος; Analogieverbot; Analogie; Interpretation; Rechtsfindung; Strafrecht; Methodenlehre der rechtswissenschaft; Speech acts; Art. 7 verfassung
Τσίνας, . �. (2008). Απαγορευμένη αναλογία και επιτρεπτή ερμηνεία του ποινικού νόμου: μια συμβολή στην μεθοδολογία του ποινικού δικαίου . (Thesis). National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Retrieved from http://hdl.handle.net/10442/hedi/26337
Τσίνας, Κωνσταντίνος. “Απαγορευμένη αναλογία και επιτρεπτή ερμηνεία του ποινικού νόμου: μια συμβολή στην μεθοδολογία του ποινικού δικαίου.” 2008. Thesis, National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ). Accessed November 19, 2019. http://hdl.handle.net/10442/hedi/26337.
Τσίνας, Κωνσταντίνος. “Απαγορευμένη αναλογία και επιτρεπτή ερμηνεία του ποινικού νόμου: μια συμβολή στην μεθοδολογία του ποινικού δικαίου.” 2008. Web. 19 Nov 2019.
Τσίνας �. Απαγορευμένη αναλογία και επιτρεπτή ερμηνεία του ποινικού νόμου: μια συμβολή στην μεθοδολογία του ποινικού δικαίου. [Internet] [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2008. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/10442/hedi/26337.
Τσίνας �. Απαγορευμένη αναλογία και επιτρεπτή ερμηνεία του ποινικού νόμου: μια συμβολή στην μεθοδολογία του ποινικού δικαίου. [Thesis]. National and Kapodistrian University of Athens; Εθνικό και Καποδιστριακό Πανεπιστήμιο Αθηνών (ΕΚΠΑ); 2008. Available from: http://hdl.handle.net/10442/hedi/26337
3. -6156-1862. Museum visitors' self-efficacy and interest in contemporary art.
URL: http://hdl.handle.net/2152/31859
► Contemporary art can pose a particular challenge for museum visitors to interpret, and psychological literature suggests that such challenge to self-efficacy may lower interest (Hong… (more)
▼ Contemporary art can pose a particular challenge for museum visitors to interpret, and psychological literature suggests that such challenge to self-efficacy may lower interest (Hong & Lin, 2013; Ryan & Deci, 2000; Schunk & Usher, 2008). This study sought to explore museum visitors’ interpretive strategies, feelings of self-efficacy, and interest. Factors including prior knowledge, interpretation support (e.g., labels), and challenge of artwork were also considered. Results discuss suggestions for museums when displaying works that may be perceived as challenging or unapproachable. Participants included visitors to the Blanton Museum of Art and students at the University of Texas at Austin who were pre-screened for prior knowledge of museums. Sessions occurred during the fall of 2014 and included completing questionnaires while viewing three works in the contemporary galleries. Students also participated in focus groups. Both quantitative and qualitative results confirmed predictions that interpretive self-efficacy and interest are related. Provision of labels did not show significant difference for self-efficacy or interest, but high prior knowledge of art did show increased levels of self-efficacy. A search for meaning and aesthetic observation and preference typically drove participant interpretations; most were highly personal. With low self-efficacy, participants struggled to interpret works and even considered pieces arbitrary. However, they enjoyed being challenged to interpret the work on their own before viewing the label. Participants responded particularly well to the idea of using interactive interpretive devices as a means of building understanding for works to which they may not otherwise be drawn. Overwhelmingly, low-prior-knowledge infrequent visitors wanted clear explanations of the artist's motive for creating the work and wanted the ability to visualize or even mimic the artistic process for creating each piece. Museums striving to increase interest in contemporary art for visitors should prioritize building self-efficacy through supportive interpretive strategies. Advisors/Committee Members: Schallert, Diane L. (advisor), Patall, Erika A (committee member).
Subjects/Keywords: Self-efficacy; Interest; Museum; Contemporary art; Interpretation; Enjoyment; Engagement; Involvement; Labels
…forms of interpretation are received in relation to art. In recent decades, science and to a… …self-efficacy scale for art interpretation was developed for the study and was adapted from… …interpretation of artworks-- whether or not a piece counted as art (Tröndle et al., 2014)… …Although technically speaking, an interpretation of “not art” is just as much an interpretation… …efficacy and interest in an art interpretation context could lead to broader transfer of these…
-6156-1862. (2015). Museum visitors' self-efficacy and interest in contemporary art . (Masters Thesis). University of Texas – Austin. Retrieved from http://hdl.handle.net/2152/31859
-6156-1862. “Museum visitors' self-efficacy and interest in contemporary art.” 2015. Masters Thesis, University of Texas – Austin. Accessed November 19, 2019. http://hdl.handle.net/2152/31859.
-6156-1862. “Museum visitors' self-efficacy and interest in contemporary art.” 2015. Web. 19 Nov 2019.
-6156-1862. Museum visitors' self-efficacy and interest in contemporary art. [Internet] [Masters thesis]. University of Texas – Austin; 2015. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/2152/31859.
-6156-1862. Museum visitors' self-efficacy and interest in contemporary art. [Masters Thesis]. University of Texas – Austin; 2015. Available from: http://hdl.handle.net/2152/31859
4. Abbott, Janet Gail. Synthesis of the Personal and the Political in the Works of May Stevens.
URL: https://digital.library.unt.edu/ark:/67531/metadc277656/
► This thesis is an investigation of the way in which the painter May Stevens (b. 1924) synthesizes her personal experiences and political philosophy to form… (more)
▼ This thesis is an investigation of the way in which the painter May Stevens (b. 1924) synthesizes her personal experiences and political philosophy to form complex and enduring works of art. Primary data was accumulated through an extended interview with May Stevens and by examining her works on exhibit in New York and Boston. An analysis of selected works from her "Big Daddy" and "Ordinary/Extraordinary" series revealed how her personal feelings about her own family became entwined with larger political issues. As an important member of the feminist art movement that evolved during the 1970s, she celebrated this new kinship among women in paintings that also explored the contradictions in their lives. In more recent work she has explored complex social issues such as teenage prostitution, sexism, and child abuse in a variety of artistic styles and media. This study investigates how May Stevens continues to portray issues of international significance in works that consistently engage the viewer on a personal, almost visceral level. Advisors/Committee Members: Heinlen, J. Michael, Schol, Don Raymund, 1941-, Gleeson, Larry A..
Subjects/Keywords: May Stevens; painting; art; political philosophy; Stevens, May – Criticism and interpretation.; Politics in art.
Abbott, J. G. (1998). Synthesis of the Personal and the Political in the Works of May Stevens . (Thesis). University of North Texas. Retrieved from https://digital.library.unt.edu/ark:/67531/metadc277656/
Abbott, Janet Gail. “Synthesis of the Personal and the Political in the Works of May Stevens.” 1998. Thesis, University of North Texas. Accessed November 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc277656/.
Abbott, Janet Gail. “Synthesis of the Personal and the Political in the Works of May Stevens.” 1998. Web. 19 Nov 2019.
Abbott JG. Synthesis of the Personal and the Political in the Works of May Stevens. [Internet] [Thesis]. University of North Texas; 1998. [cited 2019 Nov 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc277656/.
Abbott JG. Synthesis of the Personal and the Political in the Works of May Stevens. [Thesis]. University of North Texas; 1998. Available from: https://digital.library.unt.edu/ark:/67531/metadc277656/
5. Alkhas, Anita Jon. Living art : Baudelaire and Duchamp.
Alkhas, Anita Jon. “Living art : Baudelaire and Duchamp.” 1999. Doctoral Dissertation, Michigan State University. Accessed November 19, 2019. http://etd.lib.msu.edu/islandora/object/etd:28112.
Alkhas, Anita Jon. “Living art : Baudelaire and Duchamp.” 1999. Web. 19 Nov 2019.
Alkhas AJ. Living art : Baudelaire and Duchamp. [Internet] [Doctoral dissertation]. Michigan State University; 1999. [cited 2019 Nov 19]. Available from: http://etd.lib.msu.edu/islandora/object/etd:28112.
6. Anderson, Kittie Blanks. Geometry as the Structural Basis of Composition in Paintings by Botticelli.
Anderson, Kittie Blanks. “Geometry as the Structural Basis of Composition in Paintings by Botticelli.” 1942. Thesis, North Texas State Teachers College. Accessed November 19, 2019. https://digital.library.unt.edu/ark:/67531/metadc70328/.
Anderson, Kittie Blanks. “Geometry as the Structural Basis of Composition in Paintings by Botticelli.” 1942. Web. 19 Nov 2019.
Anderson KB. Geometry as the Structural Basis of Composition in Paintings by Botticelli. [Internet] [Thesis]. North Texas State Teachers College; 1942. [cited 2019 Nov 19]. Available from: https://digital.library.unt.edu/ark:/67531/metadc70328/.
7. Antohe, Diana. Parallel Pattern: A Familial Legacy of Care.
Antohe, Diana. “Parallel Pattern: A Familial Legacy of Care.” 2019. Thesis, Virginia Commonwealth University. Accessed November 19, 2019. https://scholarscompass.vcu.edu/etd/5837.
Antohe, Diana. “Parallel Pattern: A Familial Legacy of Care.” 2019. Web. 19 Nov 2019.
Antohe D. Parallel Pattern: A Familial Legacy of Care. [Internet] [Thesis]. Virginia Commonwealth University; 2019. [cited 2019 Nov 19]. Available from: https://scholarscompass.vcu.edu/etd/5837.
8. Aoake, Hana Pera. No limit : imagining the boundaries of autonomy in a post-Fordist colonial settler state : thesis submission for a Master of Fine Arts (Fine Arts), Massey University, Wellington, New Zealand .
Aoake, Hana Pera. “No limit : imagining the boundaries of autonomy in a post-Fordist colonial settler state : thesis submission for a Master of Fine Arts (Fine Arts), Massey University, Wellington, New Zealand .” 2018. Thesis, Massey University. Accessed November 19, 2019. http://hdl.handle.net/10179/14412.
Aoake, Hana Pera. “No limit : imagining the boundaries of autonomy in a post-Fordist colonial settler state : thesis submission for a Master of Fine Arts (Fine Arts), Massey University, Wellington, New Zealand .” 2018. Web. 19 Nov 2019.
Aoake HP. No limit : imagining the boundaries of autonomy in a post-Fordist colonial settler state : thesis submission for a Master of Fine Arts (Fine Arts), Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2018. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/10179/14412.
9. Arnold, Julie Wegner. Art criticism as narrative : Diderot's Salon de 1767.
Arnold, Julie Wegner. “Art criticism as narrative : Diderot's Salon de 1767.” 1993. Doctoral Dissertation, Michigan State University. Accessed November 19, 2019. http://etd.lib.msu.edu/islandora/object/etd:29372.
Arnold, Julie Wegner. “Art criticism as narrative : Diderot's Salon de 1767.” 1993. Web. 19 Nov 2019.
Arnold JW. Art criticism as narrative : Diderot's Salon de 1767. [Internet] [Doctoral dissertation]. Michigan State University; 1993. [cited 2019 Nov 19]. Available from: http://etd.lib.msu.edu/islandora/object/etd:29372.
10. Bailey, Hannah; Giacona, Noelle M. Arts-Based Assessments and Projective Tests: An Interpretation of Self.
Bailey, Hannah; Giacona, Noelle M. “Arts-Based Assessments and Projective Tests: An Interpretation of Self.” 2019. Masters Thesis, Loyola Marymount University. Accessed November 19, 2019. https://digitalcommons.lmu.edu/etd/825.
Bailey, Hannah; Giacona, Noelle M. “Arts-Based Assessments and Projective Tests: An Interpretation of Self.” 2019. Web. 19 Nov 2019.
Bailey, Hannah; Giacona NM. Arts-Based Assessments and Projective Tests: An Interpretation of Self. [Internet] [Masters thesis]. Loyola Marymount University; 2019. [cited 2019 Nov 19]. Available from: https://digitalcommons.lmu.edu/etd/825.
11. Barlow, Tim. Caring deception : community art in the suburbs of Aotearoa (New Zealand) : a thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Fine Arts at Massey University, Wellington, New Zealand .
URL: http://hdl.handle.net/10179/11481
► In Aotearoa (New Zealand), community art practice has a disadvantaged status and a poorly documented national history. This thesis reinvigorates the theory and practice of… (more)
▼ In Aotearoa (New Zealand), community art practice has a disadvantaged status and a poorly documented national history. This thesis reinvigorates the theory and practice of community art and cultural democracy using adaptable and context-specific analyses of the ways that aesthetics and ethics can usefully co-exist in practices of social change. The community art projects in this thesis were based in four suburbs lying on the economic and spatial fringes of Aotearoa. Over 4 years, I generated a comparative and iterative methodology challenging major binaries of the field, including: ameliorative vs. disruptive; coloniser vs. colonised; instrumental vs. instrumentalised; and long term vs. short term. This thesis asserts that these binaries create a series of impasses that drive the practice towards two new artistic categories, which I define as caring deception and the facade. All the projects I undertook were situated in contested space, where artists working with communities overlapped with local and national governments aiming for CBD and suburban re-vitalisation, creative city style initiatives, community development, grassroots creative projects, and curated public-art festivals. I worked within and around these structures, by practicing a methodology of caring deception. I applied a selection of artistic terms of engagement to vernacular structures such as public fountains, festival marquees, popup venues and community centres to negotiate deceit, resentment and care in the making of the art work. This thesis asserts that the methodology of caring deception creates a social ethics in action that can become embodied in the form of the art work.
Subjects/Keywords: Tim Barlow; Criticism and interpretation; Community art projects; Artists and community; Social ethics; New Zealand
Barlow, T. (2016). Caring deception : community art in the suburbs of Aotearoa (New Zealand) : a thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Fine Arts at Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/11481
Barlow, Tim. “Caring deception : community art in the suburbs of Aotearoa (New Zealand) : a thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Fine Arts at Massey University, Wellington, New Zealand .” 2016. Thesis, Massey University. Accessed November 19, 2019. http://hdl.handle.net/10179/11481.
Barlow, Tim. “Caring deception : community art in the suburbs of Aotearoa (New Zealand) : a thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Fine Arts at Massey University, Wellington, New Zealand .” 2016. Web. 19 Nov 2019.
Barlow T. Caring deception : community art in the suburbs of Aotearoa (New Zealand) : a thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Fine Arts at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2016. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/10179/11481.
Barlow T. Caring deception : community art in the suburbs of Aotearoa (New Zealand) : a thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Fine Arts at Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2016. Available from: http://hdl.handle.net/10179/11481
12. Bava, Saliha. Transforming Performances: An Intern-Reseacher's Hypertextual Journey in a Postmodern Community.
Bava, Saliha. “Transforming Performances: An Intern-Reseacher's Hypertextual Journey in a Postmodern Community.” 2001. Doctoral Dissertation, Virginia Tech. Accessed November 19, 2019. http://hdl.handle.net/10919/25951.
Bava, Saliha. “Transforming Performances: An Intern-Reseacher's Hypertextual Journey in a Postmodern Community.” 2001. Web. 19 Nov 2019.
Bava S. Transforming Performances: An Intern-Reseacher's Hypertextual Journey in a Postmodern Community. [Internet] [Doctoral dissertation]. Virginia Tech; 2001. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/10919/25951.
Beatrice, Hannah. “The artist is not present : a strategic investigation of psychological complexity through performance : a thesis submitted to the faculty a Massey University in partial fulfillment of the requirements for the degree of Master of Fine Arts in the College of Creative Arts in Massey University .” 2016. Thesis, Massey University. Accessed November 19, 2019. http://hdl.handle.net/10179/11209.
Beatrice, Hannah. “The artist is not present : a strategic investigation of psychological complexity through performance : a thesis submitted to the faculty a Massey University in partial fulfillment of the requirements for the degree of Master of Fine Arts in the College of Creative Arts in Massey University .” 2016. Web. 19 Nov 2019.
Beatrice H. The artist is not present : a strategic investigation of psychological complexity through performance : a thesis submitted to the faculty a Massey University in partial fulfillment of the requirements for the degree of Master of Fine Arts in the College of Creative Arts in Massey University . [Internet] [Thesis]. Massey University; 2016. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/10179/11209.
Bennett, Claire Meredith. “Exploring Characteristics of Family Engagement Strategies Implemented in Art Museum Exhibitions.” 2018. Thesis, University of Washington. Accessed November 19, 2019. http://hdl.handle.net/1773/42872.
Bennett, Claire Meredith. “Exploring Characteristics of Family Engagement Strategies Implemented in Art Museum Exhibitions.” 2018. Web. 19 Nov 2019.
Bennett CM. Exploring Characteristics of Family Engagement Strategies Implemented in Art Museum Exhibitions. [Internet] [Thesis]. University of Washington; 2018. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/1773/42872.
15. Blomquist, Perry L. Contextualizing the Reindeer Lake rock art.
URL: http://hdl.handle.net/10388/etd-05132011-132053
► The rock art that is found in the region of Reindeer Lake, Saskatchewan is part of a larger category of rock art known as the… (more)
▼ The rock art that is found in the region of Reindeer Lake, Saskatchewan is part of a larger category of rock art known as the Shield Rock Art Tradition. At present, there are more than 400 known and recorded rock art sites throughout the Canadian Shield region. These sites are found over an extensive geographical area and can be found from south-western Quebec across the Shield westward, up to north-western Saskatchewan. The majority of these rock art sites are comprised of imagery that has been painted on rock surfaces. The rock art sites at Reindeer Lake, or “panels” as they are called, depict a variety of symbols and characters that portray humans, animals, anthropomorphs, ceremonies and motifs of a spiritual nature. A variety of explanations have been proposed as to the function and meaning of rock art in general. Among the more accepted explanations are that rock art paintings were created by shamans; that they depict dreams or visions of an individual seeking medicine or participating in a vision quest/puberty rites; that they are a form of hunting magic whereby the author in capturing the animal in a painting assures capture of the animal in life; or that they serve as markers for travellers. Regardless of function and meaning, all of the rock art sites on Reindeer Lake are of immense heritage value and should be regarded as sacred locations. Very little is known about the rock art in the Reindeer Lake regions. Before any significant analyses of their meaning can be conducted, they must first be relocated and properly documented. At present there are only a very small number of publications that document or mention the Reindeer Lake rock art. This thesis surveys the rock art of Reindeer Lake, Saskatchewan. It discusses the general nature of pictographs from the Shield Rock Art Tradition and how the panels at Reindeer Lake fit into the overall scheme, and applies a systematic method to the recording and analysis of pictographs using a contextual approach. Although the primary focus is on recording the painted imagery, the specific context of each panel as well as the surrounding landscape is also considered. Recording these ancient rock art sites using a proper systematic method has ensured that this significant element of Aboriginal culture will endure not only for future research, but also for the benefit of future generations of the local Cree people. Advisors/Committee Members: Meyer, David, Westman, Clinton, Laliberte, Ron, Walker, Ernest G., Kennedy, Margaret.
Subjects/Keywords: Pictographs; Rock art; Interpretation; Precambrian Shield; Shield Tradition; Archaeology; Rock paintings; Reindeer Lake; Cree; Red ochre; Recording
…xiv 1. Chapter One: Introduction to Rock Art �� �� �� �� �� �� �� �� ��...1 1.1 Introduction… …Shield Rock Art.......................... �� �� �� ��…...3 1.4 Objectives… …Canadian Shield Rock Art �� �� �� �� �� �� �� �� �� ��….....16 2.5 Researching Reindeer Lake Rock Art… …21 3.2.3 Depiction Considerations �� �� �� �� �� ��. �� �� ��….…...22 3.3 Locating Rock Art Sites… …24 3.3.3 Rock Art Site Recording Methods �� �� �� �� �� ��. ��….. ��28 3.4 Observations and Field…
Blomquist, P. L. (2011). Contextualizing the Reindeer Lake rock art . (Thesis). University of Saskatchewan. Retrieved from http://hdl.handle.net/10388/etd-05132011-132053
Blomquist, Perry L. “Contextualizing the Reindeer Lake rock art.” 2011. Thesis, University of Saskatchewan. Accessed November 19, 2019. http://hdl.handle.net/10388/etd-05132011-132053.
Blomquist, Perry L. “Contextualizing the Reindeer Lake rock art.” 2011. Web. 19 Nov 2019.
Blomquist PL. Contextualizing the Reindeer Lake rock art. [Internet] [Thesis]. University of Saskatchewan; 2011. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/10388/etd-05132011-132053.
Blomquist PL. Contextualizing the Reindeer Lake rock art. [Thesis]. University of Saskatchewan; 2011. Available from: http://hdl.handle.net/10388/etd-05132011-132053
16. Blomqvist, Jenny. "30 km tvång" : En analys av Anders Sunnas konstverk ”30 km tvång” ur ett samiskt och ett kulturpolitiskt perspektiv.
Blomqvist, Jenny. “"30 km tvång" : En analys av Anders Sunnas konstverk ”30 km tvång” ur ett samiskt och ett kulturpolitiskt perspektiv.” 2019. Thesis, Karlstad University. Accessed November 19, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-72795.
Blomqvist, Jenny. “"30 km tvång" : En analys av Anders Sunnas konstverk ”30 km tvång” ur ett samiskt och ett kulturpolitiskt perspektiv.” 2019. Web. 19 Nov 2019.
Blomqvist J. "30 km tvång" : En analys av Anders Sunnas konstverk ”30 km tvång” ur ett samiskt och ett kulturpolitiskt perspektiv. [Internet] [Thesis]. Karlstad University; 2019. [cited 2019 Nov 19]. Available from: http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-72795.
17. Bloomfield, Elizabeth A. Gender role stereotyping and art interpretation.
Bloomfield, Elizabeth A. “Gender role stereotyping and art interpretation.” 2015. Masters Thesis, University of Iowa. Accessed November 19, 2019. https://ir.uiowa.edu/etd/1550.
Bloomfield, Elizabeth A. “Gender role stereotyping and art interpretation.” 2015. Web. 19 Nov 2019.
Bloomfield EA. Gender role stereotyping and art interpretation. [Internet] [Masters thesis]. University of Iowa; 2015. [cited 2019 Nov 19]. Available from: https://ir.uiowa.edu/etd/1550.
18. Blount, Jennifer Lynn. The black male nude : a study of John Singer Sargent's Thomas McKeller nude within the context of nineteenth-century art and culture.
Blount, Jennifer Lynn. “The black male nude : a study of John Singer Sargent's Thomas McKeller nude within the context of nineteenth-century art and culture.” 2009. Masters Thesis, University of Alabama – Birmingham. Accessed November 19, 2019. http://contentdm.mhsl.uab.edu/u?/etd,478.
Blount, Jennifer Lynn. “The black male nude : a study of John Singer Sargent's Thomas McKeller nude within the context of nineteenth-century art and culture.” 2009. Web. 19 Nov 2019.
Blount JL. The black male nude : a study of John Singer Sargent's Thomas McKeller nude within the context of nineteenth-century art and culture. [Internet] [Masters thesis]. University of Alabama – Birmingham; 2009. [cited 2019 Nov 19]. Available from: http://contentdm.mhsl.uab.edu/u?/etd,478.
19. Blumenfeld, Miriam B. The Artists' Oral History Project.
Blumenfeld, Miriam B. “The Artists' Oral History Project.” 2015. Thesis, University of San Francisco. Accessed November 19, 2019. https://repository.usfca.edu/capstone/253.
Blumenfeld, Miriam B. “The Artists' Oral History Project.” 2015. Web. 19 Nov 2019.
Blumenfeld MB. The Artists' Oral History Project. [Internet] [Thesis]. University of San Francisco; 2015. [cited 2019 Nov 19]. Available from: https://repository.usfca.edu/capstone/253.
20. Boetzkes, Amanda. Berlin in disorder : the representation of nature in the works of George Grosz.
URL: http://digitool.library.mcgill.ca/thesisfile79288.pdf
► George Grosz's paintings and drawings of Berlin during the Weimar period demonstrate a complex matrix of tensions between nature and the urban experience. In his… (more)
▼ George Grosz's paintings and drawings of Berlin during the Weimar period demonstrate a complex matrix of tensions between nature and the urban experience. In his work, mechanization, sexuality, gender and animality are recurring themes that cue the viewer to the profound anxiety that modernity had unleashed a chaotic force into the city. Using an ecofeminist analysis, I show how the disorder of the city was imagined as a primordial human condition in which a previously disavowed connection to nature was suddenly foregrounded. Though Grosz's renditions of Berlin scenes are ironic, they also revel in the demise of social order. In this thesis, I argue that Grosz's art deploys the conceptual force of unmastered nature as a critical tool, at the same time showing how nature was integrated into the cultural fabric of urban life. Advisors/Committee Members: Sloan, Johanne (advisor).
Subjects/Keywords: Grosz, George, 1893-1959 – Criticism and interpretation; Berlin (Germany) – In art; Germany – History – 1918-1933 – Caricatures and cartoons; Neue Sachlichkeit (Art) – Germany
Boetzkes, A. (2002). Berlin in disorder : the representation of nature in the works of George Grosz . (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile79288.pdf
Boetzkes, Amanda. “Berlin in disorder : the representation of nature in the works of George Grosz.” 2002. Masters Thesis, McGill University. Accessed November 19, 2019. http://digitool.library.mcgill.ca/thesisfile79288.pdf.
Boetzkes, Amanda. “Berlin in disorder : the representation of nature in the works of George Grosz.” 2002. Web. 19 Nov 2019.
Boetzkes A. Berlin in disorder : the representation of nature in the works of George Grosz. [Internet] [Masters thesis]. McGill University; 2002. [cited 2019 Nov 19]. Available from: http://digitool.library.mcgill.ca/thesisfile79288.pdf.
Boetzkes A. Berlin in disorder : the representation of nature in the works of George Grosz. [Masters Thesis]. McGill University; 2002. Available from: http://digitool.library.mcgill.ca/thesisfile79288.pdf
21. Boyle, Amy L. Marcel Broodthaers and Fred Wilson : contemporary strategies for institutional criticism.
URL: http://digitool.library.mcgill.ca/thesisfile98914.pdf
► This thesis compares two contemporary artists who practice institutional criticism, Marcel Broodthaers and Fred Wilson. Looking specifically at Broodthaers's fictional museum project the Musee d… (more)
▼ This thesis compares two contemporary artists who practice institutional criticism, Marcel Broodthaers and Fred Wilson. Looking specifically at Broodthaers's fictional museum project the Musee d Art Moderne, Departement des Aigles from 1968-1972 and Wilson's 1992 installation Mining the Museum at the Maryland Historical Society, this thesis will critically analyze each artist's similar application of deconstruction as a method. Both artists employ allegory and history as aesthetic strategies of deconstruction; using allegorical structure, the artists mobilize objects that have been arrested in history, disrupting a historical continuum that would otherwise remain foreclosed. The focus of this study will be to explore the critical approaches of Broodthaers and Wilson individually as well as the similar theoretical tendencies of the artists jointly; this investigation will assess the effect of institutional criticism on the museum's present condition, unfolding both what has changed and what is still at play within this practice.
Subjects/Keywords: Broodthaers, Marcel – Criticism and interpretation.; Wilson, Fred, 1954- – Criticism and interpretation.; Art museums – Exhibitions – History – 20th century.; Museum exhibits – Political aspects.
Boyle, A. L. (2005). Marcel Broodthaers and Fred Wilson : contemporary strategies for institutional criticism . (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile98914.pdf
Boyle, Amy L. “Marcel Broodthaers and Fred Wilson : contemporary strategies for institutional criticism.” 2005. Masters Thesis, McGill University. Accessed November 19, 2019. http://digitool.library.mcgill.ca/thesisfile98914.pdf.
Boyle, Amy L. “Marcel Broodthaers and Fred Wilson : contemporary strategies for institutional criticism.” 2005. Web. 19 Nov 2019.
Boyle AL. Marcel Broodthaers and Fred Wilson : contemporary strategies for institutional criticism. [Internet] [Masters thesis]. McGill University; 2005. [cited 2019 Nov 19]. Available from: http://digitool.library.mcgill.ca/thesisfile98914.pdf.
Boyle AL. Marcel Broodthaers and Fred Wilson : contemporary strategies for institutional criticism. [Masters Thesis]. McGill University; 2005. Available from: http://digitool.library.mcgill.ca/thesisfile98914.pdf
22. Bratishko, Olena. The Art Songs of Kyrylo Stetsenko: Ukrainian Lyric Diction Guide.
Bratishko, Olena. “The Art Songs of Kyrylo Stetsenko: Ukrainian Lyric Diction Guide.” 2018. Thesis, University of Western Ontario. Accessed November 19, 2019. https://ir.lib.uwo.ca/etd/5762.
Bratishko, Olena. “The Art Songs of Kyrylo Stetsenko: Ukrainian Lyric Diction Guide.” 2018. Web. 19 Nov 2019.
Bratishko O. The Art Songs of Kyrylo Stetsenko: Ukrainian Lyric Diction Guide. [Internet] [Thesis]. University of Western Ontario; 2018. [cited 2019 Nov 19]. Available from: https://ir.lib.uwo.ca/etd/5762.
23. Broughton, Bonnie J. (Bonnie Jean). The Künstlerproblematik and the meaning and function of art in works by Hugo von Hofmannsthal and Thomas Mann.
Broughton, Bonnie J (Bonnie Jean). “The Künstlerproblematik and the meaning and function of art in works by Hugo von Hofmannsthal and Thomas Mann.” 2001. Masters Thesis, Michigan State University. Accessed November 19, 2019. http://etd.lib.msu.edu/islandora/object/etd:30943.
Broughton, Bonnie J (Bonnie Jean). “The Künstlerproblematik and the meaning and function of art in works by Hugo von Hofmannsthal and Thomas Mann.” 2001. Web. 19 Nov 2019.
Broughton BJ(J. The Künstlerproblematik and the meaning and function of art in works by Hugo von Hofmannsthal and Thomas Mann. [Internet] [Masters thesis]. Michigan State University; 2001. [cited 2019 Nov 19]. Available from: http://etd.lib.msu.edu/islandora/object/etd:30943.
24. Brown, Adi. Uncanny urges : the familiar made strange : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .
URL: http://hdl.handle.net/10179/4491
► My research is centred on examinations of the uncanny. I am interested in strategies of the uncanny and the fetish, both Surrealist strategies and how… (more)
▼ My research is centred on examinations of the uncanny. I am interested in strategies of the uncanny and the fetish, both Surrealist strategies and how these strategies create psychologically compelling images and objects. I perceive the uncanny in my work as the familiar made strange through eccentric juxtapositions of every day materials, objects and images. Through a diverse range of artists such as Pat Brassington, Sarah Lucas, Louise Bourgeois and Hans Bellmar I have explored key strategies of the uncanny to locate my own practice. I also draw theoretically from the works of Sigmund Freud, Nicholas Royle, Julia Kristeva and W.D. Winnicott. Methods of play are utilised to examine the possibility of an uncanny aesthetic through a process of bricolage whereby photographs and sculptural forms are constructed from various everyday materials available or on hand. Through this method I investigate how photographs and sculpture can operate as uncanny or fetishistic stand-ins for the body, which is always absent although a primary referent for my work.
Subjects/Keywords: Adi Brown; The uncanny (Psychoanalysis); Installation art; Criticism and interpretation
…primary referent for my work. Through this investigation I playfully probe codes in western art… …bodies in Surrealist art under critical analysis. In Surrealist art, ideas of the uncanny… …and the relevance of this concept to contemporary art today. Psychologically compelling… …The third and final part I position my own art practice within interdisciplinary 2D and 3D… …Wright6 discusses the heimlich and the unheimlich in regards to Surrealist art and the strategy…
Brown, A. (2013). Uncanny urges : the familiar made strange : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . (Thesis). Massey University. Retrieved from http://hdl.handle.net/10179/4491
Brown, Adi. “Uncanny urges : the familiar made strange : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2013. Thesis, Massey University. Accessed November 19, 2019. http://hdl.handle.net/10179/4491.
Brown, Adi. “Uncanny urges : the familiar made strange : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2013. Web. 19 Nov 2019.
Brown A. Uncanny urges : the familiar made strange : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2013. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/10179/4491.
Brown A. Uncanny urges : the familiar made strange : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Thesis]. Massey University; 2013. Available from: http://hdl.handle.net/10179/4491
25. Burton, Samantha. Re-mapping modernity : the sites and sights of Helen McNicoll (1879-1915).
URL: http://digitool.library.mcgill.ca/thesisfile83172.pdf
► Canadian artist Helen McNicoll (1879-1915) has long been neglected in art historical scholarship. Although well-known and well-regarded during her lifetime, her work has since been… (more)
▼ Canadian artist Helen McNicoll (1879-1915) has long been neglected in art historical scholarship. Although well-known and well-regarded during her lifetime, her work has since been marginalized as feminine and dismissed as old-fashioned. Through the lens of a modernist art historical tradition that has privileged the urban and masculine above all else, McNicoll's Impressionist depictions of sunlit beaches, open fields, and rural women at work may indeed seem quaintly nostalgic. In this thesis, I argue that these images can and should be seen as both representations of modernity and assertions of feminist thought. McNicoll travelled throughout England and Europe, and across the Atlantic Ocean in search of artistic subject matter; viewed within the context of tourism – which has been theorized as a fundamentally modern activity – her images appear modern in ways that have not traditionally been recognized.
Subjects/Keywords: McNicoll, Helen, 1879-1915 – Criticism and interpretation; Women painters – Canadian.; Tourism and art.
Burton, S. (2005). Re-mapping modernity : the sites and sights of Helen McNicoll (1879-1915) . (Masters Thesis). McGill University. Retrieved from http://digitool.library.mcgill.ca/thesisfile83172.pdf
Burton, Samantha. “Re-mapping modernity : the sites and sights of Helen McNicoll (1879-1915).” 2005. Masters Thesis, McGill University. Accessed November 19, 2019. http://digitool.library.mcgill.ca/thesisfile83172.pdf.
Burton, Samantha. “Re-mapping modernity : the sites and sights of Helen McNicoll (1879-1915).” 2005. Web. 19 Nov 2019.
Burton S. Re-mapping modernity : the sites and sights of Helen McNicoll (1879-1915). [Internet] [Masters thesis]. McGill University; 2005. [cited 2019 Nov 19]. Available from: http://digitool.library.mcgill.ca/thesisfile83172.pdf.
Burton S. Re-mapping modernity : the sites and sights of Helen McNicoll (1879-1915). [Masters Thesis]. McGill University; 2005. Available from: http://digitool.library.mcgill.ca/thesisfile83172.pdf
26. Caldwell, Nicola. Art for Audience's Sake: How can audience-centric art interpretation enhance meaning, diversity and accessibility?.
Caldwell, Nicola. “Art for Audience's Sake: How can audience-centric art interpretation enhance meaning, diversity and accessibility?.” 2018. Masters Thesis, Victoria University of Wellington. Accessed November 19, 2019. http://hdl.handle.net/10063/7628.
Caldwell, Nicola. “Art for Audience's Sake: How can audience-centric art interpretation enhance meaning, diversity and accessibility?.” 2018. Web. 19 Nov 2019.
Caldwell N. Art for Audience's Sake: How can audience-centric art interpretation enhance meaning, diversity and accessibility?. [Internet] [Masters thesis]. Victoria University of Wellington; 2018. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/10063/7628.
27. Cartwright, Kevin. From the television : an exegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Art at Massey University, Wellington, New Zealand .
Cartwright, Kevin. “From the television : an exegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Art at Massey University, Wellington, New Zealand .” 2017. Thesis, Massey University. Accessed November 19, 2019. http://hdl.handle.net/10179/13196.
Cartwright, Kevin. “From the television : an exegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Art at Massey University, Wellington, New Zealand .” 2017. Web. 19 Nov 2019.
Cartwright K. From the television : an exegesis presented in partial fulfillment of the requirements for the degree of Master of Fine Art at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2017. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/10179/13196.
28. Castro Navarrete, Adelaida. Interpretación accesible del Arte dirigida a personas con discapacidad visual: un proceso de diseño participativo y multisensorial con el público.
Castro Navarrete, Adelaida. “Interpretación accesible del Arte dirigida a personas con discapacidad visual: un proceso de diseño participativo y multisensorial con el público.” 2015. Thesis, Universidad de Sevilla. Accessed November 19, 2019. http://hdl.handle.net/11441/31058.
Castro Navarrete, Adelaida. “Interpretación accesible del Arte dirigida a personas con discapacidad visual: un proceso de diseño participativo y multisensorial con el público.” 2015. Web. 19 Nov 2019.
Castro Navarrete A. Interpretación accesible del Arte dirigida a personas con discapacidad visual: un proceso de diseño participativo y multisensorial con el público. [Internet] [Thesis]. Universidad de Sevilla; 2015. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/11441/31058.
29. Cauchi, David. A strange book of incomprehensible nonsense : or how I became an intertemporal avant-garde artist and went completely batshit insane : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .
Cauchi, David. “A strange book of incomprehensible nonsense : or how I became an intertemporal avant-garde artist and went completely batshit insane : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2012. Thesis, Massey University. Accessed November 19, 2019. http://hdl.handle.net/10179/3381.
Cauchi, David. “A strange book of incomprehensible nonsense : or how I became an intertemporal avant-garde artist and went completely batshit insane : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand .” 2012. Web. 19 Nov 2019.
Cauchi D. A strange book of incomprehensible nonsense : or how I became an intertemporal avant-garde artist and went completely batshit insane : an exegesis presented in partial fulfilment of the requirements for the degree of Master of Fine Arts at Massey University, Wellington, New Zealand . [Internet] [Thesis]. Massey University; 2012. [cited 2019 Nov 19]. Available from: http://hdl.handle.net/10179/3381.
30. Cecilia Priscila de Souza. Intertextualidade no direito tributário.
URL: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=14385
O objetivo deste estudo é apresentar a intertextualidade como um grande instrumento facilitador da interpretação jurídica, estabelecendo os limites textuais e contextuais do discurso normativo… (more)
O objetivo deste estudo é apresentar a intertextualidade como um grande instrumento facilitador da interpretação jurídica, estabelecendo os limites textuais e contextuais do discurso normativo na solução de conflitos, especialmente no que tange à atividade tributária. O Direito é um objeto cultural por derivar da construção humana e, portanto, carregado de valores atribuídos pela sociedade. É apresentado no formato de texto forma de construção da realidade cognoscível , e o modo de aproximação desse objeto será por nós conferido pelo método hermenêutico-analítico. A análise e interpretação do direito positivo, seja com o fim de produzir Ciência, seja para sua aplicação, deverá restringir-se à realidade jurídica normativa, sob pena de carecer do status jurídico. Toda incidência normativa depende de interpretação, cujos princípios informadores são a intertextualidade e a inesgotabilidade. Essa atividade interpretativa jurídica deverá, ainda, ter em conta todo o sistema normativo, sob pena de ser parcial e equivocada
This study presents the intertextuality as a major facilitator of legal interpretation, establishing the limits of the textual and contextual normative discourse in conflict resolution, especially in regard to tax norms. Law is a cultural object by deriving from human-made and therefore loaded with values assigned by society. It is presented in text form a form of construction of knowable reality and the way to approach the object is given to us by hermeneutic-analytical method. Analysis and interpretation of positive law in order to produce science or its application should be restricted to the normative legal reality, under penalty of lack of legal status. The entire normative incidence depends on interpretation, and its principles are intertextuality and inexhaustibility. This legal interpretive activity should also take into consideration the whole regulatory system, under penalty of being partial and misleading
Subjects/Keywords: DIREITO TRIBUTARIO; Interpretação jurídica; Intertextualidade; Art. 110 do Código Tributário Nacional; Legal interpretation; Intertextuality; Article 110 of the Brazilian National Revenue Code
Souza, C. P. d. (2012). Intertextualidade no direito tributário . (Thesis). Pontifícia Universidade Católica de São Paulo. Retrieved from http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=14385
Souza, Cecilia Priscila de. “Intertextualidade no direito tributário.” 2012. Thesis, Pontifícia Universidade Católica de São Paulo. Accessed November 19, 2019. http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=14385.
Souza, Cecilia Priscila de. “Intertextualidade no direito tributário.” 2012. Web. 19 Nov 2019.
Souza CPd. Intertextualidade no direito tributário. [Internet] [Thesis]. Pontifícia Universidade Católica de São Paulo; 2012. [cited 2019 Nov 19]. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=14385.
Souza CPd. Intertextualidade no direito tributário. [Thesis]. Pontifícia Universidade Católica de São Paulo; 2012. Available from: http://www.sapientia.pucsp.br//tde_busca/arquivo.php?codArquivo=14385

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του Εθνικού Δημοτολογίου
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